
Is a 3am cup of free chicken soup worth the wait at NYC's most iconic speakeasy worth staying out for?
You see, more often than not, when bars flick on the lights and the sign flips from open to closed, those who were once patrons become parasites. In an instant, hospitality is all but lost as staff hurriedly shoo clientele out the door in attempts to close as soon as possible. Most parting words are barked by towering bouncers or said lackadaisically from the bar staff, smile included—if you are lucky. Food is usually on the onus of the drunken, as they stumble the streets in search of pizza slices and bodega burgers, or wander into one of New York's many 24-hour eateries. But one New York speakeasy ensures that the final goodbye is a memorable one. For if you stay until the closing hour at Employees Only, the reward is a cup of soup on the house.
Back in 2004, founders Bill Gilroy, Igor Hadzismajlovic, Jason Kosmas, Henry Lafargue and Dushan Zaric decided to open a bar, intended to attract fellow barflies over well-made cocktails in a semi-secretive space that didn't take itself too seriously. Twenty years later, and folks still line up to seek the pseudo-psychic stand that hides this West Village speakeasy, vying for a future read with good tidings and, hopefully, good booze. But with such strong roots in hospitality, even the final send-off at Employees Only is taken with care. Instilling a tradition taken from Greek nightclubs, the bar passes out warm cups of soup to each guest as a way to say thank you. Curious about it all, I decided to stay up well past my bedtime, dragging a friend along with promises of revelry and, hopefully, good soup.
After willing myself to stay awake, making a pit stop at a friend's small get-together in Brooklyn, I made my way over to the West Village. Arriving at 2am, I found that a line was already forming outside. It wasn't particularly long, and was mainly filled with twenty-somethings who looked nearly dressed for the club as short skirts and dresses were sported with sneakers and cowboy boots. But I wasn't too worried as I had a reservation, or so I thought. To be fully transparent, I had reached out to the press team about booking a late-night table, confirming one at 2am. So I beelined it to the bouncer to check in for my table. But he brushed me off rather quickly, saying that the last reservation ended at 11pm and pointing to the line behind me. Panic set in as I tried to explain that I had made a reservation with the team just for him to reiterate the same. As I thumbed through my phone for the confirmation, I timidly responded, 'I know I have one.' He snapped back, 'You think you know better than me, and it's my bar?' Not exactly the hospitality I envisioned.
I was flustered but stayed calm as I showed him my credentials and revealed the purpose of my visit. He didn't waver but said he would at least check with the general manager inside. Returning a beat later and a touch sweeter, the story was still the same. Ironically, once rejected and standing at the back of the line, I looked up the bar's Instagram and found they had just shared our article on the best bars in New York, which featured them.
I waited, as if to be let into a Miami club rather than a bar that prides itself on "hospitable ambiance." However, within 15 minutes of waiting, the same bouncer who rejected us flagged my friend and me to the front. I can't really tell what changed, but he checked our IDs and sent us inside with a hollow, "Have a good time."
Sadly, that bad taste in my mouth was quickly replaced by another. Because just beyond the red velvet curtain lay a literal wall of people singing, yelling and cocktailing. Of course, it was 2am, but to say that the bar was packed was an understatement. Immediately, I had to play my least favorite game, 'where f*** do I stand?' as bodies fully pressed up against mine, everyone shifting to the whims of those coming and going. From the front, the only oasis for breathing room looked to be in the back of the bar. Yet as I pressed my way through, I found it was closed off for reservations, of which I was told there were none. I attempted one last time to ask about a table, flagging a server at the expo station. She said I should ask their general manager, turning on her heels down the hallway behind the bar. I thought she walked away to go find one, but it turns out she left because our conversation was apparently over.
The next few hours were spent shoulder to shoulder with strangers, gripping my drink for fear of spillage. Yet the younger and drunker-than-me horde didn't really seem to mind. While the crowd leaned heavily with GenZers, the playlist leaned more into my generation as patrons sang along to 'American Girl' by Kanye West and basically fell out when 'Mr. Brightside' blared over the speakers. The playing of 'Viva La Vida' by Coldplay was damn near a production, as bartenders flicked the bar lights on and off and slammed shakers to the beat. One barman armed with a bubble gun, stood on the counter and sprayed the crowd to much glee. By then, I was able to rangle a seat at the bar, finally able to enjoy it all a bit more from my perch.
