
Barbra Streisand finds ‘The Secret of Life' on her new duets album with Bob Dylan and Paul McCartney
EMBARGOED UNTIL 12:01 AM ET 6/24
Barbra Streisand was worried.
She had just spent six days a week for six weeks recording the audiobook version of her 2023 memoir 'My Name is Barbra' — which became more than 48 hours of discussing her storied, EGOT-winning career and the unexpected life that came with it. But now, it was time to record a new album with a stunning lineup of duet partners that ranged from current hitmakers Hozier and Sam Smith to legends Bob Dylan, Paul McCartney and James Taylor. And when producers played the songs for her, she couldn't sing along. Her mighty voice would just squeak.
'My voice was shot,' Streisand, 83, told The Associated Press, calling from her home in Malibu, California. 'I mean, I literally prayed to God in front of that microphone, 'Let my voice be there for me.' And I don't know how, but it was there.'
Fans will be able to hear that for themselves on Friday, when her album 'The Secret of Life: Partners, Volume 2' arrives in stores and on streaming services. And despite her misgivings, Streisand shows she can still deliver the performances she wants, while also coaxing them out of others.
Bob Dylan: 'Would you sing with me?'
Her duet with Dylan had been decades in the making. In 1970, Dylan sent Streisand a bouquet of flowers and a note — written in what she believes was crayon — asking, 'Would you sing with me?'
But they did not connect until decades later, when their styles had converged a bit. When Streisand started work on her new album, she sent Dylan a copy of her memoir with an inscription referring to their time separately performing in Greenwich Village as teenagers and hoping it was time to finally sing together.
Choosing to rework the Ray Noble standard 'The Very Thought of You' — popularized by everyone from Nat King Cole and Tony Bennett to Billie Holiday and Ella Fitzgerald — turned out to be a surprise. It's not one of her personal favorites, though it is her longtime manager Marty Erlichman's favorite song.
Dylan, one of the most revered songwriters in music history, only wanted to sing a standard, not one of his own classics. 'Isn't that great?' Streisand said. 'I would've sung anything with him.'
She also agreed to his request to keep everyone else out of the studio when they recorded — including Streisand's husband, James Brolin, who often goes to her sessions.
'I had heard he wrote 'Lay, Lady, Lay' for me,' she said. 'So I thought, 'Let's make this lush, romantic track.''
Though Dylan has a reputation for not taking much direction from producers, Streisand said he was very receptive to her suggestions.
'He was totally open to 'Why don't you maybe try this?' or 'Phrase it this way' or 'Try something else' — just like I do as a director in movies and he was my actor that day,' she said. 'To capture his originality and his voice and his phrasing, it was just an exciting experience.'
McCartney worries about his 'Valentine'
Her experience with McCartney was more daunting. There was a full film crew on hand, led by Oscar-winning director Frank Marshall, to capture the recording of two of the world's most successful artists for an upcoming documentary on Streisand's life. Streisand said that added to the challenges of the session.
'He was kind of shy about it and I understand him,' she said about recording 'My Valentine' with McCartney. 'I walked into a room of 25 people (to sing) and I don't like that.'
McCartney told his website he was 'terrified' during the three-hour session.
'I thought, 'Well, this will be easy because it's my song, it's 'My Valentine.' What can go wrong?'' he said. 'But what I'd forgotten was that they'd arranged it so that it had to go in Barbra's key and then in my key. So, to get from Barbra's key into mine was kind of difficult. … It wasn't easy at all!'
They quickly worked it out. 'It turned out great,' said Streisand, who released the song in May as one of the album's preview singles.
It's another single, though, that is resonating even more. 'Letter to My 13-Year-Old Self,' Streisand's duet with Icelandic singer-songwriter Laufey, hit No. 1 on the iTunes chart earlier this month, topping Sabrina Carpenter's 'Manchild' and Mariah Carey's 'Type Dangerous' on release day.
Streisand related to the song because it reminded her of a middle-school report she wrote called 'My Thirteen Years,' which meant so much to her that she still has it. In neat, cursive writing, she recalled what her life was like, her love of Shakespearean sonnets and the death of her father, Emanuel. 'I was too young to realize what had happened,' she writes in the report.
Streisand connects to her '13-Year-Old Self'
It was at age 13 that Streisand also made her first record, when her mother brought her to Nola Studios in Manhattan to record 'You'll Never Know' and 'Zing! Went the Strings of My Heart.'
