
Shoppers run to Sainsbury's for ‘super trendy' statement skirt that's perfect for autumn and giving 90s vibes
The supermarket's in-house fashion label Tu Clothing is one of the best-loved brands on the high street, and is constantly wowing us with its stylish but affordable buys.
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From cute dresses to on-trend work attire, the fast-fashion range always hits the mark, and its autumn arrivals are no exception.
One maxi - or midi, depending on your height - skirt in particular has caught the attention of fashion fans this week thanks to its "90s vibes" and day-to-night potential.
The Black Tailored Kilt is priced at £25 and is available in sizes eight to 24, with many sold out online already.
Describing it on the website, the Tu Clothing team say: "Smart and right on trend, our black kilt has been designed in a tailored style, with traditional pleated detailing throughout.
"It comes in a maxi length with a side buckle fastening - perfect for wearing with boots or loafers"
Tu Clothing's stylist Chrissi has since recommended it to shoppers and admitted she's obsessed with the "cool buy".
She added: "[It's] really, really versatile. You can wear it with a big chunky boot, just a T-shirt, some simple jewellery. It's grungy, it's edgy, it's kind of 90s vibe, very cool.
"But if you want more of a London gritty edge, you could wear it over jeans, or maybe a knit. It'll take you through to autumn.
"If you want to give it even more of a twist, you could pair it with a shirt. Makes it a little more office friendly, so you can go from day to night in it.
"Maybe add a big hoop or a big necklace to take it through to dinner. Every way, it's good. It's so versatile, I love it."
I'm 5ft3 & a size 12-14 - my 7 Tesco dresses are an absolute bargain & perfect for a last-minute wedding guest outfit
And she's definitely not alone, as fashion fans are going wild for the Scottish-inspired skirt too.
One cried: "I love my new kilt. Super trendy and ideal for the new season. Good quality and a great price as well. Very impressed."
"Very smart looking skirt for smart and casual wear. Easily dressed up or down", wrote a second.
A third added: "That's definitely on my list. I want to be channeling my inner 'Claudia Winkelman in Traitors' this AW!"
"Ooh gorgeous, just ordered one!!! Can't wait", gushed a fourth.
A fifth said: "Wow! I have to have this statement skirt, it's gorgeous! I had one like this years ago!"
Meanwhile, a sixth chimed in: "So cool, Autumn cannot come soon enough!"
But if you're not ready to give up summer fashion just yet, the supermarket's got you covered with bargains there too.
Shoppers are going wild for a five-star Sainsbury's dress that's only £15, flatters pear shapes and makes curvy shoppers "feel confident".
As well as being purse-friendly, the dress looks strikingly similar to the Everett Linen Dress, which is priced at £298.
This makes the Tu dress a whopping £283 cheaper.
And a £26 frock that's perfect for summer getaways is flying off the rails.
Is supermarket fashion the new high street?
DEPUTY Fashion Editor Abby McHale weighs in:
The supermarkets have really upped their game when it comes to their fashion lines. These days, as you head in to do your weekly food shop you can also pick up a selection of purse-friendly, stylish pieces for all the family.
Tesco has just announced a 0.7 per cent increase in the quarter thanks to a 'strong growth in clothing' and M&S has earnt the title of the number one destination for womenswear on the high street.
Asda's clothing line George has made £1.5 million for the supermarket in 2023, 80 per cent of Sainsbury's clothes sold at full price rather than discounted and Nutmeg at Morrisons sales are also up 2 per cent in the past year.
So what is it about supermarket fashion that is becoming so successful?
Apart from the clothing actually being affordable, it's good quality too - with many being part of schemes such as the Better Cotton Initiative.
A lot of the time they keep to classic pieces that they know will last the customer year after year.
Plus because they buy so much stock they can turn around pieces quickly and buy for cheaper because of the volumes.
