logo
Ninja Gaiden 4 is PlatinumGames at its best (and bloodiest)

Ninja Gaiden 4 is PlatinumGames at its best (and bloodiest)

Digital Trends10-06-2025
Earlier this year, I revisited a golden age of gaming when I played Ninja Gaiden 2 Black. The remake brought me back to a time where character action games ruled, and each one felt different in its own way. It felt so distant from today's landscape, filled with Soulslikes that worship at the altar of the parry button. That experience left me feeling prepared for the series' next installment, Ninja Gaiden 4.
Or so I thought. It turns out that the upcoming sequel, scheduled to launch on October 21, is a new beast entirely. I found that out when I played a chunk of it following last weekend's Xbox Games Showcase and walked out with a big grin on my face. Though its changes to the series' patented action may bum some purists out, I'm personally thrilled to report that developer PlatinumGames has taken this opportunity to create the most Platinum game possible. And thank God for that.
Recommended Videos
My demo threw me right into the action, though I didn't get to play as Ryu Hayabusa. Instead, I was controlling Yakumo, a member of the Raven Clan who acts as the sequel's primary protagonist. That change is significant insofar as it gave PlatinumGames the flexibility to invent an entirely new combat system to suit his style. And that combat system? It's basically Bayonetta, but with katanas. And, somehow, a lot more blood.
If you didn't know that Platinum was leading development on the project, you would the second you picked up the controller. The most obvious giveaway for me was when I dodged an enemy attack the moment it was about to land and time briefly slowed down around me. That detail should say a lot already. This is the kind of game that Platinum makes best. Combat is incredibly fast, as I slash through enemies using two standard attack buttons. There's a shocking amount of depth contained in those attacks, as it feels like every time I start mashing, I pull off a completely different combo that looks absolutely sick. At one point, I manage to grab an enemy, jump up into the air with them, and bring them to the ground with a spinning pile driver.
The battles I played tossed me into encounters with waves of enemies closing in on me. My quick movement meant that I could jump between foes with balletic grace, controlling an entire crowd with ease. I had a few tools at my disposal to help with that. One button lets me toss out a few kunai if I needed to keep a little distance between a foe. When I incapacitate an enemy enough, dropping them on the ground, I'm able to leap into an obscenely violent finishing maneuver that has me slashing their limbs off as blood splashes onto the screen. Once I build up enough charge, I can also activate a sort of rage state that allows me to execute an enemy in one stylish hit. All of these things can be executed in the blink of an eye, allowing me to rack up an uninterrupted chain of violence.
If this sounds extremely different from previous Ninja Gaiden games, it is, but there's still plenty of shared DNA under that flashy exterior. For instance, working around enemy blocks is still important. I can also hold down a trigger to perform much slower, more powerful attacks that bring combat more in line with the old games. Despite everything, it does still fit into the Ninja Gaiden ethos. In an interview after my demo, PlatinumGames Producer and Director Yuji Nakao explained how it melded the ethos of the series with its own signatures.
'Even though you are up against very tough odds, you always have a toolset available to you where it all comes down to your skill.,' Nakao tells Digital Trends. 'If you really get into that toolset, you'll be able to overcome these enemies that block when you attack and you'll have to react on the fly. There's kind of a fighting game aspect to it, so we wanted to maintain that but also bring in our unique approach, while staying true to that essential Ninja Gaiden experience.'
If you've been reading this preview with a look of horror on your face, terrified that Platinum simply doesn't understand the series, that should hopefully reduce your fears. It does, but it's adapting it in a new way. Battles are still incredibly tough gauntlets where it's easy to get overwhelmed, calling back to that classic experience. The violence is absolutely over the top to the point of self-aware comedy. There are also plenty of wall running and jumping puzzles out in the linear levels just like old times. Yes, it's faster and straight up as its own version of Bayonetta's Witch Time, but the philosophy behind it feels consistent so far. I trust that the series is in the right hands. And those hands are still damn good at making action games.
Ninja Gaiden 4 launches on October 21 for PS5, Xbox Series X/S, and PC.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Butterfly' Star Piper Perabo on Why Playing the Villain Was ‘Relaxing' and Hoping for a Second Season: ‘I Want Even More Guns'
‘Butterfly' Star Piper Perabo on Why Playing the Villain Was ‘Relaxing' and Hoping for a Second Season: ‘I Want Even More Guns'

Yahoo

timean hour ago

  • Yahoo

‘Butterfly' Star Piper Perabo on Why Playing the Villain Was ‘Relaxing' and Hoping for a Second Season: ‘I Want Even More Guns'

SPOILER ALERT: This story contains spoilers from 'Butterfly' Season 1, now streaming on Prime Video. Piper Perabo can get used to playing villains. More from Variety 'Smoke' Star Jurnee Smollett on Killing [SPOILER] and Filming That Harrowing Car Scene With Taron Egerton 'Surrounded by Fire': 'Your Adrenaline Is Rushing' Daniel Dae Kim on 'Butterfly,' the One Stunt He Wasn't Allowed to Do and the Success of 'KPop Demon Hunters': It Wouldn't Have Been 'Made Even 10 Years Ago' 'Drive My Car' Star Nishijima Hidetoshi Leads Prime Video Japanese Mystery 'Human Specimens' In the new Prime Video action-packed spy series 'Butterfly,' Perabo is Juno, the evil head of a private intelligence corporation in South Korea. 'Playing the villain is so much fun,' Perabo tells me. 'I think the villains in Hollywood keep that secret to themselves so that they don't have to give up the great parts. I think it's so relaxing. The getaway car pulls up to you, there's no running. You have an endless supply of weapons. It's very relaxing.' 'Butterfly,' based on the graphic novel series of the same name, follows David (Daniel Dae Kim), Juno's former partner, who comes out of hiding to save his daughter, Rebecca (Reina Hardesty). David had left Rebecca in Juno's care nine years earlier when he faked his death after one of his missions went terribly wrong. Juno not only raised Rebecca, but she trained her to be a blood thirsty assassin. 'I like how clear Juno's sense of purpose is,' Perabo says. 'I always think of her like when you were a kid and you're on the athletic fields and there's this parent on the sidelines who's screaming at their kid and just humiliating them and pushing them. That's who I think Juno is.' In 'Butterfly's' 6-episode premiere season, Juno tries to win Rebecca back when David, with his new wife and young daughter in tow, convinces Rebecca to escape to Vietnam for a new life. Both. I'm usually the one who's assassinating people [Perabo starred on USA Network's 'Covert Affairs' as a CIA agent for five seasons], so it's weird to just point and tell others to kill people, but I thought I'd give it a try. Maybe I'll come back to the assassinations if I am given a chance. Right? And he even took the time to have another wife and another daughter. I know David thought he was protecting Rebecca, but I think she was better off with me. I think it's better over at Juno's house. Why? I have a lot more money. You can work for me and make your own money. It's very healthy over at Juno's house compared David's. It's not safe. There are a lot of secrets. Juno's is much more nine-to-five. I was shocked, but also I was excited, because I feel like it leaves us in a really yummy place. I think this series has a lot of tentacles that can spread out and move in a lot of different directions. One of the things that was fun about being at Comic-Con with 'Butterfly' was that Marvel and DC are amazing and have legacies and a depth of all these myths, but it's so much fun to be in a new universe. When I read the last episode, I was excited because I thought this leaves a lot of open windows. Juno doesn't trust anybody, even her own son Oliver [Louis Landau], and she figures out a way to kind of live with you anyway. Juno's not gonna burn the bridge just because you screwed her over. There's a lot more juice in that orange, so let's not just throw everything away. Like I said, Juno has this clear sense of purpose. It would be foolish to get rid of Rebecca. Juno doesn't eat very much. Juno doesn't like to consume very much. Everything has to be so controlled. And then [showrunner Ken Woodruff] said, 'When you finally get Rebecca, you are going to be able to just relax and have a burger.' And I was like, 'Oh, really? OK, we're gonna need a lot of burgers.' A lot. No, I ate them all. I think she probably showers in them. It's very out of the armored car and into the private jet. Very cab to curb. A lot, a lot, a lot. Even in the opening of the first episode of Rebecca in the hotel. I remember the costume fittings for that when Reina, who plays Rebecca, was like, 'The strap of the purse needs to be this long if I need to strangle him, but I also have to have my entire [getaway] hotel outfit in the purse.' I was like, 'This is my kind of fitting.' A little bit. In my case, we talked a little bit about Juno's hopes and dreams. I want to put her in the worst situation possible and watch her dig her way out. I want even more guns. [Laughs]. There's no update. A couple of days ago, somebody did call me and told me to stop talking about it. I probably shouldn't say that either, but it's all really fun. This interview has been edited and condensed for clarity. Best of Variety New Movies Out Now in Theaters: What to See This Week Emmy Predictions: 'The Studio' Poised to Tie Comedy Win Record — and Why Drama is a Two-Horse Race for 'Severance' and 'The Pitt' What's Coming to Disney+ in August 2025

