It's Clog-gerin' Time: Crocs Unveils 'The Fantastic Four' Classic Clog
Crocscontinues its foray into the superhero world with the newestThe Fantastic FourClassic Clogs, arriving ahead of the release ofThe Fantastic Four: First Steps.
The offering pays homage to the First Family's light blue and white uniform. Pinstripe-like baby blue lands on the uppers, while the uniform's belt appears on the heel strap. The model then rests on a black branded insole, white and gray midsoles and a black outsole. Topping it off are Jibbitz charms of Mister Fantastic, Invisible Woman, Human Torch, The Thing and their circular '4' logo — available for extra customization.
Check out the iteration above.Marvel'sThe Fantastic Four: First Stepspremieres July 25.
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Geek Tyrant
2 hours ago
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Artist Crafts Stunning FANTASTIC FOUR Sculptures… Then Destroys Them! — GeekTyrant
With The Fantastic Four: First Steps no in theaters, acclaimed artist Steven Richter decided to honor Marvel's First Family in the most crazy way possible… by building them up just to completely tear them down. Each bust is crafted from materials reflecting the heroes' powers: Mr. Fantastic from stretchy rubber bands, The Thing from actual stone, The Human Torch from matchsticks, and a ghostly, translucent Invisible Woman. The result was a breathtaking showcase of skill and creativity… until Richter, channeling his inner comic book villain, destroyed them all himself. No Doctor Doom, no cosmic rays, just one man turning his own incredible creations to rubble.
Tom's Guide
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Everything we know about Doctor Doom after 'The Fantastic Four: First Steps'
Not every mid-credit scene is this intense. In the latest Marvel movie, 'Fantastic Four: First Steps' there's a cameo that you will want to stick around to watch. (The scene appears after only a few minutes into the credits.) Warning: Spoilers ahead! We see Sue Storm picking out books for little Franklin, the wunderkind who will eventually become one of the most powerful mutants in the Marvel lexicon. As Sue turns around, she sees a mysterious figure who's well known to comic book fans: Doctor Doom, the nemesis from next year's "Avengers: Doomsday." Here's everything we know about that film coming up in December of next year and its big bad, plus a few other details. No one is quite sure how Marvel will pull this off, but somehow, some way, Downey — who played Iron Man in 10 movies over 11 years — will return as the villain Doctor Doom in some altered dimension. No matter how (or even if) this is acknowledged or explained in "Doomsday," we know the beloved actor will bring complexity and nuance to the role. We also know, based on the Doctor Doom backstory, that the villain already burns with hostility toward Reed Richards from the Fantastic Four, since he's another upstart science prodigy. Doctor Doom is one of Marvel's most feared villains — a genius inventor and skilled sorcerer. Born Victor Von Doom, he mixes cutting-edge tech with dark magic in his endless quest for power. Think Iron Man mashed up with Doctor Strange. In the comic books, apart from the backstory involving the Fantastic Four, Doctor Doom always wears a mask after performing an experiment that went awry and scarred his face. He was once cited as Stan Lee's favorite villain, which is a critical delineation, especially since Doctor Doom's actual powers don't rate as high as, say, Thanos. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. We also know that this new series of "Avengers" movies is the culmination of the multiverse, so just about anything is possible. There's even some Reddit chatter about Tony Stark 'creating' Doctor Doom in some alternate universe, but that's not part of the Marvel backstory. As TG's Malcolm McMillan noted after the announcement that Downey would play Doctor Doom, there are several iterations of the villain, depending on the particular comic book series. But he's likely to retain two innate powers: genius and sorcery. Like Iron Man, Doom wears armor he built himself, which grants him superhuman strength, protection, energy blasts and a variety of gadgets. On top of that, his mastery of magic lets him cast spells, create force fields, teleport and even summon mystical entities. Combined, Doom's scientific brilliance and magical prowess make him one of the most formidable foes in the Marvel universe. We also know from the comics that Doctor Doom will eventually kidnap Franklin. That's why the mid-credits scene is so important; it hints at the impending story arc. I wouldn't be surprised if the next "Avengers" starts not just with Doctor Doom competing against Reed Richards but then jumps forward in time to the kidnapping, which might be the basic plotline. We also know Doctor Doom will be fighting more than just the Avengers. The Fantastic Four will be involved, along with the X-Men and Thunderbolts. That "Fantastic Four" mid-credits scene is an important setup for the "Avengers" franchise, especially since Marvel has not exactly been hitting home runs since 'End Game' came out in 2019. I'm craving some complexity to the plot beyond just a few choreographed fight scenes. What makes the Franklin angle intriguing is that Doctor Doom is not the most powerful villain, whereas Franklin is considered one of the mightiest characters in the Marvel universe. Since Franklin is only 4 years old at the end of 'Fantastic Four," there's already a dramatic ploy at work: Doctor Doom could wreak havoc with the help of a kidnapped preschooler. We'll see if that all plays out when "Avengers: Doomsday" opens in theaters Dec. 18, 2026. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.
