
Beloved Inverness busker John Casey on tough start in Highlands, 30 years at Victorian Market and how city centre has changed
Heartbroken after splitting up with his girlfriend at the time, he needed to get away from Edinburgh where he had lived for the previous 10 years.
He has never left the Highland capital and today, 32 years later, he is well-known by pretty much every man and woman in Inverness.
Mr Cassey, now 69, can often be seen busking at the Victorian Market with Moby, his five-year-old Dalmatian.
He sings and plays the guitar under a sign that reads: 'Mr John Cassey is the only busker authorised by the private traders to busk in this private section of the market.'
Mr Casey was born in Blackburn, West Lothian, but moved to Edinburgh in 1982.
While staying in the capital, he made a living from pub gigs after previously being in a band in his teenage years and then as part of a duo named Stella's Baby with his friend Metcalfe.
Mr Casey told the P&J he 'was born with a musical brain'.
He added: 'I was just born lucky, because I can't read or write music but if I hear a song I can learn it just by memory and I'll get the chords.'
He started playing the guitar at age 12 and wrote his first song at 16.
Mr Casey explained: 'I wrote it after a breakup with my first girlfriend, and it was my first sad song.
'It was the late 60s, early 70s when I was teaching myself how to play the guitar, so I was listening to songwriters who were becoming big, James Taylor, Don McLean, Ralph McTell. It was all about singer-songwriters at that time.
'And that's what I started doing, you know, introverted, lonely, sad singer, writing all these songs about how miserable they are.'
The 69-year-old still sings what he considers his best hit, That's the Difference, a country love song he wrote aged 17 inspired by the music of Kris Kristofferson.
After a decade in Edinburgh, Mr Casey decided to move up to Inverness following a break-up.
He said: 'I was heartbroken, I had to move away. I'd been up here before. I first came up when I was 17.
'I hitchhiked up and sang at the Market Bar. That would be around 1973. And during the 70s, I hitchhiked up and down a lot because I always loved it.'
The night before his big trip, he was beaten up by a bunch of guys near Cowgate.
'There were random things happening between different factions and I was walking and got jumped by about three guys and they just kicked me for a while and then ran off laughing,' he explained.
The pain didn't stop him from jumping on the train to Inverness the day after.
However, he started having second thoughts by the time the service reached Aviemore.
He said: 'I started to see the white on the ground. And I was thinking, am I making a mistake? Should I have stayed where I was?'
Things did not get easier in the following months, as he slept in a tent near the Ness Islands for the first months from November until March.
He added: 'It was a bad winter, with a lot of snow and frost'.
But the musician said 'stubbornness' kept him going.
'Once I'd made the move, I wasn't going back,' he said.
When he arrived in Inverness, he could not get any gigs at pubs because dogs were not allowed in for most of them.
Mr Casey had travelled to Inverness with Frank, his first dog, an 11-year-old semi-stray named after Frank Sinatra.
He said: 'I found that hardly any places let dogs in, so I couldn't get any gigs, so I decided to try busking.
'I was really nervous, of course. I mean, I'd sung in front of people, and I never got nervous, but for some reason busking made me really nervous at the beginning.
However, he soon found his rhythm and started making a living out of it.
He explained that busking was 'successful straight from the start.'
He said: 'The fact is, it's gotten less and less and less over the years because there are a lot fewer people in the town centre.
'A lot of the shops closed down, a lot of the offices moved away from the centre. I made more money during the 90s than I do now.'
The experienced busker started playing six days a week, three and a half hours per day.
He is now doing about an hour and a half three days a week.
'My voice won't go any further than that. I want it to last,' he said.
However, he does not think about retirement.
He said: 'Busking is absolutely the ideal way to make a living, because it's not work.
'I just walk out with my guitar and start singing, and that's it.'
Mr Cassey initially busked outside the Victorian Market entrance on Union Street.
However, he said there was another busker coming to town who started bullying him.
