Council-backed scheme encourages people to grow food on public land
A new scheme in Bury is encouraging people to identify and cultivate unused public land.
The Right to Grow scheme, backed by the council, Incredible Edible Prestwich and District, Lancashire Wildlife Trust, and other partners, aims to "bring residents together, nurture local environments, and boost health and well-being across the borough", in the words of a spokesperson.
The initiative seeks to address the problem of lack of available land close to people's homes, which, according to a spokesperson, "can be an obstacle to more people growing [food]".
It has involved Right to Grow partners investigating planning and licensing issues, and has seen the development of a "food map" of Bury that highlights existing and potential growing sites.
The map is now live on the Incredible Edible Prestwich website at https://iepad.co.uk/projects/right-to-grow_project_bury/
A spokesperson said: "By making it easier to access land, the initiative seeks to foster a closer connection between people and the food they eat, while also enhancing biodiversity and greening urban areas."
Residents are encouraged to get involved through the project website, including by starting to grow their own food and helping to increase Bury's "Right to Grow" footprint.
READ MORE:
Bury Food and Drink Festival 2025 coming to town centre
Parklife: Heaton Park Garden Centre to close for weekend
David Bowie and Iggy Pop guitarist has show in Barnoldswick
Cllr Alan Quinn, the council's cabinet member for climate change and operations, said: "Community food-growing is a positive benefit to Bury, and I'd encourage groups and individuals to get involved in the project."
Bury's director of public health, Jon Hobday, added: "Right to Grow will support more people to access healthy and nutritious food, share knowledge, and provide momentum for our good food movement in Bury."
More information is available at https://www.incredibleedible.org.uk/what-we-do/right-to-grow/
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNN
15 minutes ago
- CNN
Wes Anderson on the secrets and struggles behind his impeccably stylish men
Wes Anderson has a message for London's finest tailors: he'd love a Savile Row suit — if someone will give him a discount. 'Hopefully if we put this out there someone will contact me,' he said on a call from New York. '(They're) quite a lot of money, but it will see you out, as they say.' This would be a radical move for the sartorially-minded director. Anderson is loyal to New York tailoring institution Mr. Ned for his custom-made clothes, he said, though has been known to stray to legendary Italian atelier Battistoni when in Rome. But he would be willing to give a London tailor a shot. After all, if they're good enough for his characters, they should be good enough for him. Anderson's latest film, 'The Phoenician Scheme,' is bulging at the seams with suits, some crafted by Taillour Ltd., a bespoke tailoring label in East London, founded by Fred Nieddu and Lee Rekert. The movie centers on 1950s business magnate Zsa-zsa Korda (Benicio del Toro), who wheels and deals his way around a fictionalized Middle Eastern country while fending off assassination attempts. In tow is his heir, a novice nun called Leisl (Mia Threapleton), who's out to save his soul, and bumbling tutor Bjorn (Michael Cera), along for the ride with his employer and his crush. Together they bring an odd thrupple dynamic to what might otherwise have been a series of business meetings with deep-pocketed characters played by Tom Hanks, Bryan Cranston, Riz Ahmed, Jeffrey Wright, Benedict Cumberbatch, and more. A crime caper with a smattering of existential angst, it's the director's most accessible work in a while. It's also, even by Anderson's standards, a showcase for fine tailoring — marking a new high point for the director whose films often feature impeccable menswear. When Anderson was young, he used to play dress up. 'There were so many costumes in movies when I was a child that I tried to imitate,' he shared. How characters presented themselves through their clothes was something he was always conscious of. 'From the first moment of the first short film I made, I thought of that,' Anderson recalled. Making that short film, 'Bottle Rocket' (1993), which Anderson turned into his feature debut in 1996, he remembered debating actor Owen Wilson over a shirt. 'We'd written it together, and he knew exactly how to inhabit this person,' Anderson said. 'But the visual part of the character… I had to sort of coax (Wilson) into something he would never wear.' Five years and a bigger budget later, Anderson was making 'Rushmore' (1998). Jason Schwartzman's character, the preppy student Max Fischer, dresses beyond his years. Anderson, Schwartzman and the film's costume designer Karen Patch commissioned a tailor in the director's native Houston, Texas, to reflect that in the form of a perfectly cut, blue school blazer. 