Secret Alchemist expands into personal care market with perfume launch
'This foray marks a significant milestone for us, as we continue to redefine wellness and beauty through clean, conscious formulations,' said brand co-founder Ankita Thadani in a press release. Co-founder and Bollywood celebrity Samantha Prabhu added, 'It's been such a beautiful process creating scents that are thoughtful, layered, and timeless.'
Developed by co-founders Ankita Thadani and Samantha Ruth Prabhu, the Clean Perfumes are free from parabens, phthalates, synthetic dyes, and animal-derived ingredients. Each scent is vegan, cruelty-free, and made in FDA-approved, GMP-certified facilities that follow IFRA and EU standards. Formulated using therapeutic essential oils, plant-based alcohol, and IFRA-compliant ingredients, the perfumes are designed to be both sensorial and safe.
The launch includes three gender-neutral scents: Rose Oud, a bold blend of pink pepper, Turkish rose, and oud; Madurai Jasmine, a soft mix of orange blossom, jasmine, and vanilla; and Bergamot Nostalgia, a fresh fusion of citrus, cherry blossom, and sandalwood. Each 100ml perfume is priced at Rs 999.
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Euronews
a day ago
- Euronews
Is Denmark killing the tradition of EU playlists?
The time has come for Brussels to swap out the red and white Polish flags for another set of red and white flags. Poland's presidency of the Council has come to an end – and it's now Denmark's turn at the helm. Presiding over the Council is a rotating role, passed among member states every six months. The country holding the presidency wields the gavel during negotiations and acts as a mediator in the often heated policy discussions between ministers. The role, however, doesn't only come with political responsibilities – it's also rich in tradition. One of the more surprising ones is music. A Spotify playlist, featuring each country's music, has been released by every EU presidency since 2019. But for those eagerly awaiting to enjoy some Danish hits curated by the brand new presidency, we have some sad news to share... Copenhagen has surprisingly decided to disrupt the tradition. 'There will be no Danish Presidency Spotify playlist,' the presidency told Euronews Culture, declining to explain the reason why. Has the tradition reached the Finnish line? The now broken tradition of national playlists originally stems from Finland's presidency in 2019. The playlist, titled 'Songs from Finland,' was handpicked by Helsinki and features around 25 tracks – of course including 'Sandstorm' by Darude. 'We are delighted that the Spotify playlist created during Finland's presidency has gone on to inspire subsequent presidencies,' said a spokesperson at the Finnish EU representation. 'Music is a powerful way to share stories about cultural identity,' they added. The winner takes it all One of the most popular playlists, based on download statistics, is the Swedish one from the first half of 2023, which still boasts almost 6000 saves. As a strong music-exporting nation, Sweden, perhaps unsurprisingly, chose to feature songs by ABBA, Avicii and Zara Larsson – and the numbers suggest that it was a success. 'We had it playing in the elevator at the office of the Swedish EU representation for six months, from early morning until the last person went home at night. Eventually, our colleagues found the volume setting and turned it down,' a Swedish spokesperson admitted. Polished curation Turning to Instagram, the Poles crowdsourced their playlist curation by asking followers to pick their favorite Polish songs from the 1960s to modern hits. 'We collected around 200 songs from people and then narrowed it down. We wanted a wide array of genres and artists,' explained the Warsaw office of the Polish presidency. When asked about the risk of the tradition ending and their playlist being the last, they said: 'We hope that the tradition doesn't die. It's not too late. When you're just getting into the presidency, you're overtaken by joy, enthusiasm and work. Once they get through the first weeks, they might come around.' We love to believe that hope springs eternal but signals we've received suggest otherwise and that there won't be a Danish playlist. Still, that shouldn't stop anyone from enjoying hits like 'Natteravn' by Rasmus Seebach, Aqua's 'Barbie Girl' or maybe the Grammy nominated '7 Years' by soul-pop duo Lukas Graham.
France 24
6 days ago
- France 24
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France 24
19-06-2025
- France 24
Belgrade show plots path out of Balkan labyrinth of pain
But a new exhibition in Belgrade hopes plunging visitors back into this labyrinth of trauma and suffering may actually help the Balkans find a way to escape its troubled past. The show tells how a once-prosperous country was ripped apart by rampant nationalism and devastating violence as much of the rest of Europe basked in post-Cold War optimism and the beginning of the digital revolution. "I feel like crying," Vesna Latinovic, a 63-year-old from Belgrade told AFP as she toured the exhibition, visibly shaken. "Labyrinth of the Nineties" opens with a video collage of popular television intros and music videos, followed by a speech from Serbian strongman Slobodan Milosevic, who ended his days in prison being tried for war crimes. Deeper into the maze, as the multi-ethnic state begins to crumble, nationalist street signs replace socialist ones, inflammatory newspaper headlines hang from walls, and infamous Serbian warlord Arkan even croons an Elvis tune on late-night TV. "We've forgotten so much -- how intense and dramatic it was, how deeply human lives were affected, and how many were tragically cut short," visitor Latinovic said. At least 130,000 were killed -- with 11,000 still missing -- as Yugoslavia spiralled into the worst war in Europe since 1945. Millions more were displaced as neighbour turned on neighbour. The collapse The exhibition features haunting images of the Bosnian capital Sarajevo under siege, civilians under sniper fire, refugees and concentration camps. Those of strikes, worthless, hyper-inflated banknotes and descriptions of the rise of a new class of tycoons and oligarchs reveal a society imploding. The labyrinth in the show is meant to be a "powerful metaphor to show that we entered the maze of the 1990s and we still haven't found the way out," said historian Dubravka Stojanovic, who co-curated the show. At the labyrinth's heart is 1995 -- a year when over 8,000 Muslim men and boys were massacred by Bosnian Serb forces in Srebrenica, and 200,000 Serbs were displaced from Croatia in the fall of the Republic of Serbian Krajina. That year the Schengen Agreement removed borders within the European Union, but at the same time new borders were being thrown up between the former Yugoslav republics. "It was all completely absurd... The wars only brought suffering to innocents, while those responsible were never truly held accountable," said a visitor called Cedomir, 39, as he left the exhibition. The curators say all sides involved in the wars -- including EU members Croatia and Slovenia -- deny, downplay or try to forget the crimes. The show is all about stopping sources and testimonies from fading into oblivion, Stojanovic said. "In every country, we see the same phenomenon -- no one speaks of their own responsibility, only the guilt of others. This makes true reconciliation impossible, let alone the building of trust in the region," she added. The true heroes "But every labyrinth must have an exit," the historian said. "And this exhibition aims to help people search for and find that way out." That's why the labyrinth includes a room dedicated to heroes -- those who refused to participate in the war -- and a room honouring independent media and anti-war activists. Those heroes include Bosnian Serb Srdan Aleksic who died after being beaten into a coma after he stepped in to defend a Muslim neighbour, and Nedjeljko "Neđo" Galic, a Bosnian Croat, who with his wife managed to get some 1,000 Muslims and Serbs out of Croatian concentration camps near Mostar. It also features moments of joy amid darkness, like swimming beneath a bombed bridge or ravers partying in a shattered country. Hopeful graffiti that appeared on a wartime wall in Zagreb is also reproduced, "Love will save us." "Regardless of religion, nationality or political affiliation, love knows no borders," Sofia, a visitor from Skopje in North Macedonia wrote in the exhibition's guestbook. "Labyrinth of the Nineties" is set to be made into a permanent exhibition in Belgrade. It has already been shown in the Bosnian capital Sarajevo and is also open in the Montenegrin capital, Podgorica, with plans for shows in Croatia and Slovenia in the future.
