The Stunning Vacation Spots Celebs Like Taylor Swift and Travis Kelce are Flocking to in 2025
Ever wonder where the world's most famous faces go to unwind? A new study just revealed the travel hotspots that A-listers are loving in 2025—and it's not all mega yachts and private islands (though there's a little of that too). From dreamy Mediterranean escapes to tropical hideaways with surprisingly affordable luxury stays, these celebrity-approved destinations are more within reach than you might think.
A recent report by the travel platform Otherworld analyzed confirmed celebrity sightings, paparazzi photos, entertainment news, Instagram popularity, fine dining stats and luxury hotel pricing to uncover the ultimate 2025 vacation map for the rich and famous.
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Leading the list is Ibiza, Spain, which continues to dominate thanks to its vibrant nightlife, luxe beach clubs and endless sun. With over 20 million Instagram tags and appearances by Leonardo DiCaprio, Kendall Jenner and Cristiano Ronaldo, it's the undeniable hotspot of the year. Surprisingly, a five-star stay averages around $695 a night—steep, but still less than many other luxury locales.Tulum, Mexico, however, is where luxury meets value. With over 1,000 high-end stays and a price point that starts at just $251 per night, it's a favorite for fashion-forward celebs like Dua Lipa and Chloe Sims. The stunning beaches and bohemian vibe make it an influencer magnet and a savvy traveler's dream.
Lake Como, Italy, has become the unofficial retreat for power couples. Taylor Swift and Travis Kelce, Emily Blunt and John Krasinski and J.Lo and Ben Affleck have all been spotted there recently, soaking up the quiet glamour of the lakeside villas. Expect to pay around $1,779 per night. For A-list ambiance, some say it's worth every euro.
Other hotspots include Turks and Caicos, where Kylie Jenner and the Biebers recently made waves, and Mykonos, which tops the chart as the most expensive at $2,604 per night. Even the more low-key Dominican Republic saw a flurry of celeb traffic, offering the most five-star resorts on the list at a surprisingly low average rate of $359.
Whether you're planning a honeymoon or just want to vacation like the stars, this list proves you don't need an entourage to enjoy a taste of the celebrity lifestyle in 2025.The Stunning Vacation Spots Celebs Like Taylor Swift and Travis Kelce are Flocking to in 2025 first appeared on Parade on Jul 21, 2025
This story was originally reported by Parade on Jul 21, 2025, where it first appeared.
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Fram: I think because our missions are all aligned with, She Is The Music and what Marcie has been doing at AB, what I did at CMT and what I'm doing with FEMco, I think it just reinforces our mission to combat gender discrimination, to try to create equitable opportunities for female artists. We want to create this broader movement for inclusivity in music. And I think what we're doing with all genres, if you looked at who played the other night, the beauty of it is that some of the artists that didn't know each other, now they know each other, they're all exchanging phone numbers, they want to write with each other. Sinclair, who I've known since I moved here 13 years ago, who's an amazing pop artist, fell in love with Summer Joy and wants to work with her. So, those are the type of things that we see happen. And knowing now that She Is The Music wants to do this on a monthly basis is really meaningful. Summer Joy Baltin: What are the long-term goals? Fram: In Nashville, we also try to support the female producers, engineers and songwriters. But it's still not easy in those [other] genres as well to even get on to festivals and tours. It's very difficult in country because a lot of the artists really dictate who go out on tour with them. What's great is we do have a lot of male artists that bring women out on tour. Keith Urban's one of the best, but then you have the female artists that really support other female artists. Miranda Lambert's been doing it for years, and so this is really a way to broaden this appeal and broaden this movement, and I think it will. We had a great turnout the other night, and again, seeing the camaraderie between the artists to me is the most special part of that night. Baltin: Will there be plans at some point to take this out on the road? Fram: I one thousand percent believe it's viable because if you look at what Brandie Carlile has done with her festival and again, it's all genres. There are so many amazing female artists, as you mentioned, even in the Americana space, that I completely love. And I think the time is now to do something like this. Again, I think the genre lines are blurred. You have a lot of artists that cross a lot of different lines. And it's just about great music and celebrating female voices. I was at those original Lilith Fair's. And what's great is that when I worked at this alternative station in the '90s, 99X in Atlanta, we played Sarah McLachlan. We were the No Labels station. We just wanted to play great music. We supported Sheryl Crow and Sarah McLachlan. And Sheryl, living in Nashville I get to see her all the time, she waves the flag for other women all the time. And a lot of these women that are up and coming are just getting into their careers, she has been a mentor to them. So, I think the time is right. Baltin: Like you said, the time would be right for another touring package. 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I think my favorite thing about Wednesday night was obviously that it was an all-female lineup, but something interesting about it was that it was all different genres of women artists, and I feel like that doesn't happen too often. Every artist was in their entirely different genre, and I thought that was just the coolest thing, just going one after the other. There was folk, country, Americana, rock. It was really interesting, And I know that they did that on purpose, and they want to continue to do that and have it be all genres. I thought that was the most unique part of the whole evening. Baltin: Do you feel like you learn then by being with artists at different points in their career? Prince: That's exactly right. Maggie Rose is an artist who I've heard of for years and it was my first time meeting her on Wednesday night. She was so sweet, she came up to me and said, 'I moved to Nashville when I was 19 and I did this and this at this age.' It was such a moment where it was so amazing to have that connection with another female artist and learn from them and hear about their story. I feel like that's kind of the whole goal of their events is passing down the torch and having female artists just learn from each other and get to