Malayalam OTT releases this week: Bigg Boss Malayalam Season 7, Mayakoothu, and more movies, web series to watch
Release Date: August 8, 2025
Genre : Crime Drama Fantasy
Mayakoothu introduces a layered narrative where a writer comes face-to-face with the fictional characters he creates. Starring Nagarajan Kannan, Delhi Ganesh, and Sai Dheena, the Tamil film blends crime, fantasy, and psychological drama to explore the thin line between imagination and reality. A must-watch for literature lovers and fans of thought-provoking storytelling.
Release Date: August 8, 2025
Platform: Amazon Prime Video
Languages: Telugu (dubbed in Hindi, Tamil, Malayalam, Kannada)
This gripping web series follows fishermen from rival villages who accidentally drift into foreign waters and are captured. Starring Satya Dev, Anandhi, Nassar, and others, Arabia Kadali explores survival, shared hardship, and the human spirit in the face of adversity.
Release Date: August 7, 2025
Languages: Telugu (dubbed in Malayalam, Hindi, Kannada, Tamil)
Set in the murky world of regional politics, Mayasabha explores ambition, betrayal, and power struggles. The series features Divya Dutta in her Telugu debut alongside Sai Kumar, Nassar, and Tanya Ravichandran. With shifting alliances and intense drama, it promises to keep viewers hooked.
Release Date: August 8, 2025
Languages: Tamil, Telugu, Hindi, Malayalam, Kannada
This romantic drama, which premiered in cinemas earlier this year, is now set for its OTT debut. Oho Enthan Baby stars Mithila Palkar in her Tamil debut, alongside Vishnu Vishal and his brother Rudra. The film's multilingual release expands its reach to audiences across South India.
Streaming Since: August 3, 2025
Superstar Mohanlal returns to host the latest season of Bigg Boss Malayalam, now streaming on JioHotstar. With new housemates, fresh twists, and high-stakes drama, the popular reality show is back with more tension and excitement. Rumoured participants include Boban Alummoodan and Renu Sudhi, though official confirmations are still awaited.
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Indian Express
7 minutes ago
- Indian Express
Su From So director JP Thuminad: ‘Raj B Shetty taught me how to engage with cinema'
The world seems to have changed overnight for JP Thuminad, the man behind the latest Kannada sensation Su From So. Describing the experience as anireekshithe — Kannada for 'unexpected' or 'unprecedented' — the actor-writer-director is trying to process the overwhelming rush as he promotes his debut across India. Released in theatres on July 25 and co-produced by Raj B Shetty, the Kannada comedy-horror film has exceeded all expectations. Fuelled by glowing reviews and audience love, Su From So offered the Kannada film industry a much-needed morale booster before it was quickly dubbed and released in Malayalam and Telugu. And to everyone's delight, it currently shows no signs of slowing down. SCREEN caught up with JP Thuminad himself to discuss the love and frenzy around his film, its making, and also his own journey to reach this point of glory. Edited excerpts: There's a fascinating story behind how Raj B Shetty came to know about the storyteller in you. Can you tell us a little about it? I have always had a passion for telling stories. There was a time when I spun my own stories and shared them with friends and family, pretending they were scenes from films I'd just supposedly watched. My formal education was discontinued quite early on, and I entered the painting profession, but my love for storytelling never ceased. It also helped me with scripting theatre plays over the last 14 years. After I began working with Raj (B Shetty) sir, the word somehow reached him that I have countless stories up my sleeve, and he was interested to know if I'd ever direct a film. I had already been wanting to direct a short (not really knowing how a screenplay is to be written), but for some reason, I could never get Raj sir to like any of my stories! There'd be 60-70 of them in my mind, but he didn't find much merit in any of them. So that's when I decided that I would simply make a short film and show it to him, and that's how it all started. He watched it and was very impressed, even saying that if he made a film on the same story, he would make it similarly. For me, who only wanted to impress Raj sir, getting that feedback was a big boost. You say you weren't sure how a film's structure worked – was it difficult to convert Su From So from idea to script? Yes, especially for a full-length feature. Raj sir would tell me that I had to first get everything in my mind out on paper, and the rest could be figured out later. Simultaneously, Rishab Shetty sir, with whom I worked in Garuda Gamana Vrishabha Vahana (2021), watched my short film and told me that a screenplay's three-act structure was ingrained in me, even though I wasn't aware of it consciously. These inputs, and my own clarity regarding how the film must be told, helped me put it together. What kind of clarity are you talking about? I knew that the storytelling had to be different here, and I wanted each character to tell the story in their own way. And a clash of egos among those characters or personalities was as important, because that's how I've seen a community function around me. All the characters – Ravi, Yadhu, Sathisha and so on – in my film are innocent at heart, but there's an endearing, comical play of egos among them that takes the story forward. Directing a film of this kind, where almost every scene is exuding energy, isn't easy. Did it help you