He explained: 'He started bullying me out. Two or three of the traders got to hear about this, and that's when they put the sign up for me through there. So that put a stop to him.
'It means I've always got a pitch, you know, and it's dry. So, it's a fantastic thing.'
Most of the songs he plays are from the 1960s and 1970s, as he says that 'everybody is still into the 60s'.
'I get a lot of attention from the high school kids on Fridays, when they leave school early, and they ask for the Beatles, the Stones, Pink Floyd and Dylan,' he explained.
Mr Casey's favourite band is the Beatles and his favourite singer is Frank Sinatra.
However, his preferred song at the moment is Piano Man by Billy Joel.
He said: 'It's a great song, and everybody knows it. And it's one of those songs that every time I sing it, at least one person walks past mouthing the words.'
Over his more than three decades of busking, Mr Casey has collected several generous donations while performing.
Many years ago, a lady in her 90s gave him an envelope with £1,000 in £50 notes.
Another woman once gave him a £100 voucher for shoes.
'I must have looked as if I needed them,' he joked.
He added: 'Somebody gave me a basket of fruit once.
'I don't drink anymore, but when I drank somebody bought me a bottle of malt whisky.
'I've also had flowers. All sorts of random strange things.'
After over three decades in the Highland capital, Mr Casey describes the people of Inverness as exceedingly 'friendly'
He said: 'I noticed that when I first came up. People said good morning to me and that had never happened to me before.
'People that I'd never met, you know, saying 'good morning' and 'It's a lovely day.' The people are just so friendly.'
Meanwhile, he thinks Inverness is a good city for busking.
He said: 'I don't know financially, because that's never been a priority for me.
'I've never really had a burning ambition to be world famous or anything like that. So, this is just ideal for me.
'You know, it's just ideal. I feel like I did make it. And I've spent the last 30 years doing this and having a nice time.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
a day ago
- Telegraph
The little French town showing us all what it means to be British
On the back wall of the old stone house overlooking a tiny square, a red Routemaster bus is holding pride of place. A small crowd of admirers is peering up at it – and at the other bright photographs pinned next to it on the brickwork. In one, a woman in a floral dress is stretching out a white-booted leg on a bench at Regent's Park Tube station; in another, a dalmatian is sitting patiently in a railway carriage. Some of the onlookers murmur in fascination, then stroll across the adjacent bridge that crosses the little river, in search of further visual stimulation – while others stay to stare a little longer, chattering animatedly. This is not the Cotswolds that this combination of culture and rural nicety might suggest. And it is certainly not the London so visible in the images. In fact, it is a genteel French town of just 4,000 people, at the heart of Brittany. And this curious scene is nothing new. It may not leap out from the map, but La Gacilly is a remarkable overachiever. Located 40 miles south-west of the Breton capital Rennes – and on the eastern boundary of the Morbihan department which shapes the lower edge of France's great western peninsula – it has a track record in both art and business that far outstrips its diminutive size. For six decades, it has been the spiritual home of Yves Rocher, the luxury cosmetics brand whose titular founder was born in its midst in 1930. And, as of 2004, it has burnished its reputation with a summer photographic exhibition that turns the town into a giant canvas. Over the course of those 21 years, every festival has beamed a spotlight onto a different nation or region. Recent editions of the event have focused on Sweden, Iran, Eastern Europe, the Far East, Latin America and Australia. But this year's – which began at the start of June, and runs until October 5 – bears a particularly intriguing title: 'So British!'. The concept is simple. Twenty al fresco 'galleries' have been stationed around the town, many in the grassy spaces alongside the River Aff. Half of them are devoted to the UK, in all its many idiosyncrasies. 'What does it mean to be British?', asks guide Enora Le Beus, who shows me around the site. 