know each other and support each other. That's exactly what it was Wednesday night. Baltin: So how would you like to see it expand? We talked about bringing in bigger artists who could draw attention to it as special guest stars. Prince: Yeah, I think that's an unbelievably brilliant idea. And what I've done for the past couple months is do the Stella Prince and friends events at AB. (t's been four to five female artists each time and I just started doing that in LA at Hotel Café. So, I really love that idea of having it be a continuous thing and the idea of taking it on tour is so interesting to me because I've done one event like this in London one event in Berkeley in Maine and Connecticut and then we did it in New York city. And that I almost think is my favorite part of doing it, because when you pick the local artists, that is so interesting and so cool to find those up and coming local artists. Baltin: For you, how important are things like this to not only draw attention to the fact there are so many female artists out there, but also get to meet everybody? Prince: The fact that it's not competitive and it's lifting each other up, I think is the single thing that's going to change everything. And I know that everyone talks about how it's so competitive, especially among young women, but the fact that it's just a different mindset, especially Wednesday night, of everyone going into it, everyone being on the same page, and everyone being supportive of everyone, I think that positivity and that attitude is really going to change the game. It really is going to change everything. Baltin: How do you see it changing? Prince: What this is doing to me is it's giving women opportunities. The reason there's so much competition is because there's not that many opportunities for women or there haven't been. Now that all these initiatives are starting to take place that's what's making it feel like women have a place, women can do this too and It's really phenomenal. What I want to come out of it is I want the industry to see that female artists can do this, that women have a place in music. L - R Cathy Lewandowski, Nicole Onufrey, Scarlett Burke, Marcie Allen, Stella Prince Baltin: What did this show mean to you? Maggie Rose: I would say that the inequity at country radio specifically was a big factor in me leaving the genre, but the inequity is pervasive and it's in every space. Leslie Fram has been a cheerleader of mine for a long time. I picked up a magazine that had a feature on her and I'm just reading through it and there's a quote from her about me specifically saying, 'This town can't figure it out. All these labels went to go see Maggie for a showcase and they said they loved what she does, but they don't know what to do with her.' And she just got really sick of this complacency that she was seeing in our town of, if there's not this cookie cutter mold that the female artist fits in, or if the radio station has met its quota for, having however many females on their playlist, then they say, 'Okay, we're good.' And it's just been stagnant for so long. And the other night was so awesome because every artist was really different and had their own voice and originality and there is variety and the female artistry in Nashville, I think was represented so wll that night. We haven't mined that gold in our town well, and we all need to do a better job of it and Leslie is such a great proponent for that. Baltin: Why do you think that is? Rose: Kacey Musgraves doesn't get played, Margot Price doesn't get played. I have a podcast called Salute the Songbird. It's all women and there's no shortage of guests that I want to have. I've done four seasons of it and the list of who I want to interview is way longer than who I've gotten to talk to thus far. Sadly, a portion of the conversation always comes to this topic, at least for a little bit of our conversation, because my theory is that country music in the commercial sense has been co-opted by a larger cultural thing that doesn't really have as much to do with the artist as it does with the movement and like the associations with commercial country music. The Recording Academy just came out with a new category of traditional country music. I think that's a step in the right direction to start to identify the nuances in all the sub-genres that are emerging in that genre. But my nomination for the Grammy last year was the Americana Album nomination. And I was in that category with Sierra Farrell and Charlie Crockett and people who I think consider themselves to be country. But there's not really a home for them in Nashville, in country music, in that community, where they're going to get played on the radio. Baltin: Do you see change coming? Rose: I am an optimist, and I believe that excellence will survive and rise to the top. It just takes some persistence and tenacity to get there but a song that I have coming out a week from yesterday is a song called 'Poison in my Well' that I played on Wednesday and my duet partner is Grace Potter. She and I have talked about this at length too because she has that career where she's beloved, she's every musician's favorite musician but she and I are not getting played on the radio, we're not in that short playlist on any station but I think we have meaningful careers and people that seem to follow, but we're not getting that like commercial push that I think we would both enjoy a break like that. And I do think some people are getting breaks where it's not a meritocracy and it's hard to figure out why something gets all this weight thrown behind it and other things don't. So, I think we do need a conversation of what Leslie is doing with FEMco. Baltin: Tell me about the show Wednesday from your perspective. Rose: What I would like to see happen specifically as it pertains to Wednesday is a higher frequency of events like that because there is an abundance of artists who I think need to be amplified. And I realized that we just need a little nudge within our own community of female artists to share those trade secrets and to feel comfortable to be like, 'Yeah, this does suck. And this is how I navigated this situation.' Feeling like we have an open forum to talk about it cause there's some of that happening on social media, but I think it still makes us feel like we're all working within silos, and we aren't. We're very much connected to each other. And musically, we were all really different the other night but those are relationships that I feel like I'm going to have for a long time just because of what the night was about and the things that we got to talk about backstage. So, having that community there and feeling like it's okay to air our grievances and try to find solutions together I think is what will result from more of the family.