'That's the first time there was a costume that I thought, 'Let's make this from scratch. We can make it exactly, 100% right,'' Anderson said. Then came 'The Royal Tenenbaums' (2001) — also costumed by Patch — whose sartorial ripples continue to spread today. Anderson turned to Mr. Ned for help with tailoring and liked what they came up with. Years later, he sat for an interview with the New York Times wearing the exact jacket worn by Bill Murray in the film, he told the reporter. However you look at it, Anderson never stopped playing dress up — including having his characters wear his inspirations on their sleeves. When conceiving the look for Korda in 'The Phoenician Scheme,' Anderson said he had in mind the businessmen played by Hollywood's Golden Age actors William Powell ('The Thin Man') and Herbert Marshall ('Trouble in Paradise'). Meanwhile, Threapleton's nun was styled in green tights as a twisted nod to the titular Irma, a sex worker played by Shirley MacLaine, in Billy Wilder's 'Irma la Douce' (1963). 'I think it is probably quite a generous gesture by Wes to be so conspicuous with some of his references,' said Adam Woodward, editor-at-large of Little White Lies magazine and author of 'The Worlds of Wes Anderson.' 'That has been the case throughout his career,' Woodward continued, speaking on a video call. 'I think he's adding new layers to that as he continues, and I suppose as he enters this middle period of his career, his work for me feels like it's getting maybe more mature. He's hitting a really interesting groove now.' 'The Phoenician Scheme' saw Anderson reteam with Italian costume designer Milena Canonero, a four-time Oscar winner who has worked on most of his films since 2004's 'The Life Aquatic with Steve Zissou.' Theirs is the kind of longstanding collaboration that allows for creative disagreement, which was the case when creating the backbone of 'The Phoenician Scheme's' wardrobe: its suits. 'My suggestion in our script is that all the businessmen wear double-breasted gray chalk stripe (or) pinstripe suits in the classic tycoon look,' Anderson recounted. 'And Milena's suggestion is, 'That's a terrible idea,' and 'Why would we have everyone wearing the same thing? It's been done a thousand times before and it's a cliché.'' But Anderson had his reasons: One being that a good piece of clothing, such as tailoring, takes on a protective quality. 'If you don't like what you're wearing or you've got a bad haircut, you don't feel as strong, you know. It's all armor,' he said. Korda (Benicio del Toro's character), he added, 'wants all the armor he can have, because someone's going to try to kill him at any moment, and he wants to kill them back.' While Korda's wardrobe is dominated by gray pinstripes, there's room for a safari suit and a thobe. The impression is that whether behind a desk or the wheel of a plummeting airplane, Korda is a worldly man of action. In a video interview with CNN, Del Toro described the film's costuming as '50% of my performance,' heaping praise on 'legend' Canonero. 'She does your character from the bottom up,' he added. 'She's super specific. The shoes are from the period, even the underwear.' Anderson said he felt strongly about giving all the other businessmen suits too because 'these tycoons, these very rich men with tremendous ambition, they have symbols of power that they adorn their offices and their residences and their bodies with,' he explained. 'This is part of how they say, 'We're in the same club, we rule the world, and we are the ones in power.' The genius of Canonero, the director said, was 'how to make the American (suits) a little different from the European ones and how to give them each their own personality — because it is a lot of gray pinstripe suits in one movie.' Take Hanks and Cranston's West Coast railroad men: They may be holding a Coca-Cola and a Hershey's bar, but to tell they're American, one need only look at their sack suits. There's also a subtle narrative thread running through the pinstripes and chalk stripes. (As consensus builds among the businessmen who come aboard Korda's scheme, if they weren't already, they begin wearing stripes.) Once again, Anderson is playing with the idea of uniform and visual coding; it rears its head in everything from 'The Grand Budapest Hotel's' concierges to 'Bottle Rocket's' boiler-suited robbers and Steve Zissou's red beanie-sporting explorers. In 'The Phoenician Scheme,' by the time we meet Cumberbatch's character Uncle Nubar, who's wearing a running stitch-like stripe, his tailoring marks him out as different, even before his nefarious intent is revealed. This use of costuming is par for the course for the director, said Woodward: 'It's always in service of the story, it is never frivolous.' Naturally, fashion is not there for window dressing; it advances the plot. Just like Richie Tenenbaum's sweatband doesn't just signal his arrested development but signposts his forbidden love for his adopted sister in 'The Royal Tenenbaums'; M. Gustave's Society of the Crossed Keys badge foreshadows his ace-in-the-hole network of concierges when he's in a pinch in 'The Grand Budapest Hotel'; and Mr. Fox's severed tail, worn by the evil Mr. Bean as a necktie, becomes motivation for a heist in 'Fantastic Mr. Fox.' 'Everything is about storytelling,' said Anderson. 'Movies, as much as they are dialog, and as much as it is all about emotion and energy, the main thing you do with a movie is watch it,' the director said of building his visual language. 'The movie is how do we take all this information, all these ideas, these characters, these observations from lives and bits of imagination, and order them into the shape of a thing we think of as a story,' he continued. 'It's very much a rational, orderly process.' 'The Phoenician Scheme' is currently in US and UK theaters.
