See the Paintings Ozzy Osbourne Collaborated on With Four Chimps
Have you ever dreamed of owning a work of art painted by the Prince of Darkness? How about if a chimp named Kramer helped out?
enjoys painting as a hobby, but he doesn't typically sell his work. However, the Black Sabbath vocalist is making an exception in an effort to raise money for Save the Chimps, a sanctuary for apes rescued from labs, roadside zoos, and wildlife traffickers.
"I've never sold my paintings," Osbourne posted about the auction on his Instagram. "But these abstract collaborations I did with ape artists from @SaveTheChimps are now available at Omega Auctions to raise funds for the sanctuary. Each signed painting is named for one of my songs, and there are only five, so bid now for your favorite!"
Osbourne began each canvas with a tonal background, then chimps Kramer, Sable, Sophie, and Janice added their own colorful touches to finish off the five works of art. Inspired by Osbourne's music, the works are titled: Technical Ecstasy, Electric Funeral, Blizzard of Ozz, Tattooed Dancer, and Paranoid.Each piece has a starting price of £1,000, or about $1,360. The Omega Auctions sale closes on July 17.
The Instagram post announcing the auction received lots of support from Osbourne's fans, with the comments littered with hearts and fire emojis.
SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox
"Ozzy those are amazing! You are such a wonderful artist!!" commented one Instagram user, with another writing, "How awesome if would be to own one!"
See the Paintings Ozzy Osbourne Collaborated on With Four Chimps first appeared on Parade on Jul 10, 2025
This story was originally reported by Parade on Jul 10, 2025, where it first appeared.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
35 minutes ago
- Yahoo
School mom reveals rare peek into Kate Middleton's parenting and private life: "I do see her a lot..."
It's a side of the Princess of Wales we rarely get to see. Kate Middleton might be the future queen of England, but when it comes to parenting, she's just like any other mom on the sidelines. At the premiere of The Real Housewives of London, cast member Panthea Parker shared a rare glimpse into the Princess of Wales' life as a school mom, revealing that Kate is a constant presence at her children's sports games. 'I see her quite a few times because my son's school plays against her son's school,' Parker told Hello!. 'So they play rugby and football against each other so we're always at her school or my school. I do see her a lot but not to talk to, just from afar. So classy, so lovely, and she never misses any of her children's matches, so really amazing.' A hands-on royal mom Kate, 43, and Prince William are raising Prince George, 12, Princess Charlotte, 10, and Prince Louis, 7, with a focus on family life despite their packed royal schedules. Kate has previously spoken about the challenges of balancing motherhood with duty. On the Happy Mum, Happy Baby podcast in 2020, she admitted to feeling 'mum guilt' when she couldn't do the school run. 'Even this morning, coming to the nursery visit here – George and Charlotte were like, 'Mummy how could you possibly not be dropping us off at school this morning?'' she said with a laugh. A family that loves sports The Wales family is known to be 'sport-mad,' as royal biographer Robert Jobson has put it. From rugby and football to their annual Wimbledon outings, the family embraces both playing and spectating. Jobson noted that George and Charlotte's appearances at big sporting events show not only their parents' enthusiasm but also a way to connect with the public. With summer holidays underway, the royal kids might be off the field for now — but according to Parker, fans can count on spotting their mom cheering from the sidelines once the school season kicks back in. Solve the daily Crossword
Yahoo
an hour ago
- Yahoo
'Chilling' political interference of BBC must stop, says former news boss
