Bay County Commissioners Oppose House and Senate Bills
BAY COUNTY, Fla. (WMBB) – Community Redevelopment agencies allow cities to identify blighted sections of town, withhold the property taxes from those properties, then use the money to revitalize the area.
The hope is to attract businesses. Improve infrastructure, create jobs and affordable housing, all while boosting the local economy.
But the state legislature is considering a bill that would limit community redevelopment agencies from performing certain actions or terminate them all together.
During Tuesday's Bay County commission meeting, board members approved of a resolution opposing the House and Senate companion bills.
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'We want to see that CRA and the other CRA's in Bay County are being successful. We want to see them to be completed in accordance with the plans that are published. And we think there are some things in this legislation that would inhibit that and prevent that from happening,' County Manager Bob Majka said.
Oddly enough, Bay County had been at odds with Panama City Beach over the beach's CRA.A few years ago, beach officials renewed the taxing district until 2049, costing the county millions of dollars in property tax revenue. Last summer the two sides worked out a compromise, capping CRA revenues at $30 million a year.
It could save Bay County $2.7 billion in the next 25 years.
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'Nobody expected the growth in the property taxes like what we've experienced. And so it is the current seat holders, those on the city commission out there, the Mayor, the City Manager, as well as those of us are sitting at the county commission to work together to try to make sure that we put the proper guardrails in place that allows both the Panama City Beach City government to be able to operate,' Commissioner Doug Moore said.
The House Bill is currently in commerce committee, and the Senate Bill is on the committee agenda.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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Just because Elon Musk has turned in his ID badge does not mean he can walk away from the monstrosity he has created and the permanent damage left in his wake.' — Hunter Walker 'I call this alternate reality, I call this place where these folks live, Bullshit Mountain,' Jon Stewart told the crowd during The Rumble in the Air Conditioned Auditorium debate with Bill O'Reilly in 2012. 'On Bullshit Mountain,' Stewart went on, 'our problems are amplified and the solutions simplified.' Bullshit Mountain would become Stewart's enduring metaphor for Fox News in the second half of the Obama presidency. It was a convenient shorthand to explain how Fox pundits could routinely espouse conspiratorial nonsense or fixate on an obscure event with seemingly no broad implications for the American public and use it as proof positive of the country's imminent collapse. Bullshit Mountain was an acknowledgment that the two major political parties didn't merely have different opinions on how to solve the country's problems, but increasingly were living in two different realities with entirely different problems. There was also the non-subtle accusation of cynicism in the name Bullshit Mountain. Maybe the audience believed this crap, but the executives and the anchors knew it was bullshit, right? In Jesse Armstrong's breakout show, 'Succession,' he satirized a fictional version of the Murdoch empire which took us behind the scenes of Bullshit Mountain. In Armstrong's interpretation of this world, there were the serious people who understood how to play the game and accumulate power, and those who were not serious, who didn't know how to play the game, or worse, didn't know it was a game at all. In his follow-up to Succession, HBO's new made-for-TV movie Mountainhead, Armstrong seems to acknowledge that Bullshit Mountain may no longer be a place created and controlled by serious people, that the bullshit from which the mountain is made may have broken confinement and swamped us all. Bullshit Mountain may now be where we all live — our dominant reality. Centered on a foursome of ultrarich tech founders (all men) who gather at a mountain lodge for a poker game as the world falls apart after the release of the AI-powered social network they all had some role in creating, Mountainhead depicts a world where seriousness might be a detriment to world dominance. 'Nothing means anything and everything is funny,' the founder of the AI social network explains when confronted by a litany of abuses enabled by his product, including a video of a kid juggling severed feet. The technology these founders have created has effectively dissolved any sense of shared reality by allowing anyone to create and propagate alternate realities which leads to the unraveling of the global order. But more interesting than the consequences of this technology, which we are in many ways already aware of, is the way in which the founders have isolated themselves from their own reality, both intentionally and unintentionally. After about 30 mins of dialogue laced in the idiomatic gibberish of Silicon Valley … 'first principles' .. 'post-human'… 'decel' … 'p(doom)' … 'game theory' … 'chunky numbers' … you realize these characters have nothing meaningful to say to each other, whether socially or in response to the global catastrophe they helped create. While there is a tinge of the tragic in their inability to communicate emotionally with each other, there is also something powerful in the artifice of their language, which protects them from having to meaningfully take responsibility for their actions. Viewing the potential collapse of the world through their screens, a vantage point from which nothing can be known for certain, the artificiality of their language lends an artificiality to the events, regardless of whether or not they are really happening. The collapse of a country's economy gets referred to as 'de minimis,' news of the mayor of Paris's assassination becomes an example of the 'compound distillation effect of the content.' But when the four characters end up bunkered in the basement, erroneously fearing retaliation from Iran's Revolutionary Guard, it's clear that they are as susceptible to the fake reality their technology has created as any of its users. Whether you find Mountainhead successful satire may depend on your priors. However, in the wake of DOGE, Elon's takeover and remaking of Twitter and the enthusiasm with which our major AI companies are cheerleading a new cold war with China, it's hardly a work of speculative fiction. In Jon Stewart's farewell speech from the Daily Show in 2015, he claimed that the bullshitters were getting lazy and that vigilance was our best defense. But his framing assumed a continued dichotomy between the bullshitters and the bullshited. He didn't offer any advice on what to do when there's no longer a difference. — Derick Dirmaier