
Beachcomber in France hunts fragments of migrant lives
The document had traveled thousands of kilometers by the time it was picked up on a beach in Gravelines on France's North Sea coast by a Belgian who likes to scour the beach in search of interesting things to collect.
Aaron Fabrice de Kisangani, 27, who calls himself a 'beachcomber' and a 'citizen scientist,' carefully unfolded the piece of paper that was soaked, dirty and covered in sand fleas, hoping for clues to the owner's life.
The item is one of many objects migrants leave behind when they board one of the small boats they hope will carry them to the English coast. Sometimes they lose things in the hurry, and sometimes they throw them away deliberately, to travel light.
This is how shoes, clothes, bags and documents belonging to migrants end up strewn on northern French beaches, along with things left by fishermen and visitors.
Over the past two decades, Fabrice de Kisangani has made some unusual finds, including exotic plant seeds and shark teeth. He never used to pay attention to objects left by migrants, until about a year ago.
'I started to think, why don't I take them, because otherwise they will be lost,' he told AFP.
The written notes he found probably belonged to an Ethiopian woman called Rose I., at least that is the name scribbled at the top of the page.
Rose meticulously listed cities, journey times and means of transport, drawing arrows between each entry.
The itinerary starts with 'A.A.' for Addis Ababa, the Ethiopian capital. Eight hundred kilometers (500 miles) and 17 hours by car later comes Metema, on the Sudanese border. 'Ten minutes on foot,' Rose predicted, would take her to Gallabat on the other side.
Then on to Khartoum, the capital of Sudan, followed by thousands of kilometers across sand, marked simply as 'desert,' to Tripoli, in Libya.
Next came the voyage across the sea to Italy, followed by a train journey to France. And then, at last, the final destination: 'UK.'
Fabrice de Kisangani found many other fragments of exile life during his morning search: a summons for a March 18 expulsion hearing for an Albanian in detention, or tickets from the Romanian capital Bucharest by plane to Paris, and then by train to Dunkerque in northern France.
These objects could help 'humanize those people again,' because they tell 'their story,' said Fabrice de Kisangani.
'I want to show the problem from another angle, as a beachcomber,' he said, admitting however that he has not worked out yet what exactly to do with the objects.
But in the meantime, the finds taught him 'a lot' about the migrants, 'about how they travel and how fast,' the beachcomber said, adding he often does research to find out more about their home countries and 'why they are fleeing to the UK.'
Walking back to his car, Fabrice de Kisangani saw a scene playing out in the distance that has become commonplace around here: dozens of migrants emerging from the dunes and running toward a boat waiting in the water. At first they were stopped by police but, in another attempt a few minutes later, most managed to climb aboard.
A child could be heard crying. A man, one of three members of a family who didn't make it, urged his mother to climb back off the boat, without success.
Such existential scenes, illustrating the undertaking's fragility, are never documented in the objects jettisoned on the beach. The final pieces of the puzzle remain elusive.
Did Rose, the travel plan author, ever make it to England? Did she stick to her itinerary?
On this, the notes are silent.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Arab News
6 days ago
- Arab News
Forest fire sweeps through northern Morocco
RABAT: A major mountain forest fire close to the tourist city of Chefchaouen in northern Morocco was spreading on Wednesday, according to media and witnesses who spoke to AFP. The fire has officially been declared a 'major' one, a source told AFP, adding that Canadair firefighting aircraft were working to contain the flames. Details on the extent of the fire, damage, or any victims or evacuations were not available. According to news site Le360, two Canadair planes were operating 'despite strong winds' in Chefchaouen province, home to 400,000 people, including 50,000 in the provincial capital. Le360 reported that the fire had devastated 'vast' areas of woodland between Bab Taza and Derdara, and had caused significant damage to orchards and fields near Karankha, before spreading to a nearby forest. Strong winds have been sweeping through northern Morocco for two days, fanning the flames. 'The situation is catastrophic... The extent of the material damage seems quite large,' Aziz Makhlouf, a resident of the province, told AFP by phone. 'I haven't seen such a fire in about 15 years,' he said, adding that there had been significant efforts by the authorities to combat the fire. Videos shared online showed a sky darkened by smoke, the glow of flames in the mountains and residents fighting against the fire with buckets of water. Reports in Moroccan media and on social networks said that fires had also broken out near Tetouan and Tangier, two other tourist destinations in the north of the country, which has been gripped by persistent drought since 2018. As with much of western and southern Europe, Morocco has been gripped by heatwaves this summer, compounded by the strong, hot desert winds known as chergui, which blow in from the Sahara.

Saudi Gazette
7 days ago
- Saudi Gazette
Visual Arts Commission set to launch Art Bridges Cultural Programs in Scotland, Japan, Korea, and Spain
Saudi Gazette report RIYADH — The Visual Arts Commission (VAC) announced the launch of the Art Bridges 2025–2026 Cultural Trips initiative, starting in September. The first program, in collaboration with the British Council, will take place in Scotland from September 22 to 27, 2025. Additional programs will be held in Japan from October 31 to November 7; South Korea from November 19 to 27; and Spain from March 2 to 9, 2026. Applications for these three programs opened on Wednesday. The application window for Japan will close on August 21, while applications for Korea and Spain will remain open until August 31. The initiative features four distinguished programs designed to advance professional development and international cultural exchange for Saudi and Saudi-based visual artists, cultural practitioners, creative professionals, and cultural producers. The programs will be implemented across four international destinations, underscoring the commission's commitment to professional development, global connectivity, and fostering cross-cultural dialogue. The commission CEO Dina Amin said that these professional programs offer Saudi and Saudi-based cultural practitioners a unique opportunity to share their creative voices with the world, reflecting the depth and diversity of Saudi Arabia's artistic landscape. Each Art Bridges program is tailored to the distinctive cultural and creative context of its destination, incorporating engagement with thought-leaders, leading cultural centers, museums, galleries, and artists' studios. Participants will engage in workshops, knowledge-sharing sessions, and dialogues with prominent figures from the local art scenes, fostering meaningful exchange and strengthening professional expertise. Thematic focuses for the 2025–2026 programs include: Japan—Art and the Environment: Exploring how artists and art practitioners respond to natural, urban, and traditional surroundings through material, scale, and site; South Korea—Identity through Art and Community: Examining grassroots cultural movements, artist-led spaces, and collaborative platforms; Spain—Heritage and Collectivism: Highlighting how collective practice, heritage, and social purpose converge in both contemporary and historic cultural spaces. Applicants must be over 21 years of age, possess a minimum of five years of professional experience in their field, and present a strong portfolio demonstrating their contributions to the cultural sector. Proficiency in English and full commitment to the program schedule are mandatory. The full criteria are detailed in the application form. The Art Bridges initiative represents a cornerstone of the Visual Arts Commission's mission to expand Saudi Arabia's cultural voice on the global stage, cultivate sustainable creative ecosystems, and build enduring international partnerships.

Arab News
30-07-2025
- Arab News
Female tour guides in Afghanistan lead women-only groups as some travelers return
KABUL: They wandered through the museum, listening attentively as their guide explained the antiquities in display cabinets. It could have been any tour group, anywhere in the world. But there was something unusual about this group of foreigners visiting the National Museum of Afghanistan was made up only of women. Its guide was a woman, too — one of the first Afghan female tour guides in a country whose Taliban rulers impose the severest restrictions on girls and women anywhere in the Moniry, 24, hadn't known that tour guides existed, as a profession or even as a concept. But while browsing the Internet for help on improving her English language skills, she stumbled upon Couchsurfing, an app where travelers connect with locals and stay in their hosting a traveler, 'I became very passionate about it and it was very interesting for me,' Moniry said. 'It was very unique. I have never heard about it before, so I said: 'Why not (do) this?''Looking for the positiveAs she showed that first visitor around her hometown in western Afghanistan, she saw a new side to her country.'Most of the things that we have heard (about Afghanistan) was just … negativity. The focus of the people, focus of the media, focus of headlines, all of them were just the negativity. And definitely we get influenced by that,' Moniry for her, Afghanistan is far more nuanced. While there are undoubtedly problems in a place recovering from decades of war and chaos, there is also another side to the complex, stunning country. Her love for her homeland runs deep, and she is eager to share it. She hopes to gradually change people's perceptions.'Whenever … I saw all of that natures, all those beauty, all those positivity, it changed my view totally,' Moniry said in her enthusiastic English. 'And definitely this can be also for other people.'One of those visitors is Australian Suzanne Sandral. She originally wanted to see Afghanistan in the 1960s but the pressures of having a family kept her away. Now at 82, she was part of Moniry's women-only tour group in surprised her.'It's not what I expected at all. I expected to feel rather fearful. I expected to be given a lot of ... accusatory looks. Not at all,' she said during a pause in sightseeing. 'Wherever you go in the streets, if you smile at someone and give them a little nod or say hello, you get a terrific response. So it's very different.'Jackie Birov, a 35-year-old independent traveler from Chicago who was not part of the tour group, called the Afghan people 'unbelievably hospitable.'However, 'I'm very aware that I have a lot more freedom than local women,' she said.A fledgling industryFour decades of war have kept tourists away from Afghanistan. But while the Taliban's takeover of power in August 2021 sent thousands of Afghans fleeing and shocked the world, the end of its insurgency against the previous US-backed government also marked a sharp drop in still occasionally occur, mainly by a Daesh affiliate, and Western countries advise against all travel to Afghanistan. Still, the improved security is increasingly attracting foreign visitors drawn by the dramatic scenery, millennia of history and a deeply ingrained culture of is a fledgling industry, with annual visitors in the low thousands. Most are independent adventure travelers. But guided package tours are increasing from countries as diverse as China, Greece, the Netherlands and the United Taliban government is keen to welcome them. Isolated on the international stage — officially recognized only by Russia, which did so in July — the government sees how potentially lucrative tourism could visas, typically single-entry ones valid for stays of up to 30 days, have become relatively simple to obtain from the few embassies that issue them. Regular flights connect Kabul with major transit hubs such as Dubai and Istanbul.A question of ethicsFor some, the idea of visiting Afghanistan as a tourist is morally abhorrent, particularly given the government's treatment of are banned from education above primary school level, and women live under myriad restrictions. The government dictates what they can wear in public, where they can go and who they can go with. They cannot walk in parks or eat in restaurants. Beauty salons are banned. A very limited number of professions, such as teaching and carpet weaving, are open to the rules can change those involved in tourism point to the positive effects that visiting Afghanistan can have.'I truly believe in ethical tourism,' said Zoe Stephens, 31, a British tour leader at Koryo Tours, a company specializing in unusual destinations. 'I believe that you can divide politics and people, and that is the main thing for me. … A country is not a sum of its politics. It's a sum of so much more, it's a sum of its culture, its history, its food, and especially in Afghanistan, its people.'Glimpses into the women's worldOf the three recent tours Stephens led in Afghanistan, two were women-only. Working with local female guides, including Moniry, they combine key attractions with visits to women's centers and cooking and embroidery classes from local women — worlds that are closed to male travelers.'We always try and do something a little bit different that really makes our tours unique, as well as something that kind of gives back to the community,' Stephens said. 'So I felt that working with the female tour guides does both of those things really well.'The groups are small — one had eight women, the other three — but the company is looking to build a network of female guides across Afghanistan.'What we try and do with this tour, especially the women's tour, is conquer those ethical concerns,' Stephens said. 'The idea is to learn about the lives of Afghan women in context.'