The BBC should be protected from "political interference", the corporation's former director of news has said, after the culture secretary appeared to call for the resignation of director-general Tim Davie earlier this year. Lisa Nandy said ministers expected "accountability at the highest levels" following the iPlayer broadcast of Bob Vylan's highly controversial Glastonbury set in June. James Harding, who previously edited the Times and now runs Tortoise Media, told the Edinburgh TV Festival the BBC should remain independent of government, and said Nandy's close involvement in the Bob Vylan scandal was "chilling". In response, a DCMS spokesperson said: "The culture secretary has been repeatedly clear that the role of the director general is a matter for the BBC board. Any suggestion to the contrary is untrue." In his keynote MacTaggart Lecture, Harding said the perception of a "political presence looming over the BBC" is a problem and that the broadcaster needs to be "beyond the reach of politicians". Several staff were asked to step back from their duties after the live streaming of Bob Vylan's Glastonbury set, where the punk duo led chants of "death, death to the IDF [Israel Defence Forces]" and made other derogatory comments. Nandy's subsequent call for accountability at the top of the corporation for the decision not to pull the live stream of the performance was subsequently interpreted as calling for Davie's resignation. In his speech, Harding criticised "political interference", or the perception of it, in relation to the BBC, saying it was something "we've got too accustomed to". "The culture secretary's office insists she did not explicitly ask Samir Shah, the BBC chair, to deliver up the director general's resignation... but people inside the BBC were left in no doubt that was the message," Harding said. "Whatever your view of the hate speech vs freedom of speech issues, an overbearing government minister doesn't help anyone," he said. "The hiring and firing of [the director general] should not be the job of a politician." A DCMS spokesperson said: "The BBC has itself acknowledged a number of serious failings in recent months, including the broadcasting of the Bob Vylan set at Glastonbury. It is entirely right that the culture secretary raised these issues with the BBC leadership on behalf of licence fee payers. "The government remains committed to the very important principle that the BBC is operationally and editorially independent. We are focused on securing a sustainable future for the BBC and helping strengthen public trust in the Corporation as part of the upcoming Charter Review." Read about previous MacTaggart Lectures: 2018: Michaela Coel reveals she was sexually assaulted 2019: Dorothy Byrne says media have right to call politicians 'liars' 2020: David Olusoga: 'TV industry left me crushed' 2021: TV has 'utterly failed' disabled people, writer Jack Thorne says 2022: Maitlis says BBC rebuke over Cummings remarks made no sense 2023: Louis Theroux: Anxious TV bosses should stop playing it safe 2024: James Graham calls for more working-class people in TV The BBC has been criticised for a number of high-profile scandals in recent months, such as breaching its own editorial guidelines on accuracy in relation to a documentary about Gaza. Elsewhere, Match of the Day host Gary Lineker left the BBC after sharing an Instagram reel about Zionism that featured an illustration of a rat, considered an antisemitic slur. Harding said the BBC was "not institutionally antisemitic", and that it was "untrue and unhelpful to say it is", adding that it was "much better to correct the mistakes and address the judgement calls that have been wrong". He acknowledged the BBC had "made mistakes... and it can be much too slow to correct them". Referring to a debate early in the conflict about the BBC's use of language, Harding said he thought it the BBC was "wrong not to use the word 'terrorist' for the attacks of October 7th; journalists shouldn't censor words, but use them accurately". Harding did not comment on the events surrounding Lineker's resignation, but did say he felt football pundits generally "should be able to have views as a citizen, as well as a job as a BBC broadcaster". Harding also used his speech to argue the BBC has a crucial role to play in defending truth in an age of artificial intelligence (AI) and declining trust in traditional media. "A shared understanding of what's true is disappearing before our eyes," he said. "More people are paranoid, prone to conspiracy theories. Large numbers of people are giving up on the idea of facts." He continued: "Politics and technology are doing untold damage to trust in the world. "On the one hand, politicians are trying to control or cancel the media, particularly news. On the other, AI is beginning to lay waste to the economics of information, while also remaking the job of storytellers." In an age where "we're more divided, more certain we're right", Harding argued, the BBC should be protected and championed as the "most important source of information in this country". He said the corporation was "the best defence of truth and trust against the lies of dictators and demagogues". The BBC's royal charter will be up for renewal in 