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Michelle Pfeiffer launches extraordinary attack on Bill Gates and suggests he'll contaminate America's food supply

Michelle Pfeiffer launches extraordinary attack on Bill Gates and suggests he'll contaminate America's food supply

Daily Mail​11-07-2025
Iconic actress Michelle Pfeiffer has launched a shocking attack on billionaire Bill Gates and suggested he's going to contaminate America's food supply.
In an extraordinarily rare move for the low-key Oscar winner, Pfeiffer took to Instagram on Thursday to express concern over the FDA 's approval of Apeel, a Gates-backed food coating meant to extend the shelf life of produce.
'Apeel (an edible, plant-based coating designed to extend the shelf life of fresh fruits and vegetables) was just approved and now "organic" produce is coated in something we cannot see or wash off,' Pfeiffer wrote.
'Very concerning.'
The Scarface star, 67, wrote the message as she shared a video that claimed 'organic produce is no longer safe' after 'Bill Gates' Apeel just approved for USDA-certified organic.'
Apeel has long been mired in controversy over its ingredients and associated with Gates.
The company received early developmental support from the Bill & Melinda Gates Foundation in 2012 and again in 2015.
However, the Gates' currently have no involvement in Apeel.
Pfeiffer's comments might come as a shock to her fans, as the Batman Returns icon is famed for living a quiet life and avoiding the type of controversial declarations often made by many of her Hollywood peers.
Despite Pfeiffer's comments, Apeel claims on its website that their coatings can be washed by rinsing the produce with water and scrubbing it.
Apeel uses plant lipids or plant oils naturally found in fruits and vegetables and creates a coating applied 'to the surface of fresh fruits and vegetables in order to retain moisture and reduce oxidation,' Jenny Du, co-founder of Apeel and senior vice president of operations told the Associated press
'Our product is also intended to be edible.''
The coating consists of purified monoglycerides and diglycerides, which Du pointed out are also found in products such as infant formula.
The company has said their coating technology can help reduce post-harvest food waste in developing countries and is ultimately aimed at combatting famine and hunger.
Gates has found himself mired in multiple controversies in recent years.
An outlandish conspiracy theory that circulated at the height of the COVID pandemic claimed he had secreted 5G microchips inside COVID vaccines.
There's no evidence to support such claims and The Gates Foundation dismissed them as nonsense.
More damagingly, Gates has faced prolonged heat over his friendship with the late pedophile financier Jeffrey Epstein.
Melinda cited that closeness as part of the reason she divorced her husband.
Bill has said he deeply regrets making friends with Epstein, who died in jail in 2019, and there has never been any suggestion of wrongdoing on his part.
Pfeiffer's warning about Apeel comes as she has been promoting a new project with Elle Fanning.
The two play a mother-daughter duo on the forthcoming AppleTV+ series Margo's Got Money Troubles.
The actress has been married to writer and producer David E. Kelley, 69, for 31 years and they're working together on the project.
The show is based on Rufi Thorpe's novel of the same name. Kelley created the eight-part show with A24.
Pfeiffer, Fanning and Nicole Kidman (who also has an acting role in the show) are executive producing.
Fanning portrays Margo Millet, the daughter of a Hooters waitress, played Pfeiffer, and a former professional wrestler, played by Nick Offerman.
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Canadian bloke's divisive comment about Australia's obsession with beauty stuns fans: 'Seriously?'
Canadian bloke's divisive comment about Australia's obsession with beauty stuns fans: 'Seriously?'

Daily Mail​

time9 minutes ago

  • Daily Mail​

Canadian bloke's divisive comment about Australia's obsession with beauty stuns fans: 'Seriously?'

