
The Latest Wine Trends From The 2025 Decanter World Wine Awards
Five friends cheering with glasses of red wine.
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Decanter has just announced the results of its 22nd annual World Wine Awards. The DWWA is the largest and one of the most respected wine competitions globally. Below is a summary of the results from the world's leading wine regions and highlights of the industry's most significant trends.
Renowned for its rigorous blind-tasting process, the DWWA sets a high bar for quality and consistency in the wine world. This year's event drew an impressive 16,000+ entries from 57 countries, all carefully evaluated by 248 leading experts, including a record 22 Master Sommeliers and 72 Masters of Wine — the highest number of top-level judges in the competition's history.
At the DWWA, medals signal excellence across different tiers: the top fifty wines worldwide earn the elite 'Best in Show', followed by Platinum and Gold medals, all awarded to wines scoring 95 points or higher. To put this in perspective, the 50 Best in Show winners represent just 0.30% of all wines judged this year.
In addition, the competition awarded 137 Platinum and 732 Gold medals, highlighting truly exceptional wines from across the globe. Only about 5% of the wines entered reached this highest tier of excellence. Another noteworthy list is the Value Gold Top 30, which showcases high-quality wines priced under $20, reinforcing the idea that great wine can still be affordable.
France once again led the medal count, securing 187 top-tier awards: 14 Best in Show, 33 Platinum, and 140 Gold. The Champagne region was the standout, producing 27 top-tier winners, including three Best in Show medals for vintage Champagnes. Italy also performed strongly, earning 138 top-tier medals, including two Value Golds for high-quality yet wallet-friendly Prosecco and Langhe wines.
Spain continued its strong showing, with Sherry producers standing out: González Byass won two Best in Show awards, contributing to Spain's total of 105 top-tier medals: five Best in Show, 16 Platinum, and 84 Gold. Notably, Ribeira Sacra celebrated its first-ever Best in Show.
In the UK, English sparkling wine producers continued to impress, winning a Best in Show for a magnum — a first for the DWWA — along with two Platinum and six Gold medals. Greece also enjoyed a historic year, with 20 top-tier medals and its first-ever Best in Show wins for wines from Peloponnese, Goumenissa, and Epanomi. Other European highlights included Portugal, which received five Best in Show awards, and Slovenia, which claimed its first Best in Show for an orange wine.
Australia maintained its reputation for consistent quality, securing 80 top-tier medals, including four Best in Show. New Zealand added one Best in Show and 24 Gold medals to its tally.
For the United States, results were equally outstanding. California led the charge, with two Best in Show awards — one of which went to Clos du Val for the second consecutive year. Judges praised the winery for its refined style and approachability. Oregon and Washington State also earned top-tier recognition, while Virginia and Pennsylvania continued to build momentum, each repeating their gold medal successes from the previous year.
Assortment or various type of cheese, wine glasses and bottles on the table in a restaurant.
getty
In South America, Argentina achieved a record result, with a 50% increase in top-tier medals compared to last year, totaling 46 high-scoring wines, including two Best in Show awards. Eight of Argentina's awards were Value Golds, reinforcing its reputation for delivering excellent quality at competitive prices. Chile earned two Best in Show medals, including a first for the Secano Interior region, while Uruguay collected 14 medals overall, including three Golds.
South Africa broke its record by achieving 45 Gold medals, the country's highest total to date. Worcester earned its first Gold for a sweet 100% Muscat Blanc, underscoring the diversity of the region's offerings. China reached a milestone with 13 top-tier awards, including its first-ever Best in Show medals — a significant achievement for the emerging wine market.
Additional notable performances came from Japan, which secured eight top-tier medals; Austria, with 21 top-tier awards; and Croatia, which recorded its highest medal count to date, with 386 medals overall. Canada brought home two prestigious Platinum medals for its renowned sweet ice wines.
