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Pigs x7 embrace negative headspace with their new album, ‘Death Hilarious'

Pigs x7 embrace negative headspace with their new album, ‘Death Hilarious'

Washington Post5 hours ago

The members of Pigs Pigs Pigs Pigs Pigs Pigs Pigs — or Pigs x7 for short — are England's leading purveyors of sludgy, perpetually stoned metal. The five-piece outfit march in lockstep, churning out sleazy riffs and rhythm-section rumble as frontman Matt Baty roars and rants like a modern-day Lemmy, continuing a tradition that began a half century ago by their countrymen in Black Sabbath.
But even after more than a decade as a band and a handful of albums under their belt, Baty struggled to put pen to paper and voice to tape when it was time to record what would become 'Death Hilarious,' which was released in April. While every album presents him the same challenge – write something meaningful and resonant to accompany nearly finished songs — the battle felt particularly acute this time around.
'There were a lot of things going on in my personal life that led me to question myself a lot more, or at least in a much more heavy, self-critical or doubtful way,' Baty says over Zoom. ''Have you got anything to say? You're not particularly good at this.''
Eventually, Baty leaned into the skid, embracing his negative headspace and sharing his internal turmoil. As soon as he began expressing his feelings, lyrics and melodies came easily.
'I felt like suddenly I was in control of the narrative rather than it presenting itself as a blockade to creativity,' he says. 'I'm holding it now and I can shape this in a much more positive way.'
'Death Hilarious' rips off the Band-aid with 'Blockage,' a song about boredom and 'blind stupidity' that ends with an incantation — 'May these words dissolve / All negative thought' — that doesn't exactly come true: The album is full of songs about jealousy, resentment, existential dread, vulnerability and self-deprecation. While it might not be pretty, the album serves as a corrective to the crass positivity in the larger pop music world, where songs full of 'insipid, positive messages' are coin of the realm.
'A lot of them are about thinking yourself happy. I disagree with that as an approach to mental health,' Baty says. 'People have to find a way to be kind to themselves in the darkest of situations… but I also disagree with this [idea that] you can think your way out of these really dark thoughts.'
Perhaps the gnarly negativity of 'Death Hilarious' will help some listeners take the next step on their mental health journeys, even if they're dealing with long wait times through the United Kingdom's National Health Service or navigating the Kafkaesque insurance system of the United States.
'Throughout all of our albums, I've tried to weave through some amount of positivity or a bit of hope or light to the darkness, whereas with this one, I was worried I was maybe straying too far into the dark and not offering enough kind of hope, but it's all valid,' Baty says. 'It's a true expression of where I was at that time, and other people feel these things.' June 20 at 7 p.m. at 9:30 Club. 930.com. $36.50.

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What are the 20 most controversial album covers of all time?
What are the 20 most controversial album covers of all time?

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timean hour ago

  • Yahoo

What are the 20 most controversial album covers of all time?

Content warning: This article contains images which some readers may find offensive. If you're a music lover and enjoy a bit of drama, you must have heard that controversy is brewing over the artwork of Sabrina Carpenter's upcoming album 'Man's Best Friend'. The suggestive – but hardly sexually explicit - cover features the buzzy 'Espresso' hitmaker on her knees in front of a faceless man who is pulling her hair back. And the release of the image has caused much debate. Many argue that Carpenter's MO has always been pop-horniness, and that she has every right to express herself and her sexuality – in this case what some may perceive as a submissive kink - in any way she sees fit and crucially, without being policed or harassed; others see this image as degrading, regressive and promoting traditional gender roles. At the end of the day, it's her album cover and can't we just let her be? 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His image features a young topless girl holding a model spaceship. The image was considered deeply problematic and was promptly banned and replaced with a more classic shot of the band members. The Stones have had several album cover controversies over the years, including 'Beggar's Banquet''s artwork which featured a graffiti covered bathroom wall. However, it's the band's ninth studio album, designed by Andy Warhol, matched with its inuendo-heavy title, which rubbed censors up the wrong way. It features a suggestive denim-clad crotch and the original pressing of the LP also had a working fly which unzipped to reveal white underwear. The cover was famously banned in Spain, which was under the fascist rule of General Franco at the time. Photographer Eric Boman's shot of Constanze Karoli and Eveline Grunwald led many US outlets to censor the image, feeling uncomfortable with the sight of scantily clad models. 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The visual depiction of this ended up being a woman hanging babies by their feet on her washing line. A bit on-the-nose, but it was enough to get everyone freaking out. Marilyn Manson has always pushed the envelope when it comes to taste, and the controversial rocker did just that in 2000 for the album 'Holy Wood (In The Shadow Of The Valley Of Death)'. The disturbing cover depicts Manson as a crucified Christ, which led US stores to ban it completely. Considering that the controversial shock rocker's intended purpose was to critique censorship and that the previous albums 'Mechanical Animals' and 'Portrait Of An American Family' also sparked moral panic, the reaction to the artwork must have delighted him. European fans of New York rockers The Strokes were treated with the original cover of their stunning debut album, featuring a leather gloved hand on a naked hip. The US were quick to call foul, however, disapproving of the suggestive nature of the image. The band had to swap the gorgeous shot by Colin Lane – who spontaneously took a picture of his then-girlfriend after she came out of the shower. The replacement? A psychedelic but far less impactful depiction of subatomic particle tracks. In 2001, US hip-hop group The Coup, composed of Boots Riley and DJ Pam the Funktress, wanted to make a statement about destroying capitalism. Their idea: pose in front of the World Trade Center on fire. The image was conceived prior to 9/11 and the eerie timing of the album's November release meant that they had to replace the image with a martini glass on fire. Probably for the best. The cover for Ted Nugent's album was pulled before it hit shelves - and considering the misogynist credentials of this particular image, it might have been for the best. The sleeve for 'My Beautiful Dark Twisted Fantasy' saw a painting of a naked Kanye West being straddled by a winged female monster with sharp teeth. 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Ellen DeGeneres shows off English countryside home as sheep invade through open door
Ellen DeGeneres shows off English countryside home as sheep invade through open door

