One 'Yellowjackets' scene Christina Ricci wished she had 'done more' for in Season 3
Yellowjackets Season 3 (on Crave in Canada, Paramount+ with Showtime in the U.S.) continues shock and surprise. For Misty, played by Christina Ricci, she has to deal with a lot of death in her life as an adult, adding on to what she went through in the wilderness.
In Episode 5 Misty's core motivation is to get answers to who killed her friend Lottie (Simone Kessell) at the end of the previous episode. And tapping into her Citizen Detective role, Misty always does things her own way.
"I'm just always interested in playing really authentic feeling individuals," Ricci said about playing Misty. "I think that she's a person born out of so much pain and trauma and rejection, and yet is sort of delightful, and entertains herself all day long, and is ... incredibly capable and efficient, and also in ways so pragmatic."
"Yes, the moral compass was adjusted when they overstepped this totally insane line, but she still adheres to a morality. And it's not like her bad acts are out of pleasure or sadism, or any of that stuff. I think it's important to play characters like this, because it's all about understanding. ... I just feel like there's so many different types of people and ... to have somebody who seems extreme, but then root all that behaviour down to real human experience, I feel like that's good for people's empathy."
But at the time of Lottie's death Misty had already been grieving the loss of Natalie (Juliette Lewis), including one moment earlier in the season where Misty puts on Natalie's leather jacket and goes into a bar acting like the friend she lost. While it was a particularly fun scene for the season, Ricci wished she had taken it even further.
"I feel like I could have done more of that, her actually trying to be [Natalie]," Ricci said. "And sometimes it's so hard because the scenes are written for comedy, but then there's this really interesting thing that's going on underneath, and you can't focus as much on the really interesting thing underneath, because you have to play the comedy."
"And it's always a really fine balance, but I would have liked to explore it more, like really trying to be like Natalie in those moments."
A particular highlight in Season 3 of Yellowjackets, for both Ricci and the show's fans, is that adult Misty and adult Shauna, played by Melanie Lynskey, spend a lot more time together. That includes this week's episode where Shauna teams up with Walter (Elijah Wood) to investigate Lottie's death, and they run into Misty conducting her own investigation at the apartment where Lottie's father lives.
"I love working with Mel. It's great and we make a really great team," Ricci said. "Actually, we balance each other out very, very well."
"She's the nicest person in the world, and I'm the most, sort of like, absolutely no emotion. We're at work. We need to get our day done. ... It's a really fun balance for us. And then we both have small children, and we're the same age, we've known each other forever, and so it's fun just to hang out all day."
With Yellowjackets, Ricci has also found it interesting going back to Misty, as she's evolving personally between seasons.
"It is really hard. I've never been a part of a long term television show before," Ricci said. "And it's interesting, naturally, as you go through your life, you grow and change, and ... if you're playing the same character over that span of time, in which you're changing personally, your personal changes are going to affect the character as you play them."
"So that's been interesting, because it is a challenge to try to get yourself back to the person you were a year ago, two years ago even. And so at first I felt a lot of stress and tension, and a lot of stress and pressure about that, and then I realized that nobody else seemed to be worried about it, so I was just going to let it go."
While Ricci was cautious to not reveal too much about what's coming up on Yellowjackets, including after being asked about the future of Misty and Walter's relationship, she highlighted how "isolated" the character is this season.
"Misty is isolated from everybody this season, even when she's with them, [she is feeling really] circumspect about everybody in her life," Ricci said. "And at a certain point, you kind of figure out what conclusion she's come to, but it's not obvious for a very long time."
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And so that was a really wonderful experience. And Charlize and I, because the material was so dark, we literally would laugh and giggle until Patty called action. It must be a survival thing. We would just literally crack up hysterically and not be able to stop until Patty called action. Ricci's guest-starring role as Hannah Davies on the ABC medical drama earned the actress her first Emmy nomination in 2006. In the two-part episode titled "It's the End of the World" and "As We Know It," Ricci delivers a tense performance as a young paramedic who must keep her hand inside a patient's body cavity to prevent a bomb from detonating. My sister actually, who was a big Grey's Anatomy fan, it was the first season and she was like, "I love this show. This show is so amazing. You should definitely do this show." And I was like, "OK, great. You love the show, I'll do the show." But I had only seen one episode of it before, so I went into it having read the script once, seen one episode. 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The series is a fictionalized account of events and people surrounding the infamous Lizzie Borden following her controversial acquittal in the 1892 double murder of her father and stepmother. I was very surprised by my SAG nomination, as was everybody on my team. I came out of SoulCycle and had messages from my publicist, and she was like, "You got nominated for a SAG Award." And I was like, "What?" I had no idea that I had even been submitted. I certainly hadn't been doing any campaigning, and it was for a Lifetime movie. It was very bizarre to me. I never thought that doing a Lifetime movie, I would get a SAG nomination. So I was really shocked and surprised and really grateful. I also have an interest in true crime, and that's one of those really sort of fantastic American crime stories, so I was interested in it and also interested in more of the psychological aspects of that character. When I was younger, I was obsessed with the fact that so many women, middle-aged, had been committed. I remember being 9 or 10 and just being like, "Wow. So women in the past, you just go crazy around 35." As you get older, you realize, "No, no, just women were conveniently put into mental asylums if they had any sort of emotion or extreme behavior." So I think I was very interested in that aspect of it as well. For three seasons, Ricci has portrayed the complex, quirky, and occasionally manipulative Misty Quigley in Showtime's hit drama series. The present-day storyline follows a group of former high school soccer players who survived a plane crash in the Canadian wilderness in the '90s — and now face the consequences of the brutal and atrocious acts they committed to survive. Ricci earned an Emmy nomination for her performance in 2022. Playing Misty is really fun. It sort of validates this side of me that's very weird. In the beginning, I just was so conscious of not making her a caricature and making sure that she felt grounded in real emotion and experience, but still managing this very specific and unique character. As she's grown and changed over the seasons, it has been difficult. I think when you have a very extreme character, to sort of let more normal humanity seep in, all of a sudden, second season, she's in a relationship like, "Wow, OK." When I created the character, I never thought this would happen, but now I have to somehow figure out what this very extreme character, who wasn't particularly relatable, is like in relatable experiences. That was a really challenging calibration. And then this season, she's finally in less denial. She's sort of cracked. She's not ignoring the slings and arrows from her "friends." She's not ignoring the fact that she's everyone's punching bag. It's almost like she's reacting in the present, but she's also reacting to the history and the past. 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