logo
Thirsty? Here are some of the best patios to check out in Ottawa this summer

Thirsty? Here are some of the best patios to check out in Ottawa this summer

CTV News5 hours ago

Outdoor dining, drinking and people watching are some of the best things to do as the weather warms up and patio is in full swing.
Outdoor dining, drinking and people watching are some of the best things to do as the weather warms up in the nation's capital.
Across the city, restaurants and bars are opening their outdoor patios, featuring classic favourites and new hidden gems.
Local food blogger Allie Simanzik shared some of her favourite great local patios to to CTV Morning Live this week.
New Pho Bo Ga La
763 Somerset St W
New Pho Bo Ga La, featuring delicious traditional Vietnamese Pho, rice rolls and drinks, is one of the only patios located in Ottawa's Chinatown neighbourhood.
Located on Somerset Street, the restaurant's patio showcases a lush green environment with neon lights to set the scene in the evenings.
'It's really cozy,' Simanzik said. 'It's one of my favourite spots in Chinatown.'
Simazik recommends ordering the build-your-own rice rolls, made from your choice of protein, noodles and vegetables.
Dark Fork
25 George St
Dark Fork is a unique restaurant located in the ByWard Market where patrons eat in a dark dining room with no lights, allowing customers to experience the life of a visually impaired person.
This year, the restaurant is opening its first ever sign language dining experience on its George Street patio with staff who are deaf or hard of hearing.
Signs and menus guide customers how to use sign language to order.
'It's a really cool new concept. I think it's the most unique idea we have. Everyone can learn a little sign language along the way,' Simanzik said.
The patio's menu features a large array of American and Canadian classics, including burgers, steak and pasta.
Dark Fork
Roxanne Labreche greets diners at Dark Fork in Ottawa's ByWard Market. (Shaun Vardon/CTV News Ottawa)
The Moonroom
442 Preston St
The Moonroom's signature cocktails are the perfect refreshment for a hot summer day.
The Little Italy cocktail lounge features a secret garden in the back to bring a more intimate setting.
'It almost transports you to Brooklyn. There's lush greenery, beautiful, handcrafted cocktails on site,' Simanzik said.
The menu also features some delicious Mediterranean bar bites.
La Roma
430 Preston St
Located just steps from The Moonroom is longstanding Preston Street staple La Roma.
You might be surprised to know about its secret rooftop patio that allows for private parties.
For over 30 years, the restaurant has been known for its modern twists on classic Italian cuisine.
It also has an impressive wine list that can be enjoyed al fresco.
Kichesippi Brewery and Ad Mare Seafood truck
2265 Robertson Rd
Kichesippi Beer Company and the Ad Mare Seafood truck have partnered up to bring an east coast vibe to Ottawa's west end.
Ad Mare makes on-the-spot fish seafood dishes and combines it with Kichesippi's extensive beer list to bring a fun and inviting atmosphere.
'Think lobster rolls with a really crisp beer on a patio,' Simanzik said.
'It just kind of teleports you to the east coast a little bit.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

New outdoor play turns the tide at Rising Tide Theatre
New outdoor play turns the tide at Rising Tide Theatre

