Scarlett Johansson explains why the ‘anonymity' and ‘privacy' of her children ‘is very precious' to her
Scarlett Johansson wants her kids to have the gift of 'anonymity' — until they are old enough to actually understand the highs and lows of fame.
In a new interview with InStyle, the 'Black Widow' actress explained why she has chosen to raise 10-year-old daughter Rose, whom she shares with ex Romain Dauriac, and her and Colin Jost's 3-year-old son, Cosmo, out of the public eye.
'If anyone knows me, I definitely over-share. I'm not a closed book, you know?' she told the outlet for the profile, which was published Tuesday. 'No. I'm politically active and vocal about it. But I am a private person in the sense that I value my close friendships.'
Johansson, 40, noted that her 'family is very precious to [her], as is their privacy.'
'The anonymity of my children is very precious to me,' she added.
While her toddler has yet to grasp the idea of fame, she has slowly started having the conversation about it with her daughter.
Johansson said the 'other day' the tween asked why she wasn't allowed to 'make videos' for her skincare brand, The Outset, leading to a bigger conversation about the world of celebrity.
'She was like, 'Why can't I?' And I said, 'Well, other than the fact that you're 10…'' she joked.
'The thing about being a public figure is that the idea of being recognizable and celebrated feels fun, but then you can never stuff it back in the bottle,' she explained. 'The reality of it is, there's a massive loss to that, you know?'
The Marvel star doesn't want her kids to have to carry the weight of fame until they are ready to make that choice for themselves — and at an age where they can truly grasp what it means.
'So I think preserving that for as long as possible until it's someone's choice, that's the choice I make as far as my kids go,' she said, joking about the importance of being able 'to go and buy [your] own s—t at Duane Reade.'
The 'Avengers' star knows first hand what it's like to live out your early years in front of the public eye.
She landed her first film role at age 8, as John Ritter's daughter in 'North,' and has been gracing the big screen ever since.
Despite over three decades in show business, Johansson has managed to separate her personal life from her professional one.
The A-list actress famously does not take pictures with fans unless she is working, which she admits 'really offends a lot of people.'
'It doesn't mean I'm not appreciative, of course, that people are fans, or happy to see me,' she explained. 'But I always say to people, 'I'm not working.' [And that means] I don't want to be identified as being in this time and place with you. I'm doing my own thing.'
She also doesn't have social media despite friends, co-founders and even production companies trying to persuade her to join various platforms.
Johansson explained that it 'goes against [her] core values' to share so much of herself online.
While she has debated the idea of starting an account for business purposes, she doesn't think there is a way to do it and still 'stay true' to herself.
'The work that I put out there is all based in truth. That's the key ingredient,' she told the outlet. 'So if I was a person who really enjoyed social media, then I could totally get on the bandwagon. But I'm not.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


San Francisco Chronicle
28 minutes ago
- San Francisco Chronicle
Stream it: The best queer superheroes to inspire and entertain this Pride Month
All over the country, state legislators, school boards and federal agencies are endeavoring to diminish LGBTQ people — both in fiction and everyday life. It's times like this you might wish for a queer person with super-strength and lasers to swoop in and save the day. As we fight on the ground, here are some of the best superheroes with whom to celebrate Pride Month. Rather than have this list be dominated by characters from the two mega-titans of spandex, DC and Marvel, here's a general overview of what each universe has to offer in the way of LGBTQ representation: DC Extended Universe For DC, the animated 'Harley Quinn' series features one of comics' most iconic lesbian relationships, finally done right on television. 'Doom Patrol,' featuring gay hero Negative Man, remains a surrealist masterpiece. Finally, there's 'Peacemaker,' which showrunner James Gunn and star John Cena reimagined as a bisexual antihero. Watch it: All available on Max. Marvel Cinematic Universe The MCU has definitely been getting queerer in recent years. The underrated movie 'Eternals' showed an immortal hero living a quiet life with his husband and son. Cunning antihero Loki is canonically bisexual and genderfluid as well as the best time-travelling hero this side of 'Doctor Who' in the titular series. Then there's 'Agatha All Along,' which gave us the iconic line 'if you want a straight answer, ask a straight lady.' 'Miraculous' (2015) The French animated series 'Miraculous,' about Parisian teens who use magical jewels to fight crime as costumed heroes, is both a cult hit and a fantastic example of queer representation. From the rainbow-powered character Wishmaker to the unrequited crush of Vesperia on main character Ladybug, the show manages to competently contain a full gamut of real-world queer experiences in an affirming way. Watch it: Streaming on Disney+. 'Code Name: Dynastud' (2018) Not everything needs to be family-friendly and inspirational. In this raunchy comedy directed by Richard Griffin, a radical right-wing government has outlawed homosexuality. Luckily, a farm boy with some unprintable superpowers is off to save the day with jokes and an intolerance for intolerance. This film is pure schlock, but as a combination of revenge fantasy and satire of toxic machismo, it's definitely a fun time. Watch it: Steaming on Tubi. 'Surge of Power: The Stuff of Heroes' (2004) The entire ' Surge of Power ' franchise is a gift to the genre of camp. Real-life corporate attorney Vincent J. Roth plays fictional corporate attorney Gavin Lucas, the alter-ego of openly gay superhero Surge, who battles both crime and homophobia. This was a groundbreaking indie film in 2004, made after the rebirth of the genre but long before the media juggernaut of the MCU. It would be 13 years before 'Power Rangers' would put the first queer hero on the big screen, but Roth kept making 'Surge of Power' sequels and pop culture crossovers with other franchises.
