Victoria Silvstedt exudes old Hollywood glamour in pink sheer dress as she attends Sirat premiere at the Cannes Film Festival
Victoria Silvstedt cut a glamorous figure as she attended the premiere of the film Sirat at the Cannes Film Festival in France on Thursday.
The model, 50, ensured all eyes were on her as she arrived on the red carpet in a pale pink gown with a sheer detail.
The strapless garment featured a burgundy floral embellishment while Victoria added height to her frame with a pair of heels.
Styling her platinbum blonde locks into a vintage style, the Swedish beauty accessorised with a silver necklace.
Posing up a storm for the cameras, Victoria accentuated her natural beauty with a light palette of makeup.
Born in Skelleftehamn, Victoria was raised in a family-of-five in Bollnäs.
The model, 50, ensured all eyes were on her as she arrived on the red carpet in a pale pink gown with a sheer detail
She enjoyed a lengthy stint in the spotlight after being chosen to represent her country in the Miss World pageant in 1993.
Following her pageant days, the Scandinavian stunner was eyed by Hugh Hefner and went on to become a Playboy Playmate.
Over the course of her career, she's worked for fashion's most recognizable names, including Chanel, Dior and Valentino.
Since her career rocketed, Victoria has modelled for some of the world's most prestigious fashion houses, including Chanel, Dior and Valentino.
Despite the glamorous veneer to her lifestyle as a young model, she revealed there was a dark side in a recent interview with Female First.
Victoria said: 'I started very young to model in Paris when I was 18, I remember like starving myself to fit into the clothes.
'It was an amazing experience but you know I did shows for Valentino, Chanel, so it was really prestigious.'
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Telegraph
43 minutes ago
- Telegraph
The Last Journey: behind the scenes of the feel-good film of the summer
When Filip Hammar was growing up in Köping, a Swedish town less than two hours' drive from Stockholm, his father Lars's obsession with France was an acute source of embarrassment. 'It was a very working-class town – they manufacture Volvo cars there – and this guy is sitting round wearing a beret,' recalls 50-year-old Hammar, who, with his friend Fredrik Wikingsson, 51, is one half of Sweden's best-known double-act, presenters of TV documentaries, quiz shows and podcasts. 'Now, I look back and think, 'Wow, that took a lot of courage!'' Every summer throughout Filip's childhood, Lars, a school teacher, would drive the family in his orange Renault 4 to Beaulieu-sur-Mer, on the French Riviera, a journey of 1,450 miles. 'He was such a Francophile that when France did nuclear tests in Polynesia in the 1980s, the local newspaper called and asked if he was going to stop teaching French and drinking French wine.' In 2008, after 40 years of teaching, Lars retired, aged 66. He had been looking forward to this new phase of life: he and his wife, Tiina, could now travel to France as often as they wished; it would be his troisième âge. It didn't turn out that way. Without his job, Lars lost his spark; the school had been his stage, and the performance was over. Although medical tests found nothing wrong physically, he took to spending his days slumped in his armchair, as if waiting for the end to come. Something had to be done. So Filip came up with a plan, a road trip to reinvigorate his father, destination: Beaulieu-sur-Mer. He tracked down a vintage Renault, identical to the old family car, and roped in Fredrik – as well as a tiny film crew, so that the nostalgic journey could be documented. Lars, then aged 80 and armed with a French dictionary and a big fat book about Charles de Gaulle, was installed in the passenger seat, with Filip taking the wheel, and long-legged Fredrik crammed into the back seat, and off they went. When the film of their adventure, The Last Journey, was released in Sweden last year, it quickly became Scandinavia's highest-grossing documentary of all time. Now, this funny, life-affirming film is coming to British cinemas, which is how I come to find myself in London's Soho Hotel, asking Filip and Fredrik how Lars is handling his late-life fame. 'He said, 'I wish I was a little bit younger, a bit less frail, so I could enjoy the success more,'' replies Filip. 'But he gets so many lovely letters and emails from people who've seen the film, and Facebook messages from ex-students. I think he loves it.' There were points in the filming when this happy ending seemed far from assured. Only a couple of days into the journey, in Malmö, Lars fell, cracking a bone in his leg and requiring hospitalisation: it looked as if the whole trip was off. Instead, Filip and Fredrik decided to drive the ancient Renault ('Europe's most overtaken car', as Fredrik calls it) across Denmark, Germany and Belgium, where they were reunited with Lars, who had travelled there by train with Tiina, after being discharged from hospital. The documentary captures the playful, staged moment when the two friends plant Lars behind the wheel and push the Renault 4 over the border into France, a smile of sheer delight breaking across his face. His troisième âge had begun. 