logo
GenKRU: A love letter for fans who grew up with them

GenKRU: A love letter for fans who grew up with them

Sinar Daily25-05-2025
For the past two consecutive weekends, it felt like the peak of Malay pop culture re-entered our lives and wrapped itself around our collective memory like a well-worn denim jacket from the 90s. Faded, but never out of style.
It was because KRU staged a four-night spectacle that turned into a cultural exhale. The trio brothers - Norman, Yusry and Edry gave it their all with amazing showmanship and moments of raw, unfiltered emotions that struck deeper than any beat drop.
Now if there's one thing we all live for (consciously or not) it's the chance to relive simpler times. For millennials and Gen Xers, the GenKRU 2025 concert was our chance to do just that. It was equivalent of opening a long-time capsule.
Like many 90s kids, our cultural compass didn't point to TikTok. For me, I listened to KRU because my older siblings listened to KRU. It was a secondhand discovery, but one that stayed with me into my adult years.
It's only now that I realise how they were in every sense, ahead of their time as artists because decades later, their songs still resonate. They weren't just any boyband built for bubblegum, they were architects of their own sound.
'Malam ini kita menjadi remaja selamanya,' said Edry on stage. It was great seeing fellow millennials and Gen Xers just let go and immerse themselves in the music. For a few hours, we all forgot about adulting, school runs, deadlines and just enjoyed the moment.
But it would've been extra cool if my siblings were there dancing with me too.
I noticed how the little details were tailored perfectly to the generations in the audience. The seated setup was a thoughtful move especially considering, you know, that backaches tend to creep in once you hit your 30s. It was like they knew we'd want to sing and dance, but maybe not for three hours straight without a little support.
KRU wasn't just any boyband built for bubblegum, they were architects of their own sound. - Photo: Bangswan Pictures
Then there were the lyrics, projected on the screen for every song. It felt like a subtle nod to the fact that, yes, we might need a little refresher on some of those iconic tunes.
Later, at the press conference after the third night of the concert, the trio reflected on how the energy was particularly electric that night (have to say I patted myself on the back for contributing to that).
The setlist - made up of songs like The Way We Jam, Fanatik, Awas, Jangan Lafazkan, Apa Saja, Terhangat Di Pasaran and more - were expertly curated, giving fans both the nostalgia they craved and unexpected thrills.
But what made GenKRU special wasn't just the playlist, it was their presence. The brothers looked seasoned, yes, but never out of touch.
The choreography was tight, the banter was natural and the vocals were still sharp.
In a live music landscape increasingly dominated by international acts and digital flash-in-the-pans, GenKRU was a reminder that Malaysia has its own legends. - Photo: Bangsawan Pictures
One of the most memorable moments of the concert was when the brothers dedicated a song to their parents for Mother's Day called Penjunjung Namaku.
It was a genuine, touching moment to see three grown men, standing in front of a packed Axiata Arena, be vulnerable with their emotions without a second thought.
You could feel how grounded they are in love and respect for their parents.
'After 33 years of watching us perform, we want to cherish every moment and give them the memories that we performed for them,' said Edry during the press conference.
For fans, KRU's legacy isn't just about memory. This concert reminded us just how much they've contributed outside the spotlight too as producers, storytellers, filmmakers and composers.
In the end, GenKRU wasn't about reviving the past. It was about showing us how much of it still lives in us.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

(Video) Was Katy Perry Hit With Electric Shock During Recent Concert?
(Video) Was Katy Perry Hit With Electric Shock During Recent Concert?

Hype Malaysia

timean hour ago

  • Hype Malaysia

(Video) Was Katy Perry Hit With Electric Shock During Recent Concert?

Katy Perry's 'Lifetimes Tour' has sparked criticism and concern from fans. Last month, the singer experienced a stage malfunction when the wires of an elevated butterfly prop she was riding on came loose, causing it to drop slightly. Thankfully, the pop star managed to hold on, avoiding what could have been a serious fall. This time, the singer has gone viral once again following another alleged on-stage mishap. A video circulating online shows her ascending from the stage, before she suddenly jolted and left many wondering if she had suffered from an electric shock from the surrounding props. Here's what happened: During her recent concert in Raleigh, North Carolina, a fan captured the moment Katy Perry ascended from the stage while performing 'Artificial'. As she entered an elevated set, the singer, who was portraying an AI robot, appeared to suddenly jerk uncontrollably. Many claimed that the songstress had been shocked by the surrounding prop wires from the set. Fans, and even non-fans, took to social media to express concern over the poor stage setup, noting that there have already been several instances where Katy has almost been injured on stage. Others, however, made light of the situation, joking that the nun who was once involved in a legal dispute with the star, and who tragically died in court during a post-judgment hearing, had come back to haunt her during the tour. Some fans suggested that Katy may not have suffered from an electric shock at all, but that there may be something wrong with her harness as she was ascending. This appears to be the most plausible explanation, as closer inspection of the video shows one of the wires catching on the elevated set before coming free, possibly causing the singer to jolt suddenly. She was even seen checking the left side of her harness with her hand immediately after it happened. Thankfully, Katy Perry was left unharmed. However, it is concerning that such incidents continue to occur during her tour. Perhaps it would be safer for her to remain on the ground for the rest of the shows, or, at the very least, ensure that stage crews carry out thorough safety inspections on all sets and props before showtime. Check out the viral moment below: Sources: TikTok, Twitter

