Brad Pitt's mom, Jane Etta Pitt, dies at 84
The matriarch, who formerly worked as a school counselor and appeared alongside her husband, William, and their Oscar-winning son at the 2012 Academy Awards, died earlier this week, according to TMZ.
Representatives for the 61-year-old Oscar winner — who was also photographed with his parents at the 2014 premiere of ex-wife Angelina Jolie's premiere for 'Unbroken' — did not immediately respond to the Daily News' request for comment.
Jane was remembered for having 'the biggest heart' and having 'cared deeply for everyone and everything, no questions asked,' said Sydney Pitt, who People identified as Brad's niece.
'She could keep up with all 14 of us grandkids without missing a beat. There was no limit to the love she gave, and everyone who met her felt it,' Sydney said. 'I don't know how we move forward without her. But I know she's still here in every brushstroke, every kind of gesture, every hummingbird. She was love in its purest form.'
Pitt fans got a closer look at three generations of the family during the 'Unbroken' premiere, which he attended with both his mom and three of the six children he shares with 50-year-old Jolie.
It's unclear how close Jane was to the A-listers' children in recent years, amid their nasty eight-year divorce and legal battle over their French winery.
At least three of the exes' kids — daughters Shiloh and Zahara as well as son Maddox — have filed to drop Pitt from their surname.
The movie star said 'hi to my mom' during a mid-June screening for the blockbuster 'F1,' telling 'Today' show host Savannah Guthrie, 'She watches you every morning.'
He then blew a kiss to the camera, adding, 'To Jane Pitt, I love you.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
18 minutes ago
- Yahoo
Josh Brolin had a gut instinct about ‘Weapons.' He felt it before with ‘The Goonies.'
The Oscar nominee opens up about fatherhood, masculinity and why Zach Cregger's chilling horror film pushed him into uncharted territory. Josh Brolin didn't want to make Weapons. It's not because he's afraid to get his hands dirty. Brolin has spent decades staring into the dark, bringing gravitas to roles in films like Sicario, True Grit and the Avengers franchise that wrestle with fate, masculinity and pain. Yet as the Oscar-nominated actor steps into the horror genre for the first time in his 40-year career, he says it's this movie that hits different. 'There's nothing about me that wanted to do a film like this,' he tells Yahoo about Weapons, in theaters Friday. 'Nothing ... other than maybe the selfishness of working with a great director.' That director is Barbarian breakout Zach Cregger, whose new movie has been kept tightly under wraps since day one. Weapons centers on a chilling mystery: Why did 17 children from the same classroom vanish at exactly 2:17 a.m.? Brolin plays the father of one of the missing kids who, when it becomes clear the authorities aren't doing enough, takes matters into his own hands. For Brolin, a real-life father of four, the premise alone was almost too much. 'Things that have to do with kids getting hurt, kids being taken, kids getting lost, being neglected … all that kind of stuff is my absolute living nightmare,' he says, the emotion clear in his voice. Brolin has two adult children, son Trevor, 37, and 30-year-old daughter Eden, with his first wife, Alice Adair. He wed Kathryn Boyd Brolin in 2016, and they have two young daughters. Being a father is the actor's favorite role to date. 'I like to think that I give [all of] myself on a very personal level when I work, and then you do something like this, and you realize maybe you haven't as much as you could," he says. "Because this is so personal to me.' At first, Brolin wasn't convinced Weapons was right for him. He passed on the project after reading the script, but then couldn't stop thinking about it. He'd seen Cregger's first horror film, 2022's Barbarian, and had mixed feelings. 'I liked it — but I laughed. So I was confused,' he says. He called his daughter Eden, whom he says is his first call for 'everything,' to get a second opinion. She immediately told him Barbarian was one of the best movies of the past five years. 