
Sacha Baron Cohen doesn't realise his midlife post-divorce body is repellent to most women
My first thought was oily biltong. My second thought was one of those comedy cooking aprons featuring a male torso. My third thought was: ooh, hench, what do you bench?
No, of course it wasn't. It was this: I get the 53-year-old actor and comedy writer is now officially divorced from his wife, Isla Fisher, 49, but I'm not sure the revenge body thing is really working.
Back in the day (1994, to be precise), Diana, Princess of Wales, stole the show with a daring off-the-shoulder black dress to signal her couldn't-care-less-but-actually-care-a-lot insouciance.
I can't see why a Celine Homme polo shirt and Tom Ford linens wouldn't have done the trick for Baron Cohen. He's a dad with two daughters and a son, and therefore absolutely entitled – some would say obliged – to rock a dad bod.
What his Australian ex-wife makes of it all is anyone's guess. The couple met at a party in 2001 and were engaged in 2004. The Wedding Crashers actress converted to Judaism to marry Baron Cohen in 2010. Although they announced their separation in 2024, they said it had happened a year previously. Both have been at pains to keep their personal lives private.
But now that the privately educated Cambridge graduate has joined the Hollywood elite, he happily admits he brought in a crack team for his ripped glow-up, which he describes as 'a midlife crisis'. Plus, he has been cast as Marvel's supervillain devil Mephisto, who makes evil pacts with mortals in order to acquire their souls, which concentrated his mind.
'Some celebs use Ozempic, some use private chefs, some use personal trainers. I did all three,' he told the magazine. 'This is not AI, I really am egotistical enough to do this.'
Given he was put through his daily workouts by someone called @theangrytrainer, his dedication, appropriately enough, verged on the demonic.
It's a far cry from his wannabe gangsta Ali G character back in the 1990s, which led to his film about his shockingly inappropriate Kazakh journalist, Borat, in 2006, and then his mockumentary about monstrous Austrian fashionista Brüno three years later. In 2012, he played Admiral General Aladeen in The Dictator, billed as 'the heroic story of a dictator who risked his life to ensure that democracy would never come to the country he so lovingly oppressed'.
Now a bona fide A-lister, Baron Cohen has clearly fallen prey to the literal arms race dominating the big franchises, which has seen male actors (and their body doubles) push their physiques into superhero proportions. Having presumably forgotten that superheroes aren't real.
These days, muscle mass equals star power. On screen, at any rate. In Men's Fitness, Baron Cohen has found the perfect body-conscious audience for his great reveal, but I'm not sure how many women will find his pumped-up pecs a thing of beauty.
It's great for any midlifers to have a stimulating hobby, and there's something deeply attractive about a man pursuing a passion. But there's something troubling when that passion turns out to be sculpting himself in the image of a cartoon character.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
7 minutes ago
- The Independent
Tom Lehrer, song satirist and mathematician, dies at 97
Tom Lehrer, the popular song satirist who lampooned marriage, politics, racism and the Cold War, then largely abandoned his music career to return to teaching math at Harvard and other universities, has died. He was 97. Longtime friend David Herder said Lehrer died Saturday at his home in Cambridge, Massachusetts. He did not specify a cause of death. Lehrer had remained on the math faculty of the University of California at Santa Cruz well into his late 70s. In 2020, he even turned away from his own copyright, granting the public permission to use his lyrics in any format, without any fee in return. A Harvard prodigy (he had earned a math degree from the institution at age 18), Lehrer soon turned his very sharp mind to old traditions and current events. His songs included "Poisoning Pigeons in the Park," "The Old Dope Peddler" (set to a tune reminiscent of "The Old Lamplighter"), "Be Prepared" (in which he mocked the Boy Scouts) and "The Vatican Rag," in which Lehrer, an atheist, poked at the rites and ceremonies of the Roman Catholic Church. (Sample lyrics: "Get down on your knees, fiddle with your rosaries. Bow your head with great respect, and genuflect, genuflect, genuflect.") Accompanying himself on piano, he performed the songs in a colorful style reminiscent of such musical heroes as Gilbert and Sullivan and Stephen Sondheim, the latter a lifelong friend. Lehrer was often likened to such contemporaries as Allen Sherman and Stan Freberg for his comic riffs on culture and politics and he was cited by Randy Newman and 'Weird Al' Jankovic among others as an influence. He mocked the forms of music he didn't like (modern folk songs, rock 'n' roll and modern jazz), laughed at the threat of nuclear annihilation and denounced discrimination. But he attacked in such an erudite, even polite, manner that almost no one objected. "Tom Lehrer is the most brilliant song satirist ever recorded," musicologist Barry Hansen once said. Hansen co-produced the 2000 boxed set of Lehrer's songs, "The Remains of Tom Lehrer," and had featured Lehrer's music for decades on his syndicated "Dr. Demento" radio show. Lehrer's body of work was actually quite small, amounting to about three dozen songs. "When I got a funny idea for a song, I wrote it. And if I didn't, I didn't," Lehrer told The Associated Press in 2000 during a rare interview. "I wasn't like a real writer who would sit down and put a piece of paper in the typewriter. And when I quit writing, I just quit. ... It wasn't like I had writer's block." He'd gotten into performing accidentally when he began to compose songs in the early 1950s to amuse his friends. Soon he was performing them at coffeehouses around Cambridge, Massachusetts, while he remained at Harvard to teach and obtain a master's