2027, and it has not yet been decided whether the licence fee will be replaced by a new funding system. Harding reflected: "We're at the beginning of a new information age, if we want it to be truly creative, innovative and competitive globally, we can't short-change the BBC again. "We need, surely, to be thinking about a mix of funding that gets closer to doubling its resources," Harding said. "Because obviously, given the cost of living, that's not going to happen just through the licence fee. "Over five years, nearly two-and-half million households have dropped out of paying the licence fee, so this needs fixing. It's expensive and unfair on those who pay. If we believe in the universality of the BBC, we need to return to the principle in some form or other that every household pays." Harding also suggested news and current affairs programmes could be opened up to independent producers in an effort to make the BBC more of a "people's platform" and allow more varied thinking while maintaining standards of truth and accuracy. YouTube now second only to BBC as media destination Social media now main source of news in US, research suggests BBC senior staff told to 'step back' from duties following row Lineker to leave BBC sooner than planned after antisemitism row UK broadcasters 'need urgent boost from YouTube' BBC boss vows to tackle Britain's 'crisis of trust'
Yahoo
2 hours ago
- Yahoo
Judas Priest's Rob Halford Said He Was ‘Curled Up in a Ball' Weeping in Reaction to Ozzy Osbourne's Death
Judas Priest singer Rob Halford revealed in May that he was 'gutted' to miss Ozzy Osbourne's final show with Black Sabbath at July's Back to the Beginning concert. Halford, who, like Ozzy, is from Birmingham, England, was, unfortunately, double-booked on July 5, slated to play a 60th anniversary show with the Scorpions in Hanover, Germany that day. Now, following Osbourne's death on July 22 at age 76 from a heart attack, Halford is opening up about his grief following the loss of the fellow metal icon who meant so much to him. In an interview with Talkin' Rock with Meltdown, Halford, 73, described getting a call on the day Osbourne passed and just losing it. 'I just put the phone down in my hotel room… and I just curled up in a ball and bawled my eyes out for hours,' he said. More from Billboard BBC Says Last-Minute Decision to Postpone Ozzy Osbourne 'Coming Home' Doc Came At Family's Request Kid Rock Goes 'Nutz' Over California Gov. Gavin Newsom's Fake Endorsement Poster Jack White Rips Donald Trump's 'Vulgar, Gold-Leafed and Gaudy' White House Makeover, Comparing it To 'Wrestler's Dressing Room' 'I just couldn't believe it. I still can't believe it now,' Halford added. 'I'm still grieving like so many people.' Halford said Priest had a show the next day and he described struggling to process 'all this tragedy, all this love, because I've never seen such an outpouring of love.' But just like other times when the band had to perform after losing one of their beloved musical compatriots, the show went on and Priest played a tune called 'Giants in the Sky' from the band's 2024 Invincible Shield album about legends that have moved on from this world. The song features the now apropos refrain, 'Homage to the legends/ Till the bitter end/ Leaving such a legacy my friends/ Giants in the sky/ You won't ever die.' During that show, Halford said he referenced Motorhead's Lemmy Kilmister, Ronnie James Dio, Janis Joplin, Freddie Mercury and, for that night, Ozzy. 'I said to everybody, this is so much to try and comprehend and so tough. But Ozzy would say 'Let's party. Let's rock and roll. Let's live it up, let's enjoy.' That was in his heart, his soul and his spirit. Whenever we did shows together he would always say to me, 'Did you have a good time?,'' Halford explained. Halford recalled Osbourne's generosity and caring nature, as well as his musical feats with Sabbath and as a solo act. 'He was the embodiment of kindness in that respect,' he said. The leather and studs rocker suggested that we should keep talking about and celebrating Ozzy and his legacy, to get through the grief by thinking about the joy and good times. And, in Priest's case, by continuing to perform Sabbath's 'War Pigs' at the top of their shows. Osbourne died 17 days after playing his final show, where he played a solo set and a reunion gig with the original Sabbath lineup at Birmingham's Villa Park alongside fellow metal legends including Guns N' Roses, Tool, Metallica, Gojira and many more. Watch Halford discuss his grief over Osbourne's death below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart