
Josh Duhamel makes rare comment on son, 11, with Fergie as he reveals the pre-teen's camp crush
The Ransom Canyon star, 52, who abandoned Hollywood for a simpler life in Minnesota, made a rare comment about his son Axl, explaining he has already gotten a taste of what's to come after the boy's trip to summer camp.
He shares Axl, who will turn 12 later this month, with his ex-wife Fergie, 50.
'I have an 11-year-old who just went to camp in Minnesota and met a girl he really likes.' the Las Vegas star told People.
'He really wants to see this girl again from camp,' the Love, Victor star explained. 'I'm like, "Dude! You're not even 12." So, that's going to be parent-supervised.'
'Having a son with a crush is a new one for me, as a parent, anyway. But I get it, I've been there,' the leading man said.
'I have an 18-month-old baby who is still pooping his pants, and I just hope it doesn't inverse. I hope that the 11-year-old doesn't poop his pants on his first date. That would be terrible,' he said teasingly.
Duhamel shares his youngest son Shepherd, with his wife Audra Mari, 31.
The actor made the comments while promoting his collaboration with Car Gurus for their new video series The Big Deal Show.
Duhamel was a car guy even before starring in the Transformers franchise.
'I think that it's such a personal thing to own a car, and especially your first car — what that means and all the memories that come with that,' he told the outlet.
The doting dad seems to be looking forward to and dreading the day Axl can get behind the wheel.
'I'm already kind of training him. I'll put him in my lap and teach him, 'Okay, this is what you do, and this is what you look for, this is what you've got to scan,' just to start getting him accustomed to what it takes to actually handle the responsibility of being a driver,' he said.
'I want to get that in his head as soon as possible.'
While in London for his upcoming project Preschool earlier this year, Duhamel took Axl, who loves to play soccer to see one of his favorite teams and got him a team jersey.
'Took my boy to an @arsenal game in North London this weekend' he shared.
Duhamel's next film, London Calling, will open in theaters September 19.
He plays a down on his luck hitman, who flees the UK and must teach his new boss' son to be a man.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
23 minutes ago
- The Independent
'The Traitors' is opening its doors to everyday people. Here's how you can join the TV competition
The U.S. version of ' The Traitors ' has brought a group of public figures to a castle in the Scottish Highlands for a game of deceit, with hundreds of thousands of dollars up for grabs. Now, the Emmy award-winning competition will open its doors to everyday people. NBC is now casting for a civilian version of the popular Peacock series, the network announced Thursday. The competition reality series, an American spin-off to its British counterpart, had only cast celebrities for its first three seasons, the last of which aired early this year. The new version will bring a group of everyday people together to play what the host, Alan Cumming, called his 'treacherous game' in a video announcing the public casting. Cumming is set to host the new version as well, with production for the show starting in 2026, according to the network. Those who are interested in participating can apply now on the show's website. The fourth season of the celebrity version is set to launch next year, and a fifth season has already been confirmed. The star-studded cast for season 4, announced in June, includes reality stars from 'Love Island,' 'Big Brother' and 'Survivor.' 'We're thrilled to be working with NBC to open up the experience to a new group of civilian players, whose stories and strategies will make the gameplay even more unpredictable – and, we hope, even more addictive for viewers,' Stephen Lambert, CEO of Studio Lambert, the producers of both the Peacock and NBC versions, said in a statement. The show features a group of contestants who participate in a murder mystery game similar to Clue or Mafia. A subset of the cast are secretly labeled as traitors and must work together to eliminate the other contestants, who are considered faithfuls. On the line is a prize fund worth up to $250,000. If the faithful manage to eliminate all the traitors, then they share the money. But, if a traitor makes it to the end, they take it all. The British version uses the same location and has used civilian contestants from the start. Casting everyday people will allow complete strangers to meet for the first time, a 'unique opportunity' that 'will be an incredible watch,' said Sharon Vuong, the executive vice president of unscripted programming at NBCUniversal Entertainment. "This new version for NBC offers a unique opportunity for the cast and audience to meet each other for the first time and we know it will be incredible to watch,' Vuong said in a statement. The psychological adventure has found reality TV gold, and its third season premiered as the No. 1 unscripted series in the U.S., according to a release by NBC. The show also recently received five Emmy nominations for season three and previously took home two of the awards for season two.


