Fan-favorites return for SNL's 50th anniversary special
Arts & Entertainments
Fan-favorites return for SNL's 50th anniversary special
February 17, 2025 | 3:28 PM GMT
Characters like "Debbie Downer" and "Drunk Uncle" were brought back for the "Saturday Night Live" 50th anniversary episode on Feb. 16.
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Yahoo
an hour ago
- Yahoo
New Doc Explores How Julia Sweeney's ‘SNL' Favorite Pat Became a Complex Nonbinary Icon
Julia Sweeney's popular Saturday Night Live character Pat gets their plaudits (and some criticism) as a gender non-conforming pioneer in a new clip from the upcoming documentary, We Are Pat, premiering exclusively on Rolling Stone. Sweeney played Pat throughout her run on SNL in the early Nineties and even got to star in a spin-off film, It's Pat. The inscrutability of Pat's androgyny was pushed to comedic extremes, effectively offering prominent, yet thorny representation for gender non-conforming people on television long before the term 'nonbinary' was being widely used. More from Rolling Stone USC's SoCal VoCals Are Pitch Perfect in 'Just Sing' Documentary Trailer See 'SNL' Spoof Mike Myers' Infamous Kanye West Moment in Elevator Sketch 'SNL': Watch Bad Bunny Perform 'NUEVAYoL,' 'PERFuMITO NUEVO' We Are Pat director Ro Haber tells Rolling Stone in an email they 'wanted to make a film about transness that had humor at the heart of it,' and kept coming back to their complicated feelings about Pat. 'Why am I laughing at something that's meant to laugh at me? Why do I love Pat? Is Pat a nonbinary icon or a transphobic trope of yesteryear?' Haber continues. 'In exploring these questions, it was really important that the film embraced a spirit of curiosity and conversation rather than cancel culture and judgment.' The new clip opens with Karam Ann, a professor of TV studies, noting the prescience of Pat and how the relatively new discussion around nonbinary identity and the use of they/them pronouns has 'reanimated Pat from the grave.' Actor and filmmaker River Gallo, who is nonbinary, adds, 'What's interesting to me about being nonbinary, and the definition of nonbinariness, is it's saying you're not these two things. It's not really definable but only by what it isn't. It's interesting thinking of Pat in those ways.' We Are Pat will have its world premiere at the Tribeca Film Festival on Sunday, June 8. It's set to feature interviews with an array of queer and trans comedians and writers, including Molly Kearney, Esther Fallick, Abby McEnany, Pink Foxx, and Roz Hernandez. Sweeney also partook in the film, as did her SNL co-star Kevin Nealon. Haber says one of the most profound things they learned while making the film was from Sweeney, who created Pat while grappling with her 'own gendered pressure as a woman trying to make it in the Ninetes boys club of comedy and SNL.' 'Pat grew out of familial and societal expectations of femininity that were placed on Julia during that time, and Pat was something of an escape for her,' Haber says. 'In the film, she says, 'It was actually a joy to be Pat because I got to have a break from having to be a girl too.' That sense of reacting to a gender expectation placed on you felt really relatable to the comics in the film and me.' { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 1, }, pmcCnx: { singleAutoPlay: 'auto' } } }, playerId: "d762a038-c1a2-4e6c-969e-b2f1c9ec6f8a", mediaId: "4665abb0-57e9-4e09-a93a-fa846cda00cb", }).render("connatix_player_4665abb0-57e9-4e09-a93a-fa846cda00cb_2"); }); Best of Rolling Stone The 50 Best 'Saturday Night Live' Characters of All Time Denzel Washington's Movies Ranked, From Worst to Best 70 Greatest Comedies of the 21st Century
New York Post
3 hours ago
- New York Post
Brooklyn home that appeared in multiple shows asks $2.99M