Yahoo
19 minutes ago
- Yahoo
Joey King in Talks to Join Sandra Bullock, Nicole Kidman in ‘Practical Magic 2' (Exclusive)
Joey King is in negotiations to star alongside Sandra Bullock and Nicole Kidman in Practical Magic 2, Warner Bros.'s Pictures sequel to the 1998 movie. Susanne Bier, who directed Bullock in the post-apocalyptic thriller Bird Box and Kidman in the sordid Netflix mini-series The Perfect Couple, is on board to helm the feature that has a Sept. 18, 2026 release date. More from The Hollywood Reporter Nicole Kidman Gives Update on 'Practical Magic' Sequel With Sandra Bullock: "It's Fun and Witchy" 'Nine Perfect Strangers' Stars Recount How Nicole Kidman Stayed in Character on Set: "Kind of Thrilling - and Scary" Tom Cruise Says He "Suggested" Nicole Kidman for 'Eyes Wide Shut' Role: "She's a Great Actress" Bullock and Kidman are reprising their roles as witch sisters Sally and Gillian Owens, who in the original movie fight a family curse that dispatches the men with whom they fall in love. That movie was based on the novel by Alice Hoffman and juggled themes and ideas of sisterhood, female empowerment, domestic abuse, with some comedy and supernatural fun thrown in. King will play one of Bullock's daughters, the one who discovers the dark family secrets and her own dark powers, plunging the family into a crisis. Akiva Goldman, who co-wrote the first movie, co-wrote the script for this installment with Georgia Pritchett. Bullock and Kidman are also producing along with the original's Denise Di Novi. A late summer shoot in London, where Warners shoots many of its movies, is being planned. Warners had no comment on the dealmaking. King became a household name to the Gen Z crowd thanks to playing a teen torn between two boys in the romantic Kissing Booth trio of movies that were among the most viewed on Netflix for a time. She earned an Emmy for her work in the Hulu crime drama The Act and has taken leading roles with 20th Century Studios' The Princess and opposite Brad Pitt in Bullet Train. She last starred in the Netflix sci-fi flick Uglies, directed by McG. King is repped by WME and Brillstein Entertainment Partners. Best of The Hollywood Reporter 'The Goonies' Cast, Then and Now "A Nutless Monkey Could Do Your Job": From Abusive to Angst-Ridden, 16 Memorable Studio Exec Portrayals in Film and TV The 10 Best Baseball Movies of All Time, Ranked
Yahoo
20 minutes ago
- Yahoo
‘How to Train Your Dragon' Star Mason Thames Explains How an In-Flight Screening of ‘The Black Phone' Changed His Life
In-flight entertainment has changed the course of Mason Thames' life. How to Train Your Dragon director Dean DeBlois was already in the process of casting a live-action version of his animated franchise hero, Hiccup, and while he was en route to London-based auditions, he decided to pass the time on his transatlantic flight by watching a movie. He opted for Scott Derrickson's The Black Phone, starring the aforementioned Thames. The Canadian filmmaker was so impressed by the then-13-year-old's performance that he just had to get him on the 'long list' of 15-year-old Viking candidates. More from The Hollywood Reporter 'How to Train Your Dragon' Star Nico Parker Reacts to Trolls About Her Casting: "I Can't Value Your Opinion on My Hair" 'How to Train Your Dragon' Review: DreamWorks Live-Action Remake Retains Charm but Plays It Safe What Sold Gerard Butler on Reprising His Role in the Live-Action 'How to Train Your Dragon' 'Apparently, they had been through a bunch of Hiccups. So Dean told me he watched The Black Phone on a plane, and then he was like, 'Why is this kid not auditioning for Hiccup? Let's get him in the room,'' Thames tells The Hollywood Reporter in support of How to Train Your Dragon's June 13 theatrical release. 'It truly does feel like destiny in a way, and it's so crazy that a little coincidence like that has changed my life.' Thames inherited the role that Jay Baruchel voiced in DeBlois' three animated films throughout the 2010s, and it couldn't have been a better fit for the Texas native. He still remembers his 7-year-old self's first glimpse of the Viking who would bridge generations' worth of conflict between Isle of Berk's Vikings and their neighboring dragons. That led to Halloween costumes and the like. 'I was like, 'I want to be that guy.' I related to Hiccup so much,' Thames says. 'God, I never thought that I'd be given the chance to step into his shoes and maybe affect kids the way Hiccup affected me [as a kid]. It's such an honor.' As for Thames' other Universal franchise that led him to Dragon, Black Phone 2 just released its chilling first trailer. The story takes place four years after the events of Derrickson's The Black Phone, and despite ending the first chapter on a more confident note after defeating Ethan Hawke's serial killer, The Grabber, the reality (and surreality) of what Thames' Finney Blake survived isn't finished with him or his sister, Gwen (Madeleine McGraw). 'What [co-writers Derrickson and C. Robert Cargill] have done with the character of Finney is truly incredible,' Thames shares. 