Yahoo
an hour ago
- Yahoo
Kristen Anderson-Lopez and Robert Lopez on how the ‘Agatha All Along' cast ‘became a coven' when recording ‘The Ballad of the Witches' Road'
When it came to Agatha All Along , it was the songwriters who may have cast the most tantalizing spell. "The crew was telling us, 'I don't usually say this to songwriters, but wow, I had hairs standing up on the back of my neck,'" Robert Lopez says of the reactions to the cast recording the show's haunting song "The Ballad of the Witches' Road." As the double-EGOT winner's multiple award-winning partner and spouse Kristen Anderson-Lopez tells Gold Derby, "When Agatha got a spin-off, [creator Jac Schaeffer] knew instantly that she wanted it to be based around a song, and built it into the very fundamental architecture of the show, which was a huge gift to us. We would work with her for the rest of our career if we could, because she understands music and it gave us this chance to do this thing that we love." (Watch our full interview above.) More from GoldDerby 'Difficult times,' 'screaming matches,' and 'abandonment': David Duchovny and Chris Carter rehash their drama on 'The X-Files' Emma D'Arcy takes a break from filming 'House of the Dragon' Season 3 to talk riding dragons, 'Westerosi jet lag,' and Season 2's 'momentous' moments Jason Schwartzman on the breakneck 'Mountainhead' production: 'I've never done anything like it in my life' Marvel's Agatha All Along, a follow-up to the Emmy-winning WandaVision, follows Agatha Harkness (Emmy nominee Kathryn Hahn), as she regains her freedom and embarks on the Witches' Road to reclaim her powers. The main cast features Joe Locke as Billy Maximoff, Sasheer Zamata as Jennifer Kale, Ali Ahn as Alice Wu-Gulliver, Tony winner Patti LuPone as Lilia Calderu, Emmy nominee Aubrey Plaza as Rio Vidal, and Debra Jo Rupp reprising her role as Sharon Davis. Drawing inspiration from witch lore and pop culture, the series blends dark comedy with supernatural elements, exploring themes of identity, power, and redemption. SEE Kathryn Hahn reveals the unusual way she learned about her Golden Globe nom for 'Agatha All Along' 'The Ballad of the Witches' Road' is a central musical and narrative element in Agatha All Along, composed by the acclaimed duo behind the Emmy-winning 'Agatha All Along' tune from WandaVision and the iconic Oscar-winning anthem "Let It Go" from Frozen. The song is framed as having been originally created in the 1750s by Agatha Harkness and her son, Nicholas Scratch, used to lure unsuspecting witches into a trap where Agatha would absorb their powers. Throughout the series, the song appears in various versions — including the haunting 'Sacred Chant,' a '70s rock-inspired rendition, and a pop cover by Japanese Breakfast — each reflecting different facets of the show's themes and character arcs. The lyrics serve as both a literal guide and a metaphorical warning, symbolizing the dangers of the Witches' Road and the personal trials that each of the characters endure throughout the first season's nine episodes. " If you heard the demo of this song, it's a lot less powerful; it's a lot more choral," Robert Lopez says. "We thought, they'll be singing in a group and I don't know what this is going to be like, but here's an arrangement of it. We laid down each one of these incredible performers who are also at this very moment bonding with one another. They hadn't really gotten to work yet. This was the first thing they did, and they became a coven, track by track," he explains. "It was one of the first things they all did together; we had to record the sacred version before many of them had even stepped on set to act," Kristen Anderson-Lopez reveals. "The beautiful thing that happened that day is that everybody stayed for each other's. We had to record them one by one in layers, and everyone stayed to support each other. Then a week later they were on screen, on set in their iconic costumes, recording it together. And by that point, they had become an a capella group. They could sing it without backup. They had 'in ears,' but they didn't really need them," she says. "When each person had their closeup and had to do their own solo version, after each one, everybody applauded in the most wonderful, supportive way. It really was this meta thing where the coven was created through this sisterhood song." "The Ballad of the Witches' Road" might end up being yet another feather in the duo's cap, now that Lopez