Renen Schorr Dies: Director, Activist & Founder Of The Jerusalem Sam Spiegel Film School Was 72
Israeli filmmaker Renen Schorr, founder of the Jerusalem Sam Spiegel Film School, has died at the age of 72.
The school, which opened in 1989, was a gamechanger for Israeli cinema with alumni over the past 35 years including Nir Bergman (Broken Wings), Nadav Lapid (Synonymes), Tom Shoval (Youth), Talya Lavie (Zero Motivation) and Rama Burshtein (Fill The Void).
More from Deadline
Sarah Michelle Gellar Remembers 'Buffy' Co-Star Michelle Trachtenberg: "I Will Live... For You"
Francis Ford Coppola Leads Tributes To "Inspiring & Magnificent" Gene Hackman: "I Mourn His Loss, And Celebrate His Existence"
Gene Hackman & Wife Betsy Arakawa Found Dead In Santa Fe Home
Schorr, who was born in Jerusalem in 1952, built his career alongside the fledgeling Israeli film industry to become a seminal figure in its development later on.
A filmmaker in his own right, his best-known work is the 1987 drama Late Summer Blues.
Set in the wake of the 1967 Six-Day War, it follows a group of seven high school graduates in their final summer together before being conscripted into the Israeli army.
The screenplay was inspired by Schorr's involvement in the 1970 Senior's Letter to Prime Minister Golda Meir – in which a group of high school students questioned the occupation of the West Bank and Gaza, and suggested they would only sign up for the draft if the government committed to peace – as well as his experiences working as a journalist for the official army magazine during the Yom Kippur war in 1973.
He wrote an outline for the film in 1976 while a student at the film department of Tel Aviv University, which had opened its doors in 1974, and would co-write the final screenplay with actor Doron Nesher from 1978 to 1985.
The production struggled to secure state finance with the Ministry of Industry and Commerce, which controlled film funds at the time, describing the screenplay as anti-Israel and pro-PLO.
Eventually shot on $150,000, with support from the more autonomous Israel Film Fund, it opened the Jerusalem Film Festival in 1987 and was a hit at home. It was also one of the first Israeli films to enjoy an international career after it played at numerous festivals and was acquired by then Kino International and Janus Films for the U.S.
Schorr, who had previously headed up the film department at the Beit Zvi School of the Performing Arts outside Tel Aviv in the 1980s, was approached by Jerusalem mayor Teddy Kollek and Jerusalem Foundation President Ruth Cheshin in early 1989 to set up and run a film school in the city, with a three-month lead time for its opening.
The pair were looking for different ways to stem the exodus of young people from Jerusalem to the more laid-back, secular beachfront city of Tel Aviv.
In a 2016 interview with Israel's Haaretz newspaper, Schorr recalled how the decision to locate the school in Jerusalem was controversial at the time, given that Israel's film industry was predominantly situated in Tel Aviv, and that some of his film world acquaintances even called him 'a traitor'
He ran the school for 30 years, before handing over the CEO and executive director baton in 2019 to Dana Blankstein Cohen, who remains in the role today.
As well as creating an institution that was eventually on an equal footing with top film schools around the world, Schorr also spearheaded the Sam Spiegel International Film Lab in 2011.
Taking inspiration from the Sundance Film Lab, the initiative has incubated dozens of award-winning films over the past 14 years including Laszlo Nemes's Oscar-winning Son Of Saul, Lapid's The Kindergarten Teacher, Antoneta Kusijanovic's Murina, Philippe Lacote's Run, Nadav Lapid's The Kindergarten Teacher, Alvaro Brechner's Mr. Kaplan, Burhan Qurbani's We Are Young, We Are Strong and Mikko Myllylahti's The Woodcutter Story.
Schorr's other achievements across his career included being one of the founders of the Israel Film Fund in 1979; the initiator and advisor for the New Fund for Film and Television (1992); the engineer of the Gelfand Fund for Short Films (1996); the driving force behind Israel's joining of the European Film Academy (2001); the founder and chair of the Jerusalem Film Fund (2008); the founder of the Cinematheques in Herzliya and Holon (2007, 2008), and founder and director of the First Feature Fund for Sam Spiegel graduates (2015).
His filmography also includes After (1977), The Battle of Fort Williams (1981), A Wedding in Jerusalem (1985), The Loners (2009) and final work, Wake Up, Grandson – Letters to my Rebellious Rabbi (2023).
The latter film saw Schorr revisit the life of his grandfather Rabbi Avraham Heller and his exploits in the 1948 Battle of Safed, which led to the expulsion of some 10,000 Palestinians from the hilltop Galilee town including current Palestinian President Mahmoud Abbas and his family.
In the last year of his life, Schorr added his mother's maiden name Heller to his official surname, in a move linked to the making of his final film.
Sam Spiegel Film and Television School CEO said the establishment's community was heartbroken by the news of Schorr's death.
'He established what was to become not only his life's work, but a project that changed Israeli cinema beyond recognition and thus Israeli culture as a whole,' she said.
