logo
Shantanu Moitra on directorial debut with project featuring Kaushiki Chakraborty: I enjoyed it, open to directing more

Shantanu Moitra on directorial debut with project featuring Kaushiki Chakraborty: I enjoyed it, open to directing more

Hindustan Times4 hours ago

Having been a musician all his life, composer Shantanu Moitra has added another feather to his hat by turning filmmaker. He has directed and produced an upcoming docu series on YouTube, which features a six-part, sit-down conversation with singer Kaushiki Chakraborty. Sharing why he decided to turn director, Shantanu says, 'I wanted to become an entrepreneur and a storyteller. I wanted to break this whole pattern of someone calling to offer me a work opportunity. That made my brain start ticking and I thought I want to try something else.' Shantanu Moitra
Titled Pankh, his first outing is music driven, as it's a live-autobiography and album on Kaushiki's life. 'Over the years, there have been lots of stories that I wanted to share with the world. And what better vocalist to voice that feeling of mine – that I need to share these stories – than Kaushiki Chakraborty. I believe if you're really passionate about something, then you are the best person to execute it. That is the reason why I took this leap of faith and turned a director,' says Shantanu.
As someone navigating music and filmmaking now, Shantanu accepts that there's a lot of commonality and differences between the two crafts. 'Before I compose a song, I have a gifted power to hear the song in my head, which includes the songs I've composed for Parineeta (2005) or 3 Idiots (2009). That's something that I experienced as a director too. I could see it and had a clear vision before I started directing it. That's the commonality. The greatest difference was the turnaround time in the two crafts. As a composer, the turnaround time from the moment I hear my song in my head to execution is less, as I record it immediately after calling the right people for fit. However, in case of a film, there are many departments and people that I am dependent on. And the gestation period from when I have thought of an idea to when I finally see it manifest is huge,' Shantanu ends. Kaushiki Chakraborty and Shantanu Moitra in Pankh
Talking about working with Kaushiki, he adds, 'Coincidentally, she is also in that state of mind where she also wants to tell stories and not just sing a song. So, both these things converged and honestly, it's a crazy idea to present a song like we did (in Pankh, with the aspect of storytelling). There are six stories making six episodes and from them come six songs. So this is a pretty crazy idea, especially from a music perspective.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Indian Performing Right Society pushes for stringent copyright and royalty process
The Indian Performing Right Society pushes for stringent copyright and royalty process

The Hindu

time35 minutes ago

  • The Hindu

The Indian Performing Right Society pushes for stringent copyright and royalty process