In Brooklyn's Ditmas Park, one home has taken center stage, stealing the spotlight again, again — and again. A wraparound-porch-clad Victorian at 500 E. 18th St. isn't just a showstopper — it's a frequent scene-stealer, appearing in more television and film credits than some of the actors who have shot there. Now listed for $2.99 million with Heather McMaster of Corcoran, the cinematic stunner is hitting the market after a decades-long real-life renovation story nearly as dramatic as the scenes it has hosted. 19 In Brooklyn's Ditmas Park, a grand Victorian home that has doubled as a beloved television and film set is now for sale at $2.99 million. Russ Ross for Corcoran 19 The property has been featured in multiple productions. Russ Ross for Corcoran From 'Saturday Night Live' to 'Boardwalk Empire' to 'Blue Bloods,' the six-bedroom dwelling has become a go-to for location scouts seeking old New York charm in the middle of the borough. 'Ditmas Park is actually quite famous for people filming out here because our homes are so large that they can do several locations in one spot,' said homeowner Dana Vance, who, along with husband Frank Gauthier, has owned — and painstakingly restored — the home since 1994. Set on one of the neighborhood's most picturesque blocks, the home boasts an ornate façade with spindle-trimmed gables and stained glass. Its porch alone has earned its share of screen time — Hugh Grant filmed a night scene on it for 'The Rewrite,' opposite J.K. Simmons, though Vance, 72, said, 'I love Hugh Grant, but I didn't get to meet him because they shot it at like 2 o'clock in the morning … I was so mad at myself because I couldn't stay awake.' 19 Known for its cinematic appeal — thanks to its expansive layout, ornate woodwork, stained glass and storybook wraparound porch — the home has become a sought-after location for directors looking to capture old New York charm. Russ Ross for Corcoran 19 Homeowners Dana Vance and Frank Gauthier, both actors, inherited the property in 1994 in a state of complete disrepair after Frank's reclusive cousin, Bill, passed away. Courtesy of Dana Vance Built in 1910, the house stayed in Gauthier's family for three generations, but fell into disrepair when a reclusive relative lived alone there for decades. 'He had no plumbing, no heat, no air conditioning. Fifty windows in the house, 28 were broken. Pigeons were living on the third floor,' Vance said. 'There were 10,000 pounds of newspapers, twigs, aluminum pipes, a piano, garbage cans collecting rainwater. It was a complete disaster.' When that relative, named Bill, passed away, the house was on the verge of demolition — until Vance, seeing potential through the wreckage, convinced Gauthier not to sell. 'I said, 'Oh, I think we're gonna fix this house up. I think it's got great bones,'' she said. 'And he thought I was completely crazy. And to tell you the truth, I was, because I had no idea what work was in front of me.' 19 The couple often remained in the house during filming, retreating to the top floor while scenes played out below. Image Entertainment 19 At the time, the house had no plumbing or heat, broken windows, pigeon infestations and was packed with decades of hoarded debris. Courtesy of Corcoran 19 Vance saw potential where others might have walked away, convincing Gauthier to renovate rather than sell. Courtesy of Corcoran What followed was a years-long gut renovation fueled by maxed-out credit cards, a single affordable contractor and the couple's own elbow grease. 'We took out probably well over 500 garbage bags,' Vance said. 'It was a labor of love and I view that house as if it's a part of me … every piece of wood, every pillar, [the] wainscoting.' Today, the result is a blend of restored craftsmanship and functional luxury. Inside, the home is flooded with natural light thanks to oversize windows — including a statement stained-glass pane on the main stair landing. Original mahogany doors, intricate woodwork and custom-designed oak floors with mahogany inlays run throughout. 19 What followed was a decades-long restoration project — one they took on themselves with limited resources and limitless perseverance. Russ Ross for Corcoran 19 Today, the home is filled with carefully restored original details, including oak floors with mahogany inlay. Russ Ross for Corcoran 19 A formal dining room wrapped in vintage wallpaper. Russ Ross for Corcoran The gracious living room, anchored by one of two woodburning fireplaces, opens into a formal dining room wrapped in vintage wallpaper and crowned by a statement chandelier. The updated eat-in kitchen overlooks one of the largest private backyards in the district. Upstairs, the primary suite boasts a bay window, a fireplace and even a built-in marble sink in its adjacent sitting room — a remnant of the home's turn-of-the-century design. 