CBC

time7 minutes ago

  • CBC

New outdoor play turns the tide at Rising Tide Theatre

A theatre company in Trinity, N.L. is breaking from tradition this summer with a new offering. The New Found Lande Trinity Pageant, ran by Rising Tide Theatre each summer since 1993, will be replaced with a fresh take on the stories of Newfoundlanders and Labradorians today. "The pageant is an extremely important part of our story. It's the reason why we ended up in Trinity," artistic director Mallory Clarke told CBC Radio's Newfoundland Morning. The pageant took audience members on an outdoor tour of Trinity, and re-enacted some of the most defining moments in Newfoundland and Labrador's history. The new play will be similar, just with different stories. Clarke said the decision to make the adjustment was a result of feedback from businesses and community groups in the area, which suggested it was time for new programming. Over half of the theatre's programming this year is brand new. "We get a lot of the tourist audience, which is so wonderful and so important," Clarke said. "But I also think it's really important … that we're also providing some programming that really appeals to the local audience." Elizabeth Burry runs a jewelry studio in Trinity. "I could probably play any one of those parts in that play … because I've seen it so many times, and I don't get tired of it," Burry said. The pageant brought visitors from around the world into her studio, she said, and it's an important part of the town's tourism industry. Burry said she's disappointed to see the program go, but also that she has noticed the audience dwindle over the years. "As a local, I want to see something new as well, you know, a new play and a new history piece that will bring what the pageant brought to the area," she said. Actress Petrina Bromley stepped in. Bromley adapted the new outdoor play, This Marvellous, Terrible Place, from a photography book by the same name. The book depicts the day-to-day experiences and hardships of rural and outport life through the personal accounts of Newfoundlanders and Labradorians. "Our mandate is Newfoundlanders telling their own stories in their own voices," Clarke said. "So what that looks like now in 2025 is quite different than what it looked like in 1993 when we arrived in Trinity." The play opens on June 21, and runs on Wednesdays and Saturdays over the summer.

Vancouver show hopes to bridge the worlds of symphony and video games
Vancouver show hopes to bridge the worlds of symphony and video games

CBC

time23 minutes ago

  • CBC

Vancouver show hopes to bridge the worlds of symphony and video games

An upcoming Vancouver concert will feature a symphony orchestra performing music from some of the world's most popular video games — and the orchestra's conductor wants to make new fans of symphonic music in the process. Game On! will see the Vancouver Symphony Orchestra take on music from megahit games like The Elder Scrolls 5: Skyrim, Civilization, Assassin's Creed and more at the Orpheum Theatre on June 11. Conductor Andy Brick says that back when he first started working with symphony orchestras to perform music from video games in 2003, the idea was a novelty. Brick says he was the first to conduct such a concert in the West, with the Czech National Symphony Orchestra in Leipzig, Germany — and admits many of his musicians, at first, expressed skepticism over being asked to play music from video games. "The minute we started — you know, the hall is sold out, was packed — the audience went crazy. It was almost like being at a rock concert," he told CBC News. "I think that's one of the really special things about video games, is that the audience connection to the music is quite different than what I think orchestras typically experience with their audiences." Brick says he hopes his Vancouver show can serve as a bridge to the world of symphonic music, especially for younger people. The composer also hopes to convince regular symphony listeners of the value of video game music, which one academic says has deep emotional resonance for gamers. "You're connecting to the music on the musical level, but you're also connecting to it on a physical, interactive level," Brick said. "When you get into the concert hall, when you hear this music, you're having a connection not just with the music, but you're having this visceral connection again," he added. "So I think there's a lot of physicality." 'Powerful resonance' Composer, percussionist and music educator Aidan Gold has written about how classical musicians respond to each other and improvise — likening it to a quasi-theatrical experience or even playing a game together. The composer from Seattle said that playing video games is often a long-form experience that's deeply personal, where a player engages with a game that responds to them in turn. "As a result, you can sort of connect very deeply with certain aspects of it, including the music, which ... forms, like, a powerful resonance" he said. "Then, whenever you hear it, especially in a new venue like the concert hall, that can often provoke a very communal reaction because you're connecting with all of these other people who may also have had that experience." Brick says audiences for his video-game-based symphony orchestra performances have tended to skew younger than usual — and as video games mature as a medium, the audience has grown up with them. He says condensing video game music into a symphonic performance can be challenging, given how music within games changes dynamically in response to the player, and composers often have to create a suite of tracks that evokes a particular game. "It's a music which ... speaks more to the atmosphere and the emotional content of the game than it does to a specific storyline," he said. "Because the specific storyline can change." Brick says he wants to convince regular symphony listeners of the value of video game music, especially given that many video game composers are classically trained. It's a feeling Gold shares, saying that having a symphony orchestra perform video game music has the potential to appeal to both new and old fans of symphonic music. "People who don't think so much about video games, or interactive structures, might see these concepts of video game music and be inspired to think more about like, 'OK, how is music like a game? How ... do these communal experiences work?'" Gold said.

