
Meet actor, who worked with Rekha, Rishi Kapoor, once arrested, abandoned his family, has been missing for 20 years, his name is…, Salman Khan's ex-gf tried to…
In the entertainment world, the ups and downs in actor's life stay constant. While some fight the hurdles and shine in their careers, others just move away from the film industry. Today, let's take a look at one such actor who starred in over 100 films but has been anonymous for over 20 years. Remember actor Raj Kiran?
He is Raj Kiran Mahtani, fondly known as Raj Kiran, who made his Bollywood debut with B.R. Ishara's Kaagaz Ki Nao . Following that he became a prominent name and appeared in films like Shikshaa, Maan Abhiman, Ek Naya Rishta, Karz, Baseraa, Arth, Raaj Tilak, Justice Chaudhary, and many more. He also starred in few television shows such as Reporter, Aakhir Kaun, and Aahat.
According to reports, the 80s' dashing hero gradually moved away from the glamour world due to lack of work. As a result, his financial condition suffered and he went into depression. Amidst all this, he unexpectedly moved to New York in search of a job. The Unsolved Mystery of Actor Raj Kiran
While some reports claimed that he was seen driving a Taxi in New York. Not only this, there was news of him being in a mental asylum in America. However, his daughter denied all these reports, claiming them as rumours. In 1996, he was found imprisoned by a crime reporter at Bengaluru Central Jail for trespassing the Puttaparthi Sai Baba Ashram. Reportedly, he hired a tractor and ladder to climb the ashram wall at night. Apparently, his family was unaware about his situation.
Meanwhile, reports of his death also circulated, but Raj Kiran's father confirmed that the actor is still alive. Till today there has been no whereabouts about him, and nobody knows where he has been for years.
Bollywood superstar Salman Khan's ex-girlfriend Somy Ali, who runs a non-profit organisation in US, promised Rishi Kapoor that she would try to find his close friend. Unfortunately, despite all the efforts, she couldn't find Raj Kiran. According to reports, his wife Roopa Mahtani after waiting for him for many years, got married again and now is known as Roopa Mashruwala.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India.com
18 minutes ago
- India.com
This Bigg Boss contestant charged Rs 2.5 crore for 3 days, didn't even know who Salman Khan was, the name is...
Bigg Boss is one of the most loved reality shows which garners impressive TRPs every time it is aired. Since people have grown so fond of drama, romance, juicy gossip, and fights, the makers of Bigg Boss are now all set to return soon with a brand-new season. Bigg Boss Season 19 is highly anticipated, and fans are eagerly waiting for any official announcement. As we discuss one of the most renowned shows, do you know that during one of the seasons of Bigg Boss, there was an actress who took Rs 2.5 crore for 3 days? This Actress Didn't Even Know Who Salman Khan Was? In 2010, when Season 4 of Bigg Boss aired, many different celebs such as Ashmit Patel, Dolly Bindra, The Great Khali, and Shweta Tiwari became a part of it. Among them was Pamela Anderson. Anderson is one of the most famous Hollywood celebs. This was the first season of Bigg Boss to be hosted by Salman Khan. At the time, Pamela didn't even know who Salman Khan was. Although Bigg Boss is often referred to as a family show, Pamela's expressions and choice of clothing stirred quite a bit of controversy. What truly surprised people was her statement before entering the Bigg Boss house. In a media interaction, she said, 'I've heard about Salman from the media, but the truth is, I don't know who he is.' Trying to cover up her remark, she added that she had watched a few Bollywood films but couldn't recall the name of any actor. However, Salman did not like the fact that Pamela had no idea who he was. As per PTI, Pamela said, 'Maybe if I see him, I will recognize him.' She also said, 'I like doing housework, I do this work at my home too, so I have no problem with it.' There was a lot of discussion about her fees. It was reported that she was paid more than Rs 2.5 crore for three days.