'When I was 13, that's a very distinguished year in my life,' Streisand said. 'So I hear this song … and it really hit me.'
She worked with Laufey to turn the original, which Laufey sang solo, into a duet. They settled on Laufey singing as the 13-year-old and Streisand as her mother. Streisand said she was 'absolutely thrilled' with how it turned out and how fans have responded to it.
Sure, duet success is nothing new to Streisand, who has topped the charts with Neil Diamond on 'You Don't Bring Me Flowers,' and Donna Summer on 'No More Tears (Enough Is Enough),' and a string of albums including 'Duets,' 'Partners' and 'Encore: Movie Partners Sing Broadway.'
But 'The Secret of Life: Partners, Volume 2' is different. Streisand said her worries about the world and President Donald Trump's second administration may have subconsciously contributed to her selection of some of the album's more serious tracks — like Sting's 'Fragile' and her reworking of 'Love Will Survive' from last year's 'The Tattooist of Auschwitz' series into a duet with Seal.
'I'd like to be happier,' Streisand said. 'But every time I turn on the television — and I'm a glutton for punishment, obviously — I'm fascinated and horrified at the same time, you know?'
At a recent dinner with U.S. Sen. Cory Booker, D-N.J., Streisand said he described the current state of Washington as 'created chaos, corruption and cruelty.'
Streisand added, 'I thought, 'That kind of sums him (Trump) up.''
However, Streisand, who has retired from touring, said she does plan to work on achieving the goal she set out in her memoir: To enjoy life more. 'The Secret of Life' — named from the James Taylor classic, as well as a children's book she reads her grandchildren — has sparked thoughts about what enriches her life.
'The secret of life is spending time with people you love,' she said, adding she plans to release a string of photos of her and her 'secrets,' including her husband, her son Jason Gould, and other friends, family and, of course, dogs.
Streisand is in her 'stop and smell the roses' era.
'I'm getting older by the day, by the minute, and you have to take a look at your life from that point of view again, you know?' Streisand said. 'I look in the mirror and go, 'How much time do I have left?' … I've had several projects I've never fulfilled, but I have such fulfillment now with people that I love.'
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Winnipeg Free Press
9 hours ago
- Winnipeg Free Press
Barbra Streisand finds ‘The Secret of Life' on her new duets album with Bob Dylan and Paul McCartney
EMBARGOED UNTIL 12:01 AM ET 6/24 Barbra Streisand was worried. She had just spent six days a week for six weeks recording the audiobook version of her 2023 memoir 'My Name is Barbra' — which became more than 48 hours of discussing her storied, EGOT-winning career and the unexpected life that came with it. But now, it was time to record a new album with a stunning lineup of duet partners that ranged from current hitmakers Hozier and Sam Smith to legends Bob Dylan, Paul McCartney and James Taylor. And when producers played the songs for her, she couldn't sing along. Her mighty voice would just squeak. 'My voice was shot,' Streisand, 83, told The Associated Press, calling from her home in Malibu, California. 'I mean, I literally prayed to God in front of that microphone, 'Let my voice be there for me.' And I don't know how, but it was there.' Fans will be able to hear that for themselves on Friday, when her album 'The Secret of Life: Partners, Volume 2' arrives in stores and on streaming services. And despite her misgivings, Streisand shows she can still deliver the performances she wants, while also coaxing them out of others. Bob Dylan: 'Would you sing with me?' Her duet with Dylan had been decades in the making. In 1970, Dylan sent Streisand a bouquet of flowers and a note — written in what she believes was crayon — asking, 'Would you sing with me?' But they did not connect until decades later, when their styles had converged a bit. When Streisand started work on her new album, she sent Dylan a copy of her memoir with an inscription referring to their time separately performing in Greenwich Village as teenagers and hoping it was time to finally sing together. Choosing to rework the Ray Noble standard 'The Very Thought of You' — popularized by everyone from Nat King Cole and Tony Bennett to Billie Holiday and Ella Fitzgerald — turned out to be a surprise. It's not one of her personal favorites, though it is her longtime manager Marty Erlichman's favorite song. Dylan, one of the most revered songwriters in music history, only wanted to sing a standard, not one of his own classics. 'Isn't that great?' Streisand said. 'I would've sung anything with him.' She also agreed to his request to keep everyone else out of the studio when they recorded — including Streisand's husband, James Brolin, who often goes to her sessions. 