‘I love gowns, volume and a lot of drama': Meet the young Irish designer creating outfits for CMAT and Chappell Roan
CMAT
, actor and TV presenter
Siobhán McSweeney
, US pop superstar
Chappell Roan
and drag performer Bailey J Mills all have in common?
Well, they are fans of the young Irish
designer
Oran O'Reilly, otherwise known as Oran Aurelio, a recent graduate of the
Institute of Art, Design and Technology's
(IADT) four-year course on production design for
film
, the only course of its kind in Ireland.
Aurelio's striking silhouettes, colours and constructions, with some items made from old curtains and deadstock, display a lively and informed imagination at work. He says he was always interested in old movies and Hollywood, and the famous costume designer Edith Head.
He originally had ambitions to be a playwright. He speaks highly of designer Peter O'Brien, his tutor at IADT. 'I learned so much from him – the way he thinks, the way he talks about design, his cultural references are so specific to what I love about fashion.'
READ MORE
He fell in love with costume design on the course, where 'I finally discovered what I was looking for – storytelling but it is fashion and glamour'.
Dressed in a stylish white shirt with mosaic cufflinks when we meet in Dublin, his appearance with goatee and moustache has a certain Florentine flourish, no doubt attributed to his half-Italian ancestry.
The youngest of five from Rathfarnham, in Dublin, his mother Orla, formerly a make-up artist in Brown Thomas, encouraged his love of glamour and 'dressing for the occasion'. His grandparents on his mother's side were from Reggio Calabria in southern Italy, and owned a shop on the quays selling religious goods – hence the mosaic cufflinks.
Ask him how he defines glamour and he cites Maria Callas singing Bellini's Casta Diva 'in a gorgeous gown – that is glamour, it is putting an effort into how you look'. He also references Babe Paley and the Swans, Truman Capote's New York socialites in the mid-20th century, and their famous hangout at La Cote Basque in the 1960s, as other examples of glamour.
'I love the idea of keeping glamour alive,' Oran O'Reilly says
The Duchess of Malfi cape from Oran's debut collection
Earnest, well read, and impeccably polite, his thirst for knowledge and experience is immediately obvious. His reputation and popularity has been growing rapidly in the drag community and with global pop stars too, after he started posting his work on Instagram.
'Social media has been such a catalogue for what I do. There is instant feedback, every voice is equal – it is quite terrifying in a way,' he says. A mention in British Vogue in 2023 as an up-and-coming talent remains a source of pride – 'it made me look legit'.
[
Dublin photographer Sarah Doyle: 'I am more interested in style than fashion'
Opens in new window
]
Since then, his pieces have included a corset bodysuit with fringing inspired by 18th century dress for CMAT. He has designed a few pieces for Florence and the Machine, including one made from curtains found in a charity shop for Glastonbury in 2023.
There was a shirred taffeta gown for Irish singer Nell Mescal, costumes for British indie rock band The Last Dinner Party , a handknit dress with train for American actor Ally Ioannides and a red dress in neoprene for Chappell Roan inspired by the movie Pink Flamingos. 'I had to make 10 neoprene dresses after that for [Dublin boutique] Om Diva last June,' he sighs – with a smile.
We discuss how festivalgoers wear elements of the gear their stars sport, such as the sparkly cowboy hats and boots that could be seen everywhere at the recent Tate McRae concert at Dublin's 3Arena.
'It's almost such as a studio system (controlling every aspect of the business). Their persona is referenced in their clothes and that is how they sell themselves to the audience who tend to dress such as them,' he says. 'It's a uniform.'
His debut collection, The Tragedy of the Duchess of Malfi, was photographed at Loreto Abbey in Rathfarnham
His debut collection is called The Tragedy of the Duchess of Malfi (a Jacobean revenge tragedy), photographed in Loreto Abbey Rathfarnham, where he went to school. It will be presented on the steps of the National Concert Hall on September 2nd for his formal outing as a fashion designer, and will express his combination of theatricality, camp and glamour.
'I love gowns, opera coats, a lot of volume and a lot of drama. And point d'esprit (finely woven net lace).'
He hopes the collection will establish him as 'the kind of designer I would like to be and how I like to be perceived. I want to be able to craft gorgeous gown for people, and would be open to working with anyone (in that way).
'I love the idea of keeping glamour alive.'
Oran Aurelio's Instagram can be found here,
@oranaurelio
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Irish Times
27 minutes ago
- Irish Times
North Circular review: ‘You'd have robbed cars flying around... It used to be chaos, but good fun'
There's a beautifully hallucinatory quality to Luke McManus's North Circular ( RTÉ One , 9.35pm), a dreamy black-and-white valentine to Dublin's North Circular Road that comes to the small screen three years after it was received with acclaim on the film festival circuit. It's a documentary with a thesis: that Dublin's grittier postcodes have a down-at-heel glamour particular to themselves which should be cherished at a time when much of the capital's urban landscape is passing into history. Whether or not you agree that the city should be preserved in perpetuity, like a specimen in a bell-jar, there is no denying the poetic punch of this travelogue. It takes a Joycean hike from the Phoenix Park , past the site of the old O'Devaney Gardens public housing scheme. Next it is on to Dalymount Park soccer stadium, Mountjoy Prison , Croke Park and down to the docklands via Sheriff Street (not on the North Circular strictly speaking but very much part of the same spiritual hinterland). McManus was inspired to make the film after strolling around these neighbourhoods during lockdown. Reflecting its perambulatory roots, the documentary has the pottering charm of an intense hike on an overcast day. He begins with the 1861 Wellington Monument in the Phoenix Park. There is an acknowledgment of Dublin's complicated relationship with Britishness. The British army, an unnamed narrator explained, was handsomely provisioned with volunteers from inner Dublin, driven to fight for British Empire by poverty and desperation. READ MORE Rambling up into the north side, we hear an ex-resident of O'Devaney Gardens lament the loss of community and the construction of new apartments. 'You'd have the robbed cars flying around,' she says. 'It used to be chaos sometimes, but good fun.' Then we arrive at Dalymount Park where Bohemian FC fans chant about their bitter rivals, Shamrock Rovers . Amid the grungy greys, there are flashes of darkness. Sitting in shadows in his livingroom, tin whistle-player Seán Ó Tuama recalls witnessing his brother strangle his father. Elsewhere, a former inmate at Mountjoy talks about how he would walk out the front gates and seek the nearest drug dealer, before belatedly cleaning up. North Circular finishes with singer Gemma Dunleavy , who talks about how people from Sheriff Street are looked down upon and regarded as 'spongers'. Her rejoinder is that 'there are spongers in suits. Look at the banks, it's a different type of sponger. They're sponging off the public'. It's gorgeously filmed with a stunning soundtrack, much of it courtesy of the new wave of Irish folk artists centred on The Cobblestone in Smithfield. They include singer John Francis Flynn , who insists that living in gentrified Stoneybatter doesn't make him 'posh'. [ Luke McManus: 'The North Circular Road tells the story of Ireland' Opens in new window ] As Dublin continues to change – as all cities must if they are to thrive – McManus' film functions as an act of bearing witness to a particular moment in its history when the old capital was giving way to something new and different (a sprinkling of tall buildings, a proposed redevelopment of Sheriff Street). It has the grainy quality of a Polaroid in the drizzle – a snapshot of a period that, for better or worse, is slipping away before our eyes but which McManus has ensured will now be preserved. By the credits, I felt I'd paced the length of the North Circular – and returned home weary but wiser, and with a better appreciation of the old bones that glimmer beneath the new Dublin.

Irish Times
4 hours ago
- Irish Times
Electric Picnic 2025: Inhaler, Jazzy and David Gray among 11 more acts added to line-up
Inhaler , Jazzy and Noel and Mike Hogan are among the 11 new acts joining the line-up for this year's Electric Picnic festival. Irish alternative rock band Inhaler, whose frontman is Elijah Hewson , will return to the Electric Picnic stage after performing there in 2023. English singer-songwriter David Gray will play in the legend's slot on Sunday night. Gray is best known for his hit songs Babylon and This Year's Love. Noel and Mike Hogan of The Cranberries are reuniting for the first time since Dolores O'Riordan 's death in 2018 to perform some of the band's most popular songs. They will be joined by the RTÉ Concert Orchestra and a special mystery guest. READ MORE American disco band Nile Rodgers & Chic are returning, having made regular appearances at the festival since 2009. Irish rock band The Saw Doctors will continue their 40th year anniversary tour with a set at the music festival– the band was formed in 1986 in Tuam, Co Galway . Dublin-based dance-pop singer-songwriter Jazzy will return for her third year. Last year she overtook Enya and Sinéad O'Connor to become the most popular Irish female artist on Spotify . King Kong Company, the dance band formed while its members were still students at the Waterford Institute of Technology, are also set to return to the festival. Dublin band The Coronas join the line-up too after playing inGlastonbury last month. Electric Picnic 2024: The Wolfe Tones play the Main Stage, in front of a huge crowd, on Sunday afternoon. Photograph: Electric Picnic Tipperary duo The 2 Johnnies will perform and fellow Munster podcasters PJ Kirby and Kevin Twomey , who make up the podcast I'm Grand Mam, will record a live episode in the Electric Arena. Irish DJ Mark McCabehas said his set will include a mixture of dance classics and new songs, with a special surprise performance. These acts join headliners Chappell Roan , Hozier , Sam Fender , Fatboy Slim , Kings of Leon and Becky Hill. The festival will also see performances from Conan Gray, Kneecap, Suki Waterhouse, The Kooks and Confidence Man. Electric Picnic returns to its usual end-of-summer slot this year, from August 29th-31st. Last year was the largest in the festival's history as capacity grew from 70,000 in 2023 to 75,000 in 2024. [ Inside Ireland's music festival industry: 'You can haemorrhage money very quickly' Opens in new window ] Organisers said 80,000 people will attend the 600-acre Stradbally Estate in Co Laois for the festival this summer.


