Kneecap under fresh police scrutiny after ‘start a riot' comments at Glastonbury
Police are assessing videos of comments made by acts Bob Vylan and Kneecap at Glastonbury to decide whether any offences may have been committed.
Rapper Bobby Vylan, of rap punk duo Bob Vylan, led crowds on the festival's West Holts Stage in chants of 'free, free Palestine' and 'death, death to the IDF'.
A member of Irish rap trio Kneecap later suggested fans 'start a riot' outside his bandmate's upcoming court appearance.
In a post on social media, Avon and Somerset Police said: 'We are aware of the comments made by acts on the West Holts Stage at Glastonbury Festival this afternoon.
'Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation.'
Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a Government spokesperson said.
They added: 'We strongly condemn the threatening comments made by Bob Vylan at Glastonbury.
'The Culture Secretary has spoken to the BBC Director General to seek an urgent explanation about what due diligence it carried out ahead of the Bob Vylan performance, and welcomes the decision not to re-broadcast it on BBC iPlayer.'
A BBC spokesperson said: 'Some of the comments made during Bob Vylan's set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language.
'We have no plans to make the performance available on demand.'
Kneecap, who hail from Belfast, have been in the headlines after member Liam Óg Ó hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence.
In reference to his bandmate's upcoming court date, Naoise Ó Cairealláin, who performs under the name Móglaí Bap said they would 'start a riot outside the courts'.
He then clarified: 'No riots just love and support, and support for Palestine.'
In the run-up to the festival at Worthy Farm in Somerset, several politicians called for Kneecap to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'.
During the performance, Naoise Ó Cairealláin said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.'
He also said a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up.
Ó hAnnaidh, 27, wore a keffiyeh during the set, while member JJ Ó Dochartaigh, who performs under the name DJ Próvaí, wore his signature tri-coloured balaclava as well as a T-shirt that said: 'We are all Palestine Action', in reference to the soon-to-be banned campaign group.
News broadcasts criticising the hip hop trio played from the sound system before they walked onto the stage were booed by the Glastonbury Festival audience.
The trio opened with the song 'Better Way To Live' from their 2024 album Fine Art and also performed tracks including 'Get Your Brits Out' and 'Hood'.
Access to the area around the West Holts Stage was closed around 45 minutes before their performance after groups of fans arrived to form a sea of Irish and Palestinian flags.
Earlier on Saturday, the BBC confirmed it would not be live-streaming the set but said the performance is likely to be made available on-demand later.
Ó hAnnaidh was charged with allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah, while reportedly saying 'up Hamas, up Hezbollah' at a gig in November 2024.
On June 18, the rapper was cheered by hundreds of supporters as he arrived with bandmates at Westminster Magistrates' Court in Free Mo Chara T-shirts.
He was released on unconditional bail until the next hearing at the same court on August 20.
Saturday night's Pyramid Stage headliner, Neil Young and The Chrome Hearts, opened with the song 'Sugar Mountain', with Young saying 'thank you folks' to the crowd as the song ended.
The set list, drawing heavily from live album Live Rust, included songs 'Be The Rain', 'When You Dance I Can Really Love', 'Cinnamon Girl' and 'Hey Hey, My My (Into the Black)'.
Young, 79, played the track 'Looking Forward', by Crosby, Stills, Nash and Young, telling the audience: 'I just want you to know that tonight, Hank Williams' guitar is here.'
Prior to that, 'Harvest Moon' prompted a singalong with festivalgoers swaying and holding their phones in the air.
Other songs included 'Sun Green', 'Love and Only Love', 'Like a Hurricane' and classic track 'Old Man', from 1972 album Harvest, and an encore saw Young return to close the headline set out with 'Rockin' in the Free World' and 'Throw Your Hatred Down'.
Charli XCX's performance on the Other Stage saw US singer Gracie Abrams perform the viral Apple dance.
As the song began, the British pop star said: 'Who the f*** is gonna be Apple girl, Glastonbury?' while holding what appeared to be a glass of wine.
The 32-year-old played her Partygirl set at Glastonbury Festival last year, but this time the singer is performing on a much bigger stage amid a year that has seen her pick up a slew of awards.
Elsewhere at the festival, Haim were revealed as the surprise act on the Park Stage at 7.30pm on Saturday. The band bounced on to the stage in black and silver outfits and tore into a raucous version of hit single 'The Wire'.
After the song, singer Danielle Haim said: 'On our first album, we came to Glastonbury and we played the Park Stage, I love you, and it was the best show I had ever played, until now, this tops everything.'
The band was revealed as the surprise act with a red LED sign, similar to the one on their new LP I Quit, which was released earlier this year. The sign read 'the Haim show is about to begin'.
Haim also dipped into some of their best-known songs, such as 'Summer Girl', 'Want You Back' and one of their latest singles, 'Relationships'.
On the Pyramid Stage, Pulp were revealed to be Patchwork with the Sheffield-formed Britpop band paying homage to their breakthrough 1995 stand-in headline set during the performance.
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