'In a lot of horror movies, a character's friends and family will die in a horrible way, and then in the next movie, they're off at college, living a happy, fun life. But the reality of going through something that traumatic is that it will affect you. You will probably not be the same, especially when it's a kid who's dealing with that.' Below, during a recent conversation with THR, Thames also discusses how his mom made a key recommendation during his performance of Hiccup's first dragon-flying scene. *** Not many people can say they brought one of their favorite animated heroes to life. Has it sunk in yet? Not really. It's still so surreal to me. I never thought I could be one of my childhood heroes and step into this world. I'm still so honored and privileged, and I thank Dean [DeBlois] every single day and every time I see him for giving me this opportunity. At 7 years old, you remember saying to yourself that you want to be Hiccup? I remember watching the trailer for the second movie [2014's How to Train Your Dragon 2] where Hiccup takes his helmet off, and he's older. I then watched the movies, of course, and I put myself in his shoes. I was like, 'I want to be that guy.' I related to Hiccup so much. God, I never thought that I'd be given the chance to step into his shoes and maybe affect kids the way Hiccup affected me [as a kid]. It's such an honor. I do think it was predestined in a way based on a story that director Dean DeBlois told me. He was on his way to a Hiccup casting session in London, and he randomly watched e on the plane ride there, which got him thinking about you and how old you might've been at the time. Did he tell you this? Yeah, apparently, they had been through a bunch of hiccups. So Dean told me he watched The Black Phone on a plane, and then he was like, 'Why is this kid not auditioning for Hiccup? Let's get him in the room.' It truly does feel like destiny in a way, and it's so crazy that a little coincidence like that has changed my life. I am so grateful. I know it's hard to say for certain, but do you think you had an advantage during casting by having a hit movie for Universal already? Yeah, maybe. I've met a lot of amazing execs from Universal. Overall, when you have a good time and you work with good people, you'll make those connections. [NBCUniversal Chairman] Donna Langley is so incredible, and I love her so much. I think she vouched for me a good bit. During your casting video, you yelled, 'Mom, did you hear that?' Did she hear it? Did she catch on to the good news being shared? (Laughs.) She did! She was all the way downstairs, and I didn't know if she was listening, so I just yelled out for her. Her reply was, 'Yeah, I did!' I could hear she was crying, and it really just got me. That was one of the most special moments of my life. A couple of days before, my dad went to Kroger and got me a little dragon balloon for good luck. So she brought that upstairs and handed it to me. It was such a special moment that I'll cherish forever, and now it's on the internet forever. You were the last actor to read with Nico Parker. Did you feel a connection right away, or did you assume you were toast? I didn't really know. To be honest, I kind of blacked out. I was so nervous. I remember meeting with Nico, and she, out of everybody, just really stood out. She was so incredible to me. She saw how nervous I was, and so she messed up a line on purpose to make me feel better. That immediately just relieved a little bit of stress, which was everything to me. And ever since then, Nico has kept it up. She's such a caring person, and getting to be her Hiccup is such an honor. Had you already messed up a line of your own? Or did she just want to give you a second take of the scene? God, if I had flubbed a line, I would've passed out and died from the nerves. Luckily, I did not, but she just saw how nervous I was before we went in and started reading. I do not remember this, but I was pacing back and forth in some room. So she just saw that and did it on purpose to make me feel better. She'd been there for hours and was tired already, but she wanted to make me feel better. So, thank you, Nico. Between Nico Parker, Madeleine McGraw and Mckenna Grace, you've been spoiled with some great scene partners. Oh, I know. Does each one bring out a different side of you? Yeah, each movie that I've done with Nico, Mckenna and Madeleine is such a different genre. How to Train Your Dragon is this fantasy world, and getting to do that with Nico is so special. Black Phone 2 with Maddy is such a dark story with such a dark undertone, and getting to do that with her was amazing. And getting to do the romance movie [Regretting You] with Mckenna, she's so wonderful. Doing that type of movie with somebody you don't really know could be very uncomfortable, but me and McKenna, we've always just had this connection. So that made it very easy. Hiccup's hero's journey is very different from Finney's in . Finney had to slay the dragon, while Hiccup has to spare the dragon. But the characters definitely have some similarities when it comes to their single fathers who are both abusive in different ways. Did you find yourself comparing Hiccup and Finney at all? Not really. Finney is a character who I couldn't relate with at all. He has a lot of problems and a very tough life. So my inspiration for Finney came from watching a lot of old films, like