As soon as the clock struck 3:30am, the lights turned on and the music that had once moved the crowd was immediately cut. Almost instantly, I could smell what I had been waiting for this entire time: soup. Carried around on metal trays were small white mugs of the stuff, as hands politely grabbed cups one by one. Inside it was a light chicken soup, but really just a ladle of it, with small chunks of carrot, celery, and onion floating around plus a single strand of the chicken itself. Was it a lot? No, of course not, but even I appreciated the gesture. Plus, it was relatively funny that the same mouths who were just belting out 'Purple Rain' hushed as the sounds of clinking spoons and slurping took over the room. I swirled the rest of my cup and made my way outside while bouncers counted down to closing time.
Now, do I think waiting until 3:30 in the morning for some soup is worth it? No, not at all. To be honest, I didn't think it would be. Exploring this bar's longstanding late-night tradition seemed like fun. All in all, the experience was a rough sell, even if the night hadn't started with a power-tripped bouncer. Yes, the bar can still make a mean cocktail at any time of night, as the Ash On My Tomatoes, a clarified mezcal drink with rhubarb and tomato, was light, vegetal, and had a nice pat of blackened salt on the glass to balance it all. But with a party so packed, it basically guarantees that a portion of your $20 cocktail will end up sloshed on your feet or your neighbors.
Thinking back to the Zillennials and Gen Zers around me—happily huddled in a tight squeeze, belting out the stuff that populated my iPod—I realize the soup was never going to be worth it, at least for me. But if you happen to be there and it happens to be 3am, you might as well stay for the soup. It may be the only modicum of hospitality you'll get at that hour of the night anyway.

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a day ago
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Ten days until I start Clown School in France. I call my parents: Me: 'What do you think I should do?' Advertisement Hide Ad Advertisement Hide Ad Them: 'Follow seven Syrian men along the refugee trail? Are you crazy? Of course you should! What an opportunity!' With my parents' blessing, I go. At first, I travel as myself: Norwegian, blonde, 25. Everyone's kind – the police, the mafia, European volunteers, other refugees. 'You're so brave!' they say, adding me on Facebook. But no one compliments my Syrian friends, who are wiser, warmer, funnier and braver than me. A few countries in, I have to go undercover. I pretend to be a Syrian, Muslim woman. Everything shifts. No smiles. No Facebook requests. The police and mafia look at me with suspicion. They are scared. And when people in power are scared, they can attack. I got the opportunity to physically feel how your looks, your passport and your religion shape how the world treats you. Advertisement Hide Ad Advertisement Hide Ad Originally I made a one hour clown-burlesque show for Edinburgh this year, but in a time of war and polarization I felt the urge to throw the whole show and start again. I went to London and sought help from my good friend and previous classmate, comedian Elf Lyons. Could I use some of my experience as an undercover refugee in Europe to say something about trust and the importance of global narratives? And can it be funny? Spoiler alert: I reached Clown School. Karen Houge: Dreamgirl, Underbelly Cowgate, 8.10pm, until 24 August KC Shornima | By Dev Bowman KC Shornima: 'I grew up in a civil war.' The Nepali Civil War started soon after I was born. When I was 18 I went to Egypt, and within three weeks of me being there there was a revolution that resulted in a regime change. And now I'm in America, some would say, as the country is collapsing. I'm like the horsemen of the political apocalypse. I'm honestly worried about what will happen to the UK in the month I'm there. Advertisement Hide Ad Advertisement Hide Ad I wanna be upfront here: our war wasn't like war-war. It's not like there were constant bombings and stuff, but there was a general sense of fear that ran through my childhood. Maybe because when I was a kid, my babysitter used to say that if I didn't finish my meal or go to bed on time, she would let the Maoist guerillas take me. It's a brilliant tactic. Try it with your kids. Tell them ISIS will come get them if they don't go to bed. And see if they grow up to be adjusted adults. Our war was low-key passive aggressive. The Maoists would make demands from the government and shut down the country until their demands were met. It's kind of like when your partner gives you the silent treatment. They'd threaten to shoot anyone out in the streets on sight. So, okay, it wasn't exactly like the silent treatment, but still it wasn't air raids and missiles. 