logo
Isolated incidents should not tarnish Meghalaya's image: Tourism Minister

Isolated incidents should not tarnish Meghalaya's image: Tourism Minister

The Hindu30-05-2025
GUWAHATI
Meghalaya Tourism Minister Paul Lyngdoh on Thursday (May 29, 2025) said it was unfair to label the hill State unsafe for tourists based on a couple of incidents reported in less than two months.
He said the recent cases— the death of a Hungarian tourist and the disappearance of a couple from Indore in Madhya Pradesh within a span of 57 days in East Khasi Hills district— highlight the need to ensure that visitors do not venture beyond designated safe zones without authorised guides.
There has been no trace of the Indore couple, Raja and Sonam Raghuvanshi, since May 24, when they reportedly set out for Sohra (Cherrapunjee) from Shillong on a hired two-wheeler. The vehicle was later found abandoned by the roadside.
Search operations by the police and local communities, assisted by the North Eastern Space Applications Centre (NE-SAC) using thermal drones, have so far yielded no results. Incessant rainfall and slippery conditions have hampered the efforts, officials said.
Two MPs from Madhya Pradesh— Shankar Lalwani and Sumer Singh Solanki— who are in Meghalaya to monitor the ongoing search operation, said the State authorities had not spared any effort in locating the missing couple.
'Questions are being raised about whether or not Meghalaya is safe for tourists. A person from Meghalaya has not been traced after disappearing in Thailand. Does that mean Thailand is unsafe for tourists?' Mr. Lyngdoh asked.
He said tourism-related mishaps occur across the world, and that the death of the Hungarian national and the disappearance of the Indore couple should not be viewed as evidence of systemic failure. 'These incidents are unfortunate, but we cannot possibly police every inch of all tourist destinations in the State,' he said.
Mr. Lyngdoh added that guiding systems, particularly at ecologically sensitive sites such as the living root bridges, were already in place. 'However, tourists venture beyond designated safe zones,' he noted.
Meanwhile, the Meghalaya Rural Tourism Forum has demanded stricter regulations barring tourists from venturing out without a guide while trekking or hiking in rural and challenging terrain.
'The recent incidents necessitate a system that makes it mandatory for all visitors to take a local guide. Using a guide is voluntary now, but a strict policy can ensure total safety for visitors,' said Alan West Kharkongor, president of the Forum.
Prior to the Indore couple's disappearance, Hungarian tourist Puskas Zsolt was reported missing after checking into a hotel in Shillong on March 29. His decomposed body was retrieved on April 10 from a steep slope near Ramdait village in the Shella area of Sohra subdivision, close to the Bangladesh border.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Travel: Bratislava, the quiet charmer of Central Europe
Travel: Bratislava, the quiet charmer of Central Europe

