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Love Island fans beg ITV to give Harry's ex Emma a place in the main villa as they predict fireworks with Helena after he makes bombshell comment about his former girlfriend

Love Island fans beg ITV to give Harry's ex Emma a place in the main villa as they predict fireworks with Helena after he makes bombshell comment about his former girlfriend

Daily Mail​10 hours ago
Love Island fans are begging ITV bosses to give Harry's ex Emma a permanent spot in the main villa after he dropped a major bombshell in Sunday's show.
Casa Amor made its long-awaited return, which saw six new single girls arrive in search for their man.
And things are already taking a messy turn for Harry, 30, as his ex-girlfriend Emma - who he dated for four years - was one of the bombshells who made an entrance.
Although their three year relationship ended a while ago after he cheated on her, during the episode, Harry confessed he finds Emma more attractive than Helena - who he recently re-coupled with.
During a game of Truth or Dare in Casa, Harry was asked: 'Who are you more attracted to, Helena or Emma?' to which he responded: 'Emma.'
It appears things could get explosive between the girls if Emma, 30, earns her spot in the main villa.
Fans watching from home couldn't help but predict fireworks between Emma and Helena, 29, with many taking to X to wade in on the show.
Tweets included: 'Who do you find more attractive, Helena or Emma' 'emma' OH ROLL ON MOVIE NIGHT IM BUZZING #loveisland #LoveIslandUK';
'Oh emma HATES harry. the producers said let's ruin this man's experience and sent in his biggest op. i fear i already have to stan #LoveIsland';
'Who are you more attracted to? Helena or Emma?' '….emma' INJECT IT INTO MEEEEE #loveisland #loveislanduk';
'Harry confessing he was in love with his ex 5 minutes before she enters the villa love island you have outdone yourselves here #loveisland #loveislanduk';
'GIVE EMMA THE 50K RIGHT NOOOWWWW #LoveIslandUK #loveisland';
'Harry has gone to Casa just to get told off and now looks sad, Emma WE LOVE YOU #loveisland #loveislanduk.'
Elsewhere in the episode, fans praised a 'brutal' new take on the iconic Casa Amor twist.
It appears things could get explosive between the girls if Emma, 30, earns her spot in the main villa, as people pointed out online
The segment has been known for causing chaos in the villa, and this year's is set to be no different, with no couples declaring themselves 'closed off.'
But as the episode began, a new twist was introduced that saw the Casa Amor bombshells briefly head into the main villa, giving the girls a brief glimpse at their competition, before bidding farewell to their male partners.
It was a move to sent the girls, and particularly Meg Moore, spiralling, as they begun to question whether any of the boys' heads would be turned by the stunning new arrivals.
Whether Casa Amor was a welcome addition for our islanders or not, the new twists went down a storm with fans, with one even calling for producers to get 'a raise.'
Dejon Noel Williams
NAME: Dejon Noel Williams
AGE: 26
FROM: London
OCCUPATION: Semi-pro footballer and personal trainer
WHAT ARE YOU LOOKING FOR? Someone who is beautiful on the inside and out, looks after themselves and is healthy
CLAIM TO FAME? My dad being an ex-professional footballer. I've met all kinds of famous people through him. When I was younger it was weird because he was just my dad, but we'd go to a game and fans were asking for photos. I've met David Beckham, he was really nice.
NAME: Megan Moore
AGE: 25
FROM: Southampton
OCCUPATION: Payroll specialist
WHAT ARE YOU LOOKING FOR? I'd like to meet someone who is tall, with a nice tan, nice eyes and a nice smile. He needs to have a good fashion sense and a really good, funny personality that I can get on with
HOW WOULD YOU DESCRIBE YOUR LOVE LIFE? Bankrupt, right now. But we're going to make sales and get on that corporate ladder and be booming. Profits, profits, profits!
NAME: Tommy Bradley
AGE: 22
FROM: Hertfordshire
OCCUPATION: Landscape Gardener
WHAT ARE YOU LOOKING FOR? A girl who is very ambitious, with a big personality, caring, but also someone that doesn't take themselves too seriously. I don't know if that's asking for too much, but I want a bit of everything. I haven't got a specific type in terms of looks, though.
WHAT WOULD YOU BE CEO OF? Taking hours to do my hair
Ben Holbrough
NAME: Ben Holbrough
AGE: 23
FROM: Gloucester
OCCUPATION: Private Hire Taxi driver