The awards also marked some 'firsts' this year: Denmark received its first medal, a Bronze. Uzbekistan made its debut with Silver and Bronze medals, Mexico repeated its Gold medal performance from last year, and Armenia returned to the spotlight with three Golds.
The DWWA continues to reflect broader trends in the wine industry. Orange wines gained further recognition, with 87 medals awarded, including Slovenia's first-ever Best in Show for this style of wine. Fortified wines also excelled, with four Best in Show medals split evenly between Sherry and Port. Platinum medals in this category increased from 17 to 20, with standout entries from Australia, France's Languedoc-Roussillon, Portugal, and Spain.
Additionally, heritage and lesser-known grape varieties received increased attention. Argentina earned its first Gold medal for a 100% Criolla wine, while Italy secured its first Gold for an Erbaluce di Caluso bottling.
The Decanter World Wine Awards continue to showcase the diversity, quality, and innovation taking place in wineries worldwide. For American wine enthusiasts, the strong showing by domestic producers — particularly those from California, Oregon, and Washington — reinforces the West Coast's reputation as a leader in premium winemaking.
Visit the Decanter website for a complete list of this year's medalists, tasting notes, and more details on each award-winning wine. Whether you're seeking iconic labels or exploring new regions and varietals, the DWWA is an excellent guide to some of the world's best wines.
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This interview has been condensed and edited for clarity. How did you get involved with ? Did Hideo Kojima seek you out?We met before the pandemic, and he used some of my songs in the first episode [Death Stranding], but it was songs from my previous records. He used 'Goliath' and 'Pale Yellow' in the gameplay. He contacted me just after, when he was working on the sequel, and he asked me to write a song for the new game. I was like, 'Yes, but I'm done with the whole email music and Covid, so if we work, we work together.' So, I went to Tokyo where I met with the teams and I worked in the building at Kojima Productions. And I wrote the first song, but because I wanted to give some options to Hideo, I wrote a couple songs, and then at the end of the day, [he] was like, 'Oh yeah, this I'm gonna use, and this one I'm gonna use, [this] gives me an idea.' But then I give him options, and then the options are becoming two different cut scenes. And then, what was one song ended up being like 20 hours of music. It's just a very fun experience of being sucked into Hideo's universe and just writing for it based on the actor's performance, the storyline, some scenes that he would show me, some gameplay moments. It started simple and it ended up a very, very complicated adventure How deeply involved was Kojima in the day-to-day production?It has always been very organic, in a way. It was more like I was feeding him elements. I've been working on procedural music, so music that can evolve all the time. That is difficult because they're pop songs, so they're sung. So, there was a whole level of procedurality that we had to create in the music based on the evolution of chord progression, the different layers of music. Every song that I was giving him was just a pop song, but it was also like 100 alternatives of that song that then the programmers could work with and exchange back and forth with us, so we would fine tune things. I think the fact that he had material that was shapeable allowed him to evolve with my work without it being constraining on my side. It was almost like planting seeds, and then he would grow the garden. How do you even write music that changes in real time while playing? Well, the main challenge is that when you sing a song with lyrics, there is, of course, another level — which is the narrative. And you kind of have to make it work with the storyline and whatever the action [that's] happening. And if you want a song to start at a certain point, but end at a certain point — and it can be two minutes for a player, but it can be 20 minutes for another player — you have to be able ton fill in the gaps between the words, between the meaning of the words and depending on what the player does. It's been a whole adventure of programming our own samplers and sequencers that would recreate code sequences based on musical theory so that the processors could rebuild the evolution of the harmonic progressions based on the actions of the player, but with it sounding very organic and not [like] it was computer-made. It was very interesting to create; it's almost like you have to extract the essence of what a song is on its purely theoretical, mathematic approach, and then you have to let the machine rebuild. It's