Mint

time26-07-2025

  • Mint

Travel: Bratislava, the quiet charmer of Central Europe

On an early summer morning, Bratislava is still grey but not gloomy. Clusters of clouds are scattered across a pale sky. The sun is a hint behind them, throwing a halo around its immediate vicinity. A burst of overnight rain has washed everything squeaky clean and freshness hangs in the air. Gusts of chilly wind blow from all directions, rustling through leaves and occasionally whistling as it brushes against stone walls. From the low rampart wall of Bratislava Castle, located on a rocky hill overlooking the Danube, the city stretches out to the horizon with the river snaking through like a blue ribbon. Less than an hour east of Vienna, the Slovakian capital feels like the exact anti-thesis of the Austrian capital. The former revels in wearing its attributes on its sleeve, its cityscape peppered with lavish architecture and music filling the air; Bratislava is almost a shrinking violet, modest and quiet, and believes in revealing itself slowly. When the train from Vienna rolls into Bratislava in the morning, it is without any fanfare or frenzy. From there it is a short ride into the centre of the old town, Stare Mesto, and its maze of streets and alleys that are both welcoming and reticent. Unlike Vienna, it doesn't overwhelm but rather slowly reveals itself bit by bit. The best part: wandering around town without having to navigate through hordes of tourists. A crisp sun drenches everything in warmth that stops just short of being uncomfortable. The pedestrian-only warren of lanes are stacked with historical buildings and red-roofed houses, hidden courtyards and little public squares, pretty cafes and boutique stores. It becomes quickly evident that Bratislava has a stillness about it that is soothing. It is not soundless: chiming church bells, the sound of feet on cobblestones, soft, lilting music from street musicians… It all adds to the gentleness of the city. Surrounded by more flamboyant capitals and cities (think Budapest, Vienna, Prague and Krakow), Bratislava's history is layered and tumultuous. It was part of Moravia and the Kingdom of Hungary; more pertinently, owing to its location, it was always destined to be a city at the crossroads of not just geography but politics and culture as well. This is evident from the mish-mash of architectural styles (from rococo to art nouveau), languages and culture spanning predominantly Slavic but mixed with Hungarian, Austrian and Jewish influences. However, Bratislava (called Pressburg previously) is a city whose history doesn't scream but lets you stumble upon it, in nooks and corners, where you least expect it. Dominating the Stare Mesto is St Martin's Cathedral, a magnificent Gothic structure that has played host to coronation ceremonies of Hungarian monarchs throughout history. Its most imposing attribute is the spire with a gilded replica of the Hungarian royal crown, an overt reminder of Bratislava's connection to royalty. Eleven kings and eight queens were crowned here and the weight of all that history washes over in waves inside the dimly lit church. A series of stout carved pillars supports a vaulted ceiling, while stained glass filters light and throws coloured shadows on the floor and walls. On other sides of the cathedral in the Stare Mesto, magnificent buildings line the perimeter, each a vestige of its historic period, standing solemnly. But veer away from the main square into the labyrinth of lanes and it quickly becomes clear that Bratislava has a playful sense of humour, winking from the pavement. And it takes the concept of stumbling into unexpectedness quite literally: the statue of Cumil, the city's most favourite highlight, is on the ground. It is a life-size bronze statue of a sewage worker peering from a manhole, nonchalantly watching life above ground and shamelessly eavesdropping on everything. There are other little whimsical gestures: Napoleon leaning against a bench, a paparazzi figure with a camera peeking out from behind a corner, and the epitome of whimsy, Hans Christian Andersen, captured in bronze. And then there's the feeling that the city has just run amok. Embedded in the ground tiles in the American Square is a set of eight smiles in bronze—which actually seem more like grimaces—of prominent American celebrities ranging from Ronald Reagan and Frank Sinatra to Sylvester Stallone and Jim Carrey. It is a bit creepy, and it is unappealing rather than amusing. I also stumble upon something quite surprising: a metallic plaque on a corner building with the names of Jawaharlal Nehru and Indira Gandhi. Turns out the father and daughter visited Bratislava in 1938, ostensibly to drum up support for the Indian independence movement and their visit has been, for reasons unknown, signposted for posterity. Bratislava evenings, it appears, are best done by the river. The promenade along the Danube is lively and peopled, but not crowded. The UFO Bridge is another of Bratislava's attempts at being quirky. It is a saucer-shaped lookout over a bridge on the Danube. The views from up there promise to be great but the promenade feels more comfortable. Besides, the bridge and its accoutrement is visible and makes for a lovely sight. A mild breeze blows across. Ferries ply up and down the river, joggers and cyclists zip past and outdoor cafes offer a great place to languidly watch everything. A lightness hangs in the air that is at once refreshing and relaxing. It is the next morning that I find myself at the castle. The weather has changed and a grey pallor hangs over the city. But even that cannot take away the castle's magnificence. It is medieval in appearance but a local guide says the foundations go back to the Roman times. Four towers rise into the blue-grey sky and a rugged fortress with battlements surround it. At various times, the castle has been a royal residence and a military outpost, and has a long and complicated history. The Slovak National Museum inside the castle showcases this complex timeline but it is too convoluted to register. Instead, the views are the draw, and as the sun tentatively tries to come out from the clouds, the red rooftops, the blue river and the green woods beyond are filled with colour. It is breathtaking. As my train pulls out of Bratislava, the towers of the castle are a mere hint, present and yet not ostentatious. Much of the city feels that way: there are no grand gestures, only a series of incremental additions, a slow baring of the soul. Amidst flashy neighbours, Bratislava has found a quiet way to hold its own. Anita Rao Kashi is an independent journalist based in Bengaluru.

