
Celebrated French-Brazilian photographer Sebastiao Salgado dies aged 81
Brazilian photojournalist Sebastiao Salgado, who died Friday, spent five decades chronicling the best and worst of planet Earth, from far-flung natural wonders to horrifying human catastrophes.
The self-taught photographer crisscrossed the globe throughout his life, from Rwanda to Guatemala, from Indonesia to Bangladesh, documenting famine, war, exodus, exploitation and other tragedies of the so-called Third World with the empathy of "someone who comes from the same part of the world", as he said.
His elegant black-and-white universe also celebrated the planet's immense beauty, such as the "flying rivers" of the Amazon rainforest, and served as a warning of nature 's fragility in the face of climate change.
He leaves an iconic body of work, published in "Life", "Time" and other leading magazines, collected in a stunning series of books, and regularly exhibited in the museums of world capitals such as Paris, where he lived for much of his life.
Salgado won a long list of prestigious prizes across his career, including the Prince of Asturias and Hasselblad awards, and was the protagonist of filmmaker Wim Wenders' Oscar-nominated documentary "The Salt of the Earth" (2014), about the photographer's sojourns in distant corners such as the Arctic Circle and Papua New Guinea.
From Africa to Reagan
Born on February 8, 1944 in the rural county of Aimores in southeastern Brazil, Salgado grew up with seven sisters on their father's cattle farm.
He recalled it as a place where visiting friends and family meant traveling for days, which he said taught him the patience to wait for the magical "fraction of a second" of the perfect photograph.
He earned a master's degree in economics from the University of Sao Paulo, where he was active in the left-wing student movements of the turbulent 1960s. In 1969, he and his wife, Lelia Wanick, fled to France to escape Brazil's military dictatorship. He went on to receive French citizenship.
He picked up Wanick's camera by chance one day in 1970 and was instantly hooked.
"I realized snapshots brought me more pleasure than economic reports," he said.
His job with the International Coffee Organization took him frequently to Africa, where he started taking pictures on the side. He would go on to turn down a dream job at the World Bank in Washington to pursue photography full-time.
Wanick, who staunchly backed his career, stayed home raising their two sons, Juliano Ribeiro and Rodrigo, who was born with Down syndrome.
Salgado's photos of drought and famine in countries such as Niger and Ethiopia landed him a job at renowned photo agency Magnum in 1979.
He was working there when he captured one of the biggest news stories of the time, the assassination attempt on US president Ronald Reagan in 1981.
Salgado made front pages worldwide with his photos of the shooting.
But his true rise to fame came with his first book, "Other Americas" (1984) – a series of portraits taken throughout Latin America – and his unforgettable photographs of misery and resistance among the hordes of mud-covered miners at Brazil 's infamous Serra Pelada, the biggest open-air gold mine in the world.
Critics accused him of "beautifying suffering" but Salgado never veered from his aesthetic or his work.
Lens on Bolsonaro
Painstaking and meticulous, he liked to take his time getting to know his subjects, his three Leica cameras hanging from his neck.
Photography "is a way of life", he told AFP in 2022, on a trip to Sao Paulo to present his exhibition "Amazonia", the product of seven years shooting the world's biggest rainforest.
"It's connected with my ideology... my human and political activity. It all goes together."
A dedicated climate activist, he was a fierce critic of Brazilian President Jair Bolsonaro (2019-2022) for the far-right leader's push to open the Amazon to agribusiness and mining.
Salgado also founded an environmental organization called Instituto Terra to revive disappearing forests in his home state, Minas Gerais, a successful project joined by more than 3,000 landowners.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


France 24
a day ago
- France 24
Austrian daily under fire after Clint Eastwood slams 'phony' interview
The row was sparked by a purported interview with the Oscar-winning actor and director carried by the German-language Kurier newspaper Friday. In the interview, which was picked up widely by American media over the weekend, Eastwood criticises a lack of fresh ideas in the current film industry as "we live in an era of remakes and franchises". "I long for the good old days when screenwriters wrote films like 'Casablanca' in small bungalows on the studio lot. When everyone had a new idea," he was quoted as saying. "My philosophy is, do something new or stay at home," it adds. In a statement to Deadline magazine published Monday, Eastwood said "I thought I would set the record straight". "I can confirm I've turned 95. I can also confirm that I never gave an interview to an Austrian publication called Kurier, or any other writer in recent weeks, and that the interview is entirely phony," he added. Contacted by AFP, the editorial team of Vienna-based Kurier, which has a circulation of around 100,000, said it had "only heard about the accusation this morning". It has since added a note to the interview published online, saying it is "currently investigating the matter, which will take some time due to the time difference with the United States".