A Canadian man has made a 'poetic' observation about life in Australia - but not everyone agrees with him. Expat Josiah Hein is a popular content creator renowned for documenting his amusing finds since moving Down Under. But a poignant TikTok video shared by the man, who hails from Alberta, has divided fans. The substitute teacher posted a video that was filmed in Brisbane 's Eat Street Northshore, a bustling food market decorated with festoon lighting and bright neon signs. The 55-second video begins with Josiah noting how 'everything' in Australia is 'really pretty and beautiful' - and that it was almost overlooked and accepted as the standard and norm by locals. 'Things in Australia are just pretty and beautiful,' Josiah said in the video, which has already been viewed over 33,000 times. 'So every place you go has to be pretty and beautiful. Shops are pretty and beautiful. People are pretty and beautiful. 'You know, like, I feel like the whole culture is like, around aesthetics.' The video, shared to his to his @josiahhein account, added that Australians were so accustomed to their spaces and surroundings being pleasing to the eye, that it was almost a requisite for success. 'I think because Australians are so used to how pretty and beautiful things are that it's almost like when they're not [that way], they're not going to do well,' he noted. Josiah went on to say how this attitude is entirely different to his home continent of North America - and explained it further by using the example of eateries and restaurants. 'I feel like North America is just around flavour,' he said. 'Some of our best restaurants are holes in the wall. Like, you wouldn't even realise they make food. It's this tiny little shack.' 'Whereas here [in Australia], it's like, "This looks good". You know what I'm saying?' Josiah concluded by stating that it was simply something he'd noticed - and was enjoying - about being Down Under. 'It's beautiful to be in Australia, guys. Wow. What is my life right now?' he said before signing off with his calling card: 'Jesus loves you baby'. The viral video quickly caught the attention of Aussies, many of whom admitted to taking attributes of the scenery, spaces and lifestyle for granted. 'I suppose we never appreciate what we have,' read part of one response. Another explained that they'd recently returned to Brisbane after 20 years living in the States - and agreed with Josiah's observation about Australian life as 'one of the first things' they'd noticed since being back. One echoed this, saying that 'people who haven't travelled don't appreciate how amazing the culture is [in Australia]'. A fellow expat who had lived in Australia for a few years said they 'couldn't agree more' with Josiah's take. 'Australia works really hard to protect heritage buildings and wildlife/trees - even when it doesn't make sense from a "bottom line",' she observed. Explaining what it is about Australia that makes it beautiful, one described it as 'breathtakingly natural'. One reply even offered an explanation, saying that Australians have an appreciation for things 'looking good' - and that this extended to citizens and communities making the effort to ensure places and spaces appear 'clean and welcoming'. 'We love our country,' simply stated another. Meanwhile, the most liked comment jokingly suggested that Josiah should become 'our tourism minister'. Eat Street Northshore's own Instagram account also playfully responded to Josiah's video, which was filmed at their market. They wrote: 'Did you just call us pretty?'. However, a handful of Australians were dumbfounded by the expat's assessment. 'Are you serious? You're talking about Australia right?' read one reply. 'Have you been to Europe?' chimed in another. A lengthy Instagram reply noted that while some Australian places 'like to be aesthetic' - it wasn't a requisite. 'I don't entirely agree - some of the best food spots around my city are little places tucked away,' they noted. 'I think it depends on where you are,' read another reply. 'Sometimes yes, cities, jumping pumping places... Backwater country towns, maybe less so?? It varies from place to place.'

Anne Hathaway's love interest is seen for FIRST TIME on set of Devil Wears Prada 2 in New York City
Anne Hathaway's love interest is seen for FIRST TIME on set of Devil Wears Prada 2 in New York City

Daily Mail​

time11 minutes ago

  • Daily Mail​

Anne Hathaway's love interest is seen for FIRST TIME on set of Devil Wears Prada 2 in New York City