'It's lovely,' Vance said. 'It's got the little sinks in the bedrooms and beautiful mahogany doors, broom closets and linen closets that you don't see in a regular house.' Still, it's the home's distinctive character and ample space that has made it a favorite for film and TV production crews, who can move through its sprawling three floors and outdoor areas with ease. 19 The kitchen. Russ Ross for Corcoran 19 A breakfast nook. Russ Ross for Corcoran 19 One of the largest backyards in the district. Russ Ross for Corcoran 'There was a location scout that came by one day, maybe about 18 years ago … they take pictures, go to several houses, then bring back a team of like 10 people to scout it again,' Vance said. 'We have one of the largest backyards in Ditmas Park, and that served us. And we have a big wraparound porch, so those little things are interesting to film directors.' The house has since also played host to productions ranging from CBS dramas like 'The Equalizer.' But perhaps the most widely recognized appearance came courtesy of a viral 2014 'SNL' skit, 'Back Home Ballers,' that has garnered more than 14 million views over the years. 19 The dwelling starred in 'The Rewrite.' Image Entertainment 19 A scene from 'Back Home Ballers' on 'SNL.' NBC 19 The home's cinematic legacy has been built organically, one shoot at a time — thanks in part to its grand proportions and authentic historic charm. NBC 'I met all the girls from 'Saturday Night Live' and Cameron Diaz,' Vance said. 'They turned our living room into a discotheque … their green room was our bedroom. I took pictures with all of them. It was really great.' Though the couple often stays in the home during shoots, they make way for the crew when necessary. 'Sometimes the crew is so large that I just go to the third floor … and then we hear them go, 'cut,' and then we can go downstairs and grab a snack and go back upstairs again,' Vance said. Watching their home on screen remains a rush. 'A lot of the location scouts or the ADs will call and tell me when it's going to be aired. And I'm so thrilled to see either the front of my house … or the living room, and family will call and say, 'Is your house on 'The Equalizer?'' But after 30 years of loving care and on-screen cameos, the couple has decided it's time for a new act. 'We're old. We're seniors now, and it's time to move on,' Vance said. 'It's 3,400 square feet, just the interior — not counting the attic and the basement … When you're young, it's very easy. It's still easy for us now, but I can see myself huffing and puffing every once in a while.' The couple — both actors, now retired — plans to relocate out of state. 'Frank and I will always be New Yorkers. We love New York with all our heart. But we've done New York,' she said. 'We're looking for a new adventure.' 19 A sun-filled primary suite with a fireplace and a bay window. Russ Ross for Corcoran 19 A third-floor living space. Russ Ross for Corcoran 19 One of 2.5 bathrooms. Russ Ross for Corcoran As they prepare to say goodbye, Vance admits it's an emotional parting. 'I've been talking to the house this whole time, letting the house know how much I loved it … I hug the staircase or hug something and just say, 'Thank you. Thank you. Thank you so much.'' One visiting contractor may have said it best. 'He told me, 'You will find that once you start working on a house like this, it will not let you work on it. It will resist you until it knows that you have its best interests at heart.' And it's true,' Vance said. That same character — the kind that can't be fabricated on a soundstage — has kept filmmakers coming back, and may now captivate a new buyer. As Vance put it, 'If they appreciate it half as much as we do, then I'll be satisfied.'
