24 Weird And Wonderful Products You Won't Regret Buying
A 1,000-piece pooping-dogs puzzle featuring all kinds of different breeds (and even a fox) doing their business that's sure to be a hit with your whole household. Shoutout to my grandpa, who once famously slammed on the brakes of his car and yelled to my aunt and uncle, "Look, kids! That dog's taking a crap!"
A brand-new White Lotus cocktail recipe book based on the weird and wonderful show. With 60 drinks (including mocktails!) to make, inspired by all three seasons' settings, you can feel like you're at the luxury resort without the...you know, extremely ominous vibes. Wrapping a Peppa Pig-esque pink scarf around your hair while you sip is extra credit.
The cutest cherry toilet brush because it turns out toilet brushes don't have to be just an unsightly necessity. ~Pit~ure this: a bathroom with all the essentials, but that actually feels whimsical — that's about to be your reality.
The sweetest cowgirl Hello Kitty and horse salt and pepper shakers to ~pepper~ a little extra whimsy into your life. Yeehaw!!
An artful bumblebee stud and honey drip ear jacket set so unique, everyone will be ~buzzing~ about it.
A flexible flower vase pal you can pose in all kinds of goofy ways, from having him wave to visitors, do the splits, or raise the roof because he's so revved up to be a reservoir for your roses.
A squeal-inducing potato plush rocking a T-shirt that Little Mermaid, Harry Styles, and Taylor Swift fans alike will flip over. I'll tell you something right now...🎶 floor it through the fences 🎶 and add to cart.
Bestselling Globbles fidget toys that stretch, squish, and stick to the wall (!!!) without leaving messy residue. You may want to buy a set for every room in the house.
A 12-inch wall mirror trimmed with faux cherries and frosting — it's sure to be the ~icing on the cake~ to your already adorbs bedroom or bathroom decor.
A fun cat tree available in tons of sizes to fit your home and kitty's needs, and that will make your fur baby feel like they rule the Mushroom Kingdom. It's a meow, Mario.
A racerback romper with adjustable straps available in tons of funky prints from flamingos to dinos to, of course, taco cats in space. Wear it around the house now and then absolutely everywhere this summer or on your next vacation — it would make an adorable swim cover-up!
Or, if you're more of a Patrick person, a ~sexy~ air freshener that'll have people cackling the second they hop into your car. If your vehicle is currently full of smelly smells that smell smelly, swap 'em out for the fitting sea breeze scent emanating from this true Star.
A squee-worthy set of bird sponges complete with a suction! cup! perch! so they can hang out on the side of your sink when not in use. Perchfection.
A deliciously delightful baguette vase you should say "oui oui" to adding to your home. Even if you're the one buying yourself flowers, at ~yeast~ you've got somewhere to put 'em that'll make your spirits ~rise.~ 😉
A LOL-worthy tortilla blanket so you can fulfill your lifelong dream of becoming a human burrito.
An almost-not-to-be-believed New York hot dog corgi purse (yes, you read that right). I honestly don't know where to begin...the fuzz? the toppings?? The I ❤️ NY tag??? The convenient crossbody strap??? The TONGUE?!?!?
A Dracula garlic mincer — which you can also use for things like ginger and nuts, though those aren't as funny — if you wanna add some spooky ~seasoning~ to your dishes. Just pop in the garlic and twist to press, crush, and mice several cloves at a time!
A dimmable duck light who is quite simply a very big mood. He is made of squishy silicone, seems 100% DONE with doing anything (same), has a 30-minute auto-shutoff timer feature and three brightness settings, and, yes, also features a drawn-on butthole. It's the little things.
And a silly duck chair pillow because your current uncomfy seat and boring WFH setup always tempts you to ~duck~ out of work early. This dude is cushy, fuzzy, and completely absurd — literally what more could you want?
A bold and sparkly Mickey Mouse ears pizza bag charm sure to be a compliment magnet at Disney parks and literally everywhere else, too. If the House of Mouse always has a pizza your heart, this is for you.
An OMG-worthy (and actually functional!) Dali-inspired melting clock that'll look unbelievably cool hanging off your shelf and basically turn your living or bedroom into a surrealist masterpiece.
