
Agatha Christie is giving writing lessons… thanks to AI
British crime author Agatha Christie died almost half a century ago, aged 85. (AFP pic)
PARIS : The BBC isn't raising the dead, but it's getting close. Thanks to artificial intelligence, the author Agatha Christie – who has been dead for almost half a century – becomes the central figure in a new writing course launched by the BBC Maestro platform.
The aim is to teach people how to write like the Queen of Crime, guided by a digital version of the author herself.
Entitled 'Agatha Christie: Writing,' this course offers aspiring writers valuable insight into the art of constructing a good crime story. The course is based on Agatha Christie's own words, taken from her letters, interviews and personal writings.
An actress, Vivien Keene, helps bring Agatha Christie's presence to life on screen. To create this digital version of the British author, her appearance and voice were recreated with the help of artificial intelligence and BBC archives.
'In a world-first, Agatha Christie – bestselling novelist of all time – will offer aspiring writers an unparalleled opportunity to learn the secrets behind her writing, in her own words,' read the accompanying press release.
'Using meticulously restored archival interviews, private letters, and writings researched by a team of Christie experts, this pioneering course reconstructs Christie's own voice and insights, guiding students through the art of suspense, plot twists, and unforgettable characters.'
This is not a bot that generates text on the fly. The project is based on authentic content, organised by a team of experts, including academics, researchers, creative professionals and author specialists.
Artificial intelligence is used here as a reconstitution tool, not as an autonomous writing device. This is reflected in the process used to develop the voice, since those of the legendary author and actress have been blended to create the AI version of Christie's voice.
'You can hear my voice isn't anything like Christie's,' said Keene, quoted by The Hollywood Reporter.
'And so I tried to get just the cadence. … Her voice is pretty distinctive, actually, her voice, and she's very shy and feisty, and she doesn't really like being interviewed.
'And so I started to put the voice on thinking that they want me to use my voice in the final edit. But it has been re-speeched, I think is the word.'
In all, 'Agatha Christie: Writing' includes 11 videos accompanied by 12 exercises, for a total duration of 2.5 hours.
Viewers will learn how to set the scene for a mystery, maintain suspense, construct a revelation or play with the reader's expectations, all in the style of Agatha Christie.
The project was developed with the agreement of the writer's literary estate, represented by her great-grandson, James Prichard.
'They have been deeply involved from the beginning, and they have made sure this is not just something that Agatha would have understood, but, we hope, as a bit of an innovator herself, would have really enjoyed,' says Nicki Sheard, CEO of brands and licensing at BBC Studios, quoted by The Hollywood Reporter.
For the BBC, it's also an ambitious showcase for its BBC Maestro educational platform, which already offers courses led by the likes of Serena Williams, Kevin Hart, Kris Jenner and Stephen Curry.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Sinar Daily
42 minutes ago
- Sinar Daily
In Cairo, the little indie cinema that could
Zawya was born in the post-revolutionary artistic fervour of the 2011 uprising that toppled longtime president Hosni Mubarak. 08 Jun 2025 06:00pm People arrive at the Zawya cinema in downtown Cairo on May 1, 2025. In the heart of Cairo, a small cinema has for over a decade offered a unique space for independent film in a country whose industry is largely dominated by commercial considerations (Photo by Khaled DESOUKI / AFP) CAIRO - In the heart of Cairo, a small cinema has for over a decade offered a unique space for independent film in a country whose industry is largely dominated by commercial considerations. Zawya, meaning "perspective" in Arabic, has weathered the storm of Egypt's economic upheavals, championing a more artistic approach from the historical heart of the country's golden age of cinema. People wait for a movie to start at the Zawya cinema in downtown Cairo on May 1, 2025. In the heart of Cairo, a small cinema has for over a decade offered a unique space for independent film in a country whose industry is largely dominated by commercial considerations (Photo by Khaled DESOUKI / AFP) Zawya was born in the post-revolutionary artistic fervour of the 2011 uprising that toppled longtime president Hosni Mubarak. "There was this energy where people wanted to produce and create, not just in cinema, but in all the arts, you could feel it," said Zawya founder Youssef Shazli. In the time since, it has escaped a wave of closures -- some forced -- of art centres across the capital. Egypt had long been known as the Hollywood of the Arab world, but in the decades since its mid-century heyday, the domestic industry has largely been restricted to crowd-pleasing blockbusters. "It's often said that we're lucky to have a large film industry, with infrastructure already in place," said filmmaker Maged Nader. "But the truth is this industry operates solely on a commercial logic," leaving little room for independent filmmakers, he added. Yet Zawya has survived in its niche, in part due to the relative financial stability afforded to it by its parent company Misr International Films. Founded in 1972 by Egyptian cinematic giant Youssef Chahine -- Shazli's great uncle -- the company continues to produce and distribute films. Young talent For Shazli, Zawya is "a cinema for films that don't fit into traditional theatres". But for young cinephiles like 24-year-old actress Lujain, "it feels like home," she told AFP as she joined a winding queue into the larger of Zawya's two theatres. Since 2014, Zawya's year-round programming -- including both local and international short films, documentaries and feature films -- has secured the loyalty of a small but passionate scene. Its annual short film festival, held every spring, has become a vital space for up-and-coming directors trying to break through a system that leaves little room for experimentation. "I didn't even consider myself a filmmaker until Zawya screened my short," said Michael Samuel, 24, who works in advertising but says the cinema rekindled his artistic ambition. For many, that validation keeps them going. "Zawya has encouraged more people to produce these films because they finally have somewhere to be seen," said the cinema's manager, Mohamed Said. When Mostafa Gerbeii, a self-taught filmmaker, was looking for a set for his first film shoot, he also turned to the cinema. Without a studio or a budget, Zawya "just lent us their hall for free for a whole day", he said, saving the young director 100,000 Egyptian pounds (around $2,000) to rent a location. The heir The light of its marquee spilling onto downtown Cairo's Emad al-Din Street, Zawya is the 21st-century heir to a long artistic tradition that still lingers, though often hidden away in corners of the district's broad avenues. "It's a unique neighbourhood with an equally unique flavour of artistic and intellectual life," said Chihab El Khachab, a professor at the University of Oxford and author of the book "Making Film in Egypt". Starting in the late 19th century, the area was home to the city's biggest theatres and cabarets, launching the careers of the Arab world's most celebrated singers and actors. Today, its arteries flowing out of Tahrir square -- the heart of the 2011 uprising -- the neighbourhood is home to new-age coworking spaces and galleries, side by side with century-old theatres and bars. Yet even as it withstands the hegemony of mall multiplexes, Zawya cannot escape Egypt's pervasive censorship laws. Like every cinema in Egypt, each film must pass through a state censors before screening. "Over time, you learn to predict what will slide and what won't," Shazli said. But even the censors' scissors have failed to cut off the stream of ambition among burgeoning filmmakers. "Around Zawya, there's a lot of talent -- in every corner," Shazli said. "But what I wonder is: are there as many opportunities as there is talent? That's the real issue we need to address." - AFP More Like This


The Star
2 hours ago
- The Star
Cinema screening inspires hope, action for Brunei's seas
Attendees at the screening. - PONI DIVERS BANDAR SERI BEGAWAN: Over 450 individuals gathered to watch a cinema screening of Ocean by Sir David Attenborough at One Cineplex, OneCity Shopping Centre on Sunday (June 8) as part of the final day of the Brunei Ocean Exhibition, in conjunction with Ocean Week Brunei and in celebration of World Ocean Day. Chief executive officer of Poni Divers Mohd Tahsin Wong, in his remarks, shared the positive actions of Ocean Week Brunei, highlighting that many marine life can also be found locally in Brunei waters, with pilot whales and rays also found at one of Brunei's northern-most reefs, Louisa Reef, 120 nautical miles away. He noted that Brunei faces similar challenges with the ocean and that there has been promising progress. Turtle sightings have increased after years of decline, and local authorities are taking steps to reduce bottom trawling. There is growing focus on blue carbon and Brunei's blue economy, which will be highlighted at the upcoming Ocean Sustainability Conference on June 16. 'Watching Ocean in Brunei on the big screen and on World Ocean Day was a unifying and emotional experience,' said one viewer. 'It reminds us that while the ocean may separate countries, it also connects us all.' Narrated by Sir David Attenborough, Ocean takes viewers on a visual journey through the hidden depths of the ocean, while confronting urgent environmental challenges such as climate change, habitat loss and plastic pollution. Brunei is one of the few countries in Asia to host a public theatrical screening of the documentary – a reflection of the country's rising commitment to ocean awareness, marine sustainability and environmental leadership. Meanwhile, 115 ocean supporters gathered for a 'Sea of Blue' photo session, symbolising unity, hope and collective responsibility for the future of the ocean. The screening was hosted by Poni Divers, Poni Foundation, and LAUT Brunei, in partnership with the Ministry of Primary Resources and Tourism, with support from the British High Commission in Brunei Darussalam. Australian High Commissioner to Brunei Darussalam Michael Hoy, Deputy British High Commissioner to Brunei Darussalam Catherine Pochkhanavala-Cleeve, Ambassador of the Philippines to Brunei Darussalam Marian Jocelyn R Tirol-Ignacio, Ambassador of Timor-Leste to Brunei Darussalam Abel Guterres were present. Members of the Diplomatic Corps, Acting Director of Fisheries Wanidawati Tamat, Acting Director of Tourism Development Salinah Mohd Salleh, Deputy Chief Executive Officer of Consumer Banking at Baiduri Bank Manuel Bulens were also present. – Borneo Bulletin/ANN


Sinar Daily
3 hours ago
- Sinar Daily
Tony Awards 2025: Who won big on broadway's biggest night?
New York City has rolled out the red carpet for the best of Broadway as the 78th Annual Tony Awards takes over Radio City Music Hall. It's the pinnacle of the theatre world's calendar, where talent, drama and a whole lot of sequins converge under one iconic roof. British singer and actress Cynthia Erivo attends the 78th Tony Awards at Radio City Music Hall in New York on June 8, 2025. (Photo by kena betancur / AFP) Hosted by Cynthia Erivo, the ceremony celebrates a record-breaking Broadway season that pulled in an eye-watering $1.83 billion in ticket sales. And now, the 2024 Tony Award winners: Best Leading Actress in a Musical Nicole Scherzinger, Sunset Blvd. (WINNER) Megan Hilty, Death Becomes Her Audra McDonald, Gypsy Jasmine Amy Rogers, BOOP! The Musical Jennifer Simard, Death Becomes Her Best Leading Actor in a Musical Darren Criss, Maybe Happy Ending (WINNER) Andrew Durand, Dead Outlaw Tom Francis, Sunset Blvd. Jonathan Groff, Just in Time James Monroe Iglehart, A Wonderful World: The Louis Armstrong Musical Jeremy Jordan, Floyd Collins Best New Musical Maybe Happy Ending (WINNER) Buena Vista Dead Outlaw Death Becomes Her Operation Mincemeat Best New Play Purpose (WINNER) English The Hills of California John Proctor is the Villain Oh Mary! Best Musical Revival Sunset Boulevard (WINNER) Floyd Collins Gypsy Pirates! The Penzance Musical Best Play Revival Eureka Day (WINNER) Our Town Romeo Juliet Yellow Face US actor George Clooney and his wife Lebanese-British barrister Amal Clooney attend the 78th Tony Awards at Radio City Music Hall in New York on June 8, 2025. Photo by Kena Betancur/AFP Best Actor in a Play Cole Escola, Oh Mary! (WINNER) George Clooney, Good Night and Good Luck Jon Michael Hill, Purpose Daniel Dae Kim, Yellow Face Henry Lennix, Purpose Louis McCartney, Stranger Things: The First Shadow Best Actress in a Play Sarah Snook, The Picture of Dorian Gray (WINNER) Sadie Sink, John Proctor is the Villain Mia Farrow, The Roommate La Tanya Richardson Jackson, Purpose Best Direction in a Musical Michael Arden, Maybe Happy Ending (WINNER) Saheem Ali, Buena Vista Social Club David Cromer, Dead Outlaw Christopher Gattelli, Death Becomes Her Jamie Lloyd, Sunset Boulevard Best Direction of a Play Sam Pinkleton, Oh Mary! (WINNER) Knud Adams, English Sam Mendes, The Hills of California Danya Taymor, John Proctor Is the Villain Kip Williams, The Picture of Dorian Gray US actress Kara Young poses with the Best Performance by an Actress in a Featured Role in a Play award for "Purpose" in the press room during the 78th Tony Awards at Radio City Music Hall in New York on June 8, 2025. Photo by Kena Betancur/AFP Best Featured Actress in a Play Kara Young, Purpose (WINNER) Tala Ashe, English Jessica Hecht, Eureka Day Marjan Neshat, English Fina Strazza, John Proctor Is the Villain Best Featured Actor in a Play Francis Jue, Yellow Face (WINNER) Glenn Davis, Purpose Gabriel Ebert, John Proctor Is the Villain Bob Odenkirk, Glengarry Glen Ross Conrad Ricamora, Oh Mary! Best Featured Actress in a Musical Natalie Venetia Belcon, Buena Vista Social Club (WINNER) Julia Knitel, Dead Outlaw Gracie Lawrence, Just in Time Justina Machado, Real Women Have Curves Joy Woods, Gypsy Best Featured Actor in a Musical Jak Malone, Operation Mincemeat (WINNER) Brooks Ashmanskas, Smash Jeb Brown, Dead Outlaw Danny Burstein, Gypsy Taylor Trensch, Floyd Collins Best Book of a Musical Maybe Happy Ending (WINNER) Buena Vista Social Club Dead Outlaw Death Becomes Her Operation Mincemeat Best Scenic Design of a Play Miriam Buether and 59, Stranger Things: The First Shadow (WINNER) Marsha Ginsberg, English Rob Howell, The Hills of California Marg Horwell and David Bergman, The Picture of Dorian Gray Scott Pask, Good Night, and Good Luck Best Featured Actress in a Musical Natalie Venetia Belcon, Buena Vista Social Club (WINNER) Julia Knitel, Dead Outlaw Gracie Lawrence, Just in Time Justina Machado, Real Women Have Curves Joy Woods, Gypsy Best Featured Actor in a Musical Jak Malone, Operation Mincemeat (WINNER) Brooks Ashmanskas, Smash Jeb Brown, Dead Outlaw Danny Burstein, Gypsy Taylor Trensch, Floyd Collins Best Book of a Musical Maybe Happy Ending (WINNER) Buena Vista Social Club Dead Outlaw Death Becomes Her Operation Mincemeat Best Scenic Design of a Play Miriam Buether and 59, Stranger Things: The First Shadow (WINNER) Marsha Ginsberg, English Rob Howell, The Hills of California Marg Horwell and David Bergman, The Picture of Dorian Gray Scott Pask, Good Night, and Good Luck Best Orchestrations Marco Paguia, Buena Vista Social Club (WINNER) Andrew Resnick and Michael Thurber, Just in Time Will Aronson, Maybe Happy Ending Bruce Coughlin, Floyd Collins David Cullen and Andrew Lloyd Webber, Sunset Boulevard Best Sound Design of a Play Paul Arditti, Stranger Things: The First Shadow (WINNER) Palmer Heferan, John Proctor Is the Villain Daniel Kluger, Good Night and Good Luck Nick Powell, The Hills of California Clemence Williams, The Picture of Dorian Gray Best Original Score Maybe Happy Ending, Will Aronson and Hue Park (WINNER) Dead Outlaw, David Yazbek and Erik Della Penna Death Becomes Her, Julia Mattison and Noel Carey Operation Mincemeat, David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts Real Women Have Curves, Joy Huerta and Benjamin Velez Best Costume Design of a Musical Paul Tazewell, Death Becomes Her (WINNER) Dede Ayite, Buena Vista Social Club Gregg Barnes, Boop Clint Ramos, Maybe Happy Ending Catherine Zuber, Just in Time