Yahoo
10 hours ago
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The Fantastic Four: First Steps grinds Marvel's First Family into the MCU machinery
A summer without superhero movies may still be years or decades away, but at least Hollywood seems willing to achieve Origin Story Zero. Despite a title that tips a cap to the characters' Marvel Cinematic Universe debut, The Fantastic Four: First Steps joins this season's Superman and Thunderbolts as superhero stories that plop audiences in medias res, at least compared to the Fantastic Four retellings of decades' past. A title card lets the nerds know that this is all taking place on Earth-828, explaining the 1960s-ish retro-futuristic style and lack of any other visible MCU superheroes. Then off we go into an Easter eggy (but not off-puttingly so) newsreel-style montage chronicling the many adventures of stretchy scientist Reed Richards (Pedro Pascal), his sometimes-invisible wife Sue Storm (Vanessa Kirby), her fiery brother Johnny (Joseph Quinn), and their rock-monster family friend Ben Grimm (Ebon Moss-Bachrach), less charitably known as The Thing. Generally, their superhero monikers don't get much play in this story, which is so family-focused that it becomes almost weirdly insular, with few other characters to speak of—and even fewer that aren't computer-generated. Besides The Thing, a wondrously seamless visual-effects creation, and the similarly well-rendered robot assistant H.E.R.B.I.E. (Matthew Wood), the heroes encounter a shiny alien being known as the Silver Surfer (Julia Garner), who arrives on Earth to herald the arrival of Galactus (Ralph Ineson), a vast, godlike, world-devouring creature. Though the Surfer evinces some oblique cosmic decency beneath her shiny metallic exterior, Galactus appears to be an unstoppable, unknowable force, and brainiac Reed must figure out how to protect his family and the rest of the Earth from this unimaginably massive threat. It must be said that some of the plans he comes up with do not sound like the work of a bona fide genius. They seem, in fact, like remnants of smaller, dumber movies that preceded this one, heralding oblivion. Specifically, despite a trip to space and through some time-dilating portals, on paper First Steps more or less remakes 2007's Fantastic Four: Rise Of The Silver Surfer. That low-rent sequel expends no small amount of its 87 minutes sans credits on a ghastly Mister Fantastic dance sequence and a scene where the world's most famous superheroes irritate passengers on a commercial airline. No such antics animate First Steps, and while the new movie is better than the two-and-done Tim Story-directed sorta-series by a factor that may reach the triple digits, perhaps a smidge more whimsy might have done some good. An odd moroseness takes over the movie in its back half, mostly due to a stakes-raising moral dilemma. Given, surprisingly, how much the advertising materials draw footage from the first half-hour, this turn probably qualifies as a spoiler. Suffice to say that there's a thoughtful, almost Star Trek-like moral question that the movie ultimately feels unequipped to take seriously—though that doesn't stop director Matt Shakman and four credited screenwriters from trying, exacerbating Marvel's ongoing tension between their grown-up aspirations and their four-quadrant instincts (or possibly vice versa). Any break from the lightweight Marvel punch-up style is a welcome one, yet The Fantastic Four: First Steps still finds room for plenty of bad dialogue. The freedom once afforded actors as eclectic as the entire cast of Iron Man 2 is long gone, leaving this central quartet to play things respectably, honorably, and more than a little muted, with occasional outbreaks of Downey Lite yammering where certain words get repeated ('plan' is one here) like the characters are vamping on a third-tier