that you were working with actors – Shaneel Gautham, Prakash Thuminad, Deepak Rai Panaje, etc. – whom you have known very well? I have worked with these guys for over a decade now, and that helps a lot. The thing about working with people who are also your friends is that it could lead to two extremes: one, everyone comes together saying it's 'our film', and the other, being taken for granted. I was lucky that I got the former, and everyone involved – actors, technicians and crew members – considered Su From So to be their film. The ones whom I met for the first time on the sets also felt that passion, and creating something like this wouldn't have been possible without that sense of synergy. Alongside, we had the clarity about how to make the film and prepped a lot. We preempted things that could go wrong during the shoot, and also prepared ourselves beforehand in a few other areas – certain scenes or songs were meticulously shot on mobile phones first before we went on the floors. Since I was also acting in the film, I needed a strong behind-the-scenes team that could handle it when I was in front of the camera. My direction team, my DOP and many others were very collaborative. More importantly, we had incredible fun making the film, and that shows. The last time a Kannada film received such overwhelming love and helped many of its cast members gain popularity was perhaps Kantara (2022). What do you suppose has worked in your favour? I couldn't pinpoint anything, to be fair, but the same clarity I referred to earlier could have helped us here. I knew from the very beginning that this was a film meant to entertain the masses, and not something for the insiders alone. I wanted to entertain the common folk out there, including my mother, father and relatives. I feel that simplicity, combined with a neatly written and executed film, worked well. Along with the simplicity, there's a strong emotional core in the film that struck a chord with audiences. I speak of the Bhaanu character (played by Sandhya Arekere), which speaks about the treatment of women in a non-preachy manner. Did that portion occur naturally to you while writing? I think I wrote it the way I'd like a film to be, as a good blend of humour, an emotional journey, some action and so on. That's the right kind of film in my eyes, but having said that, Bhaanu is the character closest to my heart. I couldn't say exactly why, but she represents the many women I have witnessed growing up. The plight that she carries with her is common among women across backgrounds, but we find that so many of them are unable to openly address what they are enduring. My short film 'Maa', which impressed Raj B Shetty sir, tackles the same theme, and so do some of my plays – fascinatingly, I was never consciously attempting to discuss this topic. Ravi Anna, the Shaneel Gautham character, is quite the rage now. In this era of franchises and cashing in on repeat values of certain characters, do you suppose there's a sequel/spin-off in store using Ravi Anna and others? At this point, the thought hasn't crossed my mind even once, and I am actually on the lookout for something new and fresh. Who knows, a worthy idea might strike sooner or later, but I have yet to even consider that direction. Do you plan to focus more on direction now? More than direction alone, I am very keen on telling stories. Screenwriting and direction require a lot of time and effort, so I am equally interested in picking acting projects based on good roles. There's the rangabhoomi (theatre) as well, to which I want to dedicate as much time as possible, so it is about balancing everything I can at this point. Also Read | Dhadak 2: Shazia Iqbal destroys ancient Bollywood Dharma in the best Karan Johar production since Jigra You have worked alongside and under credible directors like Raj B Shetty and Hemanth M Rao. Anything you learnt from them? For me, as much as I have learnt about filmmaking from them, what resonated more is the way they live and breathe cinema. If it wasn't Raj sir, I would strongly assume that my journey would have been on a starkly different path because it was he who taught how to engage with cinema – from characters to the form itself – on a deeper level. Outside work, I have rarely discussed films or filmmaking with him – it would mostly be about life or similar reflective conversations. In Hemanth Sir's case, he showed by example how a director must be on the film sets and how to direct one's passion for storytelling. It's only now, having made a film and released it, that I realise how much more I can learn and understand the craft. Now, I have to ask you about your love for actor-director Upendra, because his 'presence' in the film is so vital to the story! (Laughs) I have been a huge admirer of Upendra sir, particularly the writer and director in him. Back in the day, I would embody his style and his mannerisms by constantly reciting his dialogues at home. I was mad about each of his films and have even sold tickets in black for a few of them. I vividly remember getting beaten up by cops when I was selling Naagarahaavu (2002) tickets in black outside a theatre! As far as using him in my film as an element is concerned, it primarily stemmed from creating Ashoka's (his character in the film) personality. Since the story involves him staging a performance of a kind, I wanted the posters in his room to suggest to the audience that he has a liking for cinema and acting. And that's how Upendra sir's 'Kalpana' cropped up, which was originally made in Tamil as Kanchana.