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My bursary—meant to be collected in person—was frozen. But I had already paid for my flights and accommodation. I spent the next year burning through my savings. By the time restrictions lifted in 2021, I was completely broke. My husband helped me a lot and could have supported me more if I had asked, but I've always been too proud to ask for help. That stubbornness is a theme that runs through the show. Coming back from our honeymoon, I was wrongfully deported. Before flying, I'd contacted the Home Office to check whether I could re-enter on a tourist visa and apply for my spouse visa from the UK, something they were temporarily allowing due to global visa centre closures. I received an email confirming I could. But when I landed, I was told that advice had been sent in error by a contractor the Home Office had hired to manage their communications. I was sent back alone, with no clothes, little money, and nowhere to go, to a country I'd only transited through. It took months to reunite with my husband. In the meantime, I lived in temporary accommodation, on the edge of homelessness. That's where I first met women in the adult industry - survivors in every sense. Advertisement Hide Ad Advertisement Hide Ad When I finally got my visa and returned to the UK, I was still in debt. I signed with modelling agencies, worked in adult clubs as a hostess — an entry point into sex work — and did admin for online adult content platforms. I never had a performing role in the industry but I saw how thin the line is between survival and stigma. I got out within a year, but the anxiety has stayed. It's a toxic environment, even when you're not touching anyone. Recently, I received an anonymous blackmail threat to expose my involvement in the adult industry. So I wrote a show instead. Bitter Baby, my debut at the Edinburgh Fringe, was born from that chaos. It's a one-woman play about immigration, neurodivergence, language, and survival in systems designed to break you. Dark, funny, and brutally honest—because sometimes, truth is the only way to reclaim your voice. Bitter Baby by Elis Pear, Le Monde, 2pm, until 25 August Living on The Moon Advertisement Hide Ad Advertisement Hide Ad Molly McFadden: 'My mother died from Alzheimer's. Now I have it too' Almost 30 years after my mother passed away from complications of Alzheimer's disease in the mid-1990s, I discovered in 2023 that the Alzheimer's gene was blooming in me. I consulted with my doctors at the Cleveland Clinic who informed me that I was in the early stages of MCI (Mild Cognitive Impairment). This could be devastating for anyone, especially a performer and writer. However, I found that my talent and tools created a way to cope with the diagnosis. After having nursed my mother through 12 years of this dreadful disease, I knew all too well what I and my family might be in store for in the future. I was fortunate to have caught this disease early enough to radically slow its effects through diet, exercise, cognitive weight training (theatre), and infusions of a drug called Lequimbi. The knowledge I gained while caring for my mother has afforded me perspective and courage to fight for myself and advocate for others to do the same. Living on the Moon, my one-woman show, dramatises the relationship between a mother and daughter whose lives are upturned by Alzheimer's… but with music, jokes, stories, and a puppet. It was important to me that this story refrain from getting morbid or bleak and instead focus on love, humour, and hope. The show is a love letter to those who have stories and experiences of working through Alzheimer's and I hope offers light and connection to what can feel like a dark and isolating experience. 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STV News
2 days ago
- STV News
Families cook up global flavours and fight food waste at charity's community kitchen
Dundee families are getting the chance to 'eat their way around the world' this summer as a local charity unveils its free programme of holiday activities. Signpost International runs a community kitchen at The Roundhouse in the city's Whitfield area, where surplus food donated to the charity by supermarkets, bakers and allotments is being made into fresh meals. This project works to close the loop between food waste and food poverty by showing families how to transform ingredients into healthy dishes from across the globe. Mum Dianne Hutton comes to the cooking classes with her daughter Emily. STV News Children have been tasting cuisine from all over the world at the community kitchen STV News 'She's really enjoying learning to cook different foods and being hands-on,' she said. 'It's encouraged her to try different foods that she maybe wouldn't try at home with us encouraging her. 'You feel like you're part of something meaningful in the community as well.' Dozens of families have been attending the centre over the summer holidays for various activities, all aimed at developing children's skills and confidence. The kitchen programme not only teaches life skills but also helps families spend quality time together, according to community education worker Stephanie Dolan. STV News Mum Brogan Blann with Isla making tzatziki together STV News She said: 'A lot of children are quite fussy eaters and parents can find that quite challenging. They don't always like it, but it's good to explore new food in a relaxed environment. 'It's important to introduce new foods and cooking skills early on so they get used to new foods and how to work with them.' So far, families have sampled Italian, Indian and Greek cuisine, with children recently making tzatziki and chicken gyros. STV News It's Greek Week at the Signpost International community kitchen STV News Communications officer Rafael F. de Jesus said the sessions also help teach families to make the most of fresh produce. 'Waste sometimes happens because people don't know what to do with the food they get from the supermarket, like fruits and vegetables,' he said. 'We want to be able to show them how to make healthy meals – it's about having something that is going to sustain you. 'We're often so rushed at home that we don't give opportunities for the little ones to learn; to be able to have this place to support the kids is very important.' Get all the latest news from around the country Follow STV News Scan the QR code on your mobile device for all the latest news from around the country