almost like making a song, reverse engineering it, and then letting the machine rebuild it. It's like a four-minute song that becomes a 30-minute song. Have you wanted to create music like this before?It's very, very, very geeky, and something I've always been interested in conceptually — to create music that was ever-evolving, and that wasn't fixed and wasn't condemned to one version. Which is what you do when you do a first studio album; when you do a studio album, you kind of trap these songs, and it's often the first encounters you have with that song as an artist. Afterwards, you go on stage and you get to play them and make them change and evolve over time. Is what's on the soundtrack the original recordings or versions informed by the game's development?All the base stuff was made in Tokyo with Hideo, and I think it defined 90 percent of what's on the record now. But then I worked with people like Elle Fanning, [who] came in the process. I had already sung with her in the past; I've known her for 15 years now. She's a good friend, and she sung a version of 'To to Wilder' on the record. Describe the title track, 'To the Wilder.'I knew I wanted to make a song that was a celebration of the people who understood the game, the people who understood the statement of the [first] game. You know, the fact that the game was called a walking simulator and all this, I thought it was fun to reference that because I believe that it's the exact same [people] that love spending hours on their horse in Red Dead Redemption II just wandering around. I find that very ironic. I think that there is so much control in the work of Hideo; he knows exactly what he's doing. It's not random. And I think that the celebration was something that he really connected with, and the song, because that was exactly his intention. It was to celebrate the people that are wild and the people that love games that are different. How did Elle Fanning get involved with the alternate version that's on the soundtrack?When we started working on the song with Hideo, he's like,' Should we have her sing it?' It was like, 'Yes, I was dreaming for you to ask for it.' So, we met a year ago in Los Angeles, and we recorded the song. It was just, finally, I left like the song was coming alive, because it was just, suddenly, another voice was saying my words, and it felt like it was kind of validating the emotions that I had put in that song, especially when it comes from such a wonderful actress and talented person and singer like Elle. It has a complete other meaning. The lyrics can be heard as one person talking to one person, and that gives the idea of someone breaking up with someone. But when two people sing it and share these lyrics and sing it to each other, it's more about incompatibility with love and the way two people are too wild to live with each other, and this gives a total other dimension to the song. It becomes dialogue. The soundtrack has an eclectic mix of tones, from industrial to Americana. How did you reconcile those different sonic footprints?There are a lot of sides and approaches to my music over time, because I've composed a lot for stage, for my own records, for intimates and writings, but I've also worked a lot with images and cinema and video games. And I thought that [this] was the perfect project to reconcile this very bipolar kind of tonalities that are in me. [I also] think the work of Hideo is very bipolar. There's a political violence to it, but there's also a very sensitive human tenderness to it. And I thought it would be really interesting that the soundtrack would be a real reflection of that natural versus industrial and mechanical kind of texture that's there in the game. I think [there are] moments of the game that called for narrative and human emotion, where I sing, where I'm in a very sensitive territory with folk and Americana kind of ballads. I also wanted extreme I also wanted extreme German industrial record kind of violence, because I think the violence of the machines in that game really called for that. And it's something that I would have never done on a personal record because I don't know how I would have reconciled this inside the same record. For some reason, it makes a lot of sense in the world of Death Stranding. What appeals to you about the world of ?First of all, it's not geeky. Which is very important for me because I'm, more and more, looking for games that are not referencing themselves or that are self-digesting their own culture over and over again. I'm just so tired of seeing the same RPG, steampunky kind of worlds and I need to breathe fresh air. And I have this with the world of Kojima. I think he's so inspired by cinema and contemporary art and other forms of art. And I love the approach he has to nature, which is something that is very