'I had heard he wrote 'Lay, Lady, Lay' for me,' she said. 'So I thought, 'Let's make this lush, romantic track.'' Though Dylan has a reputation for not taking much direction from producers, Streisand said he was very receptive to her suggestions. 'He was totally open to 'Why don't you maybe try this?' or 'Phrase it this way' or 'Try something else' — just like I do as a director in movies and he was my actor that day,' she said. 'To capture his originality and his voice and his phrasing, it was just an exciting experience.' McCartney worries about his 'Valentine' Her experience with McCartney was more daunting. There was a full film crew on hand, led by Oscar-winning director Frank Marshall, to capture the recording of two of the world's most successful artists for an upcoming documentary on Streisand's life. Streisand said that added to the challenges of the session. 'He was kind of shy about it and I understand him,' she said about recording 'My Valentine' with McCartney. 'I walked into a room of 25 people (to sing) and I don't like that.' McCartney told his website he was 'terrified' during the three-hour session. 'I thought, 'Well, this will be easy because it's my song, it's 'My Valentine.' What can go wrong?'' he said. 'But what I'd forgotten was that they'd arranged it so that it had to go in Barbra's key and then in my key. So, to get from Barbra's key into mine was kind of difficult. … It wasn't easy at all!' They quickly worked it out. 'It turned out great,' said Streisand, who released the song in May as one of the album's preview singles. It's another single, though, that is resonating even more. 'Letter to My 13-Year-Old Self,' Streisand's duet with Icelandic singer-songwriter Laufey, hit No. 1 on the iTunes chart earlier this month, topping Sabrina Carpenter's 'Manchild' and Mariah Carey's 'Type Dangerous' on release day. Streisand related to the song because it reminded her of a middle-school report she wrote called 'My Thirteen Years,' which meant so much to her that she still has it. In neat, cursive writing, she recalled what her life was like, her love of Shakespearean sonnets and the death of her father, Emanuel. 'I was too young to realize what had happened,' she writes in the report. Streisand connects to her '13-Year-Old Self' It was at age 13 that Streisand also made her first record, when her mother brought her to Nola Studios in Manhattan to record 'You'll Never Know' and 'Zing! Went the Strings of My Heart.' 'When I was 13, that's a very distinguished year in my life,' Streisand said. 'So I hear this song … and it really hit me.' She worked with Laufey to turn the original, which Laufey sang solo, into a duet. They settled on Laufey singing as the 13-year-old and Streisand as her mother. Streisand said she was 'absolutely thrilled' with how it turned out and how fans have responded to it. Sure, duet success is nothing new to Streisand, who has topped the charts with Neil Diamond on 'You Don't Bring Me Flowers,' and Donna Summer on 'No More Tears (Enough Is Enough),' and a string of albums including 'Duets,' 'Partners' and 'Encore: Movie Partners Sing Broadway.' But 'The Secret of Life: Partners, Volume 2' is different. Streisand said her worries about the world and President Donald Trump's second administration may have subconsciously contributed to her selection of some of the album's more serious tracks — like Sting's 'Fragile' and her reworking of 'Love Will Survive' from last year's 'The Tattooist of Auschwitz' series into a duet with Seal. 'I'd like to be happier,' Streisand said. 'But every time I turn on the television — and I'm a glutton for punishment, obviously — I'm fascinated and horrified at the same time, you know?' At a recent dinner with U.S. Sen. Cory Booker, D-N.J., Streisand said he described the current state of Washington as 'created chaos, corruption and cruelty.' Streisand added, 'I thought, 'That kind of sums him (Trump) up.'' However, Streisand, who has retired from touring, said she does plan to work on achieving the goal she set out in her memoir: To enjoy life more. 'The Secret of Life' — named from the James Taylor classic, as well as a children's book she reads her grandchildren — has sparked thoughts about what enriches her life. 'The secret of life is spending time with people you love,' she said, adding she plans to release a string of photos of her and her 'secrets,' including her husband, her son Jason Gould, and other friends, family and, of course, dogs. Streisand is in her 'stop and smell the roses' era. 'I'm getting older by the day, by the minute, and you have to take a look at your life from that point of view again, you know?' Streisand said. 'I look in the mirror and go, 'How much time do I have left?' … I've had several projects I've never fulfilled, but I have such fulfillment now with people that I love.'


Winnipeg Free Press
a day ago
- Winnipeg Free Press
Q&A: Pulitzer Prize winner Robin Givhan chronicles Virgil Abloh's rise to fashion fame
NEW YORK (AP) — With his calm and cool demeanor, fashion disruptor and multi-hyphenate Virgil Abloh artfully challenged the fashion industry's traditions to leave his mark as a Black creative, despite his short-lived career. In the years since his 2021 death at just 41, his vision and image still linger. Pulitzer Prize-winning writer Robin Givhan sheds new light on how Abloh ascended the ranks of one of the top luxury fashion houses and captivated the masses with her latest book, 'Make It Ours: Crashing the Gates of Culture with Virgil Abloh.' In the book out Tuesday, Givhan documents Abloh's early life growing up as the son of Ghanaian immigrants in Rockford, Illinois, his days as graduate student studying architecture and his working relationship and friendship with Kanye West. Before taking the helm of Louis Vuitton as the house's first Black menswear creative director, Abloh threw himself into his creative pursuits including fine art, architecture, DJing and design. Abloh remixed his interests with his marketing genius and channeled it into fashion with streetwear labels like Been Trill and Pyrex Vision. These endeavors were the launchpad for his luxury streetwear label Off-White, known for its white diagonal lines, quotation marks, red zip ties and clean typeface. Off-White led to Abloh's collaboration with Ikea, where he designed a rug with 'KEEP OFF' in all-white letters and also with Nike where he deconstructed and reenvisioned 10 of Nike's famous shoe silhouettes. Throughout his ventures, Abloh built a following of sneakerheads and so-called hypebeasts who liked his posts, bought into his brands and showed up in droves outside his fashion shows. Social media made Abloh accessible to his fans and he tapped into that. Off-White had built a loyal following and some critics. Givhan, a Washington Post senior critic-at-large, openly admits that she was among the latter early on. Givhan said she was fascinated that Abloh's popularity was more than his fashion. 'For me, there was something of a disconnect really,' she said. 'That here was this person who had clearly had an enormous impact within the fashion industry and outside of the fashion industry, and yet it wasn't really about the clothing. It was about something else.' For her latest project, Givhan spoke with The Associated Press on how she approached each of Abloh's creative undertakings and his legacy during a period of heightened racial tension in America. This interview has been edited for brevity and clarity. AP: Tell me why you felt it was important to include the context of what was happening at the time Abloh was growing up as well as on his rise up through the fashion industry, with him ultimately ending up at Louis Vuitton. GIVHAN: Fashion doesn't just sort of happen in a vacuum. People are the product of their parents, their family, their environment, their timing, their interests, all of those things. I always like to see, what is swirling around people when they make certain decisions? What is sort of in the water that you're absorbing, that you are not even conscious that you're absorbing it. AP: Can you talk about the process of writing about all of his creative endeavors and how they shaped his career? GIVHAN: The skater culture — in part because it was such a sort of subculture that also had a very specific aesthetic and was such a deep part of the whole world of streetwear — and then the DJing part intrigued me because so much of his work as a designer seems to reflect a kind of DJ ethos, where you're not creating the melody and you're not creating the lyrics. You're taking these things that already exist and you're remixing them and you're responding to the crowd and the crowd is informing you. And so much of that, to me, could also be used to describe the way that he thought about fashion and the way that he designed. AP: What role would you say that Virgil has had in the fashion industry today? GIVHAN: He certainly raised the question within the industry of what is the role of the creative director? How much more expansive is that role? … And I do think he has really forced the question of how are we defining luxury? Like what is a luxury brand? And is it something that is meant to sort of have this lasting impact? Is it supposed to be this beautifully crafted item? Or is it really just a way of thinking about value and beauty and desirability? And if it's those things, then really it becomes something that is quite sort of quite personal and can be quite based on the community in which you live. AP: How did he use social media to his advantage and to help catapult his career? GIVHAN: He really used social media as a way of connecting with people as opposed to just sort of using it as kind of a one-way broadcast. He was telling his side of things, but he was also listening to other people. He was listening to that feedback. That's also what made him this larger-than-life person for a lot of people, because not only was he this creative person who was in conversation with fans and contemporaries, but he