This 40-foot serpent sculpture in Vancouver is a reclamation of Squamish and Japanese art
This 40-foot serpent sculpture in Vancouver is a reclamation of Squamish and Japanese art

CBC

timean hour ago

  • CBC

This 40-foot serpent sculpture in Vancouver is a reclamation of Squamish and Japanese art

Social Sharing James Nexw'Kalus-Xwalacktun Harry, a Squamish artist, and Lauren Brevner of Japanese and Trinidadian heritage, have been collaborating on art pieces for a decade. The pair are partners in life and welcomed their daughter into the world two years ago. They thought of her as they pitched their latest public art project: a 40-foot sculpture of a two-headed snake located at the intersection of Granville Street and West Broadway, in Vancouver's Fairview neighbourhood. The double-headed serpent, Sínulhḵay, is a supernatural being from a Squamish Nation story, and the sculpture was made using Japanese materials. The piece, they say, will allow their daughter to see her cultures represented in the mainstream. "When we were talking about what was important to us, it always came back to her, how we want her to walk in her power and be represented in this world," Brevener said. WATCH | 40-foot sculpture at future SkyTrain station incorporates Coast Salish, Japanese art: 40-foot sculpture at future SkyTrain station incorporates Coast Salish, Japanese art 3 days ago Duration 7:28 Artist James Harry and his collaborator Lauren Brevner worked on the new Sínulhḵay sculpture at the future location of the South Granville station in Vancouver. Harry, who is from the Squamish Nation, said the piece reflects a supernatural story of a double-headed serpent. "We wanted her to know who she is, so we created a body of work around that." The project was selected through a competitive process. Harry and Brevner curated the piece based on the Squamish story and a team of designers and fabricators at Area 58 Innovation Inc. in Langley built it. A warrior and a snake The serpent's two heads represent the good and the bad in life. In the story, a young warrior named Xwechtáal is tasked with killing the double-headed serpent because it is scaring away the animals. Xwechtáal has the option of slaying the serpent's good head or bad head. If he slayed the good head, he could take all the power for himself. If he slayed the bad head, it would bring back all of the animals. The story is a lesson in dealing with greed, Harry said. The piece took three years to create and will be unveiled to the public in July. "It's an amazing feeling honestly, we couldn't be more proud to be selected for this. For me personally, it feels like an enormous win for Coast Salish art and identity being represented in prominent places in our city," Harry told CBC's On The Coast. Japanese cedar The pair said they took a trip to Japan before they pitched the project, where they drew inspiration for the piece. Red cedar was hand carved and burned inside of the sculpture — a traditional Japanese wood preservation method known as Yakisugi that is used as a fire protectant. It also protects the wood from insects, fungi and mold, and can make it water-resistant — ideal for rainy Vancouver weather. On the outside of the sculpture, metal cladding wraps around the column from the top to bottom, with tapered edges at each end representing the heads of the serpent. 'Rooted in the land' Harry said he grew up hearing stories about the double-headed serpent from his father,Xwalacktun, who is a master carver in the Squamish Nation, and thought that it deserved to be represented in a notable Vancouver space. As part of the story, local nations say the serpent slithered down the Stawamus Chief Mountain, leaving behind a black line that can still be seen today. "We wanted to tell those stories that are rooted in the land and bring them to life," Harry said. He said he isn't a traditional storyteller but wanted to share the details to provide context to those who view the Sínulhḵay sculpture. He hopes it sparks people's curiosity to learn more about Coast Salish culture. "Ultimately, this is about placemaking," Brevner said. "When you go to the big cities around the world, you land there and you know where you are." In Vancouver, she said, visitors don't always know they're on Indigenous territories. "Because of what's happened here, I don't think we're at that point. The more art that goes up from this territory, I hope that people can look at these works and want to learn more about the story of Sínulhḵay," Brevner said. The duo collaborated on a double-headed serpent mural back in 2018 that was well loved on West Broadway, but the building it was on was torn down. Their new sculpture is located in the same area, which they say brings the spirit of the double-headed serpent back to the neighborhood. And because the serpent is known for its underground digging in the Squamish story, the artists say it's fitting that it's located next to the new underground Granville SkyTrain station, set to open in two years.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store