is a double EGOT-winner and Anderson-Lopez is this close to achieving EGOT status. They both have won two Oscars (2013 for "Let It Go' and 2017 for 'Remember Me' from Coco) and were nominated in 2019 for 'Into the Unknown' from Frozen 2. They both won an Emmy in 2021 for 'Agatha All Along' from WandaVision, Lopez won a Grammy for The Book of Mormon and they both won Grammys for "Let it Go" and Frozen, and Lopez has three Tony wins to his name (Avenue Q in 2004 and The Book of Mormon in 2011). When Lopez completed his EGOT in 2014 with Oscar win for "Let it Go," he became the youngest ever to achieve the feat (he was 39), the fastest to achieve it (10 years), and eventually he became the first to win all four of those coveted awards multiple times. "First of all, it is a huge honor. To be recognized for anything, it's a huge honor and I do think that the first Tony that I won for Avenue Q made my whole career possible. I think awards really do make your dreams come true for more than one project. Having that award allows you to get to do all the things you wanted to do or do many of them. And I think that our Oscar for 'Let It Go,' that created Kristen's career," he says of his wife, who is just a Tony shy of completing the EGOT herself. "Winning an Oscar for 'Let It Go' gave me an in with the theater world, which at the time was so male dominated," Anderson-Lopez explains. "There were very few seasons that ever had a female songwriter in the running. So I needed fuel to be able to open doors here in New York," she notes, adding with a playful smile that "when it comes to Bobby being the youngest and the only double EGOT winner, I like to use it to make fun of him sometimes, like when he does something particularly stupid, and I'm like, 'No, no, don't listen to the youngest double EGOT winner.'" Agatha All Along is now streaming on Disney+. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Jacob Elordi reveals personal reason for joining 'The Narrow Road to the Deep North': 'It was something important to me' Jason Schwartzman on the breakneck 'Mountainhead' production: 'I've never done anything like it in my life' 'Étoile' creators say cinematographer M. David Mullen was their 'film school' Click here to read the full article.

Refinery29
2 hours ago
- Refinery29
DreamCon Was A Black Girl Cosplay Fantasy & Megan Thee Stallion Led The Way
Megan Thee Stallion was on a mission as she scanned a room full of fans at the George R. Brown Convention Center in Houston: to find the best cosplaying hottie during the opening night of DreamCon. Dozens of attendees rushed to the front of the stage hoping that the costumes they spent hours—weeks and in some cases even months—putting together would catch her attention. The three-time Grammy-winning rapper hyped up a woman with an epic green wig who was dressed as Broly, a character from Dragon Ball Z. And she ran with open arms toward two other women dressed as characters from her favorite anime, My Hero Academia. Meg herself donned a purple wig and dressed as Yoruichi Shihouin from Bleach, one of the many times we've seen her cosplay. This time, she was greeted by thousands also in cosplay, cheering and chanting her name. "The hotties are making me feel so good! I feel right at home, babe," she told host Storymode Bae after admitting she'd been nervous. And by 'home,' she didn't mean that solely because the convention and sold-out panel were in her hometown. After the fandom convention hosted by the popular streaming group RDCWorld announced Meg as the headliner, controversy followed. Social media users called out the organizers for engaging with posts in support of Tory Lanez. Some speculated that Meg would pull out of the convention altogether, even despite her tequila brand, Chicas Divertidas, being a sponsor. Others said the incident highlighted a broader issue: a hostile environment for Black women overall at DreamCon, where about 28,000 attendees were expected. Organizers issued an apology to the rapper on X: "We recognize that our actions contributed to a negative online environment, and we take full responsibility as we work toward fostering a more positive and respectful space.' Black women leading up to and at Friday's panel held organizers' feet to the fire and made sure that Meg felt celebrated and seen. The misogynoir Meg faced isn't unique. Black women and femmes in anime and gaming communities often face disrespect and criticism just for existing in the space. And like Meg, their balm for this hasn't been to retreat from the hobbies they love, but rather to show up and show out. And they did just that at DreamCon 2025. Personifying their favorite heroes, villains, memes and more, Black women practiced boundless imagination and whimsical escapism. The convention also hosted numerous women-led panels. 