'Renen was at the helm of the school for more than a generation and did so with unprecedented passion that allowed the school to become a leading and noteworthy institution in the world of cinema. Our hearts are with his family and with the many for whom Renen was a significant mentor in their own journeys as filmmakers and as humans.'
Best of Deadline
2025 Deaths Photo Gallery: Hollywood & Media Obituaries
2024 Hollywood & Media Deaths: Photo Gallery & Obituaries
Remembering Shelley Duvall: A Career In Photos
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Axios
17 hours ago
- Axios
Israeli forces intercept Gaza-bound aid ship carrying Greta Thunberg
Israel intercepted a Gaza-bound aid boat carrying Greta Thunberg and 11 other activists early Monday local time, per posts from the Israeli government and the pro-Palestinian group behind the drive. The big picture: The "Madleen" yacht that "Game of Thrones" actor Liam Cunningham was also aboard was being diverted to Israel and the crew was "expected to return to their home countries," said the Israeli Foreign Ministry on X. Details: The British-flagged ship that was raising awareness of the humanitarian crisis in Gaza during the Israel-Hamas war was carrying aid including baby formula, food and medical supplies, per a statement from organizer the Freedom Flotilla Coalition that accused Israeli forces of kidnapping the crew. Rima Hassan, a French member of the European Parliament who was aboard the ship, said on X the "crew of the Freedom Flotilla was arrested by the Israeli army in international waters" around 2am local time. The Israeli Foreign Ministry said on X that everyone aboard the "'selfie yacht'" of "'celebrities'" was unharmed and provided with sandwiches and water. What they're saying: "Israel has no legal authority to detain international volunteers aboard the Madleen," said Huwaida Arraf, human rights attorney and Freedom Flotilla organizer, in a statement. "This seizure blatantly violates international law."
Yahoo
a day ago
- Yahoo
Scientists Figured Out the Personality Traits of Influencers, and It Could Explain a Lot
More and more young people are gunning to become influencers — but certain personality types appear more likely to pursue it as a career than others, which could explain a lot about the chaotic and outrageous industry. It's a worthwhile line of inquiry. Back in 2019, a Lego-sponsored survey found that among 3,000 kids in the US, UK, and China, a full third said they wanted to be influencers, while only 11 percent indicated an interest in becoming an astronaut. What does that immensely powerful trend mean for society? In a new study published in the journal Telematics and Informatics, researchers from Poland's University of Wrocław and Oxford found that young people who are extraverted, self-involved, and — quelle surprise — dramatic were more likely to aspire to being an influencer than their more introverted and calmer counterparts. After recruiting nearly 800 participants aged 16 and 17 — roughly half of whom were Polish, with the other half based in the United Kingdom — the researchers posed a battery of questions to their teen subjects about their career goals and their dream jobs. The participants were also given questionnaires that measured how strongly they exhibit the "Big Five" personality traits — openness, conscientiousness, extroversion, agreeableness, and neuroticism — as well as how histrionic, or dramatic, they are. As the researchers found, those with heightened extraversion, narcissism, and histrionics — a tendency to be dramatic and expressive about it, basically — were more likely to be interested in the influencer life. Those traits correlate to a desire to be seen and validated by others in much the same way as with theater kids — suggesting, perhaps, that the student thespians of today may be the influencers of tomorrow. Though there's been some research into how audiences perceive the personalities of content creators, this study appears to be the first that looks into the traits the drive people to become influencers — or wannabe influencer, at least, since the career is anything but a slam dunk for most who attempt it. More on personality: Hawk Tuah Girl Says She's Horrified by What Happened With Her Crypto Launch
Yahoo
2 days ago
- Yahoo
The cult of Greta proves that the loony Left has gone mainstream
It was a sight so uncannily ghoulish I felt repelled and fascinated in equal measure. I was watching the coverage of Greta Thunberg and a band of other mouth-frothing young Palestine activists board the Madleen, a yacht that left from the Sicilian port of Catania last weekend, sailing, to our shame, under a British flag (though it is the Palestinian flag that blows aggressively from the prow). The Madleen is heading for Gaza with 'aid'. Say hello to the 'freedom flotilla' on which Swedish climate-turned-Palestine activist Thunberg is joined by the Brazilian activist Thiago Avila, the Irish Game of Thrones actor Liam Cunningham, and Rima Hassan, a French-Palestinian European Parliament member. I used to think nautical adventures were romantic, full of derring-do: this one makes me feel more vomitous than even the highest of seas. The website for the Madleen's voyage uses exactly the same tone and tactics as Thunberg's horrible climate stunts did: extreme, unbending, threatening, self-loving and bratty all at once. 