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The Sun
28 minutes ago
- The Sun
Dad helplessly watched as seaside fair ride derailed leaving his 3 kids – including son, 4 – trapped & injured onboard
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BBC News
28 minutes ago
- BBC News
Kate Moss and Beth Ditto to present new programmes on BBC Radio 6 Music as autumn schedule revealed
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Kate says: 'David Bowie was a very special person. Someone who was much more than a friend - he was an enigma. So, when the chance came to dive into this extraordinary five-year chapter of Bowie's life for 6 Music and BBC Sounds, hearing from those who joined him on his creative journey and those he continues to inspire, I was excited to help share the story of such an incredible transformation. This podcast is a real celebration of my friend, a true British icon." Available on BBC Sounds from 6am on Wednesday 10 September and broadcast on 6 Music on Monday 22 September (12-2am), the podcast features rare and unheard archive interviews with Bowie – including an exclusive interview from 2001 with podcast creator Des Shaw, and recently unearthed audio from the BBC Archive. It also includes new interviews with those who knew Bowie, and who continue to be inspired by his legacy, including Boy George, Chrissie Hynde, Dave Gahan, Edward Enninful, Elton John, Goldie, Iggy Pop, Harris Reed, Robbie Williams and Twiggy, with archive interviews from Lady Gaga, Sinéad O'Connor, Lou Reed, Tracey Emin and more. Episodes explore David's early performances with The Hype, his fascination with Andy Warhol, the creation of The Rise and Fall of Ziggy Stardust and The Spiders From Mars and the legacy of his iconic Ziggy Stardust image, the famous Hammersmith Odeon show - which Bowie announced on stage would be the final Ziggy Stardust performance - his 'The 1980 Floor Show' at London's Marquee Club in 1973, the recording of Diamond Dogs and his creation of The Thin White Duke. The series comes as BBC partners, the V&A, launch the David Bowie Centre at V&A East Storehouse. The David Bowie Centre is a new working archive for the world's largest collection dedicated to Bowie's life and works, with free rotating displays of highlights from the collection. What Would Beth Ditto Do? What Would Beth Ditto Do? Beth Ditto joins Nick Grimshaw on the 6 Music Breakfast Show (weekdays 7-10am) every Tuesday from 16 September. The singer, songwriter and Gossip frontwoman will share her take on life's small dilemmas, responding to listeners' quandaries with her signature wit, wisdom and unique honesty. What Would Beth Ditto Do? will also be available in vision each week on 6 Music's YouTube channel. Beth says: 'I'm so excited to be joining 6 Music and to get to work with Nick every week is just the cherry on top. I've always been a huge fan of the station, so honestly… I'm so excited, I'm speechless. Which should work out great for radio!' In November, Beth will also host a new series, Indie Forever Disco with Beth Ditto (20 x 120') for BBC Sounds, in which she'll celebrate the biggest and best indie hits for the dance floor - from classic tracks to the hits of tomorrow. Grounding (12 x 120'), a series which celebrates the unique perspectives and creativity of neurodivergent artists, will be broadcast Monday – Thursday, 11pm-1am from 15 September – 2nd October. Emma-Jean Thackray (15 – 17 September), Gary Numan (18 and 22 – 23 September), Blindboyboatclub (24 – 25 and 29 September) and AFRODEUTSCHE (30 September and 1 – 2 October) each present three, two-hour episodes. Across the series, they share their stories, explore how their neurodivergence shapes their relationship with music and highlight the songs that hold personal significance. The following quotes are presented in full to preserve the integrity and context of each artist's experience. Emma-Jean says: 'I feel like I've been really brave making these shows about my neurodivergences. I've opened up more on these shows than I do with my loved ones, particularly about my OCD, in the hope that sharing my experiences will help others feel less alone or illuminate them. Telling my story with music is the only way I know how to express myself and my story is inextricably woven with my neurodivergence. It's how I make the art that I do.' Gary says: 'When I was asked to record some radio shows and express, through the music I listen to, how I get through life as a neurodivergent musician, I failed instantly. The problem is, when I'm not writing music, I don't listen to music at all. Not to relax, not to remember, not to soothe my worries or lift my spirits. I write music to cope with the world. That's how