'Conventionally, you're not supposed to stage stuff in a documentary,' says Filip, who resists the idea that non-fiction films should maintain a po-faced, unmanipulated, 'fly-on-the-wall aesthetic'. Fredrik tells a story about the great German director Werner Herzog giving a talk to a class of film students. After one of them asked him if he'd ever staged something in any of his documentaries, 'Herzog said, 'Everyone who thinks a documentary needs to be straight up and fly-on-the-wall, raise your hand.' And everybody raised their hands. Then he said, 'Happy New Year, losers!' and left the room.' In The Last Journey, we see Filip ask his father what he used to love most about France. Lars thinks for a minute. 'It was great to meet people who don't stop at stop signs,' he says. 'Every Frenchman is his own president.' He also mentions that he used to enjoy seeing how the French would argue in traffic, which prompts Fredrik to visit a local casting agency, hire a couple of actors and stage a minor road-rage incident for the unwitting Lars. The following day, Filip takes his father to a roadside café for lunch, while Fredrik hides around the corner, directing proceedings via a walkie-talkie. ('Car number one – go! Car number two – go!') One of the actors pulls up in front of the café, blocking the road with his car; when a second actor drives up, an argument breaks out that ends with someone getting slapped. Lars watches, entranced, mouth slightly open, from his ringside seat at the café. I ask Fredrik when they broke it to Lars that the whole scene had been orchestrated. 'He was at a screening, two weeks before the premiere,' he says, 'and I suddenly realised we'd forgotten to tell him. When he was watching it and realised it was a set-up, he just turned to me with a lovely smile and said, 'You bastards.'' Filip laughs. 'He's always been a good sport.' The French trip functions as what Fredrik calls a sort of 'reverse bucket list' for Lars; repeating the same experiences he'd already ticked off decades before. They stay in the apartment where the family always used to go, enjoying the same old view from its balcony, and take trips to all the familiar haunts: the cemetery at Sète where Lars's hero the singer-songwriter Georges Brassens is buried; the beach; the market; the posh restaurants, where Filip now has to help his frail father keep the food on his fork and raise his wine glass high enough to swallow. 'And, in the editing, we realised that these almost desperate attempts to recreate the past also said so much about what Filip wants out of this,' says Fredrik. 'It's a metaphor for what he is trying to do, to recreate what was before.' And this is perhaps the film's most poignant aspect: Filip's desperation for his elderly father to enjoy life as he used to causes Lars in turn to feel sad that he is no longer living up to his son's expectations, that he is somehow disappointing him. It is Filip, it seems, who is in denial about ageing, not Lars. That realisation lands with unexpected emotional force. The process of making The Last Journey also led Filip to question his father's long-held view of France. While the country was always a source of happiness for Lars, 'I sometimes think, does France deserve all this love? We screened the film in Paris the other night, and it went down well, but to the French, it's like, 'You don't have to tell us that our country's great; we know!' I love France, but I also detest that self-congratulatory aura that almost every Frenchman has.' 'They take it for granted,' adds Fredrik, before admitting, slightly sheepishly, that he owns a second home in France. 'I love the weather, but the people..? The local baker treats me like s--- every morning.' The Last Journey is not the first time that Filip has turned the camera on his family. In 2007, he and Fredrik made an acclaimed series about Filip's sister Linda, who has a learning disability: I en annan del av Köping (In another part of Köping), which ran for four seasons. 'She was living in a home with three male friends, also learning disabled, and when you hung out with them, they were so funny, it was almost like Seinfeld,' Filip tells me. 'The first episode opened with her saying, 'Uh-oh, I've been unfaithful again...' and that set the tone for the series. It was not what people would expect.' The show was so popular that, for a while, Linda became a national celebrity. 'At one point, she was voted 'Woman of the Year' in Sweden. Ahead of the queen! 'For some reason, I tend to explore my family and my hometown in our work – it must be a kind of therapy, or a way of dealing with weirdness,' he says. 'But I have said to Fred, 'By the way, whenever you want to do something about your family, I would be open to that...'' 'They're not charismatic enough!' replies Fredrik. 'That's the harsh truth. They're so low-key.' 'But there is a sort of inverted charisma vibe to your parents,' says Filip, kindly. 'You'd have to dig really, really deep,' concedes Fredrik. When The Last Journey came out in Scandinavia, the scale of its success took both men by surprise. 'It had more admissions than Dune: Part Two, which had a huge marketing budget,' points out Fredrik. 'God, we're so boastful. There have been several successful documentaries in Sweden in recent years: one about the ex-prime minister Olof Palme; one about Ingrid Bergman; one about the footballer Zlatan Ibrahimović. And one is about a teacher from a small town: my dad. He beat them all.'