degree in math. He cut his first record in 1953, "Songs by Tom Lehrer," which included "I Wanna Go Back to Dixie," lampooning the attitudes of the Old South, and the "Fight Fiercely, Harvard," suggesting how a prissy Harvard blueblood might sing a football fight song. After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called "More of Tom Lehrer" and a live recording called "An Evening Wasted with Tom Lehrer," nominated for a Grammy for best comedy performance (musical) in 1960. But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side. Lehrer said he was never comfortable appearing in public. "I enjoyed it up to a point," he told The AP in 2000. "But to me, going out and performing the concert every night when it was all available on record would be like a novelist going out and reading his novel every night." He did produce a political satire song each week for the 1964 television show "That Was the Week That Was," a groundbreaking topical comedy show that anticipated "Saturday Night Live" a decade later. He released the songs the following year in an album titled "That Was the Year That Was.' The material included "Who's Next?" ponders which government will be the next to get the nuclear bomb ... perhaps Alabama? (He didn't need to tell his listeners that it was a bastion of segregation at the time.) "Pollution" takes a look at the then-new concept that perhaps rivers and lakes should be cleaned up. He also wrote songs for the 1970s educational children's show "The Electric Company." He told AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works. His songs were revived in the 1980 musical revue "Tomfoolery" and he made a rare public appearance in London in 1998 at a celebration honoring that musical's producer, Cameron Mackintosh. Lehrer was born in 1928, in New York City, the son of a successful necktie designer. He recalled an idyllic childhood on Manhattan's Upper West Side that included attending Broadway shows with his family and walking through Central Park day or night. After skipping two grades in school, he entered Harvard at 15 and, after receiving his master's degree, he spent several years unsuccessfully pursuing a doctorate. "I spent many, many years satisfying all the requirements, as many years as possible, and I started on the thesis," he once said. "But I just wanted to be a grad student, it's a wonderful life. That's what I wanted to be, and unfortunately, you can't be a Ph.D. and a grad student at the same time." He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters. From time to time, he acknowledged, a student would enroll in one of his classes based on knowledge of his songs. "But it's a real math class," he said at the time. "I don't do any funny theorems. So those people go away pretty quickly." ___ Former Associated Press writer John Rogers contributed to this story. Rogrers retired from The AP in 2021.

Leader Live
an hour ago
- Leader Live
Two ‘incredible' new professional dancers join Strictly Come Dancing cast
American-born Alexis Warr and Australian-born Julian Caillon will join the hit dance competition series as it returns to BBC One and iPlayer this autumn. Warr, who is best known for winning the US dance series So You Think You Can Dance in 2022 and was crowned America's favourite dancer, became the first female ballroom and Latin dancer to claim the title. On joining Strictly Come Dancing, Warr said: 'I've admired Strictly for years, so joining this incredible family is such an honour. 'I can't wait to step into the ballroom, pour my heart into every moment, and share my love of dance with the UK.' Caillon, who specialises in ballroom and Latin American, has appeared as a professional dancer for three seasons of Australia's version of Strictly Come Dancing, titled Australia's Dancing With The Stars. He said: 'Joining the cast of Strictly really is a dream come true. 'I've watched it for years, especially cheering on all the amazing dancers I know and work with who've been part of it. 'I can't wait to get stuck in, have some fun, and be part of something special!' The newcomers will join the current cast of professional dancers, which includes Dianne Buswell, Nadiya Bychkova, Amy Dowden, Karen Hauer and Katya Jones. Neil Jones will also return in the autumn along with Nikita Kuzmin, Gorka Marquez, Luba Mushtuk and Jowita Przystal. The new series, hosted by recent MBE recipients, Claudia Winkleman and Tess Daly, will also welcome back Johannes Radebe, Aljaz Skorjanec, Kai Widdrington, Nancy Xu, Carlos Gu, Lauren Oakley, Michelle Tsiakkas and Vito Coppola. Warr and Caillon will join the professionals each week for group routines, music acts, theme weeks and Strictly's annual trip to Blackpool. Craig Revel Horwood, Motsi Mabuse, Anton Du Beke and Shirley Ballas will also return to the judging panel. Sarah James, executive producer at BBC Studios, said: 'We've been big fans of Alexis and Julian for some time, so it's with great excitement that we now welcome them both to the Strictly family. 'They're two incredible dancers with bright futures ahead of them, and we know viewers are going to love getting to know them both.' Kalpna Patel-Knight, head of entertainment at the BBC, added: 'Alexis and Julian are the perfect additions to Strictly, and we can't wait for you to see them light up the ballroom this autumn. 'With our fantastic professional dancers, plus everything else we love about Strictly, the new series promises to be bigger, better and even more glitter-packed than ever before.' The news comes after the series faced a string of incidents this year, including Welsh tenor and former BBC Radio Wales presenter, Wynne Evans, being dropped by the broadcaster after he made an apology saying that he used 'inappropriate language' during the launch of the Strictly Come Dancing tour. Months later, EastEnders star James Borthwick was also suspended from the BBC after a video emerged of the actor using a disabled slur on the set of the dance programme. Strictly Come Dancing will return to BBC One and iPlayer this autumn.