Anne Hathaway 's love interest for The Devil Wears Prada 2 was unveiled for the first time as she filmed a romantic scene in New York City on Tuesday. The 42-year-old actress - who is in the midst of shooting the anticipated sequel - is reprising her role as Andy Sachs in the project which is set to hit theaters next year in May 2026. Anne was seen cozying up with her new co-star Patrick Brammall in a lighthearted date night scene in the streets of Brooklyn. In the 2006 movie, Adrian Grenier had played her character's boyfriend Nate - but the actor is notably not returning to the second movie. The actress was glammed up for the evening scene wearing a sleeveless blue dress that was made of a shimmering material. She slipped into a pair of open-toed, blue pumps and easily carried a small silver purse in her hand. Anne's long dark locks were parted in the middle and effortlessly flowed down past her shoulders in elegant waves. A pink blush was added to her cheekbones while a blue shadow was worn around her eyes to coincide with the color scheme of her outfit. The star opted for a rosy pink tint to her lips and chose to not add flashy pieces of jewelry to the look. Patrick - who is known for his roles in shows such as Colin From Accounts - was also dapper in a dark navy suit. He additionally sported a light blue button up underneath and donned a pair of black dress shoes. Anne and Patrick were spotted filming a few sweet moments as they strolled through the crowded streets of Brooklyn as the sun set in the distance. At one point, the actor placed his arms around the beauty as they fell into an embrace while standing outside of a restaurant. The Princess Diaries star also flashed a big smile on her face as Patrick twirled her around in circles. The actress was glammed up for the evening scene wearing a sleeveless blue dress that was made of a shimmering material A pink blush was added to her cheekbones while a blue shadow was worn around her eyes to coincide with the color scheme of her outfit Anne and Patrick were spotted filming a few sweet moments as they strolled through the crowded streets of Brooklyn as the sun set in the distance In another romantic moment, Anne was seen gripping onto a silver pillar attached to a corner building before running into Patrick's arms. The co-stars later strolled arm-in-arm down a sidewalk in Brooklyn as they held a conversation. Last month in July, it was first reported that Patrick has been cast to portray Anne's love interest in the sequel, per Entertainment Weekly. A source informed the outlet that his character will be vying for her attention during the course of the movie. Adrian Grenier had played Anne's boyfriend named Nate in the first film 20 years earlier - and has since divided fans, with some labeling him as an unsupportive boyfriend over her journalism career. The Entourage actor previously discussed his role in the first movie while talking to Entertainment Weekly in 2021. 'I didn't see some of the subtleties and the nuance of this character and what it represented in the film until the wisdom of the masses came online and started to push against the character and throw him under the bus, and I got flak. 'All those memes that came out were shocking to me,' he added, referencing to how fans had called Nate 'the villain' of the film. Last month in July, it was first reported that Patrick has been cast to portray Anne's love interest in the sequel, per Entertainment Weekly 'It hadn't occurred to me until I started to really think about it, and perhaps it was because I was as immature as Nate was at the time. And in many ways he's very selfish and self-involved.' Adrian continued, 'It was all about him; he wasn't extending himself to support Andy in her career.' Production for the sequel began in July in NYC - with Meryl Streep also stepping back into the shoes of her character, Miranda Priestly. Other stars that are reprising their roles in the second movie include Emily Blunt and Stanley Tucci. Simone Ashley, Lucy Liu, Pauline Chalamet, Kenneth Branagh, Tracie Thomas, B.J. Novak and Justin Theroux are other cast members in the project. David Frankel - who directed the first 2006 movie - is returning as director on the sequel as well. The premise: 'Follows Miranda Priestly's struggle against Emily Charlton, her former assistant turned rival executive, as they compete for advertising revenue amidst declining print media while Miranda nears retirement,' per IMDB. By the time the sequel hits theaters next year in May 2026, it would be 20 years after the first movie was released. The Devil Wears Prada was a critical success and raked in $326.7 million in the box office on a budget of around $35-$41 million. It also garnered two Oscar nominations, such as Best Actress for Meryl Streep. Other nods included five BAFTAs and three Golden Globes - with Meryl winning for Best Actress in a Motion Picture Musical or Comedy. During an interview with WWD, Anne - who is also set to star in The Princess Diaries 3 - opened up about reprising previous roles. 'I was so beautifully cared for on both of those films,' she recalled, while adding that she had been young when making both The Devil Wears Prada and The Princess Diaries. 'I was so guided and looked after and cared for by the communities that made both of those films in particular, each of their directors, Garry Marshall and David Frankel.' She added, 'I'm so excited that now I can do that for other people, that now I have the knowledge and the experience and the confidence to take care of other people on sets in which I'm looked at as a leader.' Anne and Meryl were recently seen reuniting on set of the sequel and were also joined by Stanley Tucci. The Idea Of You actress was spotted running after both Meryl and Stanley as they jumped into an awaiting Mercedes.

‘I couldn't get rid of Finchy': Ralph Ineson on The Office – and becoming a Hollywood superstar at 55
‘I couldn't get rid of Finchy': Ralph Ineson on The Office – and becoming a Hollywood superstar at 55

The Guardian

timean hour ago

  • The Guardian

‘I couldn't get rid of Finchy': Ralph Ineson on The Office – and becoming a Hollywood superstar at 55

