
One of the best indie comedy movies of the last five years is now streaming on Prime Video — and it didn't deserve to bomb at the box office
The 2021 indie comedy is director Paul Thomas Anderson's love letter to his adolescence in '70s Los Angeles, so as somebody who grew up thousands of miles away and in a different decade, I can't relate to the place and time.
Yet, what is universal about this charming flick is how it portrays the excitement and heartbreak of a first love, and that innocent optimism (and swaggering self-confidence) that comes when you're not even legally old enough to drink. That's something that I reckon we can all relate to, whether born in the San Fernando Valley or Newcastle Upon Tyne, like me.
Looking over Prime Video's July 2025 slate, I was delighted to see 'Licorice Pizza' has now been added to the Amazon-owned streaming service, and I'm hoping it'll act as something of a second chance for the flick after it struck out at the box office (grossing a poor $33m globally against its $40m budget). Few movies in recent years have deserved to bomb less.
In 1970s California, Gary Valentine (Cooper Hoffman) is a precocious 15-year-old with an entrepreneurial spirit and a side hustle as a child actor.
During school picture day, he meets 25-year-old Alana Kane (Alana Haim) and becomes instantly infatuated with this older woman. He comes determined to impress her and convince her that their blossoming romance can endure despite the questionable age gap.
What follows is a story of first loves, growing up, and chasing your dreams. Plus, as it's a flick from director Paul Thomas Anderson, you can rest assured the movie drips with era-appropriate style, with a fitting soundtrack to boot.
Remarkably, 'Licorice Pizza' is the movie debut of both Cooper Hoffman (son of legendary actor Philip Seymour Hoffman) and Alana Haim (one part of the American pop-rock band, Haim).
You certainly wouldn't think either star was making their first step into the cinema world as both give a performance that seems well beyond their lack of on-screen experience. That's a very good thing, because 'Licorice Pizza' hangs almost entirely on their lead performances.
Rather than offering viewers a twisting plot, 'Licorice Pizza' is, at times, almost a mood piece, aiming to replicate a very specific era in a very specific location. And within just a few scenes, you'll find yourself charmed by Gary and Alana and want to see them find success.
Which isn't to say the Paul Thomas Anderson movie lacks substance either. Yes, its plot is a little plodding, but the snappy dialogue and litany of sharp observations ensure that it's always engaging. Plus, the 'will-they-won't-they' aspect of the story gets its hooks into you. But the lack of a critical eye on the uncomfortable age gap between the central pair is a bit bothersome.
Alongside star-making turns from Hoffman and Haim, 'Licorice Pizza' packs a strong supporting cast including Sean Penn, Benny Safdie, Mary Elizabeth Ellis, John Michael Higgins and Bradley Cooper. The latter features in the movie's most hilarious sequence.
The ever-hustling Gary opens a waterbed business, and during a home delivery to an egotistic stylist, Jon Peters (Cooper), who humiliates him in front of Alana, he decides to get revenge by flooding the stylist's plush hillside home.
Things get a little dicey when they run into the stylist, broken down in the middle of the road, when attempting to make a quick escape from the scene of the crime. The inherent awkwardness and dramatic irony are the stuff of comedic genius, and Bradley Cooper is in his element, hamming things up.
'Licorice Pizza' is the definition of an easy-watching indie comedy. It's intentionally small-scale in ambition, but it's anything but slight when it comes to heart. The flick is bursting with good-natured warmth, and its central duo quickly work their way into your affections. You'd have to have a stony disposition not to come away seriously charmed.
If all of my praise above hasn't quite convinced you to add 'Licorice Pizza' to your Prime Video watchlist, then know I'm far from alone in my enjoyment of this sweet little movie. 'Licorice Pizza' currently holds a strong 90% score on review aggregator Rotten Tomatoes.
'Licorice Pizza finds Paul Thomas Anderson shifting into a surprisingly comfortable gear -- and getting potentially star-making performances out of his fresh-faced leads,' reads the site's 'Critics Consensus.'
