logo
EXCLUSIVE: NOMAD picks favorite Indian food, opens up on musical inspiration and deep appreciation for fans

EXCLUSIVE: NOMAD picks favorite Indian food, opens up on musical inspiration and deep appreciation for fans

Pink Villa4 days ago
With the rising interest in K-pop across India, an increasing number of artists are finding their way to the subcontinent to interact with their admirers and build a greater fanbase. During the finale of the All India K-POP Contest 2025 earlier this month, boy group NOMAD sought their first-ever visit to the country and impressed the fans with their performance!
Speaking to us in an exclusive chat just a day after landing in India, the group appeared thoroughly intrigued and interested in all that was going around. Speaking about the high-tensioned and high-pitched people around them, leader DOY shared, 'Firstly, Indian people around us are very energized and passionate so we felt welcomed by them right as we landed.' He added how the members had the opportunity to try out some amazing Indian food, which had them hooked.
NOMAD's introduction to Indian cuisine
Youngest member Junho spoke about their most anticipated dish, one that even Koreans are crazy about, which was Chicken Makhni (Butter Chicken) and Dal Makhni, the first authentic tastes of which exceeded their expectations. Other members chimed in with their own favorites, including Mango Lassi and Gulabjamun, which they said were right up their alley. The classic Indian Samosa had taken over their sense, making them term it as 'special'.
Member ONE revealed how it was a country they hadn't visited before and therefore were able to experience it with a clean slate in their minds, and made them glad to have decided to come. Among the many places they'd like to visit, one of the seven wonders, the Taj Mahal, excited them the most.
Talking about their experiences as musicians, DOY shared that the visit to Los Angeles remained as their top pick, owing to the fun and learning-filled time that they had while in the USA. RIVR, mostly quiet throughout so far, perked up on being asked about their fans and recalled how the support made him appreciate them more each time, and work hard to release good content.
DOY mentioned how maintaining their thoughts of why the members first began their careers as K-pop stars has been the biggest driving force for the group's unity. Giving a shoutout to some of their most-cherished inspirations, the group dropped some big names, including Park Hyo Shin, as their reason to pursue music. Summing it up, the team added that wanting to make the world a better place to live and provide strength to their listeners via their music is the purpose of dreaming about the idol life.
The members reminisced about their debut day of February 28, 2024, when their families and friends cheered for their future, in hopes of seeing the team grow further. Much like their name, NOMAD, they wish to set their unique identity in the musical scene and leave a mark with their actions, much like graffiti. The group continues to live with that thought while working to get better each day.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Priyanka Chopra has Kal Penn's support for choosing hot dogs over vada pav: ‘Aren't people allowed to like other things'
Priyanka Chopra has Kal Penn's support for choosing hot dogs over vada pav: ‘Aren't people allowed to like other things'

Hindustan Times

time5 minutes ago

  • Hindustan Times

Priyanka Chopra has Kal Penn's support for choosing hot dogs over vada pav: ‘Aren't people allowed to like other things'

Kal Penn has defended actor Priyanka Chopra after she recently left a section of the internet heartbroken over her food preferences. Speaking with the Indian Express, Kal asked if people "are not allowed to like other things". Praising Priyanka, Kal called her "completely authentic and wonderful". Kal Penn talked about Priyanka Chopra at length at a recent interview. Kal Penn defends Priyanka Chopra for not choosing vada pav over hot dog Though Kal shared that he didn't know what Priyanka said, he opened up about how, on MasterChef, he was asked about chicken tikka masala when he said his favourite food was tacos. "They were clearly disappointed, and then they asked me whether I could cook something like chicken tikka masala or something Indian. I told them straight away no, and they asked me, 'Do you not like Indian food?' I told them I loved Indian food, and I had even planned on cooking one of my mother's recipes on the show, but now I am definitely not going to do it," Kal said. 'For me, it's just the silliness of the fact that are people not allowed to like other things? I think people just project their own likes and dislikes, so I just laugh it off,' he added. Kal praises Priyanka Talking about Priyanka, he said that he knows and loves her. He added that he finds Priyanka "to be completely authentic and wonderful, and unapologetically so, which is very refreshing". All about Priyanka and vada pav vs hot dog row It all started when Priyanka, at the premiere of her film Heads of State, chose hot dogs over vada pav and did not favour samosas right away. The actor faced mixed responses for not choosing Indian food. Later, Priyanka shared an influencer's video on her Instagram Stories where he questioned why the actor took so much time to choose between Indian street food items and other items when given a chance. In the caption, Priyanka wrote, 'Wow bro! Didn't know there was a syllabus for being desi. Its not that serious (laughing face emoticons).' About Priyanka's new projects Fans will see Priyanka in the highly anticipated second season of the web series Citadel. She is set to play a 19th-century Caribbean pirate in The Bluff. Priyanka will also star in SS Rajamouli's upcoming film alongside Mahesh Babu.