'That is the main question we are posing this year.' If the audience for these images is largely French, the photographers who took them hail from the other side of the Channel. Thus it is London-based Josh Edgoose (who goes by the Instagram handle @ whose photos of his home city – a 21st century homage to the 'Swinging Sixties' – adorn the back side of the Maison Yves Rocher (the museum which tells the story of La Gacilly's most famous son with multimedia verve). And it is Devon-born Cig Harvey whose hypnotic landscapes – a girl in a red coat in a snow-covered field; a golden labrador in a similar context – draw on the beauty of nature. But it is the photographs which offer a less varnished glimpse of this sceptred isle that attract the most attention. The tragic Tony Ray-Jones – who died of leukaemia in 1972, aged 30 – is given a posthumous platform, his sharp eye capturing a fading England in the seaside summers of the late 1960s: a contestant reapplying her lipstick at a Southport beauty pageant in 1967, a (much older) male judge ignoring her as he sips a cup of tea; an elderly couple, alone on an otherwise deserted Morecambe ballroom dance floor in 1968. Martin Parr's lens traces a similar thread: a young brother and sister at New Brighton in 1983, their faces smeared with ice cream, the sky overcast. 'These, I think, are two great British traits,' Enora says. 'Ice cream, and grey weather. Both are appropriate for this festival, because we have the same things here in Brittany. Particularly the grey weather.' There is glamour and glory too – not least a tranche of shots taken by music and fashion photographer Terry O'Neill, showing stars of the British rock constellation: Lennon and McCartney grinning impishly in the early days of Beatlemania; Jagger pouting at the camera; Bowie scribbling in a notebook; Amy Winehouse on stage, lost in the moment. Nonetheless, while plenty of the local visitors can be heard humming along to Rebel Rebel and Jumping Jack Flash (piped through hidden speakers), they save their most visceral reactions for the earthier images. I learn something about Britishness myself, as I peruse the section dedicated to Peter Dench's work – which includes a snap of a twentysomething couple in Bournemouth during the Covid summer of 2020, their shoulders lobster-red. 'Ah, les rosbifs,' giggles one observer – and, eavesdropping, I come to understand that a mildly disparaging term I had always assumed referred to the British predilection for a Sunday roast lunch is actually about our propensity for sunburn. Still, it would be inaccurate to state that the predominant responses stirred among the French visitors are amusement and mockery. Indeed, the prevailing emotion seems to be a general bafflement. Parr's brilliant image of five fielders trying to retrieve a ball from a prickly bush at Chew Stoke in Somerset in 1992 – an occupational hazard that every Englishman has probably endured at some point, but the non-cricket-playing Frenchman has not – might as well be of alien lifeforms for all the puzzled expressions it prompts. A shot of pupils at Eton also causes furrowed brows; France abandoned the compulsory school uniform in 1968. Scenes from the coronation in 2023 and the wedding of Harry and Meghan in 2018 – doughty picknickers scoffing sandwiches from Tupperware boxes while sitting on Union Flag blankets – seem to be just as impenetrable. 'Mais porquoi?', one little girl asks her mother. Maman squints at the pictures, shrugs. 'C'est les Anglais.' Equally, there are flashes of shared experience. Parr's 'Beggars' Banquet' – a 1996 photo of two enormous seagulls attacking a discarded punnet of chips at West Bay Beach in Dorset – sparks roars of laughter and recognition. And the sense of appreciation continues at nearby restaurant Le Végétarium (attached to the Maison Yves Rocher), where the summer menu features coronation chicken, fish and chips – and fruit crumble. Indeed, with luxury hotel La Grée des Landes trading on the Rocher connection to offer spa treatments and massages just up the hill, and the festival in situ until the autumn, La Gacilly could make for an alluring left-field mini-break during the coming weeks. As could the wider Morbihan department, whose main historic site – Carnac, with its neolithic standing stones – has just received Unesco World Heritage status. Of course, if you miss 'So British!' in 2025, you will have a second chance to see it in 2026. La Gacilly has an ongoing partnership with Baden bei Wein – a spa town, 25 miles south-west of Vienna, which puts its Breton friend's exhibitions back on display the following summer. If the French are perplexed by royal marriages, dropped ice-cream cones and four-decade-old memories of Merseyside, is there any hope for the Austrians? Essentials EasyJet flies from Gatwick to Rennes from £67 return. Trains from London St Pancras to Rennes (changing in Paris) cost from €251 (£218) return, through SNCF Connect.