'Her husband said the same thing.' Brolin explains there was something about Cregger's writing he kept coming back to. "There was all this depth where there shouldn't have been in the horror genre, which is usually very cosmetic and reactive," he says. "And [Cregger] was bringing this new idea.' That depth is evident in Archer, Brolin's character in Weapons — a blue-collar worker whose quiet strength begins to unravel after his son disappears. Brolin sees him as a stand-in for the modern everyman: a man weighed down by frustration, resentment and the creeping sense that the world is broken beyond repair. He was drawn to this character, a man who has built layer upon layer of emotional armor, only to realize it can't protect him from the pain he's forced to face. 'I like the idea of confronting this masculinity that this guy represents, because I don't really have a lot of respect for that,' Brolin says. 'And I was willing to confront it." Brolin was excited to play up the tension between who Archer thinks he's supposed to be and who he is beneath the surface. "It's nice to see him kind of break," he says. "I thought it was a good challenge and allowed me to focus on something else other than what happened to the kids.' Despite some disturbing themes, Brolin threw himself into Weapons, not just as an actor but also as an executive producer. 'Maybe the producer part of me, the older part of me, just wants another great filmmaker in the mix. You're always hoping for that. And it turns out that it's absolutely the case — [Cregger's] truly a visionary,' Brolin says. As someone who's worked with the likes of the Coen brothers, Denis Villeneuve and Paul Thomas Anderson, Brolin knows the difference between hype and talent. What sets Cregger apart, he says, is his emotional investment. This was evident after a conversation the two had in which the director explained he wrote Weapons from a place of grief, not ambition, following the sudden death of a close friend. 'He's coming from this really emotional place," Brolin says. "I want to be directed by somebody where it's that personal. I don't want to be with somebody where it's just a job for them." That propensity for risk-taking and creative freedom is something Brolin values now more than ever, especially after four decades in the business. At 57, he's far less concerned with box office performance than with telling stories that matter to him in the moment. It's a shift, he tells me, that's happened with age. 'I don't see all this stuff defining me in any way, shape or form. I've seen people that have — Philip Seymour Hoffman comes to mind," he says, referring to the Oscar-winning actor who died in 2014."What a massive impact. And then ultimately, there are young people now who don't even know who he is." He chooses roles based on what resonates with him at the moment — even if he doesn't know whether it'll land with audiences. 'I have a feeling,' he says. 'An instinct.' He highlights The Goonies and No Country for Old Men as movies he's done that he believed at the time would have had a lasting impact. "Where people are actually looking back 15 years later and saying, 'That was a pivotal watch for me.'" He pauses, then says he had the same feeling when he finally saw the final cut of Weapons. "I didn't expect what I saw. I knew it was going to be good. … I think it's very special," he says. "I think it could be one of those movies that people look back on and go, 'Yeah, I remember seeing Weapons. That was a totally unique take on a genre that had been exhausted.'' He hopes audiences feel the same way. But for Brolin, the reward was bigger. Solve the daily Crossword
Yahoo
18 minutes ago
- Yahoo
Netflix Is Breathing New Life Into A Forgotten Dwayne Johnson Fantasy Movie
Once upon a time — specifically, back in 2012 — Dwayne "The Rock" Johnson took a break from making big action thrillers to headline a family adventure film. "Journey 2: The Mysterious Island," a sequel to 2008's "Journey to the Center of the Earth," was the kind of old-school flick that mixed Jules Verne-inspired spectacle with an overall lighthearted vibe — and, while critics didn't exactly pronounce it a masterpiece, audiences nevertheless turned out in droves. So much so, in fact, that the movie ended up crossing $330 million at the global box office. After that, however, the movie basically went the way of so many mid-tier blockbusters from the early 2010s. It kind of just faded away into the background of Johnson's filmography — overshadowed by titles like his "Fast & Furious" movies and other family-friendly adventures like "Jumanji." Enter Netflix. Or, rather, enter "Journey 2" onto Netflix, where it's now getting