touching. Somehow, the way he celebrates nature in the games — he lets you watch and embrace nature. Do you think Kojima approaches sci-fi differently than other people?I like his approach [to] the future, which is not necessarily like a very Black Mirror kind of one-sided vision of technology in the future. It's always ambivalent. It's not like, 'Oh, AI is bad. AI is going to eat us all.' It has more depth to it, more intelligence, or more political intelligence in the way he approaches the themes. And I love that the first installment was about the idea of connection through technology. And the second one differs a little bit from that; the second one is a take on the first one, which I think is a very interesting narrative. How do you view your relationship with Kojima?I mean, we're friends. It's just a very intimate connection that we have. I think we have a lot in common, visually. A lot of fetishes that are common. I knew a lot about his work because I played Metal Gear Solid when I was a child, or a teenager. It was such a shock for me, visual shock. I think the PlayStation culture and, especially, these games like Final Fantasy and the world of Hideo, really shaped my eye and my sensitivity for this kind of medium. At the end of the day, it sweats in my work — his work sweats in my work and, even if I don't want it or don't want intellectualize it, it's just part of what built me. There's just this kind of connection of fetishes and visuals that I think are very strong between us, and I really appreciate that we're not afraid of darkness, and the melancholy that comes with darkness and these very sci-fi themes. It's just something we really embrace together and we're not ashamed of. Is there something essential that you learned from him over the course of development?There's a key moment where we had a discussion, probably halfway [through] when we were doing the game, where he came to me and he said, 'We have a problem.' Then he said, 'I'm going to be very honest, we have been testing the game with players and the results are too good. They like it too much. That means something is wrong; we have to change something.' And he changed stuff in the script and the way some crucial stuff [happens] in the game because he thought his work was not polarizing and not triggering enough emotions. And he said, 'If everyone likes it, it means it's mainstream. It means it's conventional. It means it's already pre-digested for people to like it. And I don't want that. I want people to end up liking things they didn't like when they first encountered it, because that's where you really end up loving something. 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It's never been, 'I know exactly what I'm doing and no one else can interfere in the process. So, he's always been the exact opposite of this — having control by letting people in. People sometimes have the fake impression that Hideo is very egotistical, [but] he's someone that changes his mind very intelligently based on what people bring him. Do you think will inspire other developers?I think it will probably inspire people the way Metal Gear inspired so many people, the way his work has been inspiring to so many people. I already see a lot of Death Stranding in indie games, in the tonality and the ambition of the emotions. Some of these games try to mimic, but I think it's hard to copy Hideo. It's difficult, and it's very visible. It wouldn't be surprising seeing him being a very strong source of inspiration for film directors. I know the cinema world is really envious of his success and his vision and the radicality of his vision. 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The Latest Wine Trends From The 2025 Decanter World Wine Awards
Five friends cheering with glasses of red wine. getty Decanter has just announced the results of its 22nd annual World Wine Awards. The DWWA is the largest and one of the most respected wine competitions globally. Below is a summary of the results from the world's leading wine regions and highlights of the industry's most significant trends. Renowned for its rigorous blind-tasting process, the DWWA sets a high bar for quality and consistency in the wine world. This year's event drew an impressive 16,000+ entries from 57 countries, all carefully evaluated by 248 leading experts, including a record 22 Master Sommeliers and 72 Masters of Wine — the highest number of top-level judges in the competition's history. At the DWWA, medals signal excellence across different tiers: the top fifty wines worldwide earn the elite 'Best in Show', followed by Platinum and Gold medals, all awarded to wines scoring 95 points or higher. To put this in perspective, the 50 Best in Show winners represent just 0.30% of all wines judged this year. In addition, the competition awarded 137 Platinum and 732 