'We were never friends': A massacre on the eve of WW2 still haunts China-Japan relations
'We were never friends': A massacre on the eve of WW2 still haunts China-Japan relations

Yahoo

time2 hours ago

  • Yahoo

'We were never friends': A massacre on the eve of WW2 still haunts China-Japan relations

Japanese vlogger Hayato Kato's 1.9 million followers are used to his funny clips about exploring China, where he has been living for several years. But on 26 July he surprised them with a sombre one. "I just watched a movie about the Nanjing Massacre," he said, referring to the Japanese army's six-week rampage through Nanjing in late 1937, which, by some estimates, killed more than 300,000 civilians and Chinese soldiers. Around 20,000 women were reportedly raped. Dead To Rights, or Nanjing Photo Studio, is a star-studded tale about a group of civilians who hide from Japanese troops in a photo studio. Already a box office hit, it is the first of a wave of Chinese movies about the horrors of Japanese occupation that are being released to mark the 80th anniversary of the end of World War Two. But a sense of unfinished history - often amplified by Beijing – persists, fuelling both memory and anger. Speaking in Chinese on Douyin, China's domestic version of TikTok, Kato recounted scenes from the film: "People were lined up along the river and then the shootings began… A baby, the same age as my daughter, was crying in her mother's arms. A Japanese soldier rushed forward, grabbed her, and smashed her into the ground." He said he had seen many people on the Japanese internet denying the Nanjing Massacre had happened, including public figures, even politicians. "If we deny it, this will happen again," he continued, urging Japanese people to watch the movies and "Iearn about the dark side of their history". The video quickly became one of his most popular, with more than 670,000 likes in just two weeks. But the comments are less positive. The top-liked one quotes what has already become an iconic line from the movie, uttered by a Chinese civilian to a Japanese soldier: "We are not friends. We never were." For China, Japan's brutal military campaign and occupation are among the darkest chapters of its past – and the massacre in Nanjing, then the capital, an even deeper wound. What has made it fester is the belief that Japan has never fully owned up to its atrocities in places it occupied – not just China, but also Korea, what was then Malaya, Philippines, Indonesia. One of the most painful points of contention involves "comfort women" - the approximately 200,000 women who were raped and forced to work in Japanese military brothels. To this day, the survivors are still fighting for an apology and compensation. In his video, Kato seems to acknowledge that it's not a subject of conversation in Japan: "Unfortunately these anti-Japanese war movies are not shown in Japan publicly, and Japanese people are not interested to watch them." When the Japanese Emperor announced on 15 August that he would surrender, his country had already paid a terrible cost – more than 100,000 had been killed in bombing raids on Tokyo, before two atom bombs devastated Hiroshima and Nagasaki. Japan's defeat, however, was welcomed in large parts of Asia, where the Imperial Japanese Army had claimed millions of lives. For them, 15 August carries both freedom and lingering trauma – in Korea the day is called 'gwangbokjeol', which translates to the return of light. "While the military war has ended, the history war continues," says Professor Gi-Wook Shin, of Stanford University, explaining the two sides remember those years differently, and those differences add to the tension. While the Chinese see Japanese aggression as a defining, and devastating, moment in their past, Japanese history focuses on its own victimhood - the destruction caused by the atom bombs and post-war recovery. "People I know in Japan don't really talk about it," says a Chinese man who has been living in Japan for 15 years, and wished to remain anonymous. "They see it as something in the past, and the country doesn't really commemorate it - because they also view themselves as victims." He calls himself a patriot, but he says that hasn't made things difficult for him personally because their reluctance to talk about it means they "avoid such sensitive topics". "Some believe the Japanese army went to help China build a new order - with conflicts occurring in that process. Of course, there are also those who acknowledge that it was, in fact, an invasion." China fought Japan for eight years, from Manchuria in the north-east to Chongqing in the south-west. Estimates of the Chinese who died range from 10 to 20 million. The Japanese government says around 480,000 of its soldiers died in that time. Those years have been well-documented in award-winning literature and films – they were also the subject of Nobel laureate Mo Yan's work. That period is now being revisited under a regime that holds patriotism as central to its ambitions: "national rejuvenation" is how Xi Jinping describes his Chinese dream. While the Party heavily censors its own history, from the Tiananmen Square massacre to more recent crackdowns, it encourages remembering a more distant past – with an outside