a second wind. As of this writing, the movie sits at #5 on the streamer's daily U.S. Top 10 ranking, a surprise comeback for a fantasy romp that had all but vanished. Read more: 14 Apple TV+ Shows That Are As Good As Or Better Than Anything On Netflix A Rock-Sized Adventure Resurfaces On Netflix One point that's worth noting before I continue: Setting aside the harrumphs from critics that we noted above, "Journey 2" is still sitting at a 59% audience score on Rotten Tomatoes — based on a staggering amount of reviews (more than 100,000!). I say all that, because I suspect that the charm here probably stems mostly from the presence of Johnson himself. His mix of charisma, work ethic, and larger-than-life presence has made him one of Hollywood's most universally beloved stars (for that reason, he also consistently ranks among Hollywood's highest-paid actors). If you do decide to dive in to "Journey 2" — as many Netflix subscribers appear to be doing at the moment, given its high ranking on the Top 10 chart — here's what to know: Johnson plays Hank, a stepfather trying to bond with his rebellious teenage stepson, Sean (Josh Hutcherson). A quest takes them to a mythical island filled with volcanoes, elephants, and massive lizards — a setting where it seems like the laws of physics have been suspended. Along for the ride are Michael Caine as Sean's eccentric grandfather, Vanessa Hudgens as a local guide, and Luis Guzmán providing comic relief. There's also a moment where Johnson strums a ukulele while serenading the group with "What a Wonderful World." For fans of Johnson, it's a reminder that his career hasn't been all muscle-heavy blockbusters. Sometimes, his feature film work is of the low-stakes sort, the kind that simply invites audiences to have a little fun for a couple of hours. And clearly, Netflix subscribers are ready to join this adventure all over again. Read the original article on BGR.
Yahoo
18 minutes ago
- Yahoo
Meet Lindsay Lohan 2.0: How red carpet fashion is rebuilding the star's reputation
Winks to her beloved characters and high-fashion red carpet moments set the tone for Lohan's Hollywood return. 'Well, this is genius,' says Alex Badia as he stares at photos of Lindsay Lohan's designer-fueled Freakier Friday press tour. 'And you know, it hasn't always been that way for her.' Badia is the head of the fashion department at Women's Wear Daily; he's also its on-camera correspondent for awards shows and the Met Gala. Movie stars don't faze him; neither do $20,000 couture gowns. And yet, the been-there-worn-that style expert is more than impressed with the fashion comeback tour currently being staged by Lohan, 39, for her Freakier Friday promo duties. 'This isn't even a fashion thing,' Badia tells Yahoo. 'It's more like a marketing campaign for Lindsay 2.0.' Lindsay 1.0 was already amazing. The Long Island native was drop-kicked into superstardom via The Parent Trap remake (1998), followed by Freaky Friday (2003) and the Queen Bee of teen movies, 2004's Mean Girls. But while Lohan was growing from ingenue to star, her public substance use overshadowed her talent. Years of drunk driving busts and drug possession charges led to 13 days in jail, followed by 15 years in movie jail, making made-for-TV fare and guest appearances (and commercials!) while slowly rebuilding her life. Lohan eventually settled in Dubai and became a mother in 2023, right when comforting Y2K trends like micro mini skirts and Uggs reemerged, plus sequels like And Just Like That… and Bridget Jones: Mad About the Boy. That's around the time when Lohan's longtime mentor, Jamie Lee Curtis, stepped up to advocate for the star's second chance at Disney. Freakier Friday is shaping up to be Lohan's global bid for A-list reentry. To honor her comeback, Disney has carefully crafted a press campaign that fashion psychologist and bestselling author Shakaila Forbes-Bell calls 'a classic example of show, don't tell.' Aside from a sparse clutch of high-profile interviews for outlets like Elle and The Tonight Show, Lohan has kept relatively quiet and let her clothes do the talking. The looks have been built by Andrew Mukamal, Lindsay Lohan's current stylist, who is best known for engineering Margot Robbie's Barbie press tour into its own all-pink party. (Mukamal told Yahoo he couldn't comment on this story — another example of the clothes doing the talking here.) Along with Blake Lively's longtime makeup artist Kristofer Buckle and Sabrina Carpenter's regular hairstylist Danielle Priano, Mukamal ensures that Lindsay Lohan's Freakier Friday looks work as megaphones blaring a singular message: She is ready and able to return to stardom. The first rule of fashion redemption: Keep it classic Lohan kicked off her comeback tour on July 22 with a series of classic gowns, including a baby pink Miu Miu twirler and a tiered chiffon dress from Rabanne. 