'I feel like being here is us contributing to a better culture so we can see other women that are like us like, 'Hey girl, we see you, You don't have to worry about the femcels and the incels and all those people who are trying to make you to be who you aren't.'' said Bernette Fondong, a 28-year-old visiting from Atlanta. Fondong, who has been cosplaying for eight years, came dressed as Marvel's Scarlet Witch. She attended with her friend Trisha Pilgrim, 28, from Maryland. As a nod to her queer identity, Pilgrim cosplayed as Emporio Ivankov, a gender-bending character in One Piece. 'I just really appreciate that Black women are creating that space and we're coming out and we're cosplaying and we're just creating that space in spite of it all,' Pilgrim said. 'We really know how to stand against adversity. I feel like we're just making it a more accepting culture for women to feel more free in their cosplay and to show up and be here.' Even outside of the cosplay community, it's long been considered taboo for Black people to lean into nerd culture. And though there's been more visibility and acceptance in recent years, there are still few official spaces for Black nerds to gather en masse. For attendees experiencing their first anime convention, like Chantel Green, spaces like DreamCon attract a special energy. 'My first animecon ends up being a Black anime con and it makes me really excited because Black nerds, we just weren't seen,' said the 31-year-old from Detroit. She dressed as Persephone from Lore Olympus. 'For me to come here, I feel truly blessed and I feel happy here.' Cosplay for Black women has also become an outlet for them to express their creativity with special makeup effects, stitching techniques and hairstyling. And it's a steadily growing community. Alex Box, 28, was inspired to cosplay by her mother, a costume designer who worked on prom dresses and Princess Tiana gowns. The Houston native valued the bonding time she got to spend with her as she got guidance in making her Elphelt Valentine costume, which took four months to make. Lanihya Duncan, a 27-year-old from Chicago who studied special effects makeup in college, got into cosplaying after her friend suggested it to her. Now at her second DreamCon, she took pride in her handmade Lulu from Final Fantasy costume, which took her two months to create. For Duncan, spaces like DreamCon allow Black weebs to not have to hide who they are. 'Being Black, it can be hard for people to really show that because [of pressure to] fit in,' she said. ' But DreamCon is like no, you can be both. It's amazing to embrace because Black cosplayers have that little umph that you can't see. Who else is gonna be rocking braids, cornrows and afros with a Killua costume?' Gabrielle Kanu, a 35-year-old Houston native, said cosplaying feels 'freeing.' Since 2016, she's dressed as Sailor Moon, Storm and Sophie Hatter. This year, she's Dorothy, giving a mix of The Wiz and The Wizard of Oz. 'There's no trying to codeswitch for anybody. We can be us all the time, every time. You can see the beauty and shapes of everybody around here. I'm a little plump and I'm glad I am and you see everyone else who's glad of who they are,' she said 'It's kind of like being at an HBCU. It's literally like a homecoming.' During Friday's event, Meg also announced that she's making an anime with Prime Video. Though she didn't go into the details, she revealed that she collaborated with Boondocks producer and voice actor Carl Jones to create it. This marks a major stride for Black women behind the scenes in anime and opens up the genre for newcomers to dip their toe in. While it's not on Black women to fix the sexism, homophobia and transphobia they encounter in alternative spaces — or in any spaces for that matter — there's an intrinsic power we possess in showing up as we are in these types of spaces. For Meg, the public has witnessed her do that time and time again. "My proudest achievement is staying strong through adversity. I feel like a lot of people in my shoes would have gave up," she said during the Q&A. "The Hotties have my back."