was this creative person inside. He was this creative person at the very top of the fashion industry. For a lot of people, the idea that you could ostensibly have a conversation with someone at that level, and they would seemingly pull back the curtain and be transparent about things — that was really quite powerful. AP: You write about his relationship to Kanye in the book. Were you able to get any input from him on their relationship for the book? GIVHAN: Their individual ambitions, aesthetic ideas and curiosity kind of propelled them forward in separate directions. I did reach out to Kanye after a lot of the reporting because he obviously is this thread that is woven throughout the book. And, ultimately, he elected not to engage. But I was lucky enough to get access to an unpublished conversation that Virgil had had around, I think it was 2016-ish, where he talked at length about his working relationship with Kanye and sort of the differences between them and the similarities and the ways in which … Kanye inspired him and sort of the jet fuel that he got from that relationship. More than anything, because Virgil's personality was in so many ways kind of the opposite of Kanye's, that for every door that Kanye was kind of pounding on, Virgil was able to politely sort of walk through. AP: Why do you think his legacy continues to persist? GIVHAN: For one, he had such an enormous output of work. I think there's a lot of it to consider. Also, sadly, because his career was cut so short that there is this sense of someone who sort of stops speaking mid-sentence. I've been thinking about how Virgil might have responded, how his creativity might have responded to this moment because so much shifted post-George Floyd that like this is another inflection point and it makes me wonder, 'OK, how would he have responded today?' And with the person who said, 'I'm not a rebel and I'm not a flame thrower,' would he have picked up some matches? I don't know.


Toronto Sun
a day ago
- Toronto Sun
Tony Award-winning actress leaves NBA fans divided after Game 7 anthem goes viral
Kristin Chenoweth was bashed by many on social media for her rendition of The Star-Spangled Banner Kristin Chenoweth sings the U.S. national anthem before Game 7 of the NBA Finals basketball series between the Indiana Pacers and the Oklahoma City Thunder. AP Photo Kristin Chenoweth was getting dunked on before Game 7 of the NBA Finals had even tipped off on Sunday night. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account The Tony Award-winning actress took major heat on social media for her rendition of the U.S. national anthem ahead of the deciding game of the championship series between the Indiana Pacers and Oklahoma City Thunder. The Oklahoma native, who has starred in several Broadway shows over her illustrious career, really flexed her vocal muscles while belting out The Star-Spangled Banner, which included holding an incredibly long high note at the song's crescendo. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. But while the Oklahoma native received thunderous applause from the fans in attendance, the verdict on social media decidedly was a lot more negative. 'The Kristin Chenoweth rendition of the National Anthem was a difficult listen,' one user posted on X. 'This is the worst National Anthem I ever heard,' another boldly stated. This advertisement has not loaded yet, but your article continues below. 'I would have rather listened to Fergie's anthem performance than that one by Kristin Chenoweth,' a third user wrote, referencing the Black-Eyed Peas singer's infamous outing at the 2018 NBA all-star game. This advertisement has not loaded yet, but your article continues below. The reviews weren't all bad, however, with many applauding 'Not even 30 seconds in and she already made 3 people cry and 1 ref rethink his calls,' one user joked on X. 'Perfect in every way. Ranks in the top five best ever renditions of the beautiful Star Spangled Banner. Brought tears to my eyes,' another wrote. 'Oklahoma native Kristin Chenoweth nailed the national anthem before Game 7,' a third user posted. Chenoweth, who won a Tony Award for Best Actress in a Musical for her performance in You're a Good Man, Charlie Brown and also has starred as Glinda in Wicked on Broadway, hails from Broken Arrow, Okla., roughly 185 km northeast of Oklahoma City. Chenoweth has been a vocal supporter of the Thunder and was prepped to 'Thunder Up' with her performance, rocking a team T-shirt. This advertisement has not loaded yet, but your article continues below. This advertisement has not loaded yet, but your article continues below. She must have been thrilled with the game's end result, too: OKC defeated the visiting Pacers 103-91 to capture the franchise's first NBA championship. Toronto's own Shai Gilgeous-Alexander scored 29 points in Game 7 and was named the Finals MVP, completing a spectacular run which saw him become the second Canadian to ever win the league's regular-season MVP award, following the great Steve Nash, who won it twice. Read More Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances. Toronto & GTA Toronto Maple Leafs Sunshine Girls MLB Sunshine Girls