'We sail until Palestine is free' runs the banner. The site explains: 'Since 8 October 2023, Israel has escalated its genocidal campaign against Palestinians in Gaza in an attempt to destroy all forms of life. The Israeli military has murdered tens of thousands of people, if not hundreds of thousands.' You almost have to laugh. It's not clear whether any of these activists, drunk on their love of themselves, are even aware of October 7 or Hamas. And 'all forms of life'? Are they saying Israelis murder plants and pets too? At any rate, Thunberg and co do not mean freedom from Hamas, against whom thousands of brave Gazans have been protesting. They mean from Israel. Not just Israeli military action but, in accordance with the rest of their playbook of slogans, from the proximity of the Jewish state full stop. Anti-Israel chanting, stickering, posturing and boycotting has been a mainstay of Lefty life for as long as I've been alive. But since October 7, a new normal has spread and spread; a kind of slow-release pogrom, if you will. The loony Left, once possibly to ignore, is now everywhere, and everything. This flotilla is a prime example. Instead of being ignored as wacky trouble-making, it is instead taken seriously, hailed as heroic by millions who should know better. The Palestine solidarity mob peddles lies rooted in the anti-Semitic blood libel of Jewish bloodlust for innocents. It claims, without a single piece of self-awareness or verification, that Israeli forces have 'murdered' hundreds of thousands of Palestinians. For these folks, context is colonialism, racism, murder – of a type that only Israel is capable of – so there is no understanding or desire to understand the cause of anything that has happened, or what has actually been going on with aid and food. In fact, flotilla wisdom is riddled with so many evil falsehoods there is no space to refute even half of them here. Now that the loonies have taken over, the flotilla is just an emblem of the new normal rather than considered fringe or extreme, or a curiosity. This is because the boundary between the wackiness of grassroots activism and the sobriety of government and the prestige mainstream media – both of which are expected to at least look into facts, verify claims and consider bias – has evaporated. Raw anti-Israel feeling has simply taken over. Some of it is done terribly respectably. A study by Andrew Fox of the Henry Jackson Society found that 98 per cent of the world's media, including The New York Times and CNN, simply repeated Hamas's casualty figures. Meanwhile, the goings-on of the likes of the Madleen is legitimised by statements made by our government. When Keir Starmer and David Lammy, the Foreign Secretary, publicly call into question the motives of Israel and Gaza, insult the valiant Jewish State as 'appalling' and 'monstrous', threaten to halt trade with its ally, and act like Israel is exactly what Thunberg and friends say it is, then what's the difference? We might as well all be sailing on that flotilla. Thunberg's power seemed likely to fade away; nobody so niche, I used to comfort myself, can stay at the forefront for long. Times change, trends move on. But the reality is even grimmer than I anticipated. All the climate loonies have just migrated to the cause of Palestine. Just Stop Oil has laid down arms to focus on 'Palestine', which it calls the next all-consuming cause for the world, as urgent as saving the planet from global warming. A thousand new grassroots, student and cultural campaign groups and coalitions have sprouted up to wage war on Israel and celebrate terrorists. Fossil Free Books led debilitating boycotts of British literary festivals last year, deviously and also perplexingly linking sponsors' tangential investments in fossil fuels with support for alleged Israeli criminality. Youth Demand, another group of anti-Israel fanatics, does the same. Its ghastly red website screams: 'The government is engaging in absolute evil. They are enabling genocide in Palestine by sending money and arms to Israel. They are contributing to the murder of billions to keep the fossil fuel profits flowing' and urges people to 'join the resistance'. It's barking mad, nightmarish conspiratorial nonsense. And so, under the frenzy of anti-Israel passion, bolstered by years of woke and trans madness, our society has lost decorum, professional standards, and, it often feels, any sphere at all that remains free of the politics of Israel hatred. Even the hushed plush corridors of Harley Street aren't safe. A Jewish friend texted me: 'Went to see a specialist, hadn't realised I'd get a thorough indoctrination treatment thrown in for free … Palestine badges on lanyards and prominently displayed items wherever you look.' She described the experience as 'chilling' and expressed gratitude her kids weren't there. 'No way I'd dare wear a Star of David there. How twisted is that?' Indeed. As I looked at the pictures she sent through, the menacing black, green and red badges on backpacks demanding freedom for Palestine, I too felt chilled, but only in a way that has become utterly familiar. I live in a mixed area that is, traditionally, also a bastion of the secular Jewish community. Yet I face a constant barrage of vandalism and graffiti disfiguring the area, from 'F--- Israel' sprayed on shop fronts and hoardings to 'Free Gaza' scrawled over my street sign. Out walking with my toddler last week, a car cruised past us, with three Middle Eastern looking men in it who rolled down the windows and sang in a slow, taunting tone: 'Free, free Pal-es-tine' on repeat, deliberately, it seemed, baiting the Jews of the neighbourhood. Yet nobody batted an eyelid. It's everywhere, all the time. No amount of last-minute professional sacrifice and rudeness is off limits: feminist icon Caryl Churchill has pulled her play from the Donmar because the theatre receives support from Barclays. Like most normal, ethical banks, Barclays is said to provide financial services to some defence companies supplying Israel. The defining feature of a totalitarian regime is, well, total. It pervades everything on pain of death. Since October 7 Britain – and other countries in the West – are starting to feel eerily similar where Israel discourse is concerned. Except unlike the totalitarian regimes of historical fame, we aren't being forced: we're embracing the madness of our own free will, and that is unforgivable. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.