Among the ways the Indian music industry has been steadily gaining more vital parts for its ecosystem is a vigilant approach to copyrights and royalties for creators. They could be composers, lyricists/writers, instrumentalists and music publishers, seeking a steady compensation whenever their work is heard or performed anywhere. Writer, lyricist and member on the board of directors at The Indian Performing Right Society (IPRS) Mayur Puri says, 'the focus has always been to make artists (or 'creators' as they prefer to use as an umbrella term) aware that there is a revenue model in place even in the age of digital streaming. IPRS was restructured in 2017 and he calls his first few months (around 2019) a 'big learning curve' in terms of understanding copyright law, intellectual property laws and the role of metadata and credits in the Indian music ecosystem. Mayur says: 'When I joined in 2019, we had just over 4,000 members. Today, I have stopped counting, but think we are 18,000-plus, which is the fastest growth in terms of membership drives also.' Creators can become members of IPRS with a one-time application processing fee of ₹1,200 for author, composer and their legal heir and ₹2,200 for a publisher. On the other side of the stakeholders, IPRS' chief executive officer Rakesh Nigam, has increased the royalty distribution income from ₹9 crores to ₹170 crores in the financial year 2019 – 2020. He is more of an execution man, and points to Mayur as being the one with ideas. In addition to the copyright society signing licensing deals, with important players such as YouTube, Meta and Spotify, part of the outreach has been on a more public level — teaming up with Nagaland's Task Force for Music and Arts (TaFMA), which sent singer-songwriter Abdon Mech to a songwriter camp in Budapest, besides partnering with Serendipity Arts Festival in Goa for a specific IPRS Stage. Despite the awareness and campaigns, a more systemic change is required to enforce how copyright is kept sacrosanct for creators. In 2012, the right to royalties became inalienable from the creator, and Mayur says that is when things started to shift. That means no entity can force an artiste to sign off their royalties in exchange for a flat fee, although this is still a common work practice today in the music industry. Mayur points out that 'compliance', then, becomes a major issue. He, however, adds, 'In developed countries, you see there is no resistance now because they have become a part of the system, and they have understood and accepted the system. In India, in the last few years, most of the big stakeholders, have have embraced this system. Any legitimate business house will not dare to question the right to royalty now.' The challenges certainly remain in a country as vast as India, with a largely unregulated sector for music. 'We are getting royalties from people, but not from some broadcast channels or radio,' Mayu adds. The next step, is to introduce more regulation to ensure an enforcement of copyright laws and the right to royalty, according to IPRS. 'The government is now telling all the stakeholders of the music industry to come together and create a single window license, which they are working on. I do not know how practical it is and how well it is going to be,' he says, referring to the practice of music show organisers obtaining a license to play/perform music. That's from the organisers. For music consumers, Rakesh says there needs to be a drive to bring people on streaming platforms such as Spotify, JioSaavn and others to pay a subscription fee for the music they have access to. He states that from the millions of active users on these platforms, only about four per cent are paying subscribers. Mayur adds, 'Social awareness is required. People in India think music is free, like there is no money required to listen to music again and again. It does not work like that.' He hopes that artistes get to live a 'dignified, honourable' life and need not struggle 'for basic things'. 'So it is important for people to believe that artistes have to be paid and you cannot just listen to anything for free,' says Mayur.

‘One spoon of rice': Salman Khan reveals what he eats in a day; says dad Salim Khan's ‘metabolism alag hai', still walks to Bandstand everyday at 89
‘One spoon of rice': Salman Khan reveals what he eats in a day; says dad Salim Khan's ‘metabolism alag hai', still walks to Bandstand everyday at 89

Indian Express

time42 minutes ago

  • Indian Express

‘One spoon of rice': Salman Khan reveals what he eats in a day; says dad Salim Khan's ‘metabolism alag hai', still walks to Bandstand everyday at 89

Salman Khan made a memorable appearance in the season opener of The Great Indian Kapil Show, which kickstarted its new innings on Netflix last weekend. The episode has already become a hit among viewers, who are loving the fun and candid side of Salman as he jokes and banters with host Kapil Sharma, Archana Puran Singh, Navjot Singh Sidhu (who returned to the show after five years), and comedians like Sunil Grover, Krushna Abhishek, and Kiku Sharda. Recently, Sidhu shared a clip from the show on his YouTube channel, where Salman can be seen talking about his father, Salim Khan's health, fitness, and disciplined lifestyle. He said, 'My dad, touchwood, Mashallah, he tells me that meri khuraq khatam ho gayi hai (my appetite has gone down) but touchwood he is like, 2-3 paranthe, then rice, the gosht, then dessert, twice a day. Unka ek metabolism alag hai. Unka discipline alag hai.' (He has a different metabolism. He has a different kind of discipline.) Salim is 89-year-old. 'So he has been walking all the way to Bandstand and back every single morning. We're so happy to see that. We are so proud that we have a father who's fighting it out.' Salman also went on to share his own diet routine, adding: 'I'll eat anything but won't overeat. Like say, 1 spoon rice or at max one and a half, whatever vegetables, then chicken or mutton or fish.' Also Read | Salman Khan recalls seeing his poster in Kareena Kapoor's bathroom when she was 8; says Rahul Roy replaced him when she turned 15: 'She was a fan' In the same conversation, Salman reflected on his role in promoting fitness in the Indian film industry. He said he was among the first actors to popularize gym culture in the country, and he's delighted to see legendary actors like Dharmendra still going strong with their health routines. Salman's last feature, Sikandar, was a huge box office let-down. However, he is in no mood to stop, as he is gearing up for his next project, reportedly a war drama based on the 2020 Galwan Valley conflict. The film will be directed by Apoorva Lakhia, and Salman is expected to start shooting soon. He is also reportedly in talks with Kabir Khan for Bajrangi Bhaijaan 2.

