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Jennifer Lopez Abu Dhabi review: Superstar shakes off turbulent year with thumping show

Jennifer Lopez Abu Dhabi review: Superstar shakes off turbulent year with thumping show

The National21-02-2025
When Jennifer Lopez cancelled her summer tour in May, it seemed to mark another downturn in an already turbulent 2024 for the singer. It was a difficult year that included divorce, a film that didn't meet expectations and a new album that struggled to gain traction. Despite these setbacks, the Let's Get Loud singer took to the stage in Abu Dhabi on Thursday as part of Saadiyat Nights, seemingly shaking off the hurt and stepping into what she does best – performing. During her highly anticipated debut in the emirate, which lasted a little more than an hour, Lopez performed some of her greatest hits, interspersing them with personal reflections on lessons presumably learnt from difficulty and disappointment. Taking to the stage at 9.35pm, she opened the night with her fiery anthem Dinero, which featured a pre-recorded video of Cardi B rapping. This set the tone early, getting the audience on their feet. Lopez then addressed the sold-out crowd, expressing her gratitude. 'We took a long trip to get here – a long, long way from home. But I am so very grateful. Thank you so much. Do you mind if I give you a little taste of what my home is like?' she asked before performing her 2002 hit Jenny from the Block. Continuing with tracks from that era, Lopez sang Ain't It Funny and I'm Real, two songs she collaborated on with rapper Ja Rule. Surprisingly during the latter, she and her dancers broke into a routine midway through, moving along to the refrain from Kendrick Lamar's Not Like Us before transitioning into Love Don't Cost a Thing. After the high-energy tracks, Lopez took a break to speak to the audience, this time discussing love. In a heartfelt and personal moment, she shared: 'When it comes to love, none of them are a fairy tale. That's what they would have you believe when you're little. I thought that. I thought when I was young, that love was this beautiful thing that was going to happen to me. But as I got older, I realised love is something very different. 'Love is keeping your word, love is honouring your commitment, love is kindness and consideration and consistency and feeling safe and secure. That's what love is." It sparked cheers from the crowd. She went on to say that despite everything she's been through, she wouldn't change a thing because of what she's learnt. "In the low moments, you have two choices: you can let it destroy you and take you out, or you can let it help you grow and get better. I choose to get better." She concluded: 'The funny thing about love is, it always starts out just like this,' before performing a stripped-down, intimate version of If You Had My Love with two backup singers. Lopez then sang All I Have, her 2002 duet with LL Cool J, a track about moving on after a breakup. Coincidentally, as she performed it, a few sparse drops of rain began to fall, making the moment even more poignant. Lopez's next tune made it clear her setlist was devised with a narrative in mind. She brought back the energy with 2009's Louboutins, a track about female empowerment. She continued with the theme by performing Booty and Ain't Your Mama, showcasing intricate choreography and proving that at 55, she's still got it. Lopez then took another break to speak, referencing her cancelled summer tour. 'I took a little time off last year, so this is my first big concert back with you guys. It just feels good to be with you again. Thank you so much,' she said as she soaked in the moment, looking towards the cheering crowd. Next, she performed Can't Get Enough, one of her more recent tracks, followed by her 2005 hit Get Right, where she recreated the famous stick dance from the music video. Another video montage played, perhaps signalling a new era before Lopez returned after an outfit change. She belted out the opening lyrics of Gloria Gaynor's I Will Survive before seamlessly transitioning into her dance hit Waiting for Tonight as – just like much of the night – the crowd were on their feet dancing and singing along. She finished the show with the powerful anthems On the Floor and Let's Get Loud before closing out the evening with Dance Again – a track she once credited as helping her get through a rough divorce. Although it's hard to definitively say whether Lopez had a specific message in mind during her show, the energy, empowerment and joy of the night proved that – despite the adversity she has faced – she's not just surviving, but thriving.
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Jennifer Lopez denied entry at Chanel store in Istanbul
Jennifer Lopez denied entry at Chanel store in Istanbul

