Radiohead star makes Kneecap comparison as his gigs are cancelled over ‘credible threats'
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The Herald Scotland
26 minutes ago
- The Herald Scotland
New Glasgow cafe's fusion dishes are unlike any you've tried before
Pictured: The Jolly Tamil opens in Glasgow's Southside on Wednesday, August 6 (Image: GordonTerris/Herald&Times) 'We've always known what a fantastic cook my mum is,' Tharany begins as we await the arrival of our teas, prepared with a traditional 'Tamil Pour' to add a light, frothy texture. 'She is Sri Lanka-born and raised, and as the oldest girl out of her siblings from the age of around nine, she was cooking for the entire family. 'Even if we go to our relatives' houses now, they will ask her to cook because they know she is the best, and when we were growing up, my brother's friends would ask her to make food for their birthdays. 'We would always say that she should open her own café, but it seemed far-fetched because none of us had experience in the hospitality industry. 'As a family, we finally decided that if we didn't take the gamble for our mum, we would always regret it, which is why we're opening this place. 'There's a chance that it might not work, but even if it doesn't, at least she can take pride in knowing that we have done all of this for her.' Opening any new business in the current climate is a daunting prospect, but with a menu that marries traditional Sri Lankan flavours with influences from Tamil communities across the globe, Tharany is determined to prove they have something special to offer. 'I have so much confidence in mum's cooking and our story, and I think Shawlands is the sort of place where people celebrate different cultures like ours, especially through food. 'My mum spent time in Singapore in her younger years, meaning the food she cooked for us growing up as Sri-Lankan Tamils in Essex had an Asian fusion element to it. 'In later years, I went abroad to Malaysia, where Tamil people were also entwining their traditional dishes with another culture. They really enjoy tofu curries, for example, and I hadn't seen a lot of that before. 'When I came back, my mum and I began sharing stories of the food we had tried, and that's something we've brought with us to The Jolly Tamil. 'It makes us unique from other Sri Lankan restaurants, because we're taking inspiration from Tamil communities across the world.' Having previously studied chemical engineering at Heriot-Watt University in Edinburgh, a new adventure at The Jolly Tamil will offer Tharany the opportunity to pursue a lifelong passion for food inherited from her mother. 'I'll be doing the cooking, but mum will be there in the background to make sure that I'm doing things properly,' she explains. 'She has her authentic way of doing things, like curries from back in the day with her own little twists, but what I'll be bringing is more of a fusion approach to the menu. 'Like Halwa, which is traditionally an Indian sweet made with shaved carrot, sugar, spices and milk cooked down until it becomes a soft pudding. 'I'm taking those flavours but turning them into a cheesecake with mascarpone cheese and cardamom cream. 'Although I did engineering at Uni, I've always been really interested in gastronomy and love thinking of ways to level food up with a more scientific approach.' Read more: As the conversation moves on to impressive interior decorating work, all carried out by Tharany over the past 10 months with the help of various family members, Vadani emerges from the kitchen carrying two servings of the fresh tea she had offered just moments after we first stepped through the door at The Jolly Tamil. The official interview wraps up here, but for the next half hour, I'll remain fixed in the same spot, captivated by stories of Sri Lankan culture and a beloved matriarch's tips and tricks for cooking with ingredients full of natural goodness. Curry leaves, I'm told, are good for the eyes, while the spices used for the tea we're sipping will apparently do wonders for my digestive system. The most important thing we should know, however, is that just like every meal she has made for her family over the years, the cooking at The Jolly Tamil will come from the heart. 'No matter what happens with the café,' Tharany says when our cups have eventually run dry, 'I already feel very fulfilled by the memories I've made with my mum over the past months of preparations. 'It's now time to show off how amazing her food is and make her proud.' The Jolly Tamil is located at 95 Kilmarnock Road in Glasgow. For more information, visit
Daily Record
5 hours ago
- Daily Record
Inside Vick Hope and Calvin Harris' surprising Ibiza life where couple welcomed first child
Vick Hope and Calvin Harris welcomed their newborn son during a water birth on their idyllic Ibiza estate He may be one of the biggest Djs in the world, but Scots megastar Calvin Harris likes to keep things low key when it comes to his private life. Calvin and wife Vick Hope have largely kept their marriage out the public eye, even getting engaged in secret before their stunning Northumberland wedding in September 2023. The couple have now welcomed their first ever child, newborn son Micah. The Scot took to Instagram to announce the news on Monday, alongside a series of snaps of the arrival of his baby boy. They appeared to welcome their son at their stunning home in Ibiza in a tranquil water birth, as the Dumfries-born musician, real name Adam Wyles, posted snaps of the Countryfile host in a birthing pool with incredible mountainous views in the backdrop. The proud new dad said alongside his post: "20th of July our boy arrived. Micah is here! My wife is a superhero and I am in complete awe of her primal wisdom! Just so grateful. We love you so much Micah." Calvin and Vick spent quality time together at Calvin's 138-acre farm in Ibiza in the early days of their romance, shunning celebrity packed parties across the globe which the A-lister would sure to have been invited to. Instead, he likes the quiet life and loves nothing more than spending time at his Ibiza home,which he purchased after selling two multi-million pound properties in Los Angeles. Vick has recently shared updates from her quiet life on the farm on social media, as her family visited from the UK. Terra Masia is Ibiza's largest organic farm, producing vegetables, eggs, wine and farm-to-table meals, as well as hosting special events. Calvin flew Vick out for secret visits to the estate back when he was wooing her, and reportedly even popped the question underneath a grand tree on his own land, so it is sure to hold many special memories for the couple. Let's take a closer look... Join the Daily Record's WhatsApp community here and get the latest news sent straight to your messages. More On Vick Hope Calvin Harris Parenting In The News
The National
12 hours ago
- The National
What reparations should Palestine receive? The Fringe show where you decide
That is the speculative future Farah Saleh, a Palestinian dancer, choreographer, and academic based in Edinburgh, is inviting audiences to step into at this year's [[Edinburgh]] Fringe show, Balfour Reparations. Focusing on Edinburgh-born Arthur James Balfour, who when serving as prime minister (1902-1905) and foreign secretary (1916-1919), denied Palestinian political rights, difficult questions are placed squarely into the hands of the audience — a community tasked with imagining a future of reparations for Palestine. READ MORE: Scottish women on taking their shows to the Fringe this year 'The performance starts from this year in which I say at the beginning of the performance we're going to look back at 20 years ago when the letter was issued exactly today. 'So it's the day of the performance 20 years before that the letter was issued. And we reflect on all the reparations process, the effective one that took place," she explains. The work, which runs for 40 minutes followed by a 20-minute Q&A, takes the audience on a journey that connects the past, present and future — a weaving together of grief, history, and hope which they are witnessing today as the genocide in Palestine is live-streamed. 'For me, when I connect past, present, and future, I manage to hold space for all of these different emotions and states,' Saleh says. Born in a Palestinian refugee camp in Syria and having lived in Jordan, Palestine, and now Scotland, Saleh carries with her a lived experience of exile and return. This long view of time and movement is central to her work. 'It's not only about love and peace that doesn't exist in like a hope in the sense of it will be peace and everything will be perfect. We say that peace is a white person's like concept or word for liberation or freedom.' What unfolds in the performance is not a linear narrative, but a shared space of responsibility. Audience members are given letters and sometimes embroidery. They are asked to read aloud from the stage. And, crucially, they are invited to imagine reparations — to speak them into the room. 'So if they want to fight, they can,' Saleh says, 'but it's just like one person says recommendations for the future... It's an accumulation of thoughts.' READ MORE: I'm performing at the Fringe but fear I won't be allowed to re-enter the US Tension, for Saleh, isn't a threat — it's part of the work. 'I have no problem with tension. Tension is part of our life. So I'm, I'm, it's welcome.' The audience suggestions range widely. 'Some people say we need reparations money because it's very material, what they destroyed, and some people say no reparations it's not only about money, it's more cultural, it's songs, it's all the people that passed away, their legacy, like how can you keep it,' she recounts. 'There's people talk about trees and seeds,' she adds. 'Some people were like saying what do we do? With these new settler plants, do we adapt to them or do we cut them?' A QR code at the end of the show invites further responses, and Saleh notes that 'around five people each performance send some further reparations, even if it's like a sentence or two.' This interaction — a sort of living archive of ideas — is as much a part of the work as the performance itself. 'It's how they experience that responsibility in and how they transport it outside and hopefully keep feeling that responsibility also outside the performance space,' she says. 'They take the letter with them home ... they can read through it and see all the different points they can contribute to.' The timing of the piece is deliberate. The year 2045, only twenty years away, anchors the performance's speculative structure in the near future. 'So hoping that all the people in the room will be around like the 20 years,' she says with a small laugh, 'it's also about thinking further than 2045 with them.' As Saleh reminds us, reparations are not abstract ideas or distant policies. They are embodied, cultural, material, and — perhaps most importantly — collective. 'It's their responsibility to keep the show going.'
