Loved Abhishek Banerjee in Stolen? Don't miss these must-watch movies and shows
Abhishek Banerjee is quickly becoming one of the most compelling actors in Indian cinema. His standout performance in Stolen is a clear display of his talent and screen presence. However, his filmography goes far beyond this role, covering everything from gripping dramas to entertaining comedies. If you were impressed by him in Stolen, here are more films and shows that highlight his impressive range as an actor.
Abhishek Banerjee movies and shows to watch if you liked Stolen on Prime Video
Stree
In Stree, Abhishek Banerjee played the role of Jana, a key member of the friend group. The film's plot is inspired by the urban legend Naale Baa, which means 'come tomorrow' in Kannada, and is adapted in the movie as 'O Stree, kal aana.'
Paatal Lok
In Paatal Lok, Abhishek Banerjee gave one of his most impactful performances as Hathoda Tyagi, a silent and deadly contract killer with a haunting past that unfolds gradually through the series. Loosely inspired by Tarun Tejpal's 2010 novel The Story of My Assassins, the show's first season follows a jaded police officer who is assigned to investigate a botched assassination attempt, uncovering a dark web of crime, politics, and personal trauma.
Rana Naidu season 1
Abhishek Banerjee stars as Pawan 'Jaffa' Naidu, the youngest of the Naidu brothers, in Rana Naidu Season 1 on Netflix. His character is deeply affected by a traumatic past, including sexual abuse by a so-called 'faith healer,' which continues to trouble him throughout the series. With Season 2 on the way, fans can expect more of Jaffa's complex journey to unfold.
Vedaa
Banerjee portrays a cruel upper-caste village head who imposes harsh caste-based violence on the Dalit community. The film, inspired by real events, is a Hindi adaptation of the Bengali movie Sultan: The Saviour, originally starring Jeet.
Dream Girl
In the popular comedy Dream Girl, Abhishek Banerjee plays the character Mahinder Rajput. The film stars Ayushmann Khurrana as a man who mimics a woman's voice, unexpectedly attracting attention and highlighting issues such as loneliness and depression.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Indian Express
21 minutes ago
- Indian Express
Let the kids rot
Once upon a very real time not so long ago, Indian summers were about watching the clock slow down. As schools broke for the holidays, children shed their baggage of schedules and slipped into long lazy days filled with mangoes, mischief and that rare thing — unsupervised time. Days of chasing dragonflies and inventing games out of thin air, of lying on cool floors under creaky ceiling fans and watching the play of sunlight through the curtains, of turning cardboard boxes into doll's houses, of fighting and making up with siblings and cousins all in the span of an afternoon. It was, as the nostalgics would say, the golden age of boredom, and it was beautiful. The age of overachievement, however, transformed summer from a season of wonder into a gap to be filled with workshops, boot camps and other skill-building, prospect-enhancing activities, ranging from mindful movement to creative writing sessions. Screens crept in, too — glowing, addictive companions that turn idle time into something far more passive and far less magical. In chasing productivity, the poetry of those long days was slowly written over. Now, scarred by overpriced summer camps and stress-inducing hyper-structured productivity plans, the West has finally cottoned on to the joy of letting children do nothing for a few precious weeks. In the US, the phenomenon is being branded as 'summer kid rotting', a variant of 'bed rotting', that celebrates the unhurried and the purposeless while coaxing the modern parent, with her emphasis on over-optimisation, to step back and take a deep breath. The gentle rhythms of idle days, however, have always held a quiet wisdom. It allows friendships to steep into rich lifelong bonds, teaches children how to sit comfortably with themselves and makes room for curiosity and joy. Perhaps, the greatest gift adults can give children, then, is this freedom to waste a little time. After all, the best memories are often made not when everything adds up, but when nothing needs to.
Hindustan Times
an hour ago
- Hindustan Times
Kajol praises Ajay Devgn, calls him a very ‘hands-on producer' with Maa: ‘We have made a very good film'
Kajol is gearing up for the release of her upcoming mythological horror film Maa. It is co-produced by her husband, actor Ajay Devgn. This is the first time that Kajol is stepping into the genre of horror. Speaking with ANI, Kajol opened up about collaborating with Ajay on Maa off-screen, and called him a 'very hands-on producer.' (Also read: Kajol opens up about ageing and self image: 'I've been moving in the correct direction') During the interaction, Kajol praised Ajay and said, 'He (Ajay) is a very hands-on producer. From script to music and VFX, he has given a lot of attention to every part of this film. I think VFX is a huge part of the film. And, as they say, shooting VFX is a different he has given a lot of detail. He has been a very hands-on producer.' She also talked about the film, which marks her return to the big screen after three years. 'My film is releasing in theatres after a long time and I am extremely happy about actor has to reinvent himself/herself with time. I had never thought I would do a horror film, but here we are. I am extremely proud of this film. The script is quite good. I am a big mythological buff. I love our Indian mythology. We have so many stories. So, I think it was one of my favourite stories. I think we have made a very good film. Now audience will tell,' she added. Kajol's last theatrical release was Salaam Venky. Maa has been directed by Vishal Furia. It shows Kajol as a fierce, protective mother who fights to save her daughter from the clutches of demons. Maa also stars Indraneil Sengupta, Ronit Roy, Jitin Gulati, and Kherin Sharma and is set to release in theatres on 27 June.
New Indian Express
an hour ago
- New Indian Express
Shifting Stands: Bengalureans opine on Deepika Padukone-Sandeep Reddy Vanga controversy
The entire Indian film industry runs on a broken model – lead actors are massively overpaid, while writers, editors, and others who contribute just as much are underpaid. Yet, no one bats an eye when Rajinikanth charges `250 crore. Bringing it up during a spat only reveals how Vanga and his team seem more bothered when a woman demands the same sum that male leads have always gotten away with. She's a new mother caring for her 8-month-old baby. In contrast, many male stars come to sets on their own time, refuse multiple takes, and leave early – and no one calls them out. A mother requesting an 8-hour shift is simply asking for the bare minimum. But it's fair for a passionate filmmaker like Vanga (setting aside his politics) who expects full emotional commitment from actors to be hurt by Deepika's refusal to dub in Telugu. The team even rescheduled the shoot around her pregnancy. To wait that long, only to hear she won't dub, can be disappointing.