A "Noodle Monster" spaghetti container because frankly I don't care about the hip, aesthetic way the Kardashians and such organize their dry goods — I want mine to be cute and ideally, alien-themed, dang it!!!!!
Cutie patootie wooden bunny toast tongs ~ear~ to ensure your fingertips stay safe while impatiently reaching for your freshly-toasted everything bagel.
And finally, a bejeweled butter bag (try saying that three times fast), to make your night out outfit so much more delicious than everyone else's. Butter makes everything better — and you'd butter prepare yourself for compliments.
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Indianapolis Star
an hour ago
- Indianapolis Star
New Labubu toys releasing at Pop Mart: See the grocery store-inspired series
Labubu lovers can rejoice as they will get the opportunity to add to their collections when Pop Mart releases a new collection featuring fan-favorite characters from the story series "The Monsters." The Monsters Wacky Mart Series is dropping on Pop Mart's website on Thursday, June 12, at 10 p.m. ET, according to the toy company's website. The series features designs inspired by grocery stores and food, such as an earphone case modeled after a Labubu shrimp tempura. The "collection reimagines everyday convenience store moments through the eyes of LABUBU and friends," said Emily Brough, head of IP licensing at Pop Mart, in a statement emailed to USA TODAY. "Complete with unexpected food mashups and quirky details, there is no doubt fans will fall in love." The eight-product series includes several different blind boxes, plushes, a purse and a display case. The series will be available to buy on Pop Mart's website on Thursday, June 12, at 10 p.m. ET. The Monsters Wacky Mart Series can be purchased from Pop Mart's website. Eight products make up the series, including the following listed on Pop Mart's website: The blindboxes in the Wacky Mart series include: Blind boxes can contain toys or figurines from different properties, from well-known characters like Hello Kitty and Winnie the Pooh and their friends, to popular manga characters like Monkey D. Luffy from "One Piece." Some of the blind boxes' contents may be rarer than others, which can increase their value and the amount collectors are willing to pay for them if they're resold online. Labubu blind boxes are currently being sold worldwide by the Beijing-based toy-maker Pop Mart as a part of their "The Monsters" line. The Labubu dolls have become so popular that they've attracted the attention of resellers. To ensure you are purchasing authentic Labubu or "The Monsters" merchandise, purchase the dolls directly from Pop Mart, its Amazon store or other major retailers. Labubu is a creepy-looking doll with a big head, sharp teeth and big eyes who wears fuzzy pajamas. Although it comes with pajamas, consumers can purchase other clothes to dress their Labubu dolls in. The monsters were designed by Hong Kong artist Kasing Lung in 2015, according to Pop Mart. Lung is a Hong Kong-born artist, illustrator and toy designer, Business Insider reported.
Yahoo
9 hours ago
- Yahoo
‘The White Lotus' star Aimee Lou Wood on the social media drama: ‘It's been scary, overwhelming, and difficult'
The past two months have been quite the roller-coaster for Aimee Lou Wood. She'd barely had a moment to process the fallout from the season finale of The White Lotus, which claimed the life of her fatally doomed character Chelsea, before she got caught up in a swirl about an insensitive Saturday Night Live sketch. And then there was "The Great Unfollowing," the social media obsession about why her White Lotus costar Walton Goggins was no longer tracking her Instagram posts. More from GoldDerby 'Feel good about not conforming': Christina Ricci reflects on her iconic roles, from Wednesday Addams to Misty Quigley 'The show is a true fluke': '100 Foot Wave' executive producer on how they chase big waves across the globe Damian Lewis on returning to 'Wolf Hall': 'Who doesn't want to play Henry VIII?' "I've never experienced anything like this before, so I'm kind of learning along the way," Woods tells Gold Derby. "But the wake of it has been a lot." Here, she reveals how she's learned to deal with the impact of her newfound notoriety, the advice costar Parker Posey gave her, and why she always knew that Chelsea was going to die. Gold Derby: I feel like you've lived two lives — the show life and then the post-show life. Aimee Lou Wood: That is so weird that you say that because I've just been talking about that. It's felt like two chapters of a very complex, amazing, confronting, challenging story. I've had to hold a multitude of truths to just be accepting of everything that's happening. Because it's all of it. You can't put it into a box. You just have to see it as a transformative experience because it is. It's amazing, and it's also been scary, overwhelming, and difficult because you're having to shift into a different way of living that you're kind of expected to know how to do it. But, of