Khaleej Times

time10-08-2025

  • Khaleej Times

Jennifer Lopez denied entry at Chanel store in Istanbul

Jennifer Lopez's recent stop in Istanbul came with an unexpected twist when the pop superstar was turned away from a Chanel store at the upscale Istinye Park Mall. According to Billboard, the singer, in town ahead of her performance at Yenikapi Festival Park, was stopped by a security guard who didn't appear to recognise her and explained the store was at full capacity. Lopez's response? A calm, 'OK, no problem.' Jennifer Lopez was turned away from shopping at a Chanel store bcs it was to capacity. This was in Istabul, Turkey ð��¹ð��· — Coco (@cocoharris00) August 8, 2025 Later, the store invited her back in, but she politely declined. The unbothered reaction echoes another recent moment when she handled an onstage wardrobe malfunction during On the Floor with her trademark poise. Lopez is currently in the final stretch of her Up All Night: Live in 2025 world tour, which kicked off in July and has taken her across Europe, the Middle East, and the US. Just days earlier, she lit up Abu Dhabi's Etihad Arena on July 29 with a glittering performance of her biggest hits and high-energy choreography that wowed fans. Beyond music, Lopez is set to star in Bill Condon's upcoming film Kiss of the Spider Woman, co-starring Diego Luna and Tonatiuh Elizarraraz, slated for release on October 10.

JLo in Abu Dhabi: Everything you need to know before the big show
JLo in Abu Dhabi: Everything you need to know before the big show

What's On

time29-07-2025

  • What's On

JLo in Abu Dhabi: Everything you need to know before the big show

Get ready, Abu Dhabi, the queen of sparkle, sass and all-out showstoppers is about to take the stage. Jennifer Lopez brings her Up All Night: Live in 2025 tour to Etihad Arena tonight, and whether you're there for the dance-floor anthems, the high-octane choreography or that viral skirt toss, you're in for a night of pure spectacle. From bedazzled bodysuits to beats that shake the arena, this is no ordinary concert – it's a full-scale JLo production, and it's going to be loud, glamorous and unforgettable. To help you plan the perfect night, we've rounded up everything from where to fuel up pre-show to the best spots to crash post-concert. Because while she may be 'Jenny from the Block,' tonight she's running the whole capital. Last week in Warsaw, she reminded the world why she's still that girl. Mid-performance, while thanking her fans, the gold glittery skirt she was wearing snapped off. One second it was there, the next it was on the floor. Creating a viral moment, she picked it up and threw it into the crowd like a party favour. One fan went home with couture, the rest went wild. This week the 'love don't cost a thing' singer is bringing that same energy to Etihad Arena for the only Middle East stop on her Up All Night: Live in 2025 world tour. But Jennifer Lopez is no stranger to the UAE. She performed in Dubai in 2012 and again in 2014. Earlier this year she headlined Saadiyat Nights in Abu Dhabi, with an open-air show that left fans screaming for more. This time, she's taking it indoors with a full-scale arena production. Doors open at 6pm, and if you're driving, plan ahead. The smart move is to make a full night of it. If you are