A manga artist from Kyoto is winning praise for her delicate drawings of Goa's stately mansions
A manga artist from Kyoto is winning praise for her delicate drawings of Goa's stately mansions

Scroll.in

time5 minutes ago

  • Scroll.in

A manga artist from Kyoto is winning praise for her delicate drawings of Goa's stately mansions

In 1990, when Japanese manga artist Akeru Barros Pereira visited her husband's ancestral village of Cansaulim in Goa, she was captivated by everything she saw. 'I'd walk around the quiet village with my baby on my back,' she said 'I had a camera and was fascinated by the village scenes – especially the houses around.' She was so charmed by stately Goan houses, she took pictures of them even as the family drove to the airport to return to Japan. A few years later, when their children had finished high school, her husband, Joao Barros Pereira, a university professor in Kyoto, encouraged her to start drawing again. In the 1970s and '80s, as an undergraduate at Nara University, Barros Pereira had drawn 13 books of manga – the distinctive Japanese style of comics and graphic novels. She had published them under the pen name Toto Akeru. She had stopped when their first child was born. But now, with more time on her hands, Akeru Barros Pereira decided to get going again. 'I remembered those pictures taken all those years ago, and based on those pictures, I began drawing Goan houses,' she said. Using colour pencils, water colours and fountain pen, sitting in an apartment in Kyoto, Barros Pereira began to make her drawings on Japanese paper. In her work, she recreated all the graceful elements of the Goan house – the elegance of cornices and pilasters, plinths and pediments, ornate stucco work, arched doorways, sloping red-tiled roofs, finials, balcaos, decorative gate posts, oyster shell windows, eaves boards, corbels and wrought iron railings. The contrast between the homes in Japan and Goa could not be more striking, the artist said. Rural homes in earthquake-prone Japan are built of wood and paper screens, while the apartment blocks in space-starved Japanese cities are compact. They are quite different from the stone and lime plaster structures of Goa. Her pictures are enveloped with coconut trees and dense foliage. They attest to her fascination with Goan flora and give her works an ethereal, mysterious air. The drawings were so atmospheric, architect Gerard da Cunha decided to publish them as a book in 2013. The Indo-Portuguese House, with text by da Cunha, features 50 of Barros Pereira's works. 'The Indo-Portuguese house is the richest legacy of Goan society,' the book declares. 'It is the result of European rule and all its cultural influences melding with its Indian subjects and their sensibilities, creating an extraordinary house. A house which is neither Western nor Indian, but having the attributes of a well-developed style, as rich and independent as any in this world.' Da Cunha's professional association with Barros Pereira predates the book. In 2008, he bought some of her drawings at an exhibition at the Kala Academy in Panjim to display in his highly regarded Houses of Goa Museum in village of Torda. In the preface to the book, da Cunha explains why he admires Barros Pereira's work. 'Here was somebody who really understood the nuances of the Indo-Portuguese house and could capture its many forms,' he writes. '…Akeru's paintings of the Goan house have been taking up an important corner of my Museum for the last five years and it has helped explain this wonderful house in a way I never could. It has also brought great pleasure and understanding to all who visit.' What makes her work so remarkable? Perhaps it is because she has the keener eye of the outside observer? Sitting in the airy, light-filled antique drawing room of the Barros Pereira mansion in Cansaulim, with an array of French windows opening onto a wrap-around verandah, it is easy to understand Barros Pereira's enchantment with the architectural style. All around are similar manors, all equally grand, all seeped in centuries of family histories in rural Cansaulim. Barros Pereira, who studied mathematics and philosophy, is a self-taught artist. Publishing manga at university honed her skills, she said, though those comics used only pen and ink. The 1970s and '80s were considered the Golden Age of manga, with dozens of magazines being published in a range of genres, aimed at a variety of demographics. 'In every elementary, junior high school, there'd be one or two manga writers or anime style artists,' Barros Pereira said. 'Everybody wanted to become a manga writer…' Her own fantasy genre manga novels were set in a fictional country, definitely Eastern. 'I wanted to introduce Japanese young women and girls to countries other than Europe and the US, which held steady appeal at that time,' Barros Pereira said. Since she began drawing Goan houses around 2005, she almost never created her work in Goa. Two- or three-week annual vacations to the state after a 24-hour journey there made it too hectic for anything more than site visits, she said. Instead, she would take lots of photographs and begin work when she was back in Kyoto, as time permitted. Her work is lent some of its uniqueness from the ultra-thin Japanese paper she uses: it crumbles when wet and is usually mounted on board or cloth or ready purchased as pre-mounted shikishi boards. There are many varieties of Japanese calligraphy paper, each of which gives the work a different effect, she said. 'Japanese calligraphy paper works amazingly well with colour pencils,' Barros Pereira said. She says it adds a soft tone to the colouring that gives it the stand-out effect that characterises her work. She has experimented with pens, using a fountain pen earlier, and more recently switching to a calligraphy pen that does not fade as easily. Over the years, Barros Pereira has drawn more than 200 Goan houses. But she avoids drawing derelict houses, or ruins – preferring to present houses as they are meant to be, renovating them in her paintings, even if the structures she has shot require a little maintenance. 'These houses are living entities, heaving with the family histories and dramas of generations past,' said Barros Pereira. 'I like to capture the hope and promise that they will live on, with new generations.'

