Adnan Sami talks about his collabortaion with Asha Bhosle for latest track 'Aao Na' , says
Mumbai (Maharashtra) [India], June 16 (ANI): Singer Adnan Sami talked about his collaboration with legendary singer Asha Bhosle for the song 'Aao Na' featuring Eisha Singh and Avinash Mishra. He shared that he is working with her on an independent song after 25 years since the release of 'Kabhi To Nazar Milao.'
In a conversation with ANI, he said, 'My collaboration with Asha Bhosle ji last time as an independent song was 25 years ago. It was 'Kabhi To Nazar Milao'. After that, we did a lot of other songs. But we didn't do an independent song, a single. So this was a long time wish of ours. And the fans also wished for a follow-up. So I am not one of those people. And of course, Asha ji is not one of those people who do anything for no reason, just for the sake of routine. So we were waiting for something interesting and the right opportunity to bring such a collaboration again. So finally, this song came out. It's a very interesting song.'
With Adnan's signature charm and Asha's timeless voice, 'Aao Na' is a melody that understands the language of the heart and speaks it fluently.The song, penned by Kunaal Vermaa, radiates romance, rhythm and the thrill of second chances, wrapped in Adnan's heartfelt composition and Asha Bhosle's vintage-but-hip charm.
While talking about the song, he said, 'It's a song by Noak Jhok. And it's a very cute song. So when I sang it to Asha ji, she really liked it. So we got together and recorded it. And it has turned out really, really well. And I hope people will love it as much as we did making it.'
He added that most important thing is 'music' that makes it immortal and successful, 'I think the most important thing in music, the most important thing is melody...Styles change, genres change. Sometimes it's disco, sometimes it's hip-hop, sometimes it's house, sometimes it's trance, whatever comes. These trends come and go. But the things that remain evergreen are always melodies. And that is why all the songs of the past, which were based on melody, their foundation was melody. People still like it. People sometimes reimagine it, recreate it, remix it, or use whatever word you want to use. But the thing is, the melody remains the same. You change its genre. You do the same song in disco style or house style or hip-hop. But people still like that song because its melody is strong. That is why those songs are still fresh today in people's minds and hearts. '
The ace singer shared that now the music is 'corporate-driven,' and it has a huge impact as 'corporates are involved in statistics. That's how they sell their products--statistics, data, etc. They have brought that into music, too. Music is not soap. Music is not a pair of scissors. Music is a very different thing. It is connected with spirituality and God, and it is connected with emotions. You can say that we have amazing statistics and data, that this age group is listening to this type of music. If you have such good data, which we didn't have, then why don't you make a hit song? You have all the data. Then you should be able to create hits after hits. Then why aren't you? Data is something that is there just to give you some kind of support. Something I created is being liked in Delhi. And it is being liked in Delhi more than it is being liked in Chandigarh. But that is not going to dictate to you what the melody should be. There is no formula.'
The 'Lift karadey' singer continued, 'And in that situation, you need to give the creative freedom to the music composers to compose from their heart. Because when you listen to a song, you don't listen to it like, listen to this song, its data is very good, listen to its statistics, and tell me how good the song is..it is because of the melody that hits you and that needs to be left to the people that are blessed in that field..'
'Don't dictate to the melody makers, how to do their job. So when there is interference there, because they try to give data-driven advice, then musicians or composers get under pressure. And they say it will go to someone else if I don't do it...Especially the new guys. Because they want to remain in the business, they end up listening to these guys...,' he added.
Sami was born in London, England, on 15 August 1971, it coincides with Independence Day. On talking about his connection with India, he shared, 'My birth could have been on 14th August(Independence Day of Pakistan). But it was on 15th August. When I was born, no one thought about it. And I wasn't aware of it. But today, when we look at it, I believe it was a great sign that your future is there (India). And your life and your destiny is there. So, like I said, He's(Almighty) the greatest planner. And nobody can question it. And he has proven that time and again. And I am extremely, extremely grateful and happy that I came home..'