heading home straight after the show, do yourself a favour and pack a snack, make a playlist, and accept the fact that you might be in traffic longer than JLO was on stage. But hey, if the post-show magic holds, the cars around you might get loud and hoot in harmony to Jenny from the Block . Where to eat before the show Whether you're lining your stomach for a night of dancing or just want to kick off your evening in style, these Yas hotspots are all a short stroll from Etihad Arena. NURI Grill and Bar A chic, modern Korean BBQ spot at Yas Bay Waterfront. Known for its authentic dishes, including aged meats and fresh kimchi, NURI offers a stylish atmosphere perfect for a pre-show meal. Location: Nuri Grill and Bar, Hilton Abu Dhabi Yas Island Times: Daily, 12pm to 11pm Contact: 054 211 5151 Café del Mar Abu Dhabi This Mediterranean-inspired beach club offers stunning sea views, a relaxed ambiance, and a menu featuring delicious dishes and cocktails. It's an ideal spot for sunset dining before heading to the concert. Location: Yas Bay Waterfront, Yas Marina Times: 10am to 11pm (Sunday to Wednesday) and 10am to 2am (Thursday to Saturday) Contact: +971 50 402 2283 Barbossa Located at Yas Bay Waterfront, Barbossa brings a fresh take on Mexican cuisine. The waterfront location adds to its appeal, making it a great choice for a casual pre-concert meal. Location: Barbossa, Yas Bay Waterfront, Yas Island Times: Sun to Wed 12pm to 1am, Thurs and Fri 12pm to 3am, Sat 1pm to 3am Contact: (0)50 185 8068 @barbossa_auh Paradiso A stylish Italian bistro known for its modern Mediterranean cuisine, Paradiso offers dishes like snails, roast poussin, fritto misto, pizza, and pasta. The terrace overlooking the water provides a pleasant setting for dining. Location: Paradiso, Yas Bay Waterfront, Yas Island Times: Sun to Thurs 12pm to 11pm, Fri and Sat 12pm to 1am Contact: ( 0)50 437 2869 @paradisoabudhabi Hunter & Barrel An Australian-inspired steakhouse located at Yas Bay, Hunter & Barrel offers a fresh take on traditional dining with a menu featuring meat, poultry, and seafood roasted over a coal grill. Location: Yas Bay Waterfront Contact: +971 2 886 8299 Where to Stay After the Show: Hilton Abu Dhabi Yas Island A family-friendly resort located near Yas Marina and Yas Marina Circuit, offering free WiFi, valet parking, and a beach club on-site. Guests praise the hotel's cleanliness and outstanding service. Contact: +971 2 208 6888 W Abu Dhabi – Yas Island Known for its bold interiors and race track views, this stylish hotel offers modern accommodations and is located near major attractions like Yas Marina Circuit. Contact:+971 2 205 5555 Yas Island Rotana A comfortable and convenient hotel offering spacious rooms and a great breakfast buffet. It's family-friendly and well-located for accessing Yas Island attractions. Contact: +971 2 656 4000 Radisson Blu Yas Island Offering laidback luxury with all the essentials, including a pool for relaxation after the show. It's a solid choice for those seeking comfort and convenience. Contact: +971 2 656 2000 or WhatsApp: +971 56 622 9452 Crowne Plaza Yas Island A solid all-rounder with great service and easy access to all the post-show action. It's a reliable option for concertgoers looking for a comfortable stay. Contact: +971 2 656 3000