India Today
7 minutes ago
- India Today
Top films and shows to watch on JioHotstar this weekend
If you're planning to kick back and relax this weekend, JioHotstar has a power-packed lineup of crime documentaries, horror thrillers, action comedies, and fresh Indian releases to keep you entertained. From true crime cases that shook the world to food battles and outlandish sci-fi stories, here are the top films and shows to stream on JioHotstar this weekend (August 4–10 2025).advertisement1. Vina: Before 7 Days Genre - Horror/Thriller Streaming from: August 4 Based on a shocking true story, this 2024 Indonesian horror thriller (Vina: Sebelum 7 Hari) follows the haunting events surrounding the murder of Vina and Eky. Directed by Anggy Umbara and starring Nayla D. Purnama, Lydia Kandou, and Gisellma Firmansyah, the film blends emotional depth with chilling suspense.2. The Yogurt Shop MurdersGenre - True Crime/DocumentaryStreaming from: August 4 The American documentary revisits the infamous 1991 Austin yogurt shop killings. Directed by Margaret Brown, this mini-series explores the trauma, investigation, and unanswered questions behind one of the most haunting unsolved crimes in U.S. history. A must-watch for true-crime fans.3. India's Biggest Foodie Genre - Reality TV/Food CompetitionStreaming from: August 4 Hosted by Harsh Gujral, this newly launched Indian food challenge show brings together 100 food lovers from across the country to battle it out for the title of India's Biggest Foodie. Expect delicious dishes, fun moments, and fierce competition.4. Parandhu Po Genre - Musical Comedy (Tamil)Streaming from: August 5 A feel-good Tamil road musical comedy, Parandhu Po is written and directed by Ram. With Shiva and Mithul Ryan in the lead, and a strong supporting cast including Grace Antony, Anjali, and Vijay Yesudas, the film blends music, humour, and heartfelt storytelling. It was earlier screened at the International Film Festival Rotterdam to positive reviews.5. Capturing Their Killer: The Girls on the High BridgeGenre - Crime/DocumentaryStreaming from: August 5 This powerful true-crime documentary follows the heartbreaking case of Abigail Williams and Liberty German, whose disappearance in Delphi, Indiana led to a five-year-long manhunt. The film dives deep into the investigation and its emotional toll on the community.6. Mickey 17 Genre - Sci-Fi/Black ComedyStreaming from: August 7 From acclaimed director Bong Joon Ho comes this futuristic sci-fi film based on Mickey7 by Edward Ashton. Starring Robert Pattinson, Mickey 17 explores the life of an 'Expendable' in a space colony - a worker who is cloned every time he dies. With a darkly humorous tone and top-tier cast, this one's a wild ride into the year 2054.7. Love Hurts Genre - Action/ComedyStreaming from: August 7 This action-packed comedy features Ke Huy Quan, Ariana DeBose, and Daniel Wu in a story about a hitman-turned-realtor whose past catches up with him when his own brother becomes his biggest threat. With wild action, humour, and chaos, Love Hurts delivers pure entertainment.- Ends
India Today
7 minutes ago
- India Today
BB 19 promo: Salman Khan unveils new theme, says this season will be democrazy
Amid much excitement and anticipation for 'Bigg Boss', the makers released the official promo of the new season. The video hinted at a thrilling and drama-packed season ahead. Set to premiere on August 24, the Salman Khan-hosted show has left fans on their season, 'Bigg Boss' introduces a fresh twist with a parliament-inspired theme titled 'Gharwalon Ki Sarkaar'. Marking a significant change in the show's format, the housemates will, for the first time, hold the authority to make both major and minor decisions. This shift turns the house into a battleground of opinions, where unfiltered choices lead to real the promo here: View this post on Instagram A post shared by JioHotstar (@jiohotstar) The latest promo offers a glimpse of the show's bold new direction, with Salman Khan returning as host. 'Bigg Boss 19' promises high-voltage drama with a unique concept that mirrors the nation's cultural pulse, where power struggles, unpredictable twists, and the voice of the people come together in classic 'Bigg Boss' his excitement, Salman Khan said, 'Bigg Boss ka har season alag hota hai, lekin iss baar toh scene hi palat gaya hai. 'Gharwalon Ki Sarkaar' ka matlab hai power unke haath mein, aur jab power milti hai, toh asli chehre saamne aate hai (Every season of Bigg Boss is different, but this time the whole game has changed. 'Gharwalon Ki Sarkaar' means the power lies in their hands, and when people get power, their true faces are revealed)."Meanwhile, coming to the contestants, names like 'The Traitors' contestants Apoorva Mukhija and Purav Jha, actors Ram Kapoor and Gautami Kapoor, Dheeraj Dhoopar, Munmun Dutta, Ashish Vidyarthi, and social media creator Faisal Shaikh are already doing rounds. However, there is no official confirmation on the the issues between Banijay Asia and Colors TV, it was decided that 'Bigg Boss' would only have one season, and not separate shows for TV and OTT. JioHotstar will be overseeing the show's production this year instead of Colors TV.- Ends