The Sun
44 minutes ago
- The Sun
Abandoned £118million fairytale theme park that would have been a Disneyland rival – but closed after four years
AN abandoned fairytale theme park that cost just under £118million was forced to close after just four years. Mirapolis opened in 1987 in Courdimanche, France - less than an hour via train from Paris - featuring French legends and stories throughout the attraction. 5 5 5 Architect Anne Fourcade was inspired to create the park after visiting the Disneyland theme park in California in 1980. Rides included 'The Dark Ride', which was inspired by 'City of Ys' legend. The ride was modern for the time, with a terrifying sea monster, sunken head and an underwater scene that even had animatronics. It was thought it could have been a rival to Disneyland Paris, which opened in 1992 and was around an hour away, with both based on fairytales and childhood stories. Not only that, but it hoped to welcome as many as 600,000 tourists a year, according to AD magazine. Yet according to the LA Times, the "French theme park experience began only in 1987," which meant a boom in new attractions that weren't being run correctly. After just four years the park was closed, waiting to be rebuilt. It was reportedly one of the biggest financial fails of the history of France. The expectations for the park were said to have been too optimistic and were based off of incorrect market research. This included looking at American tourists compared to French tourists, when it came to elements like eating habits and ticket prices. I took my family to the perfect first UK theme park for little kids Not only that, but the stories and characters the park was based on were mainly only known to French locals, unlike the international fame of Disney's characters. After the closure of the amusement park back in 1991, it sat abandoned for a year waiting for a buyer. When a buyer didn't emerge, a crew of journalists and operators created a film on the closed-down park with the attractions being opened for one last time. From 1993 onwards, the buildings were gradually demolished, with some of the rides sent to other amusement parks. For example, the ride 'Dragon des Sortilèges' went to Spreepark and Les pirates went to Meli Park. In 1995, arguably the most iconic part of the park - the Gargantua statue - finally lost it's head. The statue was the second tallest hollow state in the world behind the Stature of Liberty, and was of the giant from the story 'The Life of Gargantua' and of 'Pantagruel' from the 16th century. The Dark Ride was located inside the statue and took guests on a journey through the giant's body with 120 animatronics. In 2017, the park would have celebrated its 30th anniversary and to mark the occasion, an exhibition was set up showcasing the history of the park. And in 2018, plans were revealed to built an "eco-friendly tourist resort" on the same site although this was also abandoned in 2019. There was also a £70million Disney-like theme park that nearly opened in one of the UK's coolest cities. Plus, the £346milion theme park that wanted to be the 'English Disneyland' in the 1980s… but was never built. 5 5
The Sun
5 hours ago
- The Sun
Putin's secret daughter, 22, ‘working in anti-war art gallery in Paris' after ‘ditching tyrant's name'
VLADIMIR Putin's alleged secret daughter is reportedly working at two Parisian art galleries that showcase anti-war exhibitions. Elizaveta Krivonogikh, 22 – also known as Luiza Rozova and now Elizaveta Rudnova – is said to be rubbing shoulders with Russian dissidents and Ukrainian artists in the French capital. 6 6 6 6 Reports say she is working at L Galerie in Belleville and Espace Albatros in Montreuil, despite being the daughter of a regime responsible for the war they oppose. Both galleries are said to be known for exhibiting anti-war art, according to outlet Meduza, citing a Russian artist. She also reportedly dropped the Putin-linked name and adopted one tied to Oleg Rudnov, a late Vlad ally - in an apparent attempt to mask her ties to the Kremlin tyrant. Her role as gallery manager includes helping organise shows and make videos, and it has seemed to spark fury among exiled Russians and Ukrainians. Artist Nastya Rodionova, who fled Russia in 2022, said she couldn't stay silent. In a Facebook post, she wrote: 'It's important to say that I believe in the presumption of innocence and that children are not responsible for the crimes of their parents. 'But with the war reaching its heights it is inadmissible to allow a person who comes from a family of beneficiaries of [Putin's] regime to come into confrontation with the victims of that regime. 'We need to know who we are working with and decide whether we are ready for that. My personal answer in this case is no.' Dmitry Dolinsky, director of L Association that controls Studio Albatros and L Galerie, defended Rudnova's role. He told The Times: 'She looks like Putin but so do 100,000 other people. I haven't seen a DNA test.' Some insiders back her, calling her a 'cultured person' and 'excellent worker'. But Rodionova hit back, warning that victims of the war shouldn't be forced to share space with anyone tied to the regime – alleged daughter or not. Rudnova's mother, Svetlana Krivonogikh, was sanctioned by the UK in 2023 and linked to Putin's inner circle by independent Russian media. She reportedly owns property worth $100million and was outed as Putin's former mistress by the Proekt investigative team. Elizaveta vanished from Russian social media shortly before the invasion of Ukraine in 2022. She once flaunted a lavish lifestyle on Instagram, posting photos in designer clothes, sipping champagne, and DJing under the name Luiza Rozova. Ukrainian TV later claimed she was living in Paris with a passport under the name Rudnova, allegedly ditching the patronymic Vladimirovna, which would confirm her father's name as Vladimir. 