Let's Get Loud: Ten Jennifer Lopez songs that defined her career
Let's Get Loud: Ten Jennifer Lopez songs that defined her career

The National

time28-07-2025

  • The National

Let's Get Loud: Ten Jennifer Lopez songs that defined her career

back on the road. The Up All Night: Live in 2025 tour kicked off on July 8 in Spain and is set to stop next at Abu Dhabi's Etihad Arena on Tuesday. The show is a greatest hits set, blending early classics like Let's Get Loud and Jenny from the Block with tracks from This Is Me... Now and her latest song, Wreckage of You, which she performed on stage for the first time earlier this month. With a career spanning more than two decades, Lopez has an expansive catalogue, covering everything from RnB, pop, EDM, Latin ballads and trap, sung in both English and Spanish. It shows an artist who, despite the fame, the peaks and the backlash, has yet to lose her drive. This tour isn't a comeback but an affirmation of where she is today. Here are 10 songs that soundtrack that evolution. 1. If You Had My Love (1999) Glossy and emotionally distant, J-Lo's debut single isn't really a breakup song and more like the coda to one. There's no pleading, no anger, just a cool detachment, as if she's already walked away. Its distant tone is what makes the track interesting. It's not a kiss-off but a finale. The production is sleek and the vocals are composed while Lopez sounds capable and assured, proving to naysayers she could sing. It is smart and calculated start. 2. Let's Get Loud (1999) Originally written by Gloria Estefan and her husband Emilio, the song was first considered for Estefan herself. But she felt the track – with its vibrancy and urban pulse – was better suited to a younger artist. Lopez, then on the cusp of launching her music career, took on and owned it. You can still hear Estefan's imprint throughout: the congas, the brass and the chant-like chorus. It's the sound of Latin pop being rejigged for a mainstream stage – something Estefan pioneered, paving the way for artists like Lopez and Shakira. Where If You Had My Love kept things cool, Let's Get Loud puts Lopez's vocals in the front and centre. It's full of attitude and became a staple of her live shows, from Vegas residencies to stadiums and sports events around the world. 3. Love Don't Cost a Thing (2001) With its percolating percussions and streamlined groove, it is an almost a picture-perfect snapshot of early-2000s RnB. The sound is sleek, mid-tempo and driven more by attitude than vocal fireworks. A reason the track works so well is Lopez herself, as she serves the song. The delivery is sharp, each line clipped with precision. The lyrics became a kind of cultural slogan, a meme before memes were a thing. At this point, Lopez was in transition to full-blown pop star and you can hear that confidence all over the record. 4. I'm Real (Murder Remix) with Ja Rule (2001) When people talk about the track, they're almost always referring to the remix with hip-hop star Ja Rule. He was at the height of his run back then and his rumbling verses gave the piece the grit it needed. The original version felt flat by comparison. This remix, though, was hazy, unhurried and full of the kind of RnB-rap chemistry flavour defining the early 2000s. Lopez's soft, sultry coos is a great foil for Ja Rule's raspy raps. It was a great collaboration, and a chart-topping summer hit. 5. Jenny from the Block (2002) Maybe it was inspired by the movie roles she was taking at the time, but with this track, Lopez fully orchestrates her origin story. The samples – from The Beatnuts and Boogie Down Productions – nod to her hip-hop influences, but the bigger play here is brand-building. This was less about the music and more about shaping the J-Lo identity: grounded, street-smart and media-savvy. It worked then – but the same strategy hasn't always resonated. You can draw a straight line from Jenny from the Block to the more calculated moments in her later career, like the misfire of her latest album. This was one of the times she got the balance right. 6. Get Right (2005) Lopez has a bunch of tracks that feel like outliers and Get Right is one of them. Built around a squawking sax loop and twitchy percussion, it's one of her most rhythm-driven songs. There's no real hook to speak of, just forward motion. The vocals are clipped, staccato, almost functioning like another part of the beat. It works though. The whole thing holds together, and it quietly marks one of her first proper steps into club territory – something she would go on to perfect with On the Floor a few years later. 7. Que Hiciste (2007) This marked Lopez's move into Spanish-language pop – taken from her album Como Ama una Mujer – but instead of chasing the bright pop energy of someone like Shakira, she leaned into balladry. The production is heavy on cinematic strings and slow builds, but what really stands out is how it opened up her voice. Unlike her RnB material, which is often heavily treated, this kind of Spanish-language pop demands vocal umph – and Lopez rises to the occasion. It's one of the few records where we hear her relatively unadorned vocals. While it didn't make much noise in English-speaking markets, it remains a well-regarded effort. 8. On the Floor with Pitbull (2011) By the the blazing track arrived Lopez had been relatively quiet on the charts for a few years. Hence she went to Moroocan-Swede RedOne – one of the hottest pop producers at the time – best known for his bombastic, dancefloor-ready work with artists like Lady Gaga. The result was On the Floor: a stomping club-ready track that takes the familiar Lambada melody, gives it a new bassline and turns it into a stadium-sized banger. Lopez, ever the strategist, released the song in tandem with her debut as a judge on American Idol, ensuring maximum exposure. And it worked, with the song introducing her to a new generation of fans while still giving a nod to her Latin roots. Even if the whole thing feels a little too calibrated, it still sounds glorious. It topped the charts in more than 20 countries and brought Lopez back to pop's top tier. 9. El Anillo (2018) Coming with its dose of real-life drama, as fans linked the lyrics to the approaching dissolution of her relationship with then-partner and baseball athlete Alex Rodriguez, the real change here is musical – with Lopez stepping deeper into Latin trap that was gaining ground through artists like Bad Bunny and Ozuna. Earning a Latin Grammy nomination, El Anillo proves Lopez still does her share in evolving in the evolving Latin pop space. 10. Wreckage of You (2025) Lopez's latest song, which premiered live in June during her tour stop in Spain, forms one of the most dramatic moments of the show – a stripped-back piano ballad that sounds more like a confession than a performance. 'Thank you for the scars you left on my heart,' she sings. 'Now watch me climb out of the wreckage of you.' How you want to interpret that is up to you. Is it about Ben Affleck? It doesn't really matter. It's a big, inspirational ballad about life after divorce. Her fans will lap it up and it could very well shape the sound of whatever Lopez is working on next.

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