Overall, if you're looking for a movie that offers simple charms and a cast of characters you can't help but warm to, 'Licorice Pizza' is certainly worth watching. The performances from Cooper Hoffman and Alana Haim are reason alone to give this Paul Thomas Anderson joint a chance.
'Licorice Pizza' is far from the only movie added to Prime Video's movie library this month. For more viewing recommendations, here's a guide to everything new added to Prime Video in July, which includes more must-watch movies.
Watch "Licorice Pizza'" on Prime Video now
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I guess there's probably a part of me, of you and everyone in every character. There were probably more superficial similarities than other roles that I'd done more recently as well. I'd say one of the things that attracted me to it as well was just that he is British. It did feel like there was a very British sensibility to the show and a British point of view, even though we were filming abroad. And I think as a Brit, it had been a long time without being able to work here and have the opportunity to do things here. So it was exciting to get into a character and a script that has a very British tone to it. That was something I was definitely excited to do. Well, you've been doing for so many years. Did you miss our British sense of humor? Yeah, I definitely was keen to do something in the U.K. again. I think it had been a long time. It was one of the most amazing chapters of my life, being in Vancouver, not only on The Good Doctor but Bates Motel and that 12-year run in that city. There's definitely a nostalgia for that, and I had such an incredible experience that feels so unique and will probably never happen again. But at the same time, there was definitely an excitement to do something back in the U.K. So much great television and so many great films are made over here. It did always feel like, 'Oh, I should get back at some point.' You've had such a colorful career so far. You were a child star. What kind of roles get you excited at this stage in your career? Why ? I've always loved the television I've been lucky [enough] to do alongside films. There's just an opportunity to dig deeper into characters and into storytelling [in TV], getting into the nuances that you just can't do when you've only got 90 minutes or two hours. It's just never wanting to do the same thing again, not wanting to repeat oneself or feel like you're doing the same thing, playing a character the same way, or tonally doing something similar. I'm always looking for things that are exciting and challenging in new ways. Do you feel like TV has your heart a bit more than film, because of those storytelling capabilities? Maybe. I don't know. I've been so lucky in general in both film and TV. Maybe I see the greater fortune, having been in television, where it's so rare to get to spend so many years with one particular character — and to get to do that twice. But I think the other thing that it gives you is an awareness that you can end up spending a long time, a large part of your life, doing one thing. [The Assassin] is only designed to be a one-off, but when thinking of television more broadly and future opportunities, you do want to make sure that you choose the right thing. I can't imagine what it would have been like doing those things for so long if they hadn't been as exciting. So yes, I'm excited to do more TV, but it's also just being aware of wanting to choose that carefully because those decisions can have big repercussions. For me, it ended up being great and wonderful but the opposite may have been more difficult. Do you think being in the industry as long as you have has helped you make those decisions? I do feel fortunate about that. Having started younger, I avoided social media being a necessary part of starting one's career. Now, it's very hard for people to to not partake in it, and to not be encouraged to do so. It's wonderful for many people, and many people enjoy it and have a great relationship with it. For me, [not having social media] has always helped me keep a healthy boundary between work and life outside of that. Growing up and starting to act in a time when that wasn't a requirement — or even in existence — was lucky. It's amazing that was initially titled . It immediately transforms the vibe. I still end up calling it The Hermit a lot of the time. People refer to it as The Assassin and I'll forget that's what it's now called, just because [we went] through so many months of working on something with a particular title. When you've worked on it and gone through the whole process, it seems more irrelevant, [the title.] But of course, that's people's first impression and that's all they know about the show. I guess [The Assassin and The Hermit] signify different things. But at the same time, it depends on what part you want to highlight. The show really is a mix of these two things. There is that high-octane thrill. But I don't think, personally, that's what keeps people coming back to shows. These characters that they've created are interesting and nuanced and people that, ultimately, you want to spend more time with. So if [The Assassin] hooks people in, then great. 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