This inner-city terrace serves outrageously juicy katsu and boss-level drinking food
Previous SlideNext Slide
Critics' PickHow we score
Sometime around 2005, wood-fired pizza became the default accessory to a tasting paddle of beers. Craft breweries – endlessly creative with what they put in their beer – began to feel like a hall of mirrors when it came to their menus. Get harissa lamb ribs over here, but harissa lamb skewers at a rival beer hall. This one skips chicken tenders, instead you get buffalo chicken ribs. Would you like your fried calamari with lemon or lime?
Benchwarmer, a West Melbourne craft beer hangout, breaks that mould. It's not a brewery but it sure gets behind them, which must be a godsend for struggling independent brewers right now. Since opening in an old Victorian terrace in February 2020, it's gradually grown more Japanese-focused with each change of chef and trip to Japan taken by owner Lachlan Jones. The front half holds a few blond wood communal tables and stools (very Japandi), cosy window seats, a small bar and a big beer fridge. The back half is a bit more grungy.
New chef Geoff Marett has a CV that makes a lot of sense for a venue that's striving to be an izakaya: the loud and loose Japanese joints where food is there to soak up the copious sake and beer slammed down.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Man of Many
8 hours ago
- Man of Many
Yashica Launching Affordable Answer to Fujifilm in FX-D Camera
By Jacob Osborn - News Published: 13 June 2025 |Last Updated: 10 June 2025 Share Copy Link Readtime: 3 min Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. The name Yashica may ring a bell as the Japanese camera and equipment brand that ceased production back in 2005, but after a Hong Kong-based company purchased the trademark rights a few years later and brought the business back from the brink. The 2017 launch of the Y35 DigiFilm camera combined digital technology and an analog-style design, and peopel clearly liked it, as the camera raised over $1.2 million on Kickstarter and paved the way for future models. And now you're more or less up to speed as we introduce Yashica's latest endeavour: the new FX-D camera series. Currently raising funds on Kickstarter – where it's soared well past its initial goal – the FX-D series continues a trend set forth not just by the rebooted Yashica but also brands like Fujifilm. While digital at heart, each camera in the range generates authentic film simulation photography and video. Users can alternate between various modes with ease as they replicate an assortment of analog aesthetics. A digital shooting mode is likewise available, thereby bringing owners the best of all worlds. Yashica FX-D Camera | Image: Yashica Want to capture images in black and white? There's a mode for that. Or maybe you want to shoot video in the granular style of 1970s cinema? There's a mode for that as well. There are six unique film simulation modes overall, allowing you to explore and create as you develop a personal style. Meanwhile, the camera's physical design language takes cues from pre-existing Yashica models like the FX-3, but with plenty of modern touch-ups. The FX-D series runs the gamut of modern specs across its relatively small range. At the most affordable end of the spectrum is the FX-D 100, which includes a 13MP sensor and goes out to everyday creators. A notch above that is the FX-D 300, a 50MP high-resolution camera that offers more functionality and flexibility. And if only the best model will suffice, there's the FX-D S300. It takes the professional-grade features of the FX-D 300 and throws in an OLED Electronic Viewfinder (EVF) to heed customer demand. Ultimately, you might think of Yashica's FX-D camera series as a tactile way to render analog-style effects without dealing with the headaches of traditional analog photography (film processing, etc). Call it your smartphone filters on steroids if you will, but some people still crave a more tactile experience. Will you get a relatively similar – if not far superior – experience with a quality Fujifilm camera? Perhaps, but the price point will be much higher. Here you get (arguably) comparable performance for a fraction of the price, especially when you take advantage of those early bird specials.


7NEWS
13 hours ago
- 7NEWS
The tiny suburb that boasts heritage homes and a celebrity guest list
WATCH: $5m FIXER-UPPER hits Toorak | | 7NEWS Prahran East is a rising star suburb nestled between Melbourne's high-brow and hip. Originally home to the Wurundjeri Woi-wurrung and Bunurong peoples of the East Kulin Nation, the suburb's unique blend of urban cool and village charm is quickly making it one of Melbourne's most compelling addresses. The suburb got its unique name from the Indigenous word for the area, Pur-ra-ran, meaning 'land partially surrounded by water'. Located slightly further down 'the hill' from Toorak and Armadale's mansions, Prahran East originally housed the workers and servants of these grand houses in single-fronted Victorian workers' cottages and Edwardian terraces. From the 1970s, the area began to gentrify and houses were renovated and restored. The 1980s saw a wave of Greek migrants move into the area creating a shift in demographics. VIEW LISTING: 12 Greville Street, Prahran, VIC However, it was during the 1990s that the suburb gained its status as an artistic hub when it became an enclave for creatives and the gay community, who were attracted to the avant-garde Prahran TAFE (previously an art school) leading to further gentrification in the 2000s. Now, Prahran East is a tightly held enclave on the cusp of Armadale's leafy prestige and Prahran's edgy vibrancy. A - List credentials It's not just locals who've fallen in love with Prahran East, some big celebrity names have called it home too. Rock legend Chrissy Amphlett of The Divinyls, Oscar-winner Cate Blanchett, and AFL greats Ted Hopkins and Chris Judd have all called this tiny pocket of Melbourne home. A grand circa- 1863 residence on Greville Street, was once home to The Divinyls' frontwoman Chrissy Amphlett during the early days of her music career. Years later, Carlton premiership hero Ted Hopkins lived there for more than a decade following his time on the field. It recently sold for $5,250,000. Cate Blanchett and her husband quietly listed their Prahran East terrace in 2024, selling the stylish three-bedroom, two-bathroom home at 5 Trinian Street for $3.01 million through Kay & Burton. The A-list couple had held the property since 2006, when they snapped it up for just $745,000, according to public records. With its blend of charm, character and low-key luxury, it's easy to see why Prahran East quietly attracts Australia's who's who. A suburb that has it all When it comes to lifestyle, Prahran East is a suburb that simply has it all. "You're smack in the middle of everything, but still get that genuine community feel," says sales consultant and auctioneer at Jellis Craig, Ashley Maikousis. "You don't feel locked away in a bubble here, which makes it really inviting." Its proximity to destinations such as Hawksburn and Toorak Villages, and retail hot spots, High Street in Armadale and Chapel St, make it a location that delivers the best of both worlds: high end sophistication and urban soul. "The leafy, tree-lined streets with beautiful Victorian and Edwardian homes give it classic charm," says Maikousis. "You've got a great mix of young couples, families, and long-time locals who all appreciate the convenience of being close to the city but still having their own peaceful village vibe." Residents are spoilt for choice when it comes to dining out with an evolving food scene filled with standout restaurants. Mount Erica Hotel has a buzzy vibe with courtyards perfect for alfresco dining all year round. In nearby Armadale, charming classics like the Orrong Hotel, a 150-year-old art deco pub, stand proud. Andrew McConnell's boutique grocer Morning Market has taken up residency in the village, offering locals everything from pantry staples to gourmet meals to freshly cut flowers. The suburb also has great access to public transport, sought-after schools, and the arts scene. A blend of heritage and character Residential architecture in Prahran East is predominantly a mix of single storey Victorian and Edwardian terrace houses, with larger double storey terraces located closer to the main shopping strips. "A lot of young couples buy a charming single-front Victorian or Edwardian here to start with, and when it's time to upgrade, they nearly always want to stay," says Maikousis. "Most people end up renovating or extending rather than moving because the location is just unbeatable. "It's not uncommon for long-time locals to encourage their kids to buy here, knowing it's not only a fantastic lifestyle but a smart investment too." Due to this popularity, the suburb has been an attractive choice for developers keen to offer buyers an alternative residential option. Managing Director of Abadeen, Andrew Leoncelli, says the suburb was a top choice for his latest development due to its "local village" feel. "We chose Prahran East as the site for Grandview because it is one of the most incredible local villages in the inner south eastern suburbs," says Mr Leoncelli. Mr Leoncelli believes the development will appeal to buyers who love the area, but are unable to purchase a stand-alone house. "We offer a more affordable option to young professional couples who want two-to-three bedrooms with secure car spaces, but can't afford the small cottage homes that are typically in need of a renovation," he says. "These are basically out-of-reach for buyers who are time-poor and wanting to start a young family." The next evolution of Prahran East Director of Marshall White Developments, Leonard Teplin, has worked in the area for 15 years and believes the suburb is undergoing a "significant transformation". "The area has grown in sophistication with a more curated offering of shops, dining, and lifestyle services," he says. "The arrival of high-end names like Andrew McConnell, P Johnson Tailors, MCM Studio, and Leaf Store have elevated the local experience." Loading Instagram Post Much like its previous evolutions, Mr Teplin says he is witnessing a change in Prahran East's property landscape with buyers seeking out a wider range of housing options. "The housing landscape is evolving, with a move away from investor-style apartments and toward larger, architecturally designed homes." Mr Teplin says he is seeing an increase in downsizers and professional couples seeking out boutique developments that offer them the best of both worlds: house-sized living and luxury amenities. "These buyers are looking for move-in-ready homes with no renovation required," he says. "The ability to customise, combined with the boutique scale of developments, adds to the appeal." When he looks towards the future, Mr Teplin sees Prahran East remaining a tightly-held, low-density suburb, known for its character and exceptional lifestyle offering. "There's a genuine sense of community here that continues to resonate with residents," he says.

The Age
a day ago
- The Age
The discarded suitcase that unearthed a mystery
Our accidental sleuth sniffs out the trail from society pages to Long Bay Gaol registers; library records to Google and Trove. The musician's peripatetic lifestyle crisscrosses the cold trails of Mr Blank's many stunning lovers – models, actresses, a Penthouse Pet, a Japanese stage performer, a Spanish ingénue – whose letters yearn for matrimony or more playful connections. One Miss Cervantes really gets under his skin. 'However beautiful she remained, a troubled woman had stepped into her shoes, and the spirited young lady with the glint in her eye was gone,' Manning writes, deep inside her lovesick correspondence. 'The tissue paper she wrote on had almost dissolved … as if to echo her own unravelling.' Accidental? Well, not every flâneur would see a dead suitcase as a lost soul seeking understanding. Manning's artistic sensibility – visual, lyrical, forensic – drives the story. He's drawn not just to the mystery, but to the theatre of it all. As he dries, sorts and endlessly reshuffles his secret haul of handbills, headshots, Polaroids, newsprint and postcards, a voyeuristic fixation sets in. Soon, Mr Blank becomes a story not just about a flamboyant stranger but about the author's relationship with that man's shadow, and by extension, how we all relate to the ephemera of desire, glamour and secrecy. 'The suitcase was leading me down unsuspecting roads,' he writes as detachment surrenders to passion. 'Along the way, strangers were breaking my heart.' The few photographs reprinted – limited, no doubt, by various redacted parties – only intensify our fascination. We rely on prose to relish the wondrous aesthetics of the era. Via cars, clothes, stationery and architecture, Manning transports himself and his reader into a sumptuous, nostalgic past. How do we feel about Mr Blank? Touched, to see the young man's handwritten list of books for self-improvement. Mixed, when he's sent down, via a wonderfully reconstructed courtroom saga, for black marketing in liquor. Amused, slightly, by the sealed section of a men's magazine the older man saved to hone his boudoir skills. Manning's obsession flirts with madness as later chapters splinter into descriptions of a single photograph or character. Ghosts identified in eureka moments quickly bog down in more questions. 'There were secrets the suitcase would never surrender. No cajoling or sweet words could loosen its grip.' The finder doesn't have it in his heart to be a keeper. His goal shifts from personal enlightenment to the more gallant end of returning papers to identifiable survivors, not all of whom want them. Some hard-won phone numbers and email addresses lead to colourful gossip sessions, others to slammed receivers and lawyers' letters. Meanwhile, Manning's circumstances – writing through pandemic lockdowns in Greece, his music and art projects, the passing of his father, understated parallels with an enigmatic neighbour in his Athens flat – lend resonance. Past and present become a universe of tangents, of which Mr Blank is just one. Loading It all leads to a denouement that's more poetic than satisfying – and more haunting questions. If a single suitcase can spark such a quest, what might your sprawling footprint reveal someday? Whose business will it be, and why? Granted, few can boast a trail as intriguing as the remarkable Mr Blank's. But each of us becomes a puzzle, in the end, for someone else to find – maybe to wonder at, never to solve.