Irish Times
6 hours ago
- Irish Times
Humourless raging against Sydney Sweeney's American Eagle jeans ad is pointless
Sydney Sweeney , a young hot blonde Hollywood starlet, is in an advertisement for clothing brand American Eagle. She writhes around the floor trying to do up a pair of denim jeans, with an almost inhumanly good body and doe eyes. 'Genes', she says, 'are passed down from parents to offspring, often determining traits like hair colour, personality and even eye colour. My jeans are blue.' The tagline of the entire campaign: Sydney Sweeney has great jeans. I think it's clever, it might even be funny. Enter the advertising hall of fame, with the Budweiser Clydesdales, Coca-Cola Christmas Truck, Guinness Toucans, and now Sydney Sweeney's jeans. It is also what Hollywood is for: beautiful people, selling us things. The amateur bores among us have tried to argue about celebrities and body positivity and responsible, inclusive marketing for years, even decades now. They argued that corporations possessed some abstract ethical duty to turn their desire to make a profit into a progressive political argument. This particular constituency was never going to win the case. It's just too worthy, finger-waggy and po-faced. The movement – call it woke, call it social justice, whatever – spiralled into total decline by 2023. Their moralising decadence was revealed as not part of the grand arc of history, but instead a sociological blip. We know all of this to be true by now. So, I was full of admiration for the last remaining hangers-on as they came out in full force to condemn Sweeney and American Eagle, their howls of rage wrapped up in some illiterate rhetoric about late-stage capitalism. I think it is brave to come out swinging knowing that you lost the argument a long time ago. My version of the instinct is my continued, visceral defence of James Cameron's 2009 film Avatar . What were they so mad about? First, the obvious: don't sexualise women. Second, the insane: the play on words between jeans and genes is not innocent fun but instead promoting a white supremacist project of eugenics. Sweeney is blonde with blue eyes… and we are celebrating her DNA? 'We all know where this one goes,' they say, with straight faces and encumbered intellects. My one regret about the entire charade is that American Eagle deleted the videos from their feeds. They didn't need to capitulate – the cohort raging against them is small, culturally disenfranchised, and too humourless to worry about. READ MORE And then, plot twist: Sweeney was revealed to be a registered Republican . Donald Trump was thrilled and delivered a cheering speech. 'You'd be surprised at how many people are Republicans… If Sydney Sweeney is a registered Republican, I think her ad is fantastic.' Later, he turned his pen to the subject, and wrote on Truth Social: 'Sydney Sweeney, a registered Republican, has the HOTTEST ad out there… Go get 'em Sydney.' I'm not on these guys sides' either, but at least they have a sense of fun. Of course everyone is quick to declare victory: 'Woke is dead in advertising' one Telegraph columnist declared, Telegraph - ically, on a podcast. 'The vibe shift, she lives' goes the chorus. This is the final nail in the coffin for diversity, equity, and inclusion (DEI) and all those painting-defacing lunatics. Finally, the inevitable cultural victory for the right is here, as it was always meant to be. So runs the argument, anyway. (I wonder if these people have also failed to observe the ambient politics of the year: DEI policies still exist pretty much everywhere; universities are still under the cosh of activist students; we are still entertaining discussions about whether Ireland needs a dedicated woman's museum.) So, I think they are wrong too. The most frustrating thing for the disenfranchised social-progressives of the 2010s is not that they lost the culture war to a huge Conservative Machine, typified now by Sweeney's genetic hegemony, but instead that they lost to something far more benign entirely: the centre. Because none of this episode is actually mainstream vindication for the worst political impulses of a Trump administration – trying to make that case is ludicrous. It's just a light social correction to the moral excesses of the past decade; a hand held out in the dark to say 'it's okay, you're allowed to have fun'; it is a victory for aesthetic liberation more than it has anything to do with politics. [ Sydney Sweeney is selling her bathwater. What has become of us? Opens in new window ] We should always return to the original text; look at the advert itself. Is the genes thing a bit right wing? Sure, whatever. But really this is Norman Rockwell's sentimental realism; Taylor Swift's 'screeching tires of true love'; Bruce Springsteen's stadia; hamburgers and milkshakes; corn silos in a flyover state; shanty towns in Appalachia; multi-lane highways; and clacking boardwalks of Coney Island. It's just Americana, in all of its cliches and superlatives. The company is literally called American Eagle, what did you expect it to do? In the great pendulum swing of politics, Sweeney in 2025 marks something: not a stake in the ground for Conservative values; but just a general and gentle loosening of cultural shibboleths. That really is a victory.