How do you portray Galactus, a gigantic, amoral, immortal superbeing who thrives by draining planets of their energy? If you're making a film of any part of Marvel's Fantastic Four journey, your best bet is probably to depict him as a cloud. That's what happened in 2007, and even though fans complained about it a bit, it solved a lot of problems. Matt Shakman, director of the new The Fantastic Four: First Steps, cast Ralph Ineson, who still sounds faintly surprised by the move. 'I've been working for a long time,' he says. His first role was a small part in Spender, the Jimmy Nail vehicle, in 1991, and he's in a similar mould to Nail: tall with a handsome, rough-hewn face, a guy who looks as if he knows how to do guy stuff. 'I've been a jobbing actor for a long time,' he continues, with the same disbelieving, 'how the hell did I wind up in this huge movie?' tone of voice. 'There's no denying it's really nice to have a huge trailer. And it was huge. Bigger than mine and my wife's first flat.' (He married Ali Milner, a radio host, in 2003.) 'Nice trailers, nice cars, and a paycheck. But it's a privilege and an honour to be the first person to bring this character to life. Twelve-year-old me wouldn't have believed some of this shit. I don't have any snobbery about it. I loved it.' Then Ineson describes what it took to make this character, in terms I could already hear, after five minutes, were extremely true to form: stressing the industry and professionalism of everyone on set (including the two people whose job it was to blow cold air into each of his gauntlets between takes) except himself, the dude who just has to show up and try not to sweat. 'They had to shoot me on a white background, with lots of bright light, and I'm wearing this enormous costume, so it was incredibly hot and there was nowhere for the heat to escape. Obviously, Galactus can't sweat. So I had a Formula One pit crew of people around me.' It sounds like a nightmare, I suggest. 'For me, there's something quite masochistic about acting. Sometimes you only really get the good stuff when you're at the edge of something, either mentally, emotionally or physically. It unlocks stuff.' And then, mindful that he has skated way closer to pretension than he'd prefer, 'Occasionally I had to have the physio at my knees, because I'm 55 and falling apart.' His calling, as an actor, has been playing one bad guy after another, but he is one of the most personable people you could ever meet. Ineson grew up in Leeds in the 1970s, when he 'felt as if acting was something that was almost shameful, or maybe that's too strong a word. But it wasn't really something to be proud of, when I was a kid.' His parents were supportive in the sense that they would never miss a show, but nobody thought it was a serious career prospect, and after doing theatre studies at Furness college in Lancaster, he worked as a drama teacher at a sixth-form college in York. He got involved with the York Mystery Plays – a tradition that's been going, on and off, since the mid-14th century: a Bible story told every year, once performed on a roaming cart, then, by the time Ineson did it in 1992, at the York Theatre Royal. All the characters were played by the people of York, except for one professional actor, who that year was Robson Green. 'He was pretty lonely on his own, sat in his hotel. We'd go out for a drink and I ended up sharing a dressing room with him. And he said: 'You're not wedded to being a teacher, are you?' I wasn't, although I did enjoy it, but I hadn't been to drama school, I wasn't classically trained. He said: 'Go home and watch TV tonight, look at the characters you could play.' So I watched a soap, I watched the nine o'clock drama, and there were about five people I thought I could play.' He describes the next phase as a series of lucky strikes: meeting an agent through Green and getting the part in Spender, 'basically because I could ride off-road motorbikes – the character was a professional motocross rider'. Then another agent, more parts, but still 'I don't think I realised I wanted to be an actor until I'd been doing it for 20 years,' he says. 'Shoots were something I really enjoyed, but almost pretended I didn't. Then, I was sitting on a horse on the plains outside Santa Fe, dressed as the man in black, a posse leader' – that was The Ballad of Buster Scruggs, a Coen brothers film. 'And I thought: 'This is exactly what I have always wanted to do.' I just didn't realise it until I was in my mid-40s.' But that was 2018, and quite a lot had happened in the years before that. If you feel as if you know Ineson personally, it will be because of The Office, in 2001, where he occasionally breezed in as Finchy, the boorish sales rep whom Ricky Gervais's David Brent hero-worshipped all the more for his proudly offensive humour. Ineson was sent the pilot episode on VHS, 'which is how long ago it was. I remember being really terrified. How brilliant they were, the central four, firing off each other. I was slightly intimidated. My first thought was: 'Shit, can I do this?'' When he first started out, he often felt as if he was on the back foot because he hadn't been to drama school. 'I don't know whether I would have suited it, but it felt like a big thing for the first few years, because that is all young actors talk about.' Slowly, he came to have more regard for his own idiosyncratic apprenticeship: 'For years I've had the chance to work on big productions without a lot of responsibility – mainly getting my horse to stand in the right place, being in that part of the screen, behind the main villain's left shoulder. You learn a lot about acting, doing that.' Anyway, feeling that he had to be on his mettle – which was fair, Gervais, Mackenzie Crook, Martin Freeman and Lucy Davis were explosively good together – he made a fateful decision. 'I thought: 'I'll use my own accent, I'll play Finchy as a Yorkshireman so I don't have to think about anything except keeping up with the rest of them.' That was a big mistake, because it meant that everybody, for at least 10 years, thought that I was Finchy. That I wasn't acting; that was just my personality. So having people thinking you're Chris Finch, looking at you with amusement, but also a bit of disgust, a bit of fear. He's just such a shitter. It's not a nice skin!' It didn't end with regular human interactions, either – 'career-wise, it was a bit of pain. I just got offered wankers, racists, misogynists and homophobes.' Before The Office, he was always having to recount his CV for people in the street – they'd come up and go, 'what have I seen you in?', and he'd have to size them up and figure out whether they remembered him from Goodnight Sweetheart or an episode of The Bill. He remembers thinking it would be nice to have something so major that nobody would have to ask. 'Be careful what you wish for, because then I got Finchy and I couldn't get rid of him for about 20 years. At least Galactus simply exists, he's a cosmic force. He doesn't do it out of malice. You can't really get much worse than Chris Finch.' He remains a big fan of The Office, which I smoke out by getting him to adjudicate between the British and American versions – he didn't watch the US one for ages, because he caught snatches of it and thought: 'No, they're doing it wrong.' Five years ago, his daughter watched the whole thing and he realised, 'it's different, but it is good. Because I have a slightly twisted sense of humour, I prefer the British Office, it's darker. You would actually let Michael Scott [Gervais's US counterpart, played by Steve Carell] look after your 18-year-old daughter, whereas I'm not sure you'd let Ricky Gervais's character look after your 18-year-old daughter. Same with my character, he's a lot darker than Todd Packer, the American version. Whether that makes it better or worse, I don't know. It's nastier underneath, which I kind of like.' The late 00s were taken up at least partly with the Harry Potter movies, in which he played the dark wizard Amycus Carrow. His son was 10 and his daughter was six when he shot Half-Blood Prince in 2008. It was the perfect age, you get the impression he'd have done it just so they could meet Daniel Radcliffe. He also got to hang out with Michael Gambon for days on end. 'He's the best storyteller in the world, ever. Joke-teller, raconteur, everything. He told me this joke that lasted a whole week; I could tell it in 15 seconds. It was one of the best weeks of my life.' Nevertheless, he had no lines at all, 'a supporting artist, basically'. The producers enticed him in with the next two books, in which there's more meat on Carrow's bones. But when they came to make the astronomically long Deathly Hallows, parts one and two, the plot had been very slightly tweaked to remove the pivotal moment when his character spits in Professor McGonagall's face and unleashes hell. 'I did three Harry Potter films without saying a single line.' As the father in The Witch, Robert Eggers's acclaimed, hypnotising horror movie, which won lots of indie film awards, including best director for Eggers at Sundance, Ineson felt that he'd got the first part with its own arc. This was 2015, when he was in his mid-40s, realising he actually was an actor, perhaps relatedly, at around the time the industry realised how good he was. He speaks so highly of his co-star, Kate Dickie – 'she should be a dame, she's that good,' he crescendoes a little surprisingly. But his collaboration with Eggers was intense. Ineson sat at the director's shoulder while the other actors were cast. 'It was a weird experience – it felt terribly unfaithful, as if I was cheating on my profession.' They worked together again on The Northman in 2022, which had a broader canvas visually and emotionally, but had the same feeling of The Witch, a film that had an immense amount of knowledge go into it, only a fraction of which you could pin down. 'I have got no idea how Rob has managed to read so much in his lifetime, it feels as if he has an encyclopaedic knowledge of almost every period in history.' If Ineson was never prepared, post-Office, to give in to being typecast as a wanker, he's pretty comfortable with being a supervillain. 'I think with my size, face and voice, 90% of the time I've been on the bad guy side of the line anyway. I would be fighting a losing battle if I was trying to get myself into romcoms. Some things are beyond the realms of casting.' If The Fantastic Four: First Steps is a turning point, the difference is mainly one of scale. 'Although I've been involved with big films before, I've never played a character that is this important to the film and the franchise,' he says, with an amount of trepidation. It's true – there are other people in the movie (Pedro Pascal! Vanessa Kirby!), but if the villain doesn't work, nothing does. 'So if it doesn't make a profit, it's my fault? Is that what you're saying?', he says, mock petrified. The film is already doing fine at the box office. He should relax.

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