The Independent
2 hours ago
- The Independent
‘Fantastic Four: First Steps' scores Marvel's first $100 million box office opening of 2025
Marvel's first family has finally found box office gold. 'The Fantastic Four: First Steps,' the first film about the superheroes made under the guidance of Kevin Feige and the Walt Disney Co., earned $118 million in its first weekend in 4,125 North American theaters, according to studio estimates Sunday. That makes it the fourth biggest opening of the year, behind 'A Minecraft Movie,' 'Lilo & Stitch' and 'Superman,' and the biggest Marvel opening since 'Deadpool & Wolverine' grossed $211 million out of the gate last summer. Internationally, 'Fantastic Four' made $100 million from 52 territories, adding up to a $218 million worldwide debut. The numbers were within the range the studio was expecting. The film arrived in the wake of another big superhero reboot, James Gunn's 'Superman,' which opened three weekends ago and has already crossed $500 million globally. That film, from the other main player in comic book films, DC Studios, took second place with $24.9 million domestically. 'First Steps' is the latest attempt at bringing the superhuman family to the big screen, following lackluster performances for other versions. The film, based on the original Marvel comics, is set during the 1960s in a retro-futuristic world led by the Fantastic Four, a family of astronauts-turned-superhuman from exposure to cosmic rays during a space mission. The family is made up of Reed Richards (Pedro Pascal), who can stretch his body to incredible lengths; Sue Storm (Vanessa Kirby), who can render herself invisible; Johnny Storm (Joseph Quinn), who transforms into a fiery human torch; and Ben Grimm (Ebon Moss-Bachrach), who possesses tremendous superhuman strength with his stone-like flesh. The movie takes place four years after the family gained powers, during which Reed's inventions have transformed technology, and Sue's diplomacy has led to global peace. Both audiences and critics responded positively to the film, which currently has an 88% on Rotten Tomatoes and promising exit poll responses from opening weekend ticket buyers. An estimated 46% of audiences chose to see it on premium screens, including IMAX and other large formats. The once towering Marvel is working to rebuild audience enthusiasm for its films and characters. Its two previous offerings this year did not reach the cosmic box office heights of 'Deadpool & Wolverine," which made over $1.3 billion, or those of the 'Avengers'-era. But critically, the films have been on an upswing since the poorly reviewed 'Captain America: Brave New World,' which ultimately grossed $415 million worldwide. ' Thunderbolts," which jumpstarted the summer movie season, was better received critically but financially is capping out at just over $382 million globally. Like Deadpool and Wolverine, the Fantastic Four characters had been under the banner of 20th Century Fox for years. The studio produced two critically loathed, but decently profitable attempts in the mid-2000s with future Captain America Chris Evans as the Human Torch. In 2015, it tried again (unsuccessfully) with Michael B. Jordan and Miles Teller. They got another chance after Disney's $71 billion acquisition of Fox's entertainment assets in 2019. Top 10 movies by domestic box office With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'The Fantastic Four: First Steps,' $118 million. 2. 'Superman,' $24.9 million. 3. 'Jurassic World Rebirth,' $13 million. 4. 'F1: The Movie,' $6.2 million. 5. 'Smurfs,' $5.4 million. 6. 'I Know What You Did Last Summer,' $5.1 million. 7. 'How to Train Your Dragon,' $2.8 million. 8. 'Eddington,' $1.7 million. 9. 'Saiyaara,' $1.3 million. 10. 'Oh, Hi!,' $1.1 million.