Times
3 days ago
- Times
The great American road trip that music lovers will adore
Out they stream, hands a-clappin' and feet a-tappin', a whirl of crimson cowboy shirts and petticoat-boosted skirts. Saturday night is square dance night at the Grand Ole Opry and the packed house is loving it, the woman sitting next to me more than anyone. 'That's my granddaughter,' she says proudly, pointing up at one of the dancers. 'Let's go, Casey!' Grand Ole Opry, America's longest-running radio programme, turned 100 this year. Broadcasting live musical performances (with the odd high-kicking interlude) from Nashville, it is known as the show that made country music famous, showcasing everyone from Hank Williams to Taylor Swift (tickets from £32; There is a full calendar of special events to mark the centenary, including the Opry's first foray overseas, at the Royal Albert Hall in September, when the golden boy Luke Combs will headline. I was at the start of a week of pure musical indulgence, going from the honky-tonks of downtown Nashville to the blues bars of Memphis and the jazz joints of New Orleans: a 600-mile dream of a road trip with a no-skip playlist. The Opry has been staged at a snazzy 4,000-capacity venue next to an out-of-town shopping mall since the mid-Seventies. Actually, the shopping mall is relatively new; until 1997 there was a theme park here called Opryland. What I would give to have seen Dolly Parton riding the log flume while Johnny Cash minded the bags and nibbled at a corn dog. For the real romance of the Opry you have to go downtown to the Ryman Auditorium, the former church that hosted the show for the 30 years beforehand. Built by a riverboat captain who found God, the Ryman is where the likes of Patsy Cline and Elvis Presley took some of their first steps towards stardom, performing in front of audiences perched on wooden pews. The Opry may have moved on, but the magic of the Ryman lingers and a tour will give you backstage access (from £35; Not that everyone wants to linger behind the scenes. Nip out of the rear door and you're in the alley that separates the Ryman from the country bars, or honky-tonks, of Lower Broadway. Plenty of musicians have livened up a soundcheck with a few sharpeners or an impromptu set at Robert's Western World or Tootsie's Orchid Lounge; Willie Nelson even sang of the '17 steps to Tootsie's and 34 steps back'. Lower Broad, as the street is known in this patch of Tennessee, is very much the party strip in this booming city. Thirty or so bars, most with live bands, jostle for space while neon signs flash and party buses cruise the street. The open-backed buses all seem to be filled with women in pink cowboy hats holding on to stripper poles and screaming along to Shania Twain. Alcohol may be involved. Welcome to Nash Vegas, hen-do capital of the US. The three-hour, 200-mile drive west to Memphis is largely unremarkable, other than the odd church sign on the side of the road telling me that 'Satan is on a rampage'. But there are points of interest if you know what you're looking for. Interstate 40 takes you right past Jackson, where Carl 'Blue Suede Shoes' Perkins is buried, as well as Brownsville and Nutbush, Tina Turner's old stomping grounds. I know to look out for these places because of a guy called Aubrey Preston, whom I'd met in Leiper's Fork, a pretty village half an hour's drive south of Nashville. Preston is a music nut and his passion project is the Americana Music Triangle, an initiative that uses live music events and guided driving routes to champion the stories of the musicians and places dotted between the three cities I'm visiting ( • 10 of the best places to visit in the US Over a plate of barbecue at Fox & Locke, the village's main bar (mains from £6; we chatted about how British and Irish immigrants moved inland from the Appalachians towards Nashville, bringing their fiddles and ballads. And about how that music mixed with the banjos, drums and rhythms of enslaved Africans, the folk songs of Cajun settlers, Spanish guitars and countless other influences that made their way up and down the Mississippi River. 'It all came crashing together inside this triangle, like in a big washing machine,' Preston said. 'And what came out of it was country, blues, jazz, rock'n'roll, gospel … everything. It's all related. And there's music everywhere.' It's something I thought about as I checked out of the Dark Horse Estate the next morning. A rustic retreat between Leiper's Fork and the small city of Franklin, the Estate is a working recording studio with a handful of simple, comfortable, overpriced rooms, primarily for artists to stay in while making albums. Keith Urban, Carrie Underwood and Tim McGraw have all recorded here, although I don't know who was playing drums as I packed up the car. Pulling off the highway into Memphis, the contrast with the country music capital is immediate and obvious. While Nashville felt glossy and prosperous, Memphis feels gritty and unvarnished. But what the city lacks in glitter, it makes up for in soul. And blues. And rock'n'roll. For soul there's the Stax museum, a fabulous shrine to the record label that gave us Otis Redding and Isaac Hayes (£15; For rock'n'roll there's Sun Studio (£15; where Elvis cut his first record, and Graceland, his mansion on the outskirts of town, which has huge exhibition halls covering every rhinestone-encrusted inch of Mr Pelvis's life (from £38; And for blues? Well, as Lower Broad is to Nashville, so Beale Street is to Memphis: a live music hot box dripping in neon and party people. Musicians have been stopping to play here since the mid-1800s, its heyday coming a hundred years later, when big hitters like Muddy Waters and BB King would clamber up on to various stages here, helping to define Memphis blues. • 10 of the most beautiful places in America After a finger-lickin' dinner of crispy chicken and fried green tomatoes at Gus's, a local paper plate and plastic cup favourite (mains from £8; I leave the car back at my hotel, the grand, old-school Peabody. They say the Mississippi Delta starts in the lobby here; I don't know about that, but I do know that it's home to Lansky Bros, the outfitters who used to dress Elvis in all those fabulous suits he wore when he was starting out. I also know that twice a day crowds gather to watch a man in a red tailcoat escort a parade of ducks to and from the lobby fountain. It's a five-minute waddle from the Peabody to Beale Street, where I spend the evening dipping in and out of its two dozen music bars. I pull up a stool at the BB King's Blues Club for last orders and the final few songs from the All-Stars (£7; before slipping over the road to an alleyway with a stage, a ramshackle bar and a blistering blues band who laugh in the face of closing time. The next morning, after a breakfast of great sausage, delicious biscuits and grim, tasteless grits at the Arcade diner, an old Elvis hangout (mains from £8; I point the car south. As with the route from Nashville to Memphis, there's not much to see on the six-hour, 400-mile drive down Interstate 55 to New Orleans, but I have good company. Al Green and Jerry Lee Lewis play me through Tennessee and Mississippi, before I hit Louisiana and my old friends Dr John and Fats Domino usher me into the Big Easy. Peering out over Bourbon Street from my hotel room balcony that evening, I can see a group of teenagers drumming on upturned buckets and, further along, a brass band cranking out some wild Dixieland tunes. The street's trickle of revellers clutching overpriced cocktails in novelty glasses is slowly turning into a river. The Bourbon is starting to flow. But this strip is for the amateurs; everyone knows the best music in New Orleans is on Frenchmen Street. I load up on rich, tangy turtle soup and soft, sweet, pecan-crusted catfish at Palace Café on Canal Street (mains from £13; then hop on a streetcar and head Frenchwards. • Read our full US travel guide A small, rickety, dimly lit joint with a stage by the door, the Spotted Cat is jumping, courtesy of the Jumbo Shrimp Jazz Band, who are laying down some playful, horn-heavy jazz, mixing in a little country twang and bluesy muscle (drinks from £7; I spend the rest of the night moseying between the dozen or so bars, stopping to listen to a soul singer here, pausing to catch a zydeco band there. At Preservation Hall the next afternoon the atmosphere is more cerebral. This is a peach of a venue, a dilapidated room in the French Quarter with wooden benches for the audience and a stage where master musicians play a handful of short trad jazz sets each day (from £20; There's no a/c, booze or loos and I booked my ticket late so have to stand at the back. Yet hearing the house band steam through standards like When the Saints Go Marching In and Basin Street Blues in this hall, in this city, is so good I almost weep. I leave and wander down towards the Mississippi, passing saxophonists on street corners and bars with trios playing to day drinkers. Past the French Market, where a jazz band entertains the beignet brigade at Café du Monde, and on to Elysian Fields Avenue, the setting for A Streetcar Named Desire. I cross Frenchmen Street and find my way to Louis Armstrong Park, named after one of the city's most famous sons and home to Congo Square. In the early 19th century this square was the only place where enslaved Africans were allowed to gather, on Sunday afternoons, and express their culture through music and dance. Those were the rhythms that are thought to have formed the foundations of New Orleans jazz. And those were the rhythms that travelled up the Mississippi and into Aubrey Preston's incredible washing machine. Now there's a name for a band. See you at the Albert Hall in Atkins was a guest of the Tennessee Department of Tourism ( New Orleans ( Sheraton Grand Nashville Downtown, which has room-only doubles from £121 ( Dark Horse Estate, which has one night's self-catering for four from £290 ( the Peabody Memphis, which has room-only doubles from £148 a night ( Hyatt Centric French Quarter, which has B&B doubles from £160 ( and Wexas, which has 11 nights' B&B from £2,495pp on the All-American Music Tour, including flights and car hire (


North Wales Live
4 days ago
- North Wales Live
Carol Vorderman joins Kate Garraway and Michael Sheen for special project
The judging panel for the Daily Mirror Pride of Britain Awards with P&O Cruises have gathered to decide this year's winners. On Thursday, August 14, they met at Grosvenor House in central London, with this year's event promising to be bigger and better than ever. Winners will be celebrated at a star-studded red carpet event, screened as a prime time special on ITV and packed with heartfelt stories of resilience and emotion, celebrity surprises and magical moments that will capture the nation's hearts and imagination, and plenty of glitz and glamour. The panel selected the winners from a shortlist compiled from tens of thousands of public nominations. Carol Vorderman who has been the host of the Awards since its 1999 launch was there, alongside her co-host Ashley Banjo. For the latest TV and showbiz gossip Joining them were a star-studded group, including: Michael Sheen Kate Garraway Pete Wicks and GK Barry (Pride of Britain red carpet hosts) Aitch Oti Mabuse Lucy Bronze Serena Kennedy (Chief Constable of Merseyside Police) Kamila Hawthorne (Chair of the RCGP Council) Ellie Kildunne Coleen Rooney The Pride of Britain Awards honour remarkable people of all ages - from courageous children to lifesaving emergency workers, inspirational fundraisers, and everyday heroes who make the world a better place. This year's winners will be revealed at the glittering Awards ceremony in October. Coleen Rooney said: 'It's a privilege to be asked to be on the judging panel, and to hear so many amazing stories of inspirational people from all walks of life. 'But I didn't realise it would be this hard! Every one of the nominees deserves an award but just picking one or two from each category has been tough.' Lucy Bronze said: "I said to Carol [Vorderman] I think you need to make the show bigger, there needs to be more awards so we can make sure more people get recognised! That's the whole thing isn't it, it's amazing to just celebrate people doing amazing things around the country." Ashley Banjo also noted: 'I've read up on all the shortlisted nominees but now I'm ready to hear what the other judges think. 'I really can't pick. Me and Carol, we see people from this stage, we meet them, we give them their awards, and we usually see them afterwards, so we're with them for their whole journey. And every one of them deserves to win.' The Daily Mirror Pride of Britain Awards with P&O Cruises is a unique event on the national calendar and you can find out more about the Pride of Britain Awards 2025 here.