WHAT ARE YOU LOOKING FOR? Someone sexy, good looking, good chat, good vibes, nice teeth and good eye contact - they're all the traits I look for. Oh, and also a cute smile, I just look at you and know I can be around you all day, every day.
HOW WOULD YOU DESCRIBE YOUR LOVE LIFE? Bankrupt. I'd have been out of business a long time ago. That's exactly why I'm here.
NAME: Helena Ford
AGE: 29
FROM: London
OCCUPATION: Cabin Crew
WHAT ARE YOU LOOKING FOR? Somebody funny or Northern. I feel like Northern people have much more banter than Southerners. If you look through my previous dating history, you'll see I clearly go for personality. You can pretty much laugh me into bed.
WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? I would say hire but then quickly fire soon after. It would only be a temporary contract.
NAME: Shakira Khan
AGE: 26
FROM: London
OCCUPATION: Construction Project Manager
WHAT ARE YOU LOOKING FOR? Someone who is tall, charming, witty, with big arms, a good smile and just really funny.
HOW WOULD YOU DESCRIBE YOUR LOVE LIFE? Booming, but they're all frogs. It's a busy love life but I've not found 'the husband', I'm looking for 'the one'. I'm looking for the ring.
NAME: Harry Cooksley
AGE: 30
FROM: Guildford
OCCUPATION: Gold trader, semi-professional footballer and model
WHAT ARE YOU LOOKING FOR? The girl next door that makes me laugh and can hold eye contact with me. I don't think I'd go for the most obvious girl, I like a real sweet girl.
CLAIM TO FAME? I'm the body double for Declan Rice. So when he does a shoot, any body close ups will actually be me. You'll never see my face, but you'll see my shoulder or chest, that kind of thing.
NAME: Conor Phillips
AGE: 23
FROM: Limerick
OCCUPATION: Professional rugby player
WHAT ARE YOU LOOKING FOR?Someone who is really sure of themselves, ambitious, a bit of a go-getter and good craic. I like dark eyes and I don't mind a dominant woman.
WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? Definitely hire. I ask girls if they want to go halves on a baby. It doesn't work, but it gets them laughing. It's an ice-breaker, not a serious question of course!
NAME: Toni Laites
AGE: 24
FROM: Connecticut
OCCUPATION: Las Vegas Pool Cabana Server
WHAT ARE YOU LOOKING FOR? I'm looking for darker hair, definitely muscular but not too muscular. Super fit. Clean hair cut. Someone that can make me laugh - I'm super outgoing. And someone that's quite active. Maybe one day we could start our own family together.
I WANT TO DATE A BRITISH GUY BECAUSE... I've lived in three different states and I'm still single. It's time to try something new! I have some British friends and they're pretty charming. I think all Americans love a good accent. British men are just more polite, with better manners.
NAME: Yasmin Pettet
AGE: 24
FROM: London
OCCUPATION: Commercial Banking Executive
WHAT ARE YOU LOOKING FOR? I'm looking for a guy who is fit, has a nice body and who is funny with a bit of banter.
WHAT'S YOUR BIGGEST ICK? A guy that's stingy.
NAME: Emily Moran
AGE: 24
FROM: Aberdare
OCCUPATION: Insurance Development Executive
WHAT ARE YOU LOOKING FOR? Someone with emotional intelligence for one. Someone who is really confident but not cocky. They can hold a room, communicate… oh, and biceps!
WHAT'S YOUR BIGGEST ICK? Bad manners, being rude, not saying please and thank you. I'd rather someone be overly polite than not say it at all.
NAME: Harrison
AGE: 22
OCCUPATION: US college soccer player and student
WHAT ARE YOU LOOKING FOR? Personality is a big thing, so it depends who I vibe with in there.
WHAT'S YOUR BIGGEST ICK? I don't like it when girls have celebrity crushes. If I'm with a girl I want them to have eyes for me, not talking about another guy when we're watching a film, ha!
Giorgio
NAME: Giorgio
AGE: 30
OCCUPATION: Account manager
HOW DO YOU FEEL ABOUT BEING A BOMBSHELL? I'm excited, it's given me a really good opportunity to look at things from the outside so I know what I'm going in for.
WHAT'S YOUR BIGGEST ICK? Chewing loudly!
NAME: Bilikis Azeez aka Billykiss
AGE: 28
OCCUPATION: Content Creator
WHAT ARE YOU LOOKING FOR? Someone tall who's good looking, but not too good looking, and that's confident, assertive, knows what they want and is serious about me
WHAT'S YOUR BIGGEST ICK? Someone who's childish
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Heartstopper's Joe Locke and trans star Dylan Mulvaney put on a VERY cosy display at Sabrina Carpenter concert as actor wears 'Straight 4 for pay' cap after 'hard launching' their relationship with 'couple's post'
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Daily Mail​