music helps me. I am Autistic and I know I interact with the world differently, awkwardly. It's often difficult, challenging, even frightening at times, but I see my neurodivergence as a gift, not a disorder. It gives me so much more than it takes. I hope people take away from the shows this one simple truth; we are not damaged, not broken, we are just different.' Blindboyboatclub says: 'I've worked in TV for years and have gone through great lengths to come across as 'normal'. I've always wanted to share my love and passion for music on the radio, but have never been given the opportunity because of a fear that I'd be perceived as being too strange or eccentric for such a mainstream platform. It was a pleasure to make these Grounding episodes, because I got to be my authentic autistic self.' AFRODEUTSCHE says: 'When I was asked to put music together for these Grounding shows, I'll admit - I felt a bit overwhelmed, then I realised it was a rare chance to let people in on the quieter, more personal moments of my life. (That's what I love about radio) I can share stories through music, without being right in the spotlight. I really don't like being in the front, or being seen… (Some might find surprising). This is my journey - from before my diagnosis to now - with songs I've written and music that's touched my heart. Some of it no one's ever heard before. Stories of love, understanding love, relationships to music/art/light/colour, and parts of my private life I've often kept hidden… It's not easy sharing the deeper parts of myself, I tend not to, but I'm taking a brave stand and opening up! I'm taking some of my own advice 'If it scares you Henrietta and a voice says that you can't do this, you're no good…. DO IT'. So here I am, I'm opening up and sharing the hidden corners of my life that music makes a little less lonely and fills me up with connection and joy.' Episodes delve into themes that shape the host's world: AFRODEUTSCHE will share how being neurodivergent informs her experience of love, privacy and relationships; Blindboyboatclub explores his identity as an autistic adult, with programmes centring on creativity, escape and solitude; Emma-Jean, an autistic artist with ADHD and OCD, discusses intrusive thoughts, sleep and solitude. Gary reflects on being autistic, focusing on themes of obsession, emotion and misunderstanding. Grounding Grounding is produced by Granny Eats Wolf, working with The Donaldson Trust, The National Body for Neurodiversity, which delivers services and improves access and opportunity for neurodivergent people. Louise Storie, Head of Connect at The Donaldson Trust says: 'Our work with individuals and organisations is all about shifting the focus from 'deficit' to 'difference.' We help them understand and harness the incredible talents and creativity of neurodivergent individuals. Working with the Grounding project is a perfect example of this, where we supported the team in creating a neuro-affirming context for their work, including helping them to prepare for interviews with neurodivergent artists, advising on neuro-inclusive terminology, language, and approach. Ultimately, this new series is a wonderful celebration of some of the most brilliant and creative minds in the industry and highlights the importance of embracing neurodiversity.' Samantha Moy, Head of BBC Radio 6 Music says: 'There's so much to look forward to on 6 Music this autumn. It's a joy to welcome Kate Moss to celebrate an artist close to her heart and ours - David Bowie. I'm proud to be working with four incredible neurodivergent artists, Emma-Jean Thackray, Gary Numan, Blindboyboatclub and our very own AFRODEUTSCHE, who will lead conversations exploring music, identity and creativity in our new series, Grounding. And then there's Beth Ditto, who will be doing all of that and more with Nick Grimshaw on our Breakfast Show, and later this year with Indie Forever Disco.' Will Wilkin, Commissioning Executive, BBC Music for David Bowie: Changeling says: 'David Bowie and Kate Moss both transcend fashion, music, and art - true creative forces constantly reshaping culture. This podcast offers a personal look at Bowie's transformation, revealing his impact and legacy nearly a decade on. With Kate's narration, the Bowie archive at V&A East Storehouse, 6 Music's connection to his sound, and Zinc Media's award-winning production, David Bowie: Changeling gathers the voices of those he inspired. As Bowie said, 'I don't know where I'm going from here, but I promise it won't be boring' - this is Kate Moss on that constant reinvention that made him an icon.' Contributors featuring in Music Uncovered, David Bowie: Changeling Contributors providing new interviews for the podcast