Fashion Network
2 days ago
- Fashion Network
StockX names new creative head
U.S. resale platform StockX announced on Monday the appointment of Daniel De Jesus Krueger to the role of vice president and head of creative. In his new role, Krueger will lead the Michigan-based company's global creative direction, defining its brand ethos and its application through design, imagery, tone of voice, and overall storytelling, according to a press release. An award-winning creative director with a career that spans over a decade across culture, sports, and music, Krueger joins StockX from entertainment group Fulwell Entertainment (formerly The Springhill Company, founded by LeBron James and Maverick Carter), where he led creative, storytelling, and branding for "The Shop", the Emmy-nominated show co-created by Paul Rivera and Randy Mims. Prior to that, Krueger led The Nike Brand Studio at Uninterrupted — a media company founded in 2014 by LeBron James and Maverick Carter — and oversaw work across the LeBron and Kobe brands as well as Sabrina Ionescu campaigns. Before that, he served at Laundry Service (now Wasserman), where he led art direction for T-Mobile's partnership with MLB and helped launch House of Hoops, a collaboration between Foot Locker and Nike. During his career, the creative has also worked on projects with major athletes including Shaquem Griffin, Mal Swanson, Andrew McCutchen, Bianca Andreescu, Diamond DeShields, Arike Ogunbowale, Darius Garland, Dina Asher-Smith, Sam Kerr, Devin Booker, Kyrie Irving, and LeBron James, among others. 'Daniel's track record speaks for itself — he understands the power of brand storytelling and knows what it takes to get a project over the line without sacrificing creative integrity,' said Stock CMO, Nick Karrat. 'His passion for sneaker and streetwear communities and his deep work with influential voices in culture, sports, and music make him a perfect fit for the team. We're thrilled to have him on board for this next chapter of the StockX brand story.' For the role, Krueger wil travel regularly to the resale firm's headquarters in Detroit. "I've been fortunate to spend my career working with brands and people I genuinely believe in — and StockX is no exception. I've followed it from the start and watched it grow into a global force," said Krueger. "As a Chicago native, it's especially meaningful to help shape the next creative chapter of a Midwest-born brand. StockX sits at the intersection of sports, music, and entertainment — that kind of cultural relevance doesn't happen by accident, and being part of what's next is incredibly exciting." Krueger's appointment comes just six months after StockX's top management reshuffle which saw the company's CEO Scott Cutler step down, effective December 31. The former chief was replaced by Greg Schwartz, the platform's co-founder, and president and COO, at the time.


France 24
4 days ago
- France 24
'The Matrix is everywhere': cinema bets on immersion
This new immersive experience is designed to be a red pill moment that will get film fans off their couches at a time when the movie industry is desperate to bring back audiences. Cosm, which has venues in Los Angeles and Dallas, is launching its dome-style screen and 3D sets in June with a "shared reality" version of "The Matrix," the cult 1999 film starring Keanu Reeves as a man who suddenly learns his world is a fiction. "We believe the future will be more immersive and more experiential," said Cosm president Jeb Terry at a recent preview screening. "It's trying to create an additive, a new experience, ideally non-cannibalistic, so that the industry can continue to thrive across all formats." Cinema audiences were already dwindling when the Covid-19 pandemic broke out, shuttering theaters at a time when streaming was exploding. With ever bigger and better TVs available for the home, the challenge for theater owners is to offer something that movie buffs cannot get in their living room. Prestige projects like Tom Cruise's "Mission: Impossible -- The Final Reckoning" or Christopher Nolan's Oscar-winning "Oppenheimer" increasingly opt for the huge screens and superior film quality of IMAX. But Cosm and other projects like it want to go one step further, collaborating with designers who have worked with Cirque du Soleil to create an environment in which the viewer feels like they are inside the film. For filmmakers, it's all about how you place the cameras and where you capture the sound, said Jay Rinsky, founder of Little Cinema, a creative studio specializing in immersive experiences. "We create sets like the Parisian opera, let the movie be the singer, follow the tone, highlight the emotions... through light, through production design, through 3D environments," he said. The approach, he said, felt particularly well suited to "The Matrix," which he called "a masterpiece of cinema, but done as a rectangle." For the uninitiated: Reeves's Neo is a computer hacker who starts poking around in a life that doesn't quite seem to fit. A mysterious Laurence Fishburne offers him a blue pill that will leave him where he is, or a red pill that will show him he is a slave whose body is being farmed by AI machines while his conscious lives in a computer simulation. There follows much gunfire, lots of martial arts and some mysticism, along with a romance between Neo and Trinity, played by the leather-clad Carrie-Anne Moss. "The Matrix" in shared reality kicks off with a choice of cocktails -- blue or red, of course -- which are consumed as the audience sits surrounded by high-definition screens. Shifting perspectives place the viewer inside Neo's office cubicle, or seemingly in peril. "They're sometimes inside the character's head," said Rinsky. "The world changes as you look up and down for trucks coming at you." The result impressed those who were at the preview screening.