Fox News

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Ellen DeGeneres shows off English countryside home as sheep invade through open door

Ellen DeGeneres is giving fans a glimpse inside her home in the English countryside. In an Instagram post shared on Monday, the 67-year-old former talk-show host shared videos of the inside of her home, which she shares with her wife, Portia de Rossi, after their sheep found their way inside. "Our sheep keep coming inside," she wrote in the caption. "To be fair, we do have a piece of furniture that looks like a sheep, but that one doesn't try to eat our rugs." In the first clip, the sheep can be seen coming inside via a floor-to-ceiling glass sliding door which had been left open. The view from the room featured a gravel courtyard with big bushes and trees, with a grass field visible in the background. In the clip, the sheep can be seen getting a bit too close to the couple's dog, Kid, who leaped from his bed and quickly ran away from the flock of sheep. De Rossi can be heard in the background asking,"They're coming inside?" to which DeGeneres responded, "Yeah, they're inside." A second clip was shot in a different part of the home, which also has floor-to-ceiling glass siding doors and large cement-style slab flooring. De Rossi can be heard in the video gently encouraging the sheep to go back outside, and praising one as it listens to her. The couple moved to the Cotswolds in England in November 2024, after selling their home in Montecito, California in August of that year. A second home owned by the couple in the idyllic Santa Barbara town was later sold in 2025. "Ellen was in England house hunting in the beginning of October," an insider told People in November 2024. "She ended up finding a house that she loved and purchased it shortly after." Not long after moving into the home, DeGeneres shared a clip on Instagram, humorously hinting she isn't cut out for a specific household chore. She posted a video of herself attempting to mow the grass surrounding her home in the countryside. The video began with the talk-show host successfully mowing a small section of grass, with the words "how it started" written on the screen. It progressed to a video of DeGeneres struggling to drive the lawnmower uphill, as someone had to help her by pushing the mower from behind. The on-screen caption then changed to "How it ended." "Portia thought it would be fun to film my first time on the mower," DeGeneres wrote in the caption. "She was right."

Kelsey Grammer's Wife Kayte Is Pregnant With His 8th Child—2 Years After Couple Bought U.K. Home To Be Closer to Her Family
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His luxurious property portfolio is a far cry from the humble Pompano Beach, FL, dwelling where the actor spent much of his childhood—an experience that he recently opened up about in very intimate detail in his memoir, 'Karen: A Brother Remembers.' The tome was dedicated to his sister, Karen, who was brutally murdered after moving away from the family home to Colorado Springs. Grammer revealed his grief over the death of his beloved sibling and the trauma he experienced from having to identify the 18-year-old's body, recalling the moment the police turned up on the family's doorstep in Florida to reveal that Karen had been killed. At the time of Karen's death, the actor was living at the family's Pompano Beach home. His younger sibling, whom he described as 'funny and free-spirited,' had moved away to Colorado after graduating from high school. Just months after she moved away, detectives turned up on the Grammer family's doorstep with gut-wrenching news: They had found the body of a Jane Doe whom they believed was Karen. Karen was abducted on July 1, 1976, by Freddie Lee Glenn and his accomplice, Michael Corbett, who were planning on robbing the Red Lobster restaurant where she worked. But in a heinous turn of events, they kidnapped Karen before raping her and stabbing her 42 times, nearly decapitating her in the process. 'The coroner noted that through a gaping wound in her neck, he could see all the way into Karen's lung. I had been right in saying he almost decapitated her. Freddie Glenn punched holes in my sister's body with unimaginable brutality,' Grammer described. Later in the memoir, Grammer revealed that he and Karen were extremely close as they were the only two siblings and they grew up with a single mother. 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