Labubu dolls may be the rage, but this Delhi cartoonist's doll collection continues to win hearts
Labubu dolls may be the rage, but this Delhi cartoonist's doll collection continues to win hearts

Indian Express

time13-07-2025

  • Indian Express

Labubu dolls may be the rage, but this Delhi cartoonist's doll collection continues to win hearts

The woman exudes elegance in a striking red dress adorned with layers of delicate, cream-colored lace ruffles that cascade to the floor. She is poised — with one hand on her hip and the other gracefully holding an open fan. On the other side, her partner strikes a commanding pose with one arm raised and the other elegantly curved behind him. He is dressed in high-waisted trousers, a tailored black jacket with red accents, and a traditional flat-brimmed hat. They are Flamenco dancers from Spain, frozen in motion inside a glass case — two among the many dolls that fill every corner of a unique museum in Delhi. Labubu plushie dolls, created by Hong Kong-born artist Kasing Lung based on Nordic folklore, may be the internet's latest obsession — while smashing price records. But in the Capital, long before the fanfare, it was one cartoonist's international doll collection that quietly captured hearts. This is Shankar's International Doll Museum. Founded by political cartoonist K Shankar Pillai, the museum has one of the world's largest collections of costume dolls. Inaugurated in 1965, it sits on the first floor of the Children's Book Trust on Bahadur Shah Zafar Marg. The story of the museum began in the early 1950s when Pillai was part of a delegation accompanying then Prime Minister Jawaharlal Nehru on a trip abroad. He was gifted a Hungarian doll by the country's ambassador — and was instantly captivated. Thus began his journey of collecting a costume doll from each country he visited. Today, the museum is home to over 7,000 dolls from 85 countries. It is divided into two main sections, with seven sub-sections. One section showcases wooden and wax dolls from European countries, the UK, USA, Australia, New Zealand, and the Commonwealth of Independent States. The other features dolls from Asian countries, the Middle East, Africa, and India. Each section includes display glass cases etched with maps of the respective countries, offering a visual cue to the dolls' cultural roots. As visitors explore, children press their small hands and noses against the glass, eyes wide with wonder. 'Come here, see! These are such pretty dolls,' a small girl calls to her friend, standing on her toes to get a better look at the French dolls. These dolls reflect a journey through the evolution of culture and clothing. 'Barbies' with silky grey hair are placed on pedestals — some dressed in short skirts, loose socks, and boots, while others wear modern jumpsuits. In contrast, figures of elderly women are positioned at the base, wearing vintage gowns and carrying baskets of lavender, as noted in a label: 'grown in the upper regions of France.' One display features the first ever doll from Pillai's collection — a young peasant woman seated on a three-tiered pedestal, fondly gazing at the corn in her hand. Beside her are other dolls of women, both young and old, engaged in crochet work. The British display features a doll dressed as a royal queen in a regal gown and crown, flanked by guards in traditional red coats and bearskin hats — evoking the quintessential image of British pageantry. A mother of two, who did not wish to be named, says she used to visit the museum regularly with her dad. 'I used to come here with my papa (father) and have been fascinated since then. I've now brought my children to learn about the different countries… I think my daughter is enjoying it a lot here,' she adds. Another section of the museum houses dolls from across India. There are dolls from Kerala dressed like Kathakali dancers, dancing at the forefront of a grand procession of elephants, each carrying people on their backs. There are also women dressed in traditional white sarees with golden borders (kasavu saris) with gajras (flower garlands) neatly tucked into their hair buns. Chhattisgarh is represented through vibrant folk dances, Punjab through its energetic bhangra and colourful attire. Jammu and Kashmir is depicted through scenes of Shikara boat rides and intricate carpet weaving. A Delhi family — a woman, her daughter and granddaughter — is also among the visitors. The grandmother is excited to show her granddaughter the cultural tapestry of her home state, Assam. 'This is 'Mekhela Chador,' a two-piece garment worn by women on special occasions. This is made by special silk found in Assam,' she says, pointing to a large doll across the glass. 'I'm happy to see my state being represented in such a warm spirit,' she adds. Meanwhile, her granddaughter tugs at her mother's hand. 'See, Maa, it moves!' she exclaims. She's pointing at the thalaiyatti bommai, or bobble-head doll, from Thanjavur, Tamil Nadu. Made of terracotta, the dolls are in various sizes, with a heavy, rounded base and a detachable, lighter head that wobbles gently. Hand-painted in bright colors, they feature wide eyes, golden crowns, and intricate ornaments. Aarti, who has come here with her two-year-old son from Gurgaon, is happy that such places exist. 'I'm learning new things about Indian culture… These dolls show the diversity of clothing, traditions, and art forms — not only from India but from around the world.' Navin Menon, the in-charge of the doll museum, says the collection continues to grow. 'When ambassadors of the embassies in India come here and notice that a new doll needs to be added, or an existing one from their country needs to be replaced, they get the doll made in their country and then gift it to us,' she says. Asked whether a Labubu might be added, she smiles. 'It would be great — but a Labubu is a character doll. Our collection focuses on costume dolls.' She also mentions that doll repair workshops are occasionally held by the museum to restore and maintain the collection. As visitors head toward the exit, two dolls are available for purchase — one a bride from Maharashtra, the other a dancer performing the Manipuri Ras. Both are displayed in a glass cabin — waiting to be taken home. Timings: 10 am to 6 pm. Open all days, except Mondays, national holidays, and festivals Entry fee: Rs 25 for adults, Rs 10 for children, plus service tax