enemy. Xi even revised the date the war with Japan started – the Chinese government now counts the first incursions into Manchuria in 1931, which makes it a 14-year war, rather than eight years of full-fledged conflict. Under him, Beijing has also been commemorating the end of World War Two on a bigger scale. On 3 September, the day Japan formally surrendered, there will be a major military parade in Tiananmen Square. Also in September, a highly-anticipated new release will focus on the notorious Unit 731, a branch of the Japanese Army that conducted lethal human experiments in occupied Manchuria. The date of release – 18 September – is the day Japan attempted its first invasion of Manchuria. That is apart from Dongji Rescue, a film inspired by the real-life efforts of Chinese fishermen who saved hundreds of British prisoners of war during Japanese raids; and Mountains and Rivers Bearing Witness, a documentary from a state-owned studio about Chinese resistance. And they seem to be striking a nerve. "That one generation fought a war on behalf of three, and endured suffering for three. Salute to the martyrs," a popular RedNote post on Nanjing Photo Studio reads. "We are not friends...", the now-famous line from the movie, "is not just a line" between the two main characters, says a popular review that has been liked by more than 10,000 users on Weibo. It is "also from millions of ordinary Chinese people to Japan. They've never issued a sincere apology, they are still worshipping [the war criminals], they are rewriting history – no-one will treat them as friends", the comment says, referring to some Japanese right-wing figures' dismissive remarks. Tokyo has issued apologies, but many Chinese people believe they are not profuse enough. "Japan keeps sending a conflicting message," Prof Shin says, referring to instances where leaders have contradicted each other in their statements on Japan's wartime history. For years, in Chinese history classes, students have been shown a photo of former West German Chancellor Willy Brandt kneeling before a memorial to the Warsaw Ghetto Uprising in 1970. The Chinese expect a similar gesture from Japan. This wasn't always the case, though. When Japan surrendered in 1945, the turbulence in China did not end. For the next three years, the Nationalist Kuomintang – then the ruling government and the main source of Chinese resistance against Japan – fought a civil war against Mao Zedong's Communist Party forces. That war ended with Mao's victory and the Kuomintang's retreat to Taiwan. Mao, whose priority was to build a communist nation, avoided focusing on Japanese war crimes. Commemorations celebrated the Party's victory and criticised the Kuomintang. He also needed Japan's support on the international stage. Tokyo, in fact, was one of the first major powers to recognise his regime. It wasn't until the 1980s - after Mao's death - that the Japanese occupation returned to haunt the relationship between Beijing and Tokyo. By then, Japan was a wealthy Western ally with a booming economy. Revisions to Japanese textbooks began to spark controversy, with China and South Korea accusing Japan of whitewashing its wartime atrocities. China had just begun to open up, and South Korea was in transition from military rule to democracy. As Chinese leaders moved away from Mao – and his destructive legacy – the trauma of what happened under Japanese attack became a unifying narrative for the Communist Party, says Yinan He, associate professor of international relations at Lehigh University in the US. "After the Cultural Revolution, Chinese people for the large part were disillusioned by communism," she told the BBC. "Since communism lost its appeal, you need nationalism. And Japan is [an] easy target because that's the most recent external [aggressor]." She describes a "choreographed representation of the past", where commemorations of 1945 often downplay the contributions of the US and the Kuomintang, and are accompanied by growing scrutiny of Japan's official stance on its wartime actions. What hasn't helped is the denial of war crimes - prominent right-wing Japanese don't accept the Nanjing massacre ever happened, or that Japanese soldiers forced so many women into sexual slavery - and recent visits by officials to the Yasukuni Shrine, which honours Japan's war dead, including convicted war criminals. This hostility between China and Japan has spilled over into everyday lives as nationalism online peaks - Chinese and Japanese people have been attacked in each other's countries. A Japanese schoolboy was killed in Shenzhen last year. China's economic rise and assertiveness in the region and beyond has changed the dynamic between the two countries again. It has surpassed Japan as a global power. The best time to seek closure – the 1970s, when the countries were closer - has passed, Prof He says. "They simply said, let's forget about that, let's set that aside. They've never dealt with the history – and now the problem has come back to haunt them again." Japan's 75-year pacifism hangs in balance as new threats loom China and Japan: Seven decades of bitterness Disfigured, shamed and forgotten: BBC visits the Korean survivors of the Hiroshima bomb Japan was the future but it's stuck in the past