The Independent
23 minutes ago
- The Independent
Shania Twain describes her collaboration with McDonald's as a ‘homecoming'
Shania Twain has teamed up with McDonald's to launch a new collection of limited-time menu items called 'Shania's Sides' in Canada. The collaboration, which commenced this week, features All Dressed McShaker Fries and the return of the Strawberry Pie. A limited-edition cowboy boot keychain is also available with the purchase of an Extra Value Meal, while stocks last. Twain, who previously worked at a McDonald's in Toronto, described the partnership as a 'homecoming' experience. She shared her enjoyment of working at McDonald's, particularly the drive-thru, and her love for their fries.


BBC News
24 minutes ago
- BBC News
Will AI make language dubbing easy for film and TV?
Finding international films that might appeal to the US market is an important part of the work XYZ Cottray is the chief operating officer at the Los Angeles-based independent says the US market has always been tough for foreign language films."It's been limited to coastal New York viewers through art house films," he partly a language problem."America is not a culture which has grown up with subtitles or dubbing like Europe has," he points that language hurdle might be easier to clear with a new AI-driven dubbing system. The audio and video of a recent film, Watch the Skies, a Swedish sci-fi film, was fed into a digital tool called manipulates the video to make it look like actors are genuinely speaking the language the film is made into."The first time I saw the results of the tech two years ago I thought it was good, but having seen the latest cut, it's amazing. I'm convinced that if the average person if saw it, they wouldn't notice it - they'd assume they were speaking whatever language that is," says Mr English version of Watch The Skies was released in 110 AMC Theatres across the US in May."To contextualise this result, if the film were not dubbed into English, the film would never have made it into US cinemas in the first place," says Mr Cottray."US audiences were able to see a Swedish independent film that otherwise only a very niche audience would have otherwise seen." He says that AMC plans to run more releases like this. DeepEditor was developed by Flawless, which is headquartered in Soho, and director Scott Mann founded the company in 2020, having worked on films including Heist, The Tournament and Final felt that traditional dubbing techniques for the international versions of his films didn't quite match the emotional impact of the originals."When I worked on Heist in 2014, with a brilliant cast including Robert De Niro, and then I saw that movie translated to a different language, that's when I first realised that no wonder the movies and TV don't travel well, because the old world of dubbing really kind of changes everything about the film," says Mr Mann, now based in Los Angeles."It's all out of sync, and it's performed differently. And from a purist filmmaking perspective, a very much lower grade product is being seen by the rest of the world." Flawless developed its own technology for identifying and modifying faces, based on a method first presented in a research paper in 2018."DeepEditor uses a combination of face detection, facial recognition, landmark detection [such as facial features] and 3D face tracking to understand the actor's appearance, physical actions and emotional performance in every shot," says Mr tech can preserve actors' original performances across languages, without reshoots or re-recordings, reducing costs and time, he to him, Watch the Skies was the world's first fully visually-dubbed feature well as giving an actor the appearance of speaking another language, DeepEditor can also transfer a better performance from one take into another, or swap a new line of dialogue, while keep the original performance with its emotional content intact. Thanks to the explosion of streaming platforms such as Netflix and Apple, the global film dubbing market is set to increase from US$4bn (£3bn) in 2024 to $7.6bn by 2033, according to a report by Business Research Mann won't say how much the tech costs but says it varies per project. "I'd say it works out at about a tenth of the cost of shooting it or changing it any other way."His customers include "pretty much all the really big streamers".Mr Mann believes the technology will enable films to be seen by a wider audience."There is an enormous amount of incredible kind of cinema and TV out there that is just never seen by English speaking folks, because many don't want to watch it with dubbing and subtitles," says Mr tech isn't here to replace actors, says Mann, who says voice actors are used rather than being replaced with synthetic voices."What we found is that if you make the tools for the actual creatives and the artists themselves, that's the right way of doing it… they get kind of the power tools to do their art and that can feed into the finished product. That's the opposite of a lot of approaches that other tech companies have taken." However, Neta Alexander, assistant professor of film and media at Yale University, says that while the promise of wider distribution is tempting, using AI to reconfigure performances for non-native markets risks eroding the specificity and texture of language, culture, and gesture."If all foreign films are adapted to look and sound English, the audience's relationship with the foreign becomes increasingly mediated, synthetic, and sanitised," she says."This could discourage cross-cultural literacy and disincentivise support for subtitled or original-language screenings."Meanwhile, she says, the displacement of subtitles, a key tool for language learners, immigrants, deaf and hard-of-hearing viewers and many others, raises concerns about accessibility."Closed captioning is not just a workaround; it's a method of preserving the integrity of both visual and auditory storytelling for diverse audiences," says Prof this with automated mimicry suggests a disturbing turn toward commodified and monolingual film culture, she says."Rather than ask how to make foreign films easier for English-speaking audiences, we might better ask how to build audiences that are willing to meet diverse cinema on its own terms."