Boston Globe
4 hours ago
- Boston Globe
Tina Fey and Kelli O'Hara honored at Trinity Rep's Pell Awards for lifetime achievement in the arts
Advertisement Several of the speakers and other guests at the event, which raised nearly $400,000 for Trinity Rep's artistic, education, and community engagement programming, shared how programs funded by the Get Globe Rhode Island Food Club A weekly newsletter about food and dining in Rhode Island, by Globe Rhode Island reporter Alexa Gagosz. Enter Email Sign Up 'I am concerned that the arts will be an afterthought as opposed to being one of the most important things we can do,' said actor and Rhode Island resident Related : Advertisement Longtime Trinity Rep supporter Bank of America recently made a $3 million commitment to the theater company, which was announced during the gala. The gift includes $2.75 million to support the Curt Columbus, Trinity Rep's artistic director, said, 'When you live in a country that is undergoing the kind of repression that we're seeing, the arts are more necessary than they have ever been.' Providence lawyer Arlene Violet, who once served as the state's attorney general, said she wanted to attend Tuesday night's gala to show her support for the arts in general, and more specifically, Trinity Rep. 'Places like Trinity Rep will continue to educate the heart, souls, and consciences of theatergoers,' she said. 'And without question, the arts are under attack. I think the president is trying to While accepting her award, Fey told those in attendance that she started her career directing children's theater in her hometown in Pennsylvania. 'We really served our community,' she said. Fey was critical of Trump, making jokes about him and his administration and pretending she was receiving repeated news alerts on her phone: 'The White House has declared Juneteenth canceled – we're just going back to Shark Week.' 'RFK Jr. says hurricanes likely caused by vaccines; we will have a hurricane cure by the weekend.' 'They just keep coming. Breaking news: All new music must emphasize beats one and three. Any syncopated rhythm will be considered DEI.' 'Also, the Russians have a Trump/Musk tape.' 'OK, the Trump/Musk tape has been debunked.' Fey ended her 'news flash' jokes with a clear crowd favorite: 'Trump just ate a Tide pod. It's going to be OK. His doctor said he ate it better than anyone had ever eaten a Tide pod, and the chemicals in it may cause him to live forever,' a joke that elicited prolonged laughter from the audience. Advertisement Fey, 55, who wore a pale pink pantsuit and white crew-neck shirt, was introduced by Kate Liberman, Trinity Rep's executive director, who shared a video message sent by Fey's friend, collaborator, and fellow 'Saturday Night Live' alum Amy Poehler, who joked that everyone at the event should look under their seats because one has the keys to a new car, courtesy of Fey. The 'Mean Girls' creator said she has worked in 'difficult eras' before, including performing on 'Saturday Night Live' just three weeks after the September 11, 2001, attacks. 'There was a time that we thought 'oh, maybe we can never do comedy again. Maybe it's not appropriate for us to ever laugh again' and it turned out that really, all it took was Will Ferrell in an American flag Speedo to be able to unite the country,' she joked. 'People love to ask me, 'Is it OK to be writing comedy right now?' And I say not only can we, we must,' Fey said. 'Humor is a vehicle for delivering truth. Humor is what will keep us tethered to our sanity through these dark times.' Related : Two-time Tony winner Judith Ivey, a longtime friend and mentor of O'Hara's, introduced her by singing a clever and amusing reworked version of 'Maria' from 'The Sound of Music,' that was all about O'Hara. Wearing a floor-length, spaghetti-strap forest green-hued floral dress, O'Hara said she was honored to receive the award, and promised those in attendance that she will do everything in her power 'to continue to make the world better through the arts' – even if it's just making someone's life 'a little better each time I sing a song or say something that I mean from my heart.' Advertisement 'I'll receive this tonight with such gratitude and such humility because I am determined to be worthy of it for the rest of my life,' said O'Hara, 49, who is touring the country with fellow Tony Award-winning actor Sutton Foster in full symphony concerts, including a O'Hara, who won a Tony Award in 2015 for best actress in a musical for her performance in a revival of 'The King and I,' shared with the audience that while growing up in a small town in Western Oklahoma, she and her family benefited from Trinity Rep established the Pell Awards in 1997 to honor artists whose careers exemplify the values of the late US Senator Claiborne Pell, a staunch champion of the arts and one of the principal founders of the National Endowment for the Arts. O'Hara and Fey join a long list of distinguished performers who have received the award, including last year's recipient,