Gold medals, highlighting truly exceptional wines from across the globe. Only about 5% of the wines entered reached this highest tier of excellence. Another noteworthy list is the Value Gold Top 30, which showcases high-quality wines priced under $20, reinforcing the idea that great wine can still be affordable. France once again led the medal count, securing 187 top-tier awards: 14 Best in Show, 33 Platinum, and 140 Gold. The Champagne region was the standout, producing 27 top-tier winners, including three Best in Show medals for vintage Champagnes. Italy also performed strongly, earning 138 top-tier medals, including two Value Golds for high-quality yet wallet-friendly Prosecco and Langhe wines. Spain continued its strong showing, with Sherry producers standing out: González Byass won two Best in Show awards, contributing to Spain's total of 105 top-tier medals: five Best in Show, 16 Platinum, and 84 Gold. Notably, Ribeira Sacra celebrated its first-ever Best in Show. In the UK, English sparkling wine producers continued to impress, winning a Best in Show for a magnum — a first for the DWWA — along with two Platinum and six Gold medals. Greece also enjoyed a historic year, with 20 top-tier medals and its first-ever Best in Show wins for wines from Peloponnese, Goumenissa, and Epanomi. Other European highlights included Portugal, which received five Best in Show awards, and Slovenia, which claimed its first Best in Show for an orange wine. Australia maintained its reputation for consistent quality, securing 80 top-tier medals, including four Best in Show. New Zealand added one Best in Show and 24 Gold medals to its tally. For the United States, results were equally outstanding. California led the charge, with two Best in Show awards — one of which went to Clos du Val for the second consecutive year. Judges praised the winery for its refined style and approachability. Oregon and Washington State also earned top-tier recognition, while Virginia and Pennsylvania continued to build momentum, each repeating their gold medal successes from the previous year. Assortment or various type of cheese, wine glasses and bottles on the table in a restaurant. getty In South America, Argentina achieved a record result, with a 50% increase in top-tier medals compared to last year, totaling 46 high-scoring wines, including two Best in Show awards. Eight of Argentina's awards were Value Golds, reinforcing its reputation for delivering excellent quality at competitive prices. Chile earned two Best in Show medals, including a first for the Secano Interior region, while Uruguay collected 14 medals overall, including three Golds. South Africa broke its record by achieving 45 Gold medals, the country's highest total to date. Worcester earned its first Gold for a sweet 100% Muscat Blanc, underscoring the diversity of the region's offerings. China reached a milestone with 13 top-tier awards, including its first-ever Best in Show medals — a significant achievement for the emerging wine market. Additional notable performances came from Japan, which secured eight top-tier medals; Austria, with 21 top-tier awards; and Croatia, which recorded its highest medal count to date, with 386 medals overall. Canada brought home two prestigious Platinum medals for its renowned sweet ice wines. The awards also marked some 'firsts' this year: Denmark received its first medal, a Bronze. Uzbekistan made its debut with Silver and Bronze medals, Mexico repeated its Gold medal performance from last year, and Armenia returned to the spotlight with three Golds. The DWWA continues to reflect broader trends in the wine industry. Orange wines gained further recognition, with 87 medals awarded, including Slovenia's first-ever Best in Show for this style of wine. Fortified wines also excelled, with four Best in Show medals split evenly between Sherry and Port. Platinum medals in this category increased from 17 to 20, with standout entries from Australia, France's Languedoc-Roussillon, Portugal, and Spain. Additionally, heritage and lesser-known grape varieties received increased attention. Argentina earned its first Gold medal for a 100% Criolla wine, while Italy secured its first Gold for an Erbaluce di Caluso bottling. The Decanter World Wine Awards continue to showcase the diversity, quality, and innovation taking place in wineries worldwide. For American wine enthusiasts, the strong showing by domestic producers — particularly those from California, Oregon, and Washington — reinforces the West Coast's reputation as a leader in premium winemaking. Visit the Decanter website for a complete list of this year's medalists, tasting notes, and more details on each award-winning wine. Whether you're seeking iconic labels or exploring new regions and varietals, the DWWA is an excellent guide to some of the world's best wines.


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6 hours ago
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Dongfang Yuxing Winery Geruihong Yeguangbei 2022, Cabernet Sauvignon, Ningxia, China. A concentrated Cabernet with bold cassis, firm tannins, and a touch of oak. Changyu Noble Dragon N188 2022, Cabernet Gernischt, Shandong. A smooth Chinese red with red plum, light spice, and a silky mouthfeel. André Lurton Château de Rochemorin 2022, Merlot, Pessac-Léognan. Ripe black cherry, cedar, and tobacco leaf highlight this structured Bordeaux. Château Ollieux Romanis Cuvée Prestige 2022, Carignan, Corbières-Boutenac. A rustic red wine with dark berries, dried herbs, and robust tannins. Albert Bichot Hospices De Beaune Cuvée Cyrot-Chaudron 2023, Pinot Noir, Clos de la Roche Grand Cru. A complex Burgundy with dark cherry, earth, and refined tannins. Domaine Du Mont Verrier Janin 2023, Gamay, Morgon. A juicy and bright Beaujolais with ripe red berries and floral undertones. Château La Borie 2023, Syrah, Côtes du Rhône Villages. A luscious red wine with blackberry fruit, pepper, and smooth tannins. Chateau La Croix Younan 2022, Merlot, Saint-Emilion Grand Cru. Rich and supple with plum, mocha, and fine oak integration. Chatzivaritis Estate Goumenissa 2021 (Xinomavro, Goumenissa): Savory Greek red with sour cherry, tomato leaf, and a firm structure. red wine with salami, cheeses, olives, figs and peppers in out door picnic setting Fratelli Serio & Battista Borgogno Cannubi Barolo Riserva 2019, Nebbiolo. A powerful yet refined Barolo with rose petal, tar, and firm tannins. Diego Morra Del Comune Di Verduno 2021, Nebbiolo, Barolo. An elegant Barolo showing bright red cherry, licorice, and polished tannins. Tenuta Meraviglia Maestro Di Cava 2020, Cabernet Franc, Bolgheri Superiore. A bold Tuscan red with blackberry, graphite, and silky tannins. Donnachiara Taurasi 2021, Aglianico, Taurasi. A dark and brooding Aglianico with black plum, leather, and earthy spice. Quinta Do Reguengo Cortes 2020, Touriga Nacional, Douro. An intensely flavored Portuguese red with dark berry, cocoa, and muscular tannins. Santos & Seixo Wines Da Casa Grande Reserva 2020, Touriga Nacional, Douro. A concentrated Douro red with cassis, vanilla, and a firm finish. Pago De Los Capellanes Doroteo 2020, Tempranillo, Ribera del Duero. A plush and powerful Ribera with ripe black cherry and cedar spice. Don Bernardino La Capona Amandi 2019, Mencia, Ribeira Sacra. A fresh Galician red with red currant, herbs, and a light earthy finish. Vall Llach Mas de la Rosa Gran Vinya Classificada 2023, Carignan, Priorat. A dense and structured Priorat with black plum, mineral notes, and robust tannins. Xanadu Reserve Cabernet Sauvignon 2022, Margaret River. A flagship Margaret River Cab, layered with cassis, dark chocolate, and fine oak. Trentham Estate Reserve Shiraz 2023, Heathcote. A rich and peppery red wine with bold black fruits, balanced by earthy spice. Barossa Old Vine Company Shiraz 2022, Barossa Valley. A dense and opulent Barossa Shiraz with plum, licorice, and velvety tannins. Craggy Range Pinot Noir 2024, Martinborough. A Silky NZ Pinot with bright red berries, forest floor, and gentle oak. Clos du Val Cabernet Franc 2022, Stags Leap District. A California red with bright red fruit, herbs, and polished tannins. Kenwood Vineyards Six Ridges Cabernet Sauvignon 2021, Alexander Valley. A bold Sonoma Cab with blackberry, mocha, and a structured finish. Beautiful Malbec vineyard. Lujan de Cuyo, Mendoza, Argentina. Bemberg Estate Wines Pionero 2022, Malbec, Gualtallary, Tupungato, Mendoza. A plush, structured Malbec with ripe black fruit and a mineral backbone. Rutini Single Vineyard Malbec 2021, Malbec, Gualtallary, Tupungato, Mendoza. An intense red