Meanwhile, talking about his work front and achievements, the ace singer received the prestigious Padma Shri Award in 2020.
Adnan Sami has sung several songs, including 'Mujhko Bhi Toh Lift Kara De', 'Tera Chehra', 'Kabhi To Nazar Milao', 'Tu Sirf Mera Mehboob', 'Kuch Pyar Bhi Kar', among others. (ANI)
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Mint
an hour ago
- Mint
Malayalam director Sanal Sasidharan alleges plagiarism in Mohanal-starrer Thudarum
New Delhi [India], June 17 (ANI): Malayalam filmmaker Sanal Sasidharan has accused the makers of Mohanlal film 'Thudarum' of allegedly plagiarising the screenplay of his yet to be released film 'Theeyattam'. 'Thudarum' directed by Tharun Moorthy is considered among the successful Malayalam films of this year. In a lengthy Facebook post, director Sasidharan accused the makers of Thudarum of plagiarising the screenplay of his film Theeyattam, which he wrote in 2020. His social media post, written in Malayalam, loosely translates as "I saw the movie Thudarum. It's made by stealing the skeleton of my screenplay, Theeyattam, which I wrote in 2020. The core of it remains safe, either because they (the makers of Thudarum) lacked the intelligence to understand its essence or because they deliberately avoided it in their attempt to rewrite it unrecognisably." Sasidharan claimed that his story revolved around an auto-rickshaw driver named Ambi who was framed by the police after someone committed murder inside his vehicle. This plot, he said, bears similarity to Mohanlal's 'Thudarum'. Providing evidence for the alleged plagirism of his screenplay, the director said that makers of 'Thudarum' "unnecessarily" used one of his dialogues in the film, which he considers a major "slip-up" from the makers. "A crucial dialogue from my screenplay, 'Konnaal paapam thinnaal theerum' (a proverb meaning, 'the sin of killing is absolved on eating') is used in this film despite being completely unnecessary. Even expert thieves, skilled at stealing without leaving a trace, can forget themselves due to certain whims. I felt the use of this dialogue was one such slip-up," he explained as he levelled allegations against the makers of 'Thudarum'. The 'S Durga' director also claimed that he had allegedly pitched his story to Manju Warrier, Tovino Thomas and Sudheer Karamana. Sanal Kumar Sasidharan also claimed that he had pitched his story to Manju Warrier, Tovino Thomas and Sudheer Karamana to play crucial roles. However, the film was shelved for unknown reasons. The filmmaker said that he will share his 'Theeyattam' screenplay on Facebook so that people can see the similarities. "All of them have read the screenplay. Since five years is a long period, it's possible that they may have forgotten about it. I will be publishing my screenplay here soon," he concluded his note. Sanal Sasidharan is known for his films, including S Durga, Chola and Vazhakku. As for 'Thudarum', the film was a blockbuster at the box office. This minimal budget film earned over ₹ 150 crore worldwide. (ANI)
Mint
an hour ago
- Mint
'She became Umrao beyond my expectations...': Muzaffar Ali talks about Rekhas iconic performance in Umrao Jaan
Mumbai (Maharashtra) [India], June 17 (ANI): Celebrated filmmaker Muzaffar Ali recently opened up about the re-release of his cinematic masterpiece, 'Umrao Jaan', in theatres. Known for its poetic storytelling, soulful music, and cultural richness, Umrao Jaan continues to captivate audiences decades after its original release. In a conversation with ANI, Ali responded with a philosophical insight when asked if films rooted in poetry, music, and history still have a place in today's fast-paced world. He said, "Art has to have the pace of the heart. It's always going to be time-taking and intense if it's meant to be far-reaching. You cannot blame the world and create poor art. True art has its own rhythm and will always resonate with those who seek it." Ali's collaboration with the legendary Rekha, who portrayed the iconic role of Umrao Jaan, remains one of the highlights of the film. Reflecting on his experience working with her, Ali described it as "working with a dream." He shared, "Rekha was dreaming alongside me. Before I could think of something, she would already be on it, living the character. She