Cope & Cage Hug It Out On Dynamite, Will Team At AEW Forbidden Door
Cope & Cage Hug It Out On Dynamite, Will Team At AEW Forbidden Door

Yahoo

time3 hours ago

  • Yahoo

Cope & Cage Hug It Out On Dynamite, Will Team At AEW Forbidden Door

Cope and Christian are finally back on the same page, and will team up with each other at AEW x NJPW: Forbidden Door. During Wednesday's episode of AEW Dynamite, Cope took on Stokely Hathaway in a singles match that ended in DQ. FTR quickly interfered in things, ambushing Cope. Cope's old friend was there to make the save, though, as Christian came down and helped out his friend. Cage battled it out briefly with Nick Wayne, while Cope hit a big spear on Kip Sabian to help Christian. After the chaotic brawl, Cope and Cage met in the middle of the ring. After a tense moment, the pair hugged. As the crowd roared, the pair then exited the ring. Later in the night, AEW confirmed the duo would team up for the first time in 2011 to take on Nick Wayne and Kip Sabian at Forbidden Door. AEW x NJPW: Forbidden Door will take place on August 24, 2025, at The O2 Arena in London, England. So far, the fully updated card for the event is as follows: AEW World Championship: Hangman Adam Page (c) vs. MJF Hiroshi Tanahashi vs. TBA Cope & Christian Cage vs. Nick Wayne and Kip Sabian AEW World Tag Team Championship: The Hurt Syndicate (Bobby Lashley and Shelton Benjamin) (c) vs. TBD AEW Unified Championship: Kazuchika Okada (c) vs. Swerve Strickland AEW Women's World Championship: 'Timeless' Toni Storm (c) vs. Athena AEW TBS Championship: Mercedes Moné (c) vs. Alex Windsor (AEW) vs. TBD (CMLL) vs. TBD (Stardom) IWGP World Heavyweight Championship: Zack Sabre Jr. (c) vs. TBD Lights Out Steel Cage Match: Will Ospreay, Hiroshi Tanahashi, Darby Allin, Kenny Omega, and Kota Ibushi vs. The Death Riders, Gabe Kidd & The Young Bucks The post Cope & Cage Hug It Out On Dynamite, Will Team At AEW Forbidden Door appeared first on Wrestlezone.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store