wine with concentrated dark plum, spice, and fine tannins. La Causa Del Itata La Causa Cinsault-País-Carignan 2022, Secano Interior. A fresh and lively wine with red berry fruit and a rustic herbal note. Antiyal Viñedo Escorial Organic Carmenère 2020, Maipó Valley. A vibrant Carmenère showing blackberry, green peppercorn, and soft tannins. Jean-Marc Brocard Bougros 2023, Chardonnay, Chablis Grand Cru. Classic Grand Cru Chablis is characterized by flinty minerality and ripe citrus flavors. Domaine Landrat-Guyollot Gemme Océane 2022, Sauvignon Blanc, Pouilly-Fumé. A fresh and zesty wine with citrus, gooseberry, and subtle smoky flint. Château Cavalier Cuvée Marafiance Rosé 2024, Grenache, Côtes de Provence. A pale and crisp wine with wild strawberry and delicate floral notes. Anhydrous Santorini 2019, Assyrtiko. A mineral-driven Assyrtiko with citrus peel and salty sea breeze notes. Ktima Gerovassiliou Single Vineyard Malagousia 2024, Epanomi. A fragrant and crisp with stone fruit, orange blossom, and vibrant acidity. Cantina Terlano Lunare Gewürztraminer 2023, Alto Adige. Perfumed and rich with lychee, rose petals, and a spicy finish. Soalheiro Alvarinho 2024 Vinho Verde. A crisp and zesty with lime, green apple, and a hint of salinity. Wirra Wirra The 12th Man Chardonnay 2024, Adelaide Hills. A crisp and elegant wine with notes of white peach, citrus zest, and subtle oak. Epernay: Sign of the Route Touristique du Champagne with in the background vineyards of the Champagne district Vallee de Marne, France. Rare Champagne Brut 2012, Chardonnay. Opulent yet precise, with toasted brioche, citrus cream, and a fine mousse. Lanson Noble Brut 2008, Chardonnay, Champagne. Mature and elegant, with notes of toasted nuts, dried fruits, and a fine, creamy texture. Barons De Rothschild Rare Collection Blanc De Blancs Extra Brut 2014, Chardonnay, Champagne. Razor-sharp acidity with lemon zest and subtle chalky minerality. Sugrue South Downs The Trouble With Dreams 2009, Chardonnay, Sussex. An elegant English sparkler with crisp apple, brioche, and delicate bubbles. Château Bastor-Lamontagne Sauternes 2022, Sauvignon Blanc/Semillon, Bordeaux. Lusciously sweet, with notes of apricot, honey, and botrytis complexity. Monemvasia Winery Tsimbidi Monemvasia-Malvasia 2012, Peloponnese. A lively, sweet Greek white with dried apricot, honey, and nutty notes. Donnafugata Ben Ryé 2023, Zibibbo, Passito di Pantelleria. An iconic Sicilian Passito, rich with dried figs, orange peel, and luscious sweetness. A carafe of Port wine with a wonderful view over the Douro River in Porto, Portugal. Menin Douro Estates 50-Year-Old Tawny Port NV. Decadent aged Tawny with notes of caramel, roasted nuts, and a long, lingering finish. Graham's Quinta Dos Malvedos Single Quinta Vintage Port 2018. A lush vintage Port with black fruit, fig, and velvety sweetness. González Byass Del Duque V.O.R.S Amontillado NV, Palomino, Sherry. Aged Amontillado with intense nutty, saline, and oxidative complexity. González Byass Tío Pepe Cuatro Palmas Amontillado NV, Palomino, Sherry. A rare, aged Fino with intense almond, dried fruit, and saline tang. Michel Tissot & Fils Château-Chalon 2017, Savagnin, Jura. A nutty, oxidative Jura white with layers of walnut, spice, and bracing acidity. Vinakoper Rumeni Muškat 2015, Yellow Muscat, Slovenska Istra, Aromatic orange wine with floral notes, mandarin, and a dry, textured palate. These 50 Best in Show wines were judged the world's best at the Decanter World Wine Awards. Many are surprisingly affordable. They present a wide range of aroma and flavor profiles. From dense, intensely aromatic reds to delicate whites, from sparkling to still, from sweet to fortified, there is a wine here that will suit any palate. Time to start tasting!