Broadway box office hits record $1.89B in 2024-2025 season
Theatre goers spent big bucks this year to see some of Hollywood's biggest starts on the 'Great White Way'. Brandon Gomez breaks down which shows brought in the most ticket sales and how Broadway returned to audience numbers not seen since pre-Covid.
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Yahoo
an hour ago
- Yahoo
Miley Cyrus hid cost of drugs from accountant by disguising them as vintage clothing purchases
Miley Cyrus concealed the cost of drugs from her accountant during the making of her 2015 album by disguising them as high-end vintage clothing purchases. The 32-year-old singer and songwriter, whose battles with drink and drugs have been well-documented, made the admission during an appearance on the Every Single Album podcast. Speaking about the period surrounding her experimental album Miley Cyrus and Her Dead Petz, Miley said: 'We called (drug purchases) vintage clothes. And every time (my accountant) saw me, she'd be like, 'Where's that, like, $15,000 original John Lennon T-shirt that you bought?' 'It's like, 'Oh, it's upstairs.' So I bought a lot of vintage clothes that year.' The Grammy-winning artist went on to explain to avoid suspicion, she would tell her accountant the garments were 'really delicate' and needed to be stored away to 'protect' them. She added: 'I'm so glad I survived that time in my life. I would definitely not encourage anyone else to go this hard, but the fact that I got through it, I'm very glad I got to do it.' Miley, who rose to prominence as a Disney Channel star before launching a highly successful music career, has long been candid about her relationship with drugs. In a 2013 interview with Rolling Stone, she said: 'Hollywood is a coke town, but weed is so much better. And molly, too. Those are happy drugs – social drugs. They make you want to be with friends. You're out in the open. You're not in a bathroom.' In 2017, she revealed she had gotten sober after rekindling her relationship with then-partner Liam Hemsworth. She told Billboard magazine: 'I haven't smoked weed in three weeks, which is the longest I've ever (gone without it,) I'm not doing drugs, I'm not drinking, I'm completely clean right now!' But in November 2020, Miley acknowledged that she had relapsed during the COVID-19 pandemic. Speaking publicly at the time, she confirmed the setback but said she had resumed sobriety within two weeks. Miley has also recently been in the headlines over a rumoured rift with her country-rock singer father Billy Ray Cyrus, but other reports have said the two have quietly reconciled.
Hamilton Spectator
2 hours ago
- Hamilton Spectator
Latcham Art Centre Hosts Stanzie Tooth's 'Inheritance' Until July 12
● Stanzie Tooth's Inheritance is on display at the Latcham Art Centre through Saturday, July 12. ● The exhibition features ink paintings that blend human figures into dense botanical landscapes. ● Tooth's work explores themes of ecology, motherhood, and humans' impact and connection to the land. ● Her work also offers a personal reflection on what future generations stand to inherit. ● The Latcham Art Centre is located inside the Leisure Centre at 2 Park Drive. Works by Toronto artist Stanzie Tooth are currently on display at the Latcham Art Centre, offering a quiet yet immersive look at the human connection to the natural world. The exhibition, titled Inheritance, features ink paintings that layer human figures into dense botanical landscapes—drawing attention to both the beauty of the land and the impact of human presence. 'In many of the works, the figures are engulfed in leaves and foliage, but they're drained of colour. It's this attempt to show this kind of complicated relationship with the land,' Tooth said in a Latcham interview. 'I want to capture its beauty, I want to show that I'm connected to it, but also show the impact that we are having… that we are like a draining presence on the landscape.' Tooth spent over a decade working in oil before discovering ink while living in Germany, a country with a rich history of ink-making. What began as experimentation soon became a defining shift in her practice. After returning to Toronto and becoming a parent, she embraced inks as a less toxic alternative to oil paints. 'I've always been an artist that's really interested in colour, what you can do with mixing colours, contrasting colours, and that's another thing that really drew me to ink,' she said. 'There is more of a link between the materials and the imagery, like the natural imagery that I'm working with, because a lot of the inks that I'm using are derived from plant materials, from different rocks.' The exhibition's title, Inheritance, reflects overlapping themes in her work, including artistic traditions, personal biography, ecological responsibility, and motherhood. 'The word inheritance as a title is interesting because it has so many different kinds of levels and implications to the work,' Tooth said. 'There is also this level of the world that my child will inherit from me.' 'As I became a parent, this idea of thinking about landscape and the implications of what I'll pass down to my son makes it even that much more complicated, because of the impact we have on the earth and what we pass down to our children,' she added. Tooth gave birth to her son in May 2020, early in the COVID-19 pandemic. In a time marked by isolation and uncertainty, painting became her nightly ritual after putting her son to bed. She also found solace at her parents' woodland property, where a return to nature helped to further shape a new body of work that leans more heavily on figurative and representational imagery. 'I just really wanted to dive deeper into the representational. These very kind of explicit images of babies and mothers, and these archetypal Madonna and Child images came out in the work,' she explained. 'It just felt refreshing to give myself permission and not feel like I had to kind of hide it under layers of abstraction.' A longtime admirer of the Group of Seven, Tooth notes that while their landscapes evoke awe, they often lack human presence. That presence is something she feels compelled to include in her own work to reinforce humans' interconnectedness with the land. 'The ambiguity of the characters is definitely something that is intentional... They're both connected and disconnected, natural and unnatural, within the space,' Tooth said. 'I think that's important because of the way we exist in the world. We set ourselves apart from nature like we are of nature, but we're destroying nature. That kind of push and pull is important for me.' Inheritance runs until Saturday, July 12, in the Latcham Art Centre's gallery space inside the Leisure Centre at 2 Park Drive. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .
Black America Web
7 hours ago
- Black America Web
Dave Chappelle Reflects On 2016 Trump ‘SNL' Speech
Source: Arturo Holmes / Getty For comedian Dave Chappelle, the opening monologue he gave as the host of Saturday Night Live after the 2016 presidential election isn't something he regrets. He had the chance to reflect on it during a conversation with comedian Mo Amer for the Actors on Actors series for Variety. 'I haven't watched it in a while, but I remember it fondly,' Chappelle said at the 27-minute mark of the conversation, which was shared Wednesday (June 4) after Amer asked him about his perspective on it from back then to now. The monologue went viral, as Chappelle declared that 'an internet troll' had won the White House, also pointing out his history of sexual assault. He would then segue into how he felt after former President Barack Obama won in 2008. 'And it made me very happy about the prospects of our country,' he said then. 'So, in that spirit, I'm wishing Donald Trump luck. And I'm going to give him a chance. And we, the historically disenfranchised, demand that he give us one, too.''Oh, I remember that part,' Chappelle said. 'You know what? I look at it like a photograph. That's what it felt like in that moment. Now, if it ages well or not, I don't get mad if I look at a picture because it's not today. That's what it was at that time.' He continued, 'You might look at an old set and cringe, but you could just cringe because of how you were at that time. And in that sense, I'm fine with it.' Chappelle's conversation with Amer is one of the rare moments he's opened up for media – he has declined direct interviews in the wake of brushback from jokes he made against the transgender community in his 2021 Netflix special The Closer . But he and the Palestinian comedian bonded during the COVID-19 pandemic, making this a keen opportunity for the two to talk about comedy and their perspectives on the current times particularly with Amer's hit Netflix show. 'As you know, I notoriously don't like to do press,' Chappelle said, 'but today I wouldn't have missed, because it's you.' Check out the entire conversation above. SEE ALSO Dave Chappelle Reflects On 2016 Trump 'SNL' Speech was originally published on Black America Web Featured Video CLOSE