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  • Daily Mail​

Heartstopper's Joe Locke and trans star Dylan Mulvaney put on a VERY cosy display at Sabrina Carpenter concert as actor wears 'Straight 4 for pay' cap after 'hard launching' their relationship with 'couple's post'

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The best man versus food-style challenges in UK restaurants from world's hottest curry to 96oz steak
The best man versus food-style challenges in UK restaurants from world's hottest curry to 96oz steak

The Sun

time31 minutes ago

  • The Sun

The best man versus food-style challenges in UK restaurants from world's hottest curry to 96oz steak

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‘I'm scared and my work reflects that': the artist painting heavy questions onto the lightness of silk
‘I'm scared and my work reflects that': the artist painting heavy questions onto the lightness of silk

The Guardian

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  • The Guardian

‘I'm scared and my work reflects that': the artist painting heavy questions onto the lightness of silk

It might seem shocking, at first, for an artist to use her own children as models in a work based on Medea, a mother from Greek myth who kills her sons. 'They noticed the likeness in my work,' says Emma Talbot. 'And I had to say, 'Yes, it's you.'' Talbot, whose first large-scale UK show has just opened at Compton Verney in Warwickshire, adds: 'But when I think of 'sons', they're the sons that come to mind. It was inevitable the images would be of them.' There's another reason. The installation in which they appear – The Tragedies – is a tent-like, silk structure painted with intricate, swirling images interspersed with short texts: 'Why should there be war?'; 'Why fill the future with grief and regret?'; 'What does war resolve?' These are the questions Talbot believes we should all be asking ourselves, at a time when the UK has been mooting the possibility of conscription. 'It is a tragedy,' she says. 'When they said that, I immediately thought of my sons, both in their mid 20s. It feels personal. These are my sons they'd be sending off to war.' This is the point Talbot wants to make with her Medea piece. 'Her crime was totally unthinkable – and yet is what Medea did worse than us sending our children off to die in war? I can't see that any kind of war resolves anything.' Talbot, a descendant of Jews who fled 1930s Germany, adds: 'People say, 'What would you have done in the time of Hitler, or over Ukraine?' And I say, 'If we had a system that didn't legitimate aggression, everything would be different.' We can't even imagine how that world would be.' War isn't the only issue this show of fairly recent work tackles: Talbot uses paintings, sculpture and animation to examine other concerns, from our relationship with nature, to how grief affects our lives. Her paintings, all on silk, are colourful, closely packed with flowing imagery. They include a series called Magical Thinking, which explores the ways humans use imagination to make sense of the world. Sculptures include Gathering, which uses fabric, beads and wood to look at the symbolic properties of various animals. Her animation All That Is Buried shows a drawn figure navigating a soulless urban landscape in search of truth. At the root of her work are questions about power. Who has it? What do they do with it? How might they use it differently? The Tragedies has long arms reaching out: they're warning figures, says Talbot, like the chorus of a Greek tragedy. 'They're calling on us to notice what's happening – because humans have the capacity to explore complex ideas. That gives me hope: there is scope to find another way.' All the same, she finds the news now unsettling. 'I'm scared and my work reflects that.' Talbot was born in the Midlands in 1969: her mum was a nurse, her father, seriously injured in a car accident, was her patient. The marriage didn't last long: Talbot's dad moved to Japan, where he still lives, to raise another family. Her mum remarried, but it didn't make for a happy childhood. 'She came from this intellectual German family and my stepfather worked in factories in the East End. It was complicated.' Talbot and her elder brother, three and five when their parents divorced, found their escape in drawing and acting. 'The world was much more parent-centric then. Children had to carve out their own space.' She did an arts course in Canterbury, then studied fine art at Birmingham Institute of Art and Design and did an MA in painting at the Royal College of Art. In the mid-1990s, while teaching art at Northumbria University, she met the sculptor Paul Mason, who she married. Their two sons, Zachary and Daniel, were seven and six when he died of non-Hodgkin lymphoma in 2006. It was an unthinkable turn – but for Talbot, it brought a new direction. 'Paul was the person I shared my stories with,' she says. 'Then he wasn't there any more. And that's what life's about, isn't it? Sharing our stories. Suddenly there was this big void and I started to fill it with drawings – to get out the things I would have said to him.' But still, she had overwhelming doubts. 'I'd pay the babysitter and go to the studio and think, 'I can't do this any more. Maybe I'm not an artist after all.' But slowly, I realised I had this incredible freedom again – just as I did when I was a kid.' Her art – previously paintings created using found photographs – changed. 'I started to paint on silk. I like the contrast between the lightness of the silk and the weight of the stories. I like that silk is so light, so fluid.' Sign up to Art Weekly Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions after newsletter promotion Another work at Compton Verney is The Human Experience, two 11-metre long swathes of silk, wrapped around the gallery, taking the visitor on a journey through life, from conception to death. 'It's about how you move through a world that's dangerous and uncertain. Because life experience comes from walking through volatility and uncertainty.' In the midst of her grief, and while coping with life as a single parent, she realised she had nothing to lose, and everything to gain, by burrowing deeply into herself and making work that had little need of outside validation. 'I realised I was finding a core version of myself. I could show myself honestly. I wasn't concerned with what anyone would think. I thought, 'This is about doing the work that matters.' For me, art and life are indivisible.' Following a residency in Italy, after she won the 2019 Max Mara prize, Talbot now divides her time between Reggio Emilia, in the country's north, and the UK. Recognition on the continent has come easier than acknowledgment in Britain: she's shown widely across Europe, with solo exhibitions ongoing in Copenhagen, Athens and Utrecht. Compton Verney ushers in a new chapter – but you get the sense it won't change how she works. 'Art is the glue between everything,' she says. 'It's there to help us make sense of the world. And making art is what I'll carry on doing.' Emma Talbot: How We Learn to Love is at Compton Verney, Warwickshire, until 5 October

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