are: Anya Wilson, Boy George, Brian Eno, Cherry Vanilla, Chris Duffy, Christine and the Queens, Chrissie Hynde, Dana Gillespie, Dave Gahan, Edward Enninful, Elton John, Ezra Furman, George Underwood, Goldie, Harris Reed, Iggy Pop, John Cambridge, John Mendelssohn, Jules Fisher, Ken Scott, Mark Ravitz, Mike Garson, Nick Knight, Paul Smith, Peter Frampton, Rick Owens, Robbie Williams, St. Vincent, Toni Basil, Tony Defries, Tony Visconti, Tony Zanetta, Twiggy, and Wendy Kirby. Archive interviews come from: Florence Welch, Gene Simmons, Geoff MacCormack, Ian Hunter, Joe Dallesandro, Lady Gaga, Leee Black Childers, Lindsay Kemp, Lou Reed, Lulu, Marianne Faithfull, Mick Rock, Mick Ronson, Rick Wakeman, Sinéad O'Connor, Suzi Ronson, Tracey Emin, Trevor Bolder and Woody Woodmansey. SH/SVDG Follow for more


The Guardian
28 minutes ago
- The Guardian
‘I have to believe I deserve to be here': ‘Tesco TikToker' Hannah Lowther on her path to West End stardom
If you're on TikTok, you'll probably recognise Hannah Lowther. Known affectionately as the 'Tesco TikToker', she found viral fame during lockdown by filming herself singing and dancing in the aisles of the supermarket during her shifts there. 'I got 10,000 views on a video and I thought: OK, that's it, I'm famous, and I just never let it go,' the 27-year-old laughs. Since then, Lowther has built an audience of 1.2 million followers and leveraged her social media presence into a starry stage career, landing roles in West End musicals including Heathers and Six. 'At the back of my mind, I was thinking: You know what? Maybe this could help me one day.' Her career is the stuff of many young performers' dreams. Using social media, Lowther took her career into her own hands, built an army of fans, and catapulted herself to the spotlight. Now, she stands at the forefront of a growing and debated shift in the industry: one that sees performers with big online followings take centre stage. Lowther always knew she wanted to work in the theatre. Growing up in Basingstoke, she went to dance classes, but it was when she was cast as Brigitta Von Trapp in the West End production of The Sound of Music in 2008 that something clicked. 'I remember going into the theatre and asking [the adult actors] what their jobs were,' she says. 'Then I realised this was an option for me.' Her teenage years were consumed by musical theatre. 'I put the blinkers on. I thought: I'm going to do this and nothing else.' At 16, she took a three-year course at the drama school Italia Conti then, at 19, went on to the London School of Musical Theatre. 'I graduated in 2019, did a panto at Christmas, and then in 2020, coronavirus happened,' Lowther says. 'I got put on pause. The whole world did.' Except Lowther didn't stop. She took a job at Tesco and, 'out of pure boredom', made her first TikTok video. Her early posts saw her belting out musical theatre hits to products on the shelves and high-kicking in front of the tills. 'I was feeling like my musical theatre spark was diminishing,' she says. 'I just thought surely someone else must feel the same.' She was right. Her TikToks reached thousands and were picked up by BBC and ITV news. 'It was crazy: people came to interview me, people came into the store … I'm just that theatre kid who loves attention, so it was my dream,' Lowther says. Even now, she shakes her head in disbelief. 'TikTok really helped me, and I say that with pride.' Her unconventional route to the stage hasn't been without its critics. Despite training at two of the UK's top drama schools, Lowther is often met with scepticism from people who attribute her success to her social media clout than talent. 'People are always going to be a little bit apprehensive about [social media],' Lowther says. Strangers have often formed an opinion of her before they've even met. 'Often when I meet them, they'll be like: 'You know what? You're actually quite nice,'' she laughs. It is true that in person, Lowther is different from the version seen online. On TikTok, she's all jazz hands and musical theatre fizz. Today, she is more reserved: still warm and funny, but with a vulnerability that doesn't always make it into the frame. Lowther tells me about how she turned her phone off for a week after a video surfaced of her making a mistake during an early performance of Six. 'My first thought was: I'm going to get ripped to shreds online, and that's exactly what happened.' Because of her trajectory, Lowther faces a far greater level of scrutiny than most performers. Dealing with online criticism has become a part of her life. Underneath her videos, she often finds 'nasty comments' about her voice, career and, most prominently, suggestions that she's used social media to cheat her way to success. 'I've tried to teach myself to rise above it, and think that is more a reflection of the person than me, but it is easier said than done,' she says. To an extent, the torrent of abuse has begun to feel normal. 'I forget that, for lots of people, it is not a daily struggle.' Perhaps this is why Lowther occasionally doubts herself. 'Impostor syndrome is a real thing. This explosion happened so fast, sometimes I do sit there thinking: What am I doing at this audition?' She's the first to say her road to theatre has been far from normal. The first West End show she was cast in, Heathers, came about because someone she met at a social media event was friends with one of the producers, and got her an audition. 'It's hard when I'm faced with people saying: 'Why would she get this part?' I've worked hard. I have to stick to my guns and believe I deserve to be in certain spaces.' Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Lowther believes more musical theatre hopefuls will turn to social media. In June, it was announced that TikTok star Maddie Grace Jepson, who has 1.9 million followers, will make her West End debut in Back to the Future: The Musical, while Love Island winner Amber Davies (1.2 million followers on Instagram) has since starred in countless shows, including the current run of The Great Gatsby. This is a marked change from the more traditional path actors usually take: many will spend years working their way up through off-West End roles, understudying and attending endless auditions before getting a big break. Today, casting directors and producers increasingly see a strong online following as part of a performer's value: their fans, it is assumed, are a ready-made audience. For some, this is a welcome levelling of the playing field that helps regional or working-class performers who lack industry connections. But there are concerns. If you're expected to perform in an eight-show week, proper training and stamina are essential – and not always something guaranteed by social media popularity. And this all arguably creates a hierarchy of another kind. Actors have spoken out against being asked about their follower count in the smallest non-speaking roles. In 2019, a casting call for a commercial asked actors to have 'more than 5,000 followers on Instagram' went viral, leading to broader criticism in the industry. Everybody's Talking About Jamie star Hayley Tamaddon said she was asked, at the end of a West End audition, about the number of followers she had on X (the role went to someone with 20,000 more followers). Despite her time at drama school, it is clear that it's TikTok that has opened doors for Lowther. She now hosts a theatre podcast, How Very Hannah (the podcast's own TikTok account has more than 52,800 followers) which is going on a UK tour this autumn. 'We play silly games, I give advice to people who send in questions, I chat with guests and try to remove any snootiness around theatre,' she says. That personal audience gives Lowther something many other young actors don't have: leverage. She doesn't have to wait to be cast to engage an audience, promote her work or generate income; she has built her own stage. It's a powerful position. Does creating a public-facing brand ever get in the way of being taken seriously as a stage actor? 'By trade, I am an actress,' she says cautiously, but she reveals that some people in the industry have initially turned up their noses at her influencer life. Why does Lowther think people are so keen to follow her life? She pauses. 'It's a weird one. As cheesy as it is to say, I try to be as authentic as possible … I try to show the lows, the highs and all the bits in between.' Lowther's appeal does seem to be rooted in her honesty. She posts videos of her crying after failed auditions, hosts chats from her dressing room, and answers questions about how much actors really get paid. Part of the draw is that she isn't too flashy or aloof. Her relatability offers other young performers a sense of hope: maybe, if they throw themselves into social media, they could have a career like hers too. Of course, out of the many people who post on TikTok, only a few will end up in the spotlight. Lowther is more than aware of this, and is determined not to fall behind. She still posts regularly on TikTok and feels a responsibility to make content that's honest, joyful and rooted in her love of musical theatre. She has big dreams of being in a movie musical – 'something like the Wicked movie' – but, ultimately, the theatre has her heart. 'I really love being on stage. I feel like it is where I'm meant to be.' How Very Hannah Live! tours the UK to 29 November; tour starts Edinburgh.