Mohd Rafi was depressed, grew his beard after Bollywood said he was ‘finished', chose Kishore Kumar: ‘He would say I'm not a singer'
Mohd Rafi was depressed, grew his beard after Bollywood said he was ‘finished', chose Kishore Kumar: ‘He would say I'm not a singer'

Indian Express

time2 hours ago

  • Indian Express

Mohd Rafi was depressed, grew his beard after Bollywood said he was ‘finished', chose Kishore Kumar: ‘He would say I'm not a singer'

Mohd Rafi started singing in the movies in the 1940s and until his death in 1980, he remained one of the most respected and loved singers that India had ever seen. Yet, despite his skill and popularity, Rafi also went through a phase where he went through self-doubt and this phase came about in the early 1970s, coinciding with the popularity of singer Kishore Kumar. In a recent interview singer Sudesh Bhosle said that at one point, Kishore wasn't taken seriously by the pundits of music as he was not a classically trained singer, but later, as he started working with RD Burman and delivering one hit after another, Kishore's perception changed. In a chat shared on Shubhankar Mishra's YouTube channel, Sudesh said that at one point, classical musicians would argue with composers like Kalyanji-Anandji as to why they were giving an opportunity to someone like Kishore, who wasn't trained classically. 'But Kishore gives us what we want. He gives the expressions, the feelings that we need in a song,' they said. Sudesh said that after a few years, everyone's tune changed and the same producers and media persons who didn't speak well about Kishore, declared him as the superior singer, and said that Rafi was 'finished.' 'They changed their tune and said, 'there is no one like Kishore, Rafi saab is gone, Rafi saab is finished. Finally, Kishore da had to tell media people that stop making these comparisons, it's hurtful because I respect Rafi saab,' he shared. Sudesh said that Rafi's singing was just the same, it was just that Kishore's fate had changed. ALSO READ | RD Burman's swan song 1942 A Love Story: Humiliated and cast aside by Bollywood, how Pancham created the album; teared up when music was called 'bullsh*t' He added, 'I never met Rafi saab but I have heard that at one point, if Rafi was asked to sing for Kishore, when he was acting, he said 'Uthao isko, yeh doobta suraj hai', Amit Kumar shared this with me. After Aradhana, people said, 'we don't care who is the hero, but we won't have it if there is no Kishore Kumar song. At that time, Kishore started singing for the heroes, for whom Rafi saab used to sing.' Sudesh then shared that somewhere in the early 1970s, Rafi went into depression and implied that this was due to the constant comparisons that were being made. 'We had heard, we don't know how true it is, that Rafi saab went in depression. He grew his beard. He would meet Naushad and say 'I am not a singer' and Naushad helped him rebuild his confidence,' he said. Sudesh claimed that Laxmikant-Pyarelal called Mohd Rafi for Amar Akbar Anthony, and because director Manmohan Desai was a big fan of the singer, he cheered him on. 'Rafi said, 'Why are you calling me? I am not a singer'. Manmohan ji was a huge fan of Rafi saab, and after that he sang 'Parda Hai Parda', 'Shirdivale Sai Baba'.' Rafi took a small sabbatical in the early 1970s and it was said that he as suffering from a throat infection and had, in fact, lost his voice. In 1975's Amar Akbar Anthony, Kishore and Rafi sang 'Humko Tumse Ho Gaya Hai Pyar' together, along with Mukesh, as the song was picturised on three male actors. Lata Mangeshkar sang for all three female actors. The song was widely promoted as a coup as it brought Kishore and Rafi together.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store