'Skibidi' added to Cambridge dictionary
'Skibidi' added to Cambridge dictionary

New Straits Times

time12 hours ago

  • New Straits Times

'Skibidi' added to Cambridge dictionary

Your browser does not support the audio element. LONDON: Words popularised by Gen Z and Gen Alpha including "skibidi", "delulu" and "tradwife" are among 6,000 new entries to the online edition of the Cambridge Dictionary over the last year, said its publisher yesterday. Cambridge University Press said tradwife, a portmanteau of traditional wife, reflected "a growing, controversial Instagram and TikTok trend that embraces traditional gender roles". The dictionary also took on the challenge of defining skibidi, a word popularised in online memes, as a term which had "different meanings such as cool or bad, or can be used with no real meaning". The gibberish word was spread by a YouTube channel called "Skibidi Toilet" and is associated with the mindless, "brain rot" content found on social media and consumed by Gen Alpha's overwhelmingly digital lifestyle. The dictionary defined delulu, derived from the word delusional, as "believing things that are not real or true, usually because you choose to". As an example, it cited a 2025 speech in Parliament where Australian Prime Minister Anthony Albanese used the phrase "delulu with no solulu". "It's not every day you get to see words like skibidi and delulu make their way into the Cambridge Dictionary," said Colin McIntosh, Lexical Programme manager at the Cambridge Dictionary. "We only add words where we think they'll have staying power. Internet culture is changing the English language and the effect is fascinating to observe and capture in the dictionary." Other new phrases include "lewk", used to describe a unique fashion look and popularised by RuPaul's Drag Race, and "inspo", short for inspiration. Work from home culture has given rise to "mouse jiggler", referring to a way to pretend to work when you are not. There is also "forever chemical", man-made chemicals that stay in the environment for years and have gained traction as concerns grow about the irreversible impact of climate change on the health of humans and the planet. AFP

Inspiring the future through the lens of Malayan early cinema
Inspiring the future through the lens of Malayan early cinema

Focus Malaysia

time21 hours ago

  • Focus Malaysia

Inspiring the future through the lens of Malayan early cinema

IN AN era dominated by global media giants, Malaysia faces the pressing challenge of preserving its own cinematic heritage—a vital cultural treasure that is currently at risk of fading into obscurity. Early cinema in Malaya, spanning from the 1930s through the golden years of the 1940s to 1970s, played a crucial role in reflecting the social realities, cultural identities, and political aspirations of a colonised society moving toward independence. Yet, many of these films and the heritage cinemas that once screened them are deteriorating or lost, threatening a significant part of Malaysia's cultural memory. The current issue centers on cultural erasure due to inadequate preservation and archival efforts. Iconic early Malay films such as Laila Majnun (1933) and Seruan Merdeka (1946) were not mere entertainment but powerful narratives capturing the hopes, struggles, and multicultural fabric of Malayan society under colonial rule. Unfortunately, many films from this era exist only in fragile physical formats, and with the shift to digital media, preservation of these historical works has become more urgent yet complicated. Furthermore, historic cinemas, like the Art Deco Coliseum Theatre built in 1920, are disappearing from urban landscapes. Instead, they are being replaced by modern multiplexes or repurposed for other uses, erasing physical sites of collective memory. Research efforts looking at the impact of Malayan early cinemas, especially the one by Dr Ata' Hanifee Zawawi, from the Department of English, Faculty of Arts and Social Sciences, Universiti Malaya are addressing this issue by recovering and analysing early cinematic works and their contexts. This research combines archival investigation, oral histories, and film analysis to reconstruct the narratives and cultural significance of early Malay cinema. It highlights how films from the studio era (1950s–1965), including works by pioneering filmmakers like B.S. Rajhans and Malay Film Productions, served as tools for identity formation by centering local languages, traditions, and social issues. These films reflected the complexities of post-war Malaya, blending tradition and modernity, and fostering a sense of national identity before independence. Moreover, the research underscores cinema's dual role as both cultural preservation and education. Films from the studio era not only documented historical realities but also conveyed moral values and social cohesion, helping audiences understand their cultural heritage and societal structures. By studying these films through critical frameworks such as Georg Lukacs's cinematic realism, the research reveals cinema's transformative potential to foster cultural awareness and collective reflection. More importantly, this research is forward-looking. It asks how rediscovering early cinematic narratives can inspire contemporary Malaysian filmmakers and audiences to reclaim and reinterpret their cultural identities in a globalised media environment. With international productions increasingly filming in Malaysia yet often sidelining local stories, preserving early cinema becomes an act of cultural sovereignty, affirming that Malaysian stories matter and deserve to be told and retold. To readers, especially younger Malaysians, the message is clear: the cinematic heritage of Malaya is your inheritance. These films and historic cinemas are more than relics; they are windows into the past and mirrors for imagining future identities. Exploring this heritage invites you to move beyond passive consumption of foreign media and engage actively with your own cultural narratives. By valuing and preserving early cinema, you contribute to a richer, more diverse Malaysian cultural landscape that honours its history while inspiring new stories rooted in local experience. In preserving early cinema, Malaysia safeguards not only its past but also the creative possibilities of its future. The silver screen's flicker from decades ago still holds the power to shape who we are and who we can become—if only we choose to remember and cherish it. ‒ Aug 18, 2025 The author is an undergraduate student of Universiti Malaya, taking an elective university course entitled 'Introduction to Journalism and Storytelling in Digital Age'. The views expressed are solely of the author and do not necessarily reflect those of Focus Malaysia. Main image: Collage of images from Wikimedia

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store