The Print
32 minutes ago
- The Print
Stranded in the desert of pop culture
The rise of science and technology has transformed the way we live and the way we engage with culture. Entertainment is now just a click away. From curated Spotify playlists and YouTube shorts to Netflix recommendations, we are constantly surrounded by algorithm-driven choices that fit neatly into our fast-paced lives. We've taken convenience for granted, and in doing so, culture — once rooted in tradition, lived experiences, and community memory — has been reduced to surface-level aesthetics. Your Turn is a unique section from ThePrint featuring points of view from its subscribers. If you are a subscriber, have a point of view, please send it to us. If not, do subscribe here: Tradition today is increasingly absent from daily life. Songs at weddings, once filled with meaning and memory, have become just another background track. The dhol and algoza have been replaced by speakers and DJs blaring Bollywood remixes. Even the role of music has shifted; no longer a medium of storytelling or shared emotion, it is now about volume, beats, and engagement. Loud, fast, westernised rhythms dominate. Entertainment is customisable, quick, and disposable — a reflection of the broader consumerist culture we inhabit. The Manganiyar community of western Rajasthan stands as a poignant example of this shift. A Muslim folk group known for their innate talent for music, the Manganiyars once held a place of honour in Rajput courts. Their songs echoed through grand events, royal gatherings, and crowning ceremonies. Their music was not entertainment; it was legacy, memory, emotion, and devotion. But today, that legacy stands diluted and is struggling to survive. Once royal performers, the Manganiyars are now mostly reduced to singing for tourists in desert camps and hotels. While a handful of Rajput families still call upon them for special occasions such as childbirths, weddings, and religious festivals, the regular patronage that sustained their dignity and livelihood has shrunk drastically. The transformation is stark and painful. Worse than the loss of income is the loss of dignity. Some Manganiyar families now survive by working under MGNREGA as daily wage labourers. For a community whose identity was once steeped in art, being forced to dig roads to make ends meet is not just an economic blow but a deep cultural wound. Yet, despite this erasure, the community remains determined. Children are still taught the ragas, rhythms, and instruments of their ancestors. They sit with their elders, learning not from apps but through oral tradition. Their art is a gift, one they want to pass on, regardless of how the market values it. They refuse to 'sell out' or remix their music to suit the tastes of modern audiences. They resist commercialization, even when it costs them everything. And it does cost them. There are almost no buyers for pure, authentic Manganiyar music anymore. The generation that grew up on Bollywood dance numbers, EDM beats, and viral remixes no longer connects with the slow, emotive storytelling of folk. The little space that remains for folk performances is in tourist camps, where even there, the Manganiyars are now asked to perform filmy songs, sometimes molding their music to include item numbers just to hold the crowd's attention. This is not just the story of a community. It reflects a broader cultural shift. Rising pop culture and Western influence, along with fast, urban lifestyles, have altered our tastes. We are a generation of quick fixes — fast food, short videos, 30-second songs. Traditional art and cultural engagements are now confined to occasional stage shows, often repackaged as 'experiences' for tourists. Art is no longer about connection or emotion; it's about clicks, likes, and views. People have not only lost touch with their roots — they no longer desire to reconnect with them. The authenticity of cultural expression is dying quietly, replaced by hyper-produced imitations that are easier to digest. If this trend continues, future generations will inherit a remix of culture — a distorted version, passed off as heritage, stripped of context, ritual, and depth. They will call it folk, but it will be far from it. The price of convenience is not just economic. It is existential. When a culture is reduced to aesthetics and tradition becomes a performative act, we lose more than music or memory. We lose identity. The Manganiyars still sing, in fading corners of Rajasthan, in quiet ceremonies, and in their homes. They sing not for fame or fortune, but because their art is their inheritance. But for how long can they hold on? And when they are gone, what will remain — a remix? Bio: Mahima Duggal is a researcher and pursuing her PhD at the Department of Political Science, Panjab University, Chandigarh. She focuses on tourism and sustainable tourism practices through field-based studies in Jaisalmer. These pieces are being published as they have been received – they have not been edited/fact-checked by ThePrint.


News18
3 hours ago
- News18
National Awards 2025: SRK Wins FIRST Ever Best Actor Award, Animal & 12th Fail Also Win Big I WATCH
The 2025 edition of the prestigious National Film Awards pleasantly surprised SRK-ians all across the world. After all, the 'Baadshah of Bollywood' picked up his first ever Best Actor National Award for the 2023 blockbuster Jawan. Animal and 12th Fail also won big, while Rani Mukerji once again cemented her position as one of the finest actresses in the industry. Watch this video for more! bollywood news | entertainment news live | latest bollywood news | bollywood | news18 | n18oc_moviesLiked the video? Please press the thumbs up icon and leave a comment. Subscribe to Showsha YouTube channel and never miss a video: Showsha on Instagram: Showsha on Facebook: Showsha on X: Showsha on Snapchat: entertainment and lifestyle news and updates on: