Hell is Real, art showcase, pup meetup and more weekend events
🎭 Celebrate the next generation of artists at Columbus College of Art & Design's annual showcase, Chroma, with a juried art show, entertainment, food trucks and readings.
3-7pm Friday, 60 Cleveland Ave. Free!
🐶 Get lost in a sea of retrievers at the Midwest Golden Meetup (other dogs are welcome, too) at Brewdog's DogTap Columbus in Canal Winchester.
11am-4pm Saturday, 96 Gender Road. Free!
⚽️ Cheer on Columbus at Hell is Real, the Crew's matchup against archrival FC Cincinnati at Lower.com Field.
🧺 Shop local produce with most farmers markets back outdoors for the season.
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Vogue
5 hours ago
- Vogue
Balmain Resort 2026 Menswear Collection
Olivier Rousteing is still under 40. Yet he is also the third longest-standing non-founder creative director in ready-to-wear luxury fashion (after evergreen Véronique Nichanian at Hermès menswear and the mighty Ian Griffiths of Max Mara). So even as fashion cycles through its latest red wedding moment, Rousteing's combination of veteran experience and youthful potential allows him to take a pragmatic and sanguine view. Speaking in his office, he said: 'A designer needs to change: to develop through reinvention. So it's not just only a house becoming bored of a designer and looking to change—the designer him or herself should become bored if they do not change how and what they do. You keep your DNA, but you make very different albums.' At Balmain, Rousteing remains both signed to the label and committed to perpetual reinvention. The photography of these resort lookbooks reflected his intention to approach the collection from a fresh angle while deploying his deep expertise in the business to maximize its performance. In womenswear, a focus on bouclé pieces in pastel checks (a little Clueless), black, and some racier color-combos kept aside in the showroom reflected the fact that around over 20% of Balmain's ready-to-wear pieces are in tweed. A seasonal floral reworked from a Pierre Balmain original was present in some of the multiple new fabrications of a growing core line of Balmain handbags; the Anthem (belt buckle), the Sync (chain), the Ébène (par-baked croissant), and the tightly-waisted Shuffle. Knit bandage dresses and a split skirt floral aside, there was a notable step away from bodycon towards a focus on innovatively detailed oversized tailoring in wools including prince of wales check that often came cropped and placed in silhouette-skewing adjacency to matching microskirts and shorts. A coat so roomy you could put it on Airbnb came patterned with a felted Monet-esque print that reflected Pierre Balmain's artistic passions, Rousteing reported. His column-pediment wedge boots were delivered this season in a shearling fabrication as well as leathers and worn against lingerie dresses. Cocoon-like capes in peach or lemon cashmere were standout wardrobe pieces. Menswear played a radical-conservative gambit of contrasting extreme tailoring—either angular and fitted, or oversized and softer—against denim, leather, or jacquard sportswear. Formal shoes were elevated from banaility by raised soles and extruded metal welting. You could see both bourgeois French paradigms and street silhouettes transposed to tailored fabrications. Lurking in the showroom were many non-shot but still highly photogenic pieces, including labyrinth pattern shirt-and-short sets, leather and wool stadium jacket blouson hybrids, and bouclé overshirts. Said Rousteing: 'The real question is always what do you want to propose? And while my answer changes through the seasons, it also always relates to going back to the past and bringing it to the present in order to build the future. This is why I am always having this conversation with the original work of Pierre Balmain, and looking to express that dialogue in new ways.'
Washington Post
14 hours ago
- Washington Post
Lee Corso's final 'College GameDay' show will be Aug. 30 at Ohio State
BRISTOL, Conn. — Lee Corso's final headgear pick on 'College GameDay' will be on the campus where it all started. ESPN's iconic show will begin its 39th season at Ohio State before the defending national champion Buckeyes host the Texas Longhorns on Aug. 30. Corso, who turns 90 in August, announced earlier this year that his final show would be on the opening week of the season. Corso began his popular headgear segment on Oct. 5, 1996, before Ohio State faced Penn State. Since then, he has gone 286-144 in 430 selections wearing everything from helmets and mascot heads to dressing up as the Fighting Irish leprechaun from Notre Dame, the Stanford tree and historic figures James Madison and Benjamin Franklin. He has worn 69 different school's mascot headgear. Corso — the lone remaining member of GameDay's original cast — has selected and worn Brutus Buckeye's headgear a record 45 times. Alabama is next with 38. This will be the 26th appearance by 'College GameDay' in Columbus. The Buckeyes have a 19-6 record in those games. ___ Get poll alerts and updates on the AP Top 25 throughout the season. Sign up here . AP college football: and
Vogue
14 hours ago
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Tanya Taylor Resort 2026 Collection
Brooklyn-based painter Grace Weaver has a secret admirer in Tanya Taylor, who created a resort collection loosely inspired by the artist. 'The way she presents herself is very preppy, a little bit more reserved, utilitarian. I kept being interested in watching what she wore while she painted,' the designer said. 'It got me excited to think about if she was alone in her studio for a week, how might she layer herself and start telling a story through clothes as she was creating?' An a-line denim dress accessorized with a tool belt, canvas jackets with a leather pocket the same color as the leather pants they were styled with, and a khaki dress hand-painted by Taylor (which will be turned into a print) captured the romantic idea of a working artist well. Permanent rolled-up sleeves or buttons to hold actually rolled-up sleeves were also suggestive of hard work, while wide-legged jeans, roomy khakis, and cashmere sweaters in delicious colors captured a sort of mid-century Lee Krasner vibe. Where the collection seemed to veer from its frame (i.e. the story) was with the dressier pieces. Taylor, who wants to encourage her customers to locate their inner artist, said she was thinking about creating an 'organic dialogue between what you're making and what you're wearing.' There is no question that building and styling a wardrobe is a creative act, but it's not the equivalent of making something from nothing. This created a sense of dissonance between the narrative and what was on the racks, especially as Taylor is a designer that is so attentive of her clients' needs. While it was difficult to make the leap from overalls to marabou-trimmed separates, subtracted from the story that Taylor proposed, the pieces worked. There was a lot of variety here, as well as newness. The cashmere bra and panty sets were as welcome as they were unexpected; similarly a one-button shirt showed just a little bit more skin than usual. According to the designer, a slightly curvy black leather jacket with a bit of puff at the sleeves was attracting a lot of attention from buyers. As with the collection as a whole, romance, not rebellion, was its cause.