single-camera sitcom. The endless possibilities of a retro-futuristic alternate universe are utilized, in part, to imagine that the laziness of writing in fist-bumps or dully contemporary phrasings and affectations can escape anachronism status on a technicality. The early scene where Sue announces her pregnancy is a deadly object lesson in forced multiple-draft chumminess, inspiring wistful thoughts of how Pascal was apparently warned off of doing a Mid-Atlantic accent. Stylish costumes are one thing; stylized acting is apparently quite another. For much of the film, the whole cast politely avoids stepping on each other's toes. Granted, past Fantastic Four movies, Incredibles movies, and any number of Avengers and X-Men variations have taken up a lot of bickering-super-family real estate, which may explain why First Steps doesn't bother depicting much familial discord. The last thing the superhero subgenre needs is a bunch of people learning to, get this, use their powers and work together. But this movie's family dynamics feel especially frictionless; in depicting actual (not de facto or metaphorical) parenthood, siblinghood, and especially marriage, Marvel is as wobbly and tentative as first-time parents, only without ever admitting how tired they are. It's particularly demoralizing to see an actor as striking and memorable as Vanessa Kirby reduced to nobly girlbossing her way through by-the-book protective-mom routines. Those piercing eyes, so consistently drained of personality, desire, or sexuality! Johnny Storm has a glimmer of those latter stirrings when he beholds the Silver Surfer—a naked woman astride a surfboard, he points out when protesting too much, though Reed performs a quick 'actually' about any implied nudity as if quoting Pope Kevin Feige himself. But it amounts to little. These movies have become so piously devoid of romance, nevermind sex, that one half-expects to see the happily pregnant married couple inhabiting separate beds, as in an early sitcom-spoofing episode of WandaVision, which Shakman also worked on. Like that show, The Fantastic Four: First Steps offers some delightful visual pastiche, including impressively imagined art direction, costumes, and visual effects, alongside a pervasive sense that there's less to the characters than meets (and fills) the eye. The Thing's adorable sweater-vests have more distinction than Moss-Bachrach's mo-capped performance, or even how his computer-generated character actually moves through the frame. It's probably not easy to make a good Fantastic Four movie. The characters have power sets so difficult to depict in live-action that the grumpy rock monster consistently looks the best of the bunch, while various forcefields, flamed-on human torches, and stretchy limbs have been consistently shown up by an animated movie from two decades ago. The newest version has enough actor-based charm to distract from its jankiest effects, plus a damn cool Silver Surfer, a lot of bright blue in the color scheme, one hilarious Mole Man, and a zippy pace. Occasionally it even conjures images of sci-fi majesty, like Sue in zero-gravity labor or the Surfer riding molten waves. For a lot of Marvel fans, it will be more than enough. For the more superhero skeptical, it offers a helpful example of how simply skipping the origin stuff on the fourth try doesn't automatically confer a sense of dramatic urgency or comic-book wonder. Sometimes it's just a franchise in a hurry to get to the next step. Director: Matt Shakman Writers: Josh Friedman, Eric Pearson, Jeff Kaplan, Ian Springer Starring: Pedro Pascal, Vanessa Kirby, Joseph Quinn, Ebon Moss-Bachrach, Julia Garner, Ralph Ineson Release Date: July 25, 2025 More from A.V. Club Adam Sandler's at least shooting par with Happy Gilmore 2 E! News gets the axe again Resident Alien canceled after four seasons Solve the daily Crossword