Mandatory guide rule for treks in Sohra following tourist deaths
Mandatory guide rule for treks in Sohra following tourist deaths

The Hindu

time01-07-2025

  • The Hindu

Mandatory guide rule for treks in Sohra following tourist deaths

The East Khasi Hills district administration in Meghalaya has made it compulsory for all visitors to avail the services of licensed tourist guides for outdoor activities, including treks, in the Sohra region. The directive, issued over a month after the death of Indore-based businessman Raja Raghuvanshi during his honeymoon trip on May 23, seeks to improve tourist safety in the area. Mr. Raghuvanshi was allegedly murdered by his wife and her associates. A month earlier, a Hungarian national, Puskás Zsolt, died during a solo trek in the Sohra-Shella area in April. 'In view of safety reasons, it is now mandatory for all tourists to take the services of a registered tourist guide, while undertaking treks and outdoor activities in the area,' East Khasi Hills Deputy Commissioner Rosetta M. Kurbah stated in an order issued on July 1. Ms. Kurbah, who also chairs the District Tourism Promotion Society, said the decision is intended not only to ensure the safety of visitors but also to prevent incidents such as tourists getting lost, injured, or being susceptible to criminal acts in isolated areas. She added that violators may face penalties or be denied access to trekking routes. To ensure the effective implementation of the directive, the district administration plans to deploy additional trained guides and work closely with local communities. The Sohra region, also known as Cherrapunjee, is one of the most frequented tourist destinations in Meghalaya. It is known for its scenic trekking trails, waterfalls, root bridges - including the famous double-decker bridge -caves, and rolling meadows.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store