Shilpa Shetty Makes A Statement In Embroidered Couture And A Statement Jhumka
Shilpa Shetty Makes A Statement In Embroidered Couture And A Statement Jhumka

News18

time13 minutes ago

  • News18

Shilpa Shetty Makes A Statement In Embroidered Couture And A Statement Jhumka

Last Updated: For her latest look, Shilpa Shetty donned an embroidered jacket that she had paired with ivory pants. However, the star of the look was her intricate jhumka. Shilpa Shetty continues to redefine the rules of Indian fashion with her fearless approach to styling. Known for her ability to oscillate between glamour and grace seamlessly, her latest ensemble is a textbook example of how to fuse ethnic craftsmanship with a tailored, modern silhouette – all while making a bold statement. Recently, the actor took to Instagram to share a look that was as intricate as it was impactful. Clad in a meticulously embroidered jacket featuring kaleidoscopic motifs and geometric precision, Shilpa Shetty proves once again that fashion is storytelling. The jacket, which draws from traditional Indian embroidery styles, especially folk-inspired thread work, is a visual feast. Florals, paisleys, and mirror-inspired detailing come together in soft, jewel-toned hues across an ivory base, creating a striking balance between opulence and wearability. But what elevates this from festive to fierce is the construction: the jacket's sharply tailored shoulders, cinched waist, and structured peplum hem give it a sculptural quality. The silhouette plays with proportion while still allowing the intricate handwork to remain front and centre. She styled it with a pair of flowing ivory draped pants, which offer movement and a sense of ease, letting the embellished jacket do all the talking. Then, of course, there's the jewellery. Shilpa opted for oversized earcuff-style jhumkas, worn in an asymmetric fashion that instantly makes the look more editorial. The antique gold finish, encrusted details, and layered design add a regal punch, transforming the ensemble from elegant to arresting. Styled as a single, standout piece, the jhumka cascades down the ear like wearable art, framing her face while commanding attention without distraction. Her beauty game was kept deliberately soft. With a neatly tucked bun, luminous skin, and nude-toned makeup, Shilpa allowed her accessories and garments to shine. The simplicity of her glam ensured nothing competed with the artistry of the look; instead, everything worked in perfect harmony. This outfit is not just a celebration of Indian craftsmanship, it's a masterclass in how to modernise traditional textiles and jewellery for the contemporary woman. view comments First Published: August 02, 2025, 09:08 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store