course, we don't know how to do it. SEEAimee Lou Wood is rising in the Emmy odds after the 'SNL' teeth joke How are you taking care of yourself? Given the social media swirl of everything that you've been through since the show has ended, are you OK? I am OK. Thank you for asking. That's so nice. God, that made me emotional. I spoke to Parker Posey today, and it was just the best chat because she just does it so right. She just doesn't engage with that. It's like, this is her experience. She is taking from this what Parker needs to take, rather than being at the mercy of other people's opinions. It's about her experience. I think that I'm good. I think that I've learned so much about people and about myself from the craziness of this. And for that, I'm really grateful, actually, and I've had reckonings in my life that I would never have had without this pressure cooker. So I think it's sped up my growing up process quite a lot. Parker was, like, we're entertainers. Our job is to entertain, and then we become not entertaining because of how heavy some of the stuff can be, and actually you have to just be silly actors. We love pretending, and it's when you forget that, or when you lose track of that, that's when it becomes very confusing. You have to reconnect the fact that we're daft and we're silly and we tell stories, that's who we are. And actually, we're not designed for that other part of it. We're not designed for the social media, all of that stuff. That's a different job, that's a completely separate job, and a completely separate thing to the acting. That part is harder because it's not what is our element. I'm not in my element doing that. I'm in my element when I'm on set. I'm finding that moment in Chelsea's story. And I think, "Oh, I've just got to tell the truth here." And that's what I love. But the other stuff, it is a completely different skill. You're only human at the end of the day, and so you have to find that right balance between the two. You do. You really do. It's just taking it all the good and the bad, and then you can do it. Because at one point, it was a bit, like, everyone's coming at me. This is so overwhelming. It's like, actually, everyone's not coming at you, Aimee, they're coming at an idea of you. They're coming at Aimee Lou Wood, who's someone that they don't actually know, and someone that's not you. You're a concept to those people. You're a concept to those people commenting on social media; the people who love you and know you are still the same people. So actually, all of that stuff can't really touch Aimee because they don't know me. It's strangers, it's people who don't know me. Especially with a character like Chelsea, especially with the design of Mike [White]'s show and his casting, he wants people who are really close to their characters, who do share an essence with them. It becomes extremely personal, and then it's like, well, actually, the "you" that they're talking about isn't me. It's Chelsea. That's a really interesting thing to experience. Aimee starts feeling like a disappointment because she's not Chelsea, especially when it's a show that penetrates the zeitgeist this much. You start to feel like you don't belong to yourself. I think that's what Parker was trying to say to me this morning. You can take from this what you need, what you want, to further your journey as a human being and as an actor. It doesn't have to be for anyone else. This is for you, so that then you get a sense of ownership back, rather than feeling like you're being owned by all the people who watch The White Lotus. SEEAimee Lou Wood gets her flowers — literally — from 'SNL' star Sarah Sherman after 'mean and unfunny' sketch; Bowen Yang defends Wood's 'completely valid' reaction I think there's also something about Chelsea inhabiting a world that's full of very unlikable characters, and she is probably the one fundamentally good people that exists in that world. How did you find your way into her? I felt very deeply connected to her from the first read of the audition sides. I'd always wanted to be in White Lotus, and I just didn't know where I would fit. I would watch it, and I think I want to be in this show, and I want to work with Mike, but where the hell do I fit in this world? I don't feel like there's a way in. And then I saw these audition sides from Chelsea, and I was like, "This is the way in if it's going to be anything, it's going to be this." And so from the beginning, I just think I really understood her, and she really resonated with me, and I think Mike really just bolstered that. We didn't have many chats about Chelsea, intellectually, it was all very gut-driven. His thing was more telling me you already know… ...that she was going to die? Yes. I did the scene where it said, "We're going to be together forever, don't you think?" And he says, "That's the plan." And she says, "Is it?" And as soon as I said those words, I knew it was them that died. I knew it was them. And Mike was like, "I think you're picking up on something here." And