The 400 Blows. With Hiccup, I obviously had a pretty good blueprint in the original, but I needed to do my own thing. So I would watch stuff like Spider-Man, and I also took experiences from my own life and put them into Hiccup. My guess would be the 'Test Drive' scene, but what scene were you most looking forward to recreating in live-action? You guessed correctly! I had no idea how they would do 'Test Drive' in live-action, and even while filming it, I had no idea how it was going to turn out. But seeing it in theaters, God, it really blows my mind. They did such an incredible job, and I'm so fortunate to have been a part of it. I heard they played John Powell's 'Test Drive' score on set. Did that do half the work for you? A hundred percent. That was actually my mom's idea. I remember sitting there on the dragon, and we started going. It was basically just me [shifting my shoulders back and forth], which was a little strange. But then my mom was like, 'You should put on the music for him.' And they were like, 'OK!' So they put on the music, and it immediately felt different. I was really in the scene and using my imagination as we were going through those mountains. It was a lot of fun. Dean did not tell me the part about it being your mom's idea, so I'm glad she's getting credit now. She's probably smiling right now. You had a puppet-like head to reference on set, but did you ever find yourself imagining the animated Toothless during a scene? Luckily, I have a very vivid imagination. They actually built the sets, so if I was with Toothless in the cove, the lighting and everything else was there even if Toothless wasn't. So it was easy to imagine Toothless being there and having a connection with a beast like that. It was a big learning curve, but it was a lot of fun. I saw footage of you talking to a Hiccup performer at Epic Universe, and he was doing this spot-on Jay Baruchel voice from the animated trilogy. I'm glad you did your own thing, don't get me wrong, but did you ever try that Hiccup voice on for size? I can do the impression, but if I did an impersonation like that for this film, it would feel rude. What Jay did is so incredible and so iconic, but I had to do my own thing. I still wanted to keep all the important characteristics that people love about Hiccup: his sarcasm and his wittiness. But I also wanted to explore something new about Hiccup — a darker, sadder and lonelier side. He's been cast out by his village, and his father doesn't accept him. Yet all he wants is to make his father proud and be accepted as a Viking. So getting the chance to explore a new side of Hiccup and show some new colors to the character was a lot of fun. Dean actually showed your reading to Jay? That's what Dean told me, and that means everything to me. When I started filming Dragon, Jay followed me on Instagram. I haven't got the chance to really speak with him yet, but hopefully I will soon. I would probably just thank him. His version of Hiccup is so iconic. and it was my childhood. It's inspired me so much. If all goes well, are you already committed to making the whole trilogy in live-action? Every time that question gets asked, I get nervous because I don't know what I can say. But I'm very excited, and If Dean is there, I'm there. So, yeah, I'm looking forward to whatever happens in the future. I spoke to Scott Derrickson not too long ago, and he told me that he purposefully waited to make so that you and Madeleine were high school age. Was it interesting to return to that character after growing up so much since then the first one? Yeah, Scott and [C. Robert] Cargill are such amazing writers, and what they've done with the character of Finney is truly incredible. I love it so much. In a lot of horror movies, a character's friends and family will die in a horrible way, and then in the next movie, they're off at college, living a happy, fun life. But the reality of going through something that traumatic is that it will affect you. You will probably not be the same, especially when it's a kid who's dealing with that. So fast forwarding four years from the first movie and seeing where Finney is at was a lot of fun and a challenging journey. We saw a couple teasers yesterday in the lead-up to the trailer release, but it sounds like Finney has another tough road ahead. For sure. That's all I can say, but for sure. You've accomplished one dream role, so what's the next one you want to manifest? I would love to do another superhero film — a DC film or a Marvel film. I used to go to the theater with my dad as a kid to watch all the Marvel movies, and that kind of feeling is pretty cool. So maybe I'll get to do one of those one day. Decades from now, when you're reminiscing about your experience, what day will you likely recall first? It will probably be that moment when I was told I got the job. That's where it all truly began, and since then, How to Train Your Dragon has been such a big part of my life. The movie comes out pretty soon, and we're about to share it with the world. So it's nerve-wracking, but going back to that moment will always be very special. ***How to Train Your Dragon opens in movie theaters nationwide on June 13. Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now