6 6 Born in March 2003, Elizaveta has never publicly confirmed a link to the Russian tyrant. The Kremlin has never confirmed her existence either. But the timing of her birth, her resemblance to Putin, and her mother's major financial rise have fuelled years of speculation. Kremlin critics say she is part of the hidden empire Putin has built for his inner circle and family. Officially, Putin only acknowledges two daughters, Maria and Katerina, from his marriage to Lyudmila Putina, whom he divorced in 2014. But it's long been rumoured he has more children — including two sons with former gymnast Alina Kabaeva. Who are Vladimir Putin's daughters? VLADIMIR Putin is known for keeping his personal and family life very private, but some details about the tyrant's children have surfaced over the years. Maria Vorontsova (née Putin, born April 28, 1985): His eldest, 39, leads government-funded programs personally overseen by Putin, which have received billions from the Kremlin for genetic research. She is the first of two daughters of Putin and his ex-wife, Lyudmila Putina. Maria is said to be an expert in rare genetic diseases in children, and also dwarfism, according to reports. She was married to Dutch businessman Jorrit Faassen. In 2013, the couple were living in a penthouse in Voorschoten, the Netherlands, but the following year, Dutch residents called for her to be expelled following the shooting down of Malaysia Airlines Flight MH17 by pro-Russian rebels in Ukraine. The pair are believed to have moved the Moscow the following year. In March 2022, it was reported that the couple had split after the war in Ukraine crushed Maria's dreams of opening a money-spinning clinic for wealthy foreigners in Russia Katerina Tikhonova (née Putin, born August 31, 1986): Also daughter of Putin and Lyudmila, 38-year-old Katerina is a tech boss whose work supports the Russian government and defence industry. She started as a "rock'n'roll" dancer before moving into the world of artificial intelligence. In 2013, his daughter Katerina married Kirill Shamalov, whose father, Nikolai, is a longtime friend of the president. Nikolai Shamalov is a shareholder in Bank Rossiya, described by US officials as the Russian elite's personal bank. They were married in a secret ceremony at the Igor ski resort just north of St Petersburg. It was reported at the time that the pair rode into the ceremony on a sleigh pulled by three white horses. All the guests invited were sworn to secrecy, and the Kremlin has never confirmed that the wedding took place. "I have a private life in which I do not permit interference," Putin once said. "It must be respected." The couple had corporate holdings worth around $2 billion, according to Reuters, mainly from their large stake in Sibur Holding, a major gas and petrochemical company Kirill bought from another long-time friend of Putin, Gennady Timchenko. Kirill also bought off Timchenko's luxury villa in the seaside resort of Biarritz, southern France, estimated to be worth some $3.7m. In March 2022, the house was taken over by pro-Ukraine activists, in response to Russia's brutal invasion. But Katerina and Kirill divorced in January 2018, with Putin's former son in law rumoured to have been romantically involved with London -based Russian socialite Zhanna Volkova. After the split, Kirill was said to be forced to give up his stocks in Sibur, and he lost almost half his wealth. Their divorce settlement hasn't been disclosed but likely runs into the millions. Despite that, Kirill is still worth an estimated $800 million. Putin was reported to be "quietly grooming" Katerina to be his successor. Vlad is also rumoured to have "hidden" children, though he has never confirmed these reports. Elizaveta Rozova (aka Luiza Rozova): Elizaveta, also known as Luiza Rozova, 21, is the rumoured love child from Putin's alleged affair with a former cleaner. The daughter of Svetlana Krivonogikh, who later became a millionaire, is now a fashion designer and DJ. She often shared details from her lavish life on Instagram, until suddenly taking down the page in the wake of the Ukraine war. Speculation also surrounds his supposed secret family with Alina Kabaeva, a former rhythmic gymnast once known as "the most flexible woman in Russia". Officials have denied that he has kids with Alina, but it is reported that she is in hiding in Switzerland, avoiding any possible sanctions in the wake of the Ukraine war. A petition demanding she is thrown out by the Swiss authorities has garnered 75,000 signatures, demanding that "it's time you reunite Eva Braun with her Führer". Alina retired from gymnastics and took a strange career turn to become a Russian MP. The former athlete - dubbed "Russia's First Mistress" - the Duma, the Russian parliament in 2007, representing her alleged lover's United Russia party but left years later to pick up a lucrative job running a media company, despite having no previous experience. In April, Alina's name and picture was dramatically stripped from the website of the media empire she controlled.