he told me. So I knew from the second time I ever spoke Chelsea's lines that she was the one who dies, and that Rick was too. And so you kind of have to put it out your mind while you're filming, because she doesn't know she's going to die, even though she does kind of have a connection to death that is quite strange, like she's kind of obsessed with it. She keeps saying bad things happen in threes. Yes, she references it a lot. So that was also helpful because it meant that I could know in the back of my mind because I think Chelsea knows in the back of hers. She knows that she's a person who cannot help but go towards danger. So she's very connected to her death drive, which is what makes her so alive as a person, because she thinks about death a lot, and she's close to it. So it means that she lives very courageously and very moment to moment. But it also is really sad because I felt like she was this person who just couldn't help but walk towards her own doom. And that reminds me of so many like women that I love, who I looked up to so much growing up, these kind of tragic heroines that were there. They were amazing and wonderful and brought so much light to the world, but also had this self-destruct button that they couldn't stop pressing, and it's part of what made them so alive and so interesting as artists, but it also meant that they didn't live. I just always understood that Chelsea was someone who almost knew that she wasn't going to live that long, and so therefore, a relationship like hers and Rick's isn't really that scary to her because she's got that amor fati thing going on, which is, yeah, this is probably destructive, but that doesn't stop her from doing anything because she's already accepted that maybe her life isn't going to be a long one, and it's not going to be a cozy one and a safe one. It's going to be bright and fast. What motivates her? Is it her love for Rick? I think that with Chelsea, a thing that really helped me was her line about "bad things have happened to me too, and you don't see me walking around feeling sorry for myself" that she says to Chloe (Charlotte Le Bon). And after I said that, I thought, Chelsea is running away from something. Chelsea is running away from a pain, just the same as Rick is, but the way that they deal with it is so different. And by pouring herself into Rick, she never has to look at her own stuff. It's all about his pain. She laments that to Chloe, but really she likes it that way because it means that she can just see and give and pour and not ever have to look in. It's all looking out. And that's why she's so confronted by Saxon (Patrick Schwarzenegger) because trying to look at her, and she's like, "Whoa, no. That's not how I work. I do the looking." So I think that what motivates her is love for Rick, but it's also a really deep fear of sitting with herself. She does not want to sit with herself. She really doesn't. She doesn't want to feel the feelings. She's running away. She's gone traveling. She doesn't stop moving. She doesn't stop talking. She's constantly talking; words are her armor. She just chats, chats, chats, chats, chats. And when she's lying on the floor at the end and she can't speak for the first time, Rick actually gets to see her almost more clearly than she's ever let him see her before because she's got nothing funny to say, nothing inquisitive to ask. She's just her, and he can see how much he adores her and loves her. She doesn't really let anyone properly get to know her. It's both adoration and love for Rick and a true belief that he's her soul mate. But it also means she avoids all responsibility because if it's written in the stars, if it's fate, then she doesn't have any responsibility. She doesn't have any choice. So it's done, it's written that whatever goes will go and I don't have any control over it. It's a very clever way to avoid ever growing up, facing your stuff, facing your feelings and taking responsibility because we're soul mates, so there's nothing I can do about it, and that's where her and Rick are so similar because Rick's like, "There's nothing I can do. This is my fate. I have to go and kill this man." No, you don't. You have free will, but both of them believe that their stories are already written and that they can't change it, and that's why they are the perfect storm. SEEPatrick Schwarzenegger on pulling off Saxon's transformation in 'The White Lotus' Season 3 Do you think Saxon was truly changed by his encounter with Chelsea? Do you think she changed him? I think that she did change him. I think she did, and I think that it wasn't even romantic. I think it was someone that he needed to meet on his spiritual journey. That just shocked him. He was in a script, and she just came and ripped up the pages of the script and went, "No, we don't follow that." I'm not doing those lines. It was the shock of this human that woke him up. I think that he thinks it's romantic because he doesn't know any other way to be with women. It has to be that there's some kind of object