
The queens of collaboration in Lucius are finding themselves again musically
NEW YORK (AP) — The magic created by the vocal blend of Holly Laessig and Jess Wolfe, collectively known as Lucius, has opened many doors for them in the music industry.
Sometimes quite literally — like when they arrived at the home of Joni Mitchell, invited by Brandi Carlile to sing at one of her 'Joni Jams,' and Paul McCartney answered their knock.
It's a heady experience, singing at Mitchell's house. Tipped in advance that McCartney might be there, Laessig and Wolfe rehearsed a version of 'Goodbye,' a song he wrote that was a hit for Mary Hopkin in 1969. They sensed the moment he recognized it — hey, that's my song!
The women have collaborated with many artists through the years, among them Carlile, Sheryl Crow, Harry Styles, Roger Waters, Jeff Tweedy, the Killers, War on Drugs and Mumford & Sons. This year, they're concentrating on their own music with Lucius, a rock band that also includes Dan Molad and Peter Lalish.
They've released a self-produced disc that reflects their experiences settling in Los Angeles and starting families, titling it simply 'Lucius' even though it's their fourth album.
An album that felt like coming home
'It felt like a coming home to ourselves,' Wolfe said. 'There wasn't really a question, actually, whether the record would be titled something else. It just felt like it was us, and let's give it our name.'
Laessig and Wolfe met and quickly bonded two decades ago as students at the Berklee College of Music in Boston. They first sang together as part of a school project to remake the Beatles' White Album — their version of 'Happiness is a Warm Gun' will never see the light of day — that was abandoned because they began writing their own music.
'We were always inspired by Phil Spector and Elliot Smith and people who used double vocals as an interesting textural thing,' Wolfe said. 'And we thought, well, we could actually do this live. We both wanted to be lead singers, but together.'
'Unison singing,' notes Laessig, 'is not for the faint of heart.'
Check out the heartbreaker ' The Man I'll Never Find' — particularly the stripped-down, piano-led version — for a spellbinding example of their work.
Many have wrongly assumed they were sisters. They look a little alike, and play up this image of two who have become one by frequently dressing alike onstage. Even offstage: they arrived at The Associated Press for an interview in nearly matching, all-red outfits with identical makeup. They are disciplined in alternating who answers questions.
It can be, let's be honest here, a little creepy.
'We're dressing the sound,' Wolfe explained. 'I grew up in the theater. Being able to escape and feeling like, you know, you can put on your costume, put on your uniform and become something else for a moment in time. Even though it feels honest and real and close to the heart, there's something magical about it.'
'When you look at us, we wanted you to see one,' she said. 'We didn't want you to see two.'
The gimmick served them well as they sought to make a name for themselves, Laessig said. 'We were touring in the van and doing festivals and nobody had a clue who we were, but we walked around in matching outfits. People were like, 'What is this about?' Oh, come see us. We're playing at this stage at 3 p.m.'
Their collaborative nature is a strength they have brought to working on projects with other musicians.
'People who bring us in know that they're going to have something that's solid between the two of us,' she said. 'We just speak each other's language. And we like building worlds within worlds. Luckily we've been given the freedom in all of these different projects to be us.'
Sharing looks, sharing styles and now, sharing a nanny
Real life brings its parallels, too. They live in homes minutes from each other and, within the past year or so, both gave birth to babies.
Collaborating with others has its strengths, and Lucius brought in Madison Cunningham and The War on Drugs to work with them on two songs on the new album. But becoming known for their work with others comes with a risk attached, that they lose sight of themselves in the process.
'We like exploring different worlds and seeing how it takes shape and how we can get lost in it,' Wolfe said. 'There's something really enchanting and magical about that. And, yes, sometimes after you explore that world, it doesn't necessarily feel like you.'
To that end, the 'Lucius' album is in one sense a reaction against the dance-oriented production hand that Carlile and Dave Cobb brought for the 2022 album 'Second Nature.' The more rock-based new disc sounds like the musicians are more comfortable. It 'feels honest and real because we wrote about things that were just happening in our lives,' Wolfe said.
They're looking forward to a busy summer of playing that music on tour, and sharing the experience with their young families.
'We get to do it together and see the world together and our kids are going to know different places and cultures and foods and things, more than I had as a kid,' Wolfe said. 'As tough as it can be with the nap times and sleep schedules, it's a beautiful thing.'
___
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ON THE KLAMATH RIVER, Calif. (AP) — As a youngster, Barry McCovey Jr. would sneak through metal gates and hide from security guards just to catch a steelhead trout in Blue Creek amid northwestern California redwoods. Since time immemorial, his ancestors from the Yurok Tribe had fished, hunted and gathered in this watershed flanked by coastal forests. But for more than 100 years, these lands were owned and managed by timber companies, severing the tribe's access to its homelands. When McCovey started working as a fisheries technician, the company would let him go there to do his job. 'Snorkeling Blue Creek ... I felt the significance of that place to myself and to our people, and I knew then that we had to do whatever we could to try and get that back,' McCovey said. After a 23-year effort and $56 million, that became reality. Roughly 73 square miles (189 square kilometers) of homelands have been returned to the Yurok, more than doubling the tribe's land holdings, according to a deal announced Thursday. Completion of the land-back conservation deal along the lower Klamath River — a partnership with Western Rivers Conservancy and other environmental groups — is being called the largest in California history. The Yurok Tribe had 90% of its territory taken during the California Gold Rush in the mid-1800s, suffering massacres and disease from settlers. 'To go from when I was a kid and 20 years ago even, from being afraid to go out there to having it be back in tribal hands … is incredible,' said McCovey, director of the Yurok Tribal Fisheries Department. ___ EDITOR'S NOTE: This is part of a series of on how tribes and Indigenous communities are coping with and combating climate change. ___ Land Back is a global movement seeking the return of homelands to Indigenous people through ownership or co-stewardship. In the last decade, nearly 4,700 square miles (12,173 square kilometers) were returned to tribes in 15 states through a federal program. Organizations are aiding similar efforts. There's mounting recognition that Indigenous people's traditional knowledge is critical to addressing climate change. Studies found the healthiest, most biodiverse and resilient forests are on protected native lands where Indigenous people remained stewards. Beth Rose Middleton Manning, a University of California, Davis professor of Native American Studies, said Indigenous people's perspective — living in relation with the lands, waterways and wildlife — is becoming widely recognized, and is a stark contrast to Western views. 'Management of a forest to grow conifers for sale is very different from thinking about the ecosystem and the different plants and animals and people as part of it and how we all play a role," she said. The Yurok people will now manage these lands and waterways. The tribe's plans include reintroducing fire as a forest management tool, clearing lands for prairie restoration, removing invasive species and planting trees while providing work for some of the tribe's more than 5,000 members and helping restore salmon and wildlife. Protecting a salmon sanctuary One fall morning in heavy fog, a motorboat roared down the turbid Klamath toward Blue Creek — the crown jewel of these lands — past towering redwoods, and cottonwoods, willows, alders. Suddenly, gray gave way to blue sky, where an osprey and bald eagle soared. Along a bank, a black bear scrambled over rocks. The place is home to imperiled marbled murrelets, northern spotted owls and Humboldt martens, as well as elk, deer and mountain lions. The Klamath River basin supports fish — steelhead, coho and Chinook salmon — that live in both fresh and saltwater. The Klamath was once the West Coast's third largest salmon-producing river and the life force of Indigenous people. But the state's salmon stock has plummeted so dramatically — in part from dams and diversions — that fishing was banned for the third consecutive year. 'We can't have commercial fishing because populations are so low,' said Tiana Williams-Claussen, director of the Yurok Tribe Wildlife Department. 'Our people would use the revenue to feed their families; now there's less than one salmon per Yurok Tribe member." Experts say restoring Blue Creek complements the successful, decades-long fight by tribes to remove the Klamath dams — the largest dam removal in U.S. history. This watershed is a cold-water lifeline in the lower Klamath for spawning salmon and steelhead that stop to cool down before swimming upstream. That's key amid climate-infused droughts and warming waters. 'For the major river to have its most critical and cold-water tributary … just doing its job is critical to the entire ecosystem,' said Sue Doroff, co-founder and former president of Western Rivers Conservancy. Altered lands, waterways For more than 100 years, these lands were owned and managed for industrial timber. Patchworks of 15 to 20 acres (6.07 to 8.09 hectares) at a time of redwoods and Douglas firs have been clear cut to produce and sell logs domestically, according to Galen Schuler, a vice president at Green Diamond Resource Company, the previous land owner. Schuler said the forests have been sustainably managed, with no more than 2% cut annually, and that old growth is spared. He said they are 'maybe on the third round' of clear cutting since the 1850s. But clear cutting creates sediment that winds up in streams, making them shallower, more prone to warming and worsening water quality, according to Josh Kling, conservation director for the conservancy. Sediment, including from roads, can also smother salmon eggs and kill small fish. Culverts, common on Western logging roads, have also been an issue here. Most "were undersized relative to what a fish needs for passage,' Kling said. Land management decisions for commercial timber have also created some dense forests of small trees, making them wildfire prone and water thirsty, according to Williams-Claussen. 'I know a lot of people would look at the forested hillsides around here and be like, 'It's beautiful, it's forested.' But see that old growth on the hill, like way up there?' asked Sarah Beesley, fisheries biologist for the Yurok Tribe, sitting on a rock in Blue Creek. 'There's like one or two of those." Fire bans, invasive plants and encroachment of unmanaged native species have contributed to loss of prairies, historically home to abundant elk and deer herds and where the Yurok gathered plants for cultural and medicinal uses. Western Rivers Conservancy bought and conveyed land to the tribe in phases. The $56 million for the conservation deal came from private capital, low interest loans, tax credits, public grants and carbon credit sales that will continue to support restoration. Restoration plans The tribe aims to restore historic prairies by removing invasive species and encroaching native vegetation. The prairies are important food sources for elk and the mardon skipper butterfly, said Kling from the conservancy. Trees removed from prairies will be used as logjams for creeks to create habitat for frogs, fish and turtles. The tribe will reintroduce fire to aid in prairie restoration and reestablish forest diversity and mature forests to help imperiled species bounce back. Members know its going to take decades of work for these lands and waterways to heal. 'And maybe all that's not going to be done in my lifetime,' said McCovey, the fisheries director. 'But that's fine, because I'm not doing doing this for myself.' ___ The Associated Press receives support from the Walton Family Foundation for coverage of water and environmental policy. The AP is solely responsible for all content. For all of AP's environmental coverage, visit