became Umrao beyond my expectations, embodying her pain and the cultural ethos of the time. It was more than just acting; it was a transformation." On what made Rekha's portrayal of Umrao unforgettable, Ali explained, "The challenge was to understand the pain of Umrao, to understand what it meant to be a woman in that era. Rekha did not merely play the character; she became Umrao. The pain, the artistry, and the complexities of her role came to her naturally, and she internalized it deeply." Discussing the relevance of classic storytelling in modern cinema, Ali emphasised the importance of internalising the story before translating it to the screen. "You have to forget it's for cinema for a moment. You need to feel the story, its tactile and intangible dimensions. When you do that, the story will naturally find its cinematic form," he said, adding, "The essence of the film comes from the people. It has a life of its own, passed down from one generation to another. This is why Umrao Jaan feels like it's being born again." As the film prepares for its re-release, Ali expressed hope that the younger generation would connect with its timeless themes. "This is a one-to-one film. The intensity of the individual scene will grow as people relate to it personally," he said, adding, "The collective experience will stem from what they've heard, and then they'll want to see it for themselves." In addition to the re-release, a Coffee Table book chronicling the film's journey is set to be released. Ali shared how the book came into being, calling it a "milestone." "We had the opportunity to work with Kamath Photo Flash, and the archives became valuable. We even grabbed frames from the restoration process, which is a rare privilege," he said. "The book is a visual treat. It's for collectors, students, and lovers of cinema. It's a deep dive into the story, the time, and the artistic elements that made the film what it is," he added. Ali also touched on the connection between Umrao Jaan and his fashion label, House of Kotwara. "Umrao Jaan is a story told through textiles. These clothes have a legacy, they aren't bought, they come from families, from places, from culture. As a painter, I could see the hues in the fabrics telling the story and conveying emotions," he explained, adding, "The philosophy of House of Kotwara is about empowering women through craft, and that empowerment is embodied in the film as well." With its blend of history, art, and emotional depth, 'Umrao Jaan' remains a monumental piece of Indian cinema. 'Umrao Jaan' is a classic Indian period drama adapted into two film versions. The 1981 version, starring Rekha, is a cult classic and won four National Awards. The 2006 version, starring Aishwarya Rai Bachchan, was not well received by the audience. Both films are based on Mirza Hadi Ruswa's novel Umrao Jaan Ada. (ANI)
Time of India
2 hours ago
- Time of India
Priyanka Chopra mourns the death of Mannara Chopra's father: 'Rest easy Fufaji'
Mannara Chopra 's father, Advocate Raman Rai Handa passed away on Monday at the age of 71. She shared an official statement on social media which read, "With profound grief and sorrow we inform the sad demise of our loving father who left us for his heavenly abode on 16/06/2025. He was the pillar of strength for our family." Mannara is Priyanka Chopra 's cousin and the 'Fashion' actress expressed grief over his demise. She took to her Instagram stories and said, "You'll always be in our hearts. Rest easy Raman uncle (fufaji). Om Shanti." Priyanka's brother Siddharth Chopra also expressed his sorrow. He re-shared a statement earlier shared by Mannara. He wrote, "Will miss you Raman uncle (folded hands emoji)." His last rites will take place on June 18 at 1pm at the Crematorium Ground in Amboli, Andheri West, Mumbai. For those not in the know, Raman Rai Handa was a lawyer at the Delhi High Court. He is survived by his wife, Kamini, and daughters Mannara and Mitali. ANI had reported that he was not well for the past few days due to undisclosed reasons. On work front, Mannara was last seen in 'Bigg Boss 17' and 'Laughter Chefs'. The actress had made her Bollywood debut with 'Zid'. Recently, Mannara, Priyanka and their entire family had gotten together as they celebrated Siddharth Chopra's wedding.