of desire to him if he's interested. But actually, what I think Saxon realizes over the course of the show is that he's so much more interested in what she has to say and what she has to teach than his own lust. I think they could have had a beautiful friendship. I think what's so sad is that both of them could have had a gorgeous friendship, but they were both blinkered by something that was stopping them from connecting fully to each other. If Saxon was brought up in a different family, he wouldn't be that guy. And if Chelsea had a different life, she wouldn't be that girl. So they kind of miss each other, when actually, by nature, they're probably very similar. They're determined. They both love their mantras. They both love spouting loads of knowledge, and they're both really trying in life. But their just conditioning has been so different that they think they're opposites, but they're actually so deeply similar, and I think they just see that at the end, and then it's too late. What's one thing you took away from the experience? I've learned so much. Probably one of the most profound life moments I ever had was watching Chelsea die, sitting with Charlotte and Patrick and all my friends, all these amazing friends that I've made, and going, "Oh, it's permission to let go of anything in Chelsea that was me, that was holding me back." Because she's so close to who I am, just getting to grow up for both of us, because the thing that Chelsea can't do is grow up. I think that it's made me more ready to be a grown-up. Who do I want to be as a person? Who do I want to be as a human being, and how do I want to live? Because I now have the privilege of getting to be a grown-up, and if I'd made a different step in my life when I was younger, I might have been a Chelsea. So seeing that unfold is really profound. Best of GoldDerby 'The best job I ever had': 'From 'Supernatural' to 'The Boys,' Eric Kripke talks his biggest hits — and miss (ahem, 'Tarzan') 'Cross' star Aldis Hodge on building an aspirational hero — who's not a superhero Jonathan Pryce on the 'great responsibility' of playing a character with dementia in 'Slow Horses' Click here to read the full article.
Yahoo
10 hours ago
- Yahoo
Sam Rockwell Says ‘Sinners' Success Is ‘Encouraging' for Hollywood: ‘It's a Big Swing'
Sam Rockwell is singing the praises of 'Sinners.' The 'White Lotus' actor told Variety that 'Sinners' succeeding at the box office is a beacon of hope for Hollywood. 'It was encouraging because it was rated R, you know? The sexuality felt palpable,' Rockwell said. 'And the fact that it made a bunch of money while mixing all these genres — 'From Dusk Till Dawn,' 'Sounder,' 'Devil in a Blue Dress' — I thought that was encouraging. It's a big swing. And it made a lot of money, just like 'Wonder Woman.' That was a big swing, too. Made by a woman [Patty Jenkins]. Did very well.' More from IndieWire 'Charliebird' Wins Top Tribeca Festival Jury Prize: Full List of Winners Jacinda Ardern Documentary 'Prime Minister' Shows Us How the New Zealand Leader Is the Anti-Trump Rockwell compared 'Sinners' to Academy Award-winning films that also transcended genre. ''Birdman' is another one. On paper, you'd think, 'That movie's not going to do anything.' But it was amazing,' he said. 'Same with 'One Flew Over the Cuckoo's Nest.' Everybody turned it down — Gene Hackman, James Caan. But look what happened. So yeah, I'm encouraged by certain things.' Rockwell even compared the CGI twin trick 'Sinners' pulls with Michael B. Jordan to the work he did his 2009 film 'Moon.' 'I really dug it. And the technology with the twin thing has come a long way since I did a trick like that long ago.' Coogler recently told Ebony Magazine that 'Sinners' was his break from directing franchise films. 'I wanted to get away from that,' he said of returning to his original indie roots. 'I was looking forward to working on a film that felt original and personal to me and had an appetite for delivering something to audiences that was original and unique.' Coogler previously thanked fellow filmmakers Spike Lee, Quentin Tarantino, and Brian De Palma for helping to inspire his leap of faith with 'Sinners.' He also credited audiences for purchasing tickets to go to the feature in theaters. Coogler wrote in a letter shared with IndieWire, 'I had the gift of the opportunity of making a film inspired by my family and my ancestry, but it was always a film that we wanted to make for audiences, in theaters. We always had our minds on you, the audience, and felt a deep responsibility to entertain you, and move you in the way only cinema can. We don't get to do what we do if you don't show up. To see your response to the film has reinvigorated me and many others who believe in this art form. And together maybe we can expand the definition of what a blockbuster is, what a horror movie is, and of what an IMAX audience looks like.' Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie Nicolas Winding Refn's Favorite Films: 37 Movies the Director Wants You to See