'You see this type of super-glossy look a lot with celebrities who have a bad reputation,' a crisis communications director at a luxury brand, who asked for anonymity, tells Yahoo. (Her company sometimes dresses Lohan.) When a celebrity is in image rehab, Badia explains, 'their job isn't to be trendy. It's to assure people they're reliable.' In that way, wearing an Oscar de la Renta column dress could send the message that she's a pillar of the industry — and that she's still standing. The second rule of fashion redemption: Flash back to move forward On July 28, Lohan appeared in a yellow tweed skirt suit by Balmain. Fans of the actress immediately clocked its similarity to a teenier yellow suit worn by her tween character, Annie James, in The Parent Trap. The same day, Lohan wore a Roberto Cavalli dress that twinned with the other sibling she played in the film, Hallie Parker. 'It's so intentional,' says Badia. 'They know the immediate press it gets.' The fashion flashbacks continued as Lohan wore a 'Pink Slip' T-shirt and pink cardigan that referenced both her Freaky Friday band name and her Mean Girls nemesis, Regina George. A custom-made lavender gown Lohan wore to the U.K. premiere by the emerging French designer Ludovic de Saint Sernin mirrored her final dress from Freaky Friday. 'Redoing these looks is a form of nostalgia, which is really powerful in fashion because it can immediately invoke positive feelings,' says Forbes-Bell. Connecting fashion with childhood memories 'also invites fans to engage with play and childlike wonder.' There's also a gameplay element to the throwback looks. Spotting a movie fashion reference from 20 years ago is the kind of 'if you know, you know' brag that bonds internet fandoms and stokes bored group chats. Building Easter eggs into Lohan's wardrobe tour makes the experience more interactive and lets those watching from afar feel like they're in on a fun secret. The third rule of fashion redemption: Secure the YSL bag As Hollywood moves further into the streaming economy and content gets cheaper to make through AI and TikTok, celebrity salaries can become a casualty. (Witness The White Lotus cast getting paid $40,000 per episode in 2025, when past TV royalty like the Friends cast earned $1 million for 30 minutes of airtime in its final seasons.) Because of this new cash crunch, 'it's more important than ever for actresses to secure fashion and beauty campaigns,' says Badia. 'The red carpet is essentially an audition for those campaigns.' To show that she can attract the right kind of press for designer brands, Lohan's third clothing rail is stuffed with runway looks, including slinky gowns from Saint Laurent and Chloé, a suit from Sergio Hudson and a Carrie Bradshaw tutu situation from the edgy French label Jacquemus. Together, these pieces cost nearly $18,000. But a star like Lohan's potential haul as the face of a luxury brand is an estimated $3 million per campaign, according to the New York Times. Nobody who's coveted a $2,900 Miu Miu bag thinks money can't buy a little swing of happiness. Still, Forbes-Bell suspects the real value of Lohan's red carpet tour isn't something she can charge to her American Express. 'She looks like she's having a blast,' says Forbes-Bell. 'As humans, we're drawn to beautiful things, but they have to feel real. Her outfit is gorgeous, and her smile is real. That's what fans are here to see.' This weekend, Freakier Friday officially hits global cinemas, and Lohan's bankability will be tested at the box office. So too will her ability to sell style along with movie tickets. One early hint? After Lohan wore Cavalli's zany pheasant-print minidress on July 28, searches for the brand spiked nearly 340%. Despite its $3,025 price tag, it zipped from shelves with the speed of a celebrity tabloid rumor. At Cavalli's online store, every version of the dress is gone. Online at Farfetch, there's literally one left as of press time. In the words of Freaky Friday fans, it's the ultimate. Solve the daily Crossword
