Is Ahaan Panday and Aneet Padda's ‘Saiyaara' set for a sequel? Mohit Suri REVEALS
Ahaan Panday
and
Aneet Padda
, became a huge hit and connected deeply with viewers, both fans and industry observers started to wonder if the movie would become a full-fledged franchise.
A successful movie in Bollywood frequently opens the door for follow-ups as producers try to capitalize on its success.
However, director
Mohit Suri
has a different viewpoint on Saiyaara, and it might not be what fans were looking for.
Mohit Suri on the follow-up to 'Saiyaara'
In an interview with Faridoon Shahryar, Mohit stated that it was the producer's call and mentioned having had his fair share of sequels, wishing them all the best. He further shared that Adi believed if a film became a classic, its magic should not be ruined by creating another sequel.
Although Mohit doesn't rule it out entirely, his remarks imply that the filmmakers, particularly producer
Aditya Chopra
, are more interested in maintaining the film's legacy than in running the risk of decreasing its emotional impact with a sequel.
As the director of 'Murder 2,' 'Aashiqui 2,' 'Ek Villain Returns,' 'and Raaz: The Mystery Continues,' Mohit is no stranger to directing sequels. Not all of them, though, have been able to duplicate their originals' success.
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
The Simple Morning Habit for a Flatter Belly After 50!
Lulutox
Undo
Both 'Murder 2' and 'Aashiqui 2' were critically acclaimed for their songs and significant narratives, with the latter even outperforming the first. However, both the critical and commercial reactions to 'Raaz: The Mystery Continues' and 'Ek Villain Returns' were conflicting.
The phenomenal success of 'Saiyaara'
Ahaan and Aneet made their film debuts in Mohit Suri's 'Saiyaara,' which unexpectedly became a hit. It broke all previous records, earning more than ₹500 crore worldwide, making it the highest-grossing romantic film ever made in India.
The film's soundtrack and fan engagement caused it to go viral without any traditional advertising. The title song achieved a historic milestone when it entered Billboard's global charts.
Meanwhile, 'Saiyaara' caused a stir by drawing comparisons between star power and new talent in the industry and facing allegations of plagiarism. The film's emotional depth and organic success revolutionized Bollywood debuts, demonstrating that outstanding storytelling and music can be successful even in the absence of famous actors or excessive advertising. This hit from 2025 is still going strong.
"Get the latest news updates on Times of India, including reviews of the movie
Coolie
and
War 2
."
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Indian Express
8 minutes ago
- Indian Express
Married at 12 and mother at 17, Bollywood's favourite mausi refused to play heroine, insisted on acting even after suffering paralysis
Any commercial film has hundreds of people working behind the scenes. Actors and directors are obviously the first ones to bear the fruit of their labour in the case of a Saiyaara or the first ones to be blamed in the case of a Loveyapa (Aamir Khan must have felt that one). The crew too get their due at some point, but there are certain faces that, despite being on the screen, aren't talked about that often. Some actors play very specific character roles, but the need for such roles keeps changing with the time. For example, the role of the comedic best friend died out by the time the 2000s rolled in, as the lead stars now wanted to dip their hands in all facets of the job, including comedy. But there are certain roles that are seeped so deep within the psyche of the Indian consumer that they can never be abandoned. The caring, mostly helpless, 'just wants her kids to be married' maternal figure is probably the best example of this, and Leela Mishra, the actor who played the character of Mausi (aunt) in Sholay, is its best vessel. Let's give some background about Mishra herself, and then we will begin dissecting some of her best roles. She was born into a rich family, and her father was a wealthy landowner. She was married at the age of 12. Having received no formal education growing up, she was already a mother to two children by the time she was 17. Interestingly, this marriage, which was undoubtedly a product of what the society thought was status quo back in the day, gave her the chance to join the movie business, as her husband, Ram Prasad Mishra, was an actor. He introduced her to Mama Shinde, who was an employee of the Dadasaheb Phalke's film company, and Shinde suggested that Mishra should get into acting herself. Slowly but surely, Mishra started her cinematic journey, but according to an old interview, she never wanted to be the 'heroine' of any film. ALSO READ: Hema Malini-Dharmendra's real-life romance charged up their chemistry in Sholay: 'Sometimes there were problems…' Actor and host Tabassum once recalled on her YouTube channel that she had interviewed Mishra in the 70s, and that's when the actor told her that she found it very difficult playing the role of leading lady. Tabassum said, 'Mishra told me that, 'Because of the way I have been brought up and due to the values that have been instilled in me, I could never romance a stranger and confess my love for him. These things just don't sit well with me, and that's why I decided that I will only do character roles.' Now this revelation completely flips the entire script, because we see so many actors who wish to play bigger and more important roles, but here was Mishra, who refused to be the leading lady because she didn't feel comfortable. So this then becomes not a story of negligence, but a story of a choice and how that choice affected her career and made her into Bollywood's most beloved mausi, dadi and nani,. In the same interview, Mishra admitted that Sholay (1975) changed the game for her. Mishra was part of some of the most iconic scenes of the Ramesh Sippy film, including the much-remembered water-tank scene. But that was Dharmendra's time to shine, and he played the drunk, in-love, and quite honestly self-combustible Veeru to perfection. Despite all the red flags, Mishra did what Preeti's father did in Kabir Singh, and she decided to give her blessings to Basanti and Veeru's union. However, the scene in which she truly shines is when she and Jai (Amitabh Bachchan) are having a conversation about Basanti and Veeru. The two begin a discussion which slowly paints a very grim and problematic picture about Veeru (like it mattered). The entire film is filled with action, drama, songs, and Thakur flaunting his cloak, and this particular scene is the perfect comedic relief. The two actors feed off each other's energy; that gives birth to a genuine and fathomable conversation. To this date, if you search for the scene on YouTube and read the comments, the people aren't talking about Big B; it's just Mishra. Her concerned and inquisitive demeanour goes insanely well with Bachchan's sarcastic and playful tone, and the two give a masterclass on how to create unforgettable moments without relying on explosions, bombastic BGM or slapstick. ALSO READ: Amar Singh Chamkila and Amy Winehouse are part of the same club, and we could have done something about it Another great performance by Mishra comes in the Sai Paranjpye film Chashme Buddoor (1981), where she plays Deepti Naval's grandmother. Apart from the fact that the film remains one of the best ways to transport yourself back to New Delhi of the 80s, it does this with the help of three great actors who play some of the most delinquent characters you will ever see on the screen. The trio of Farooq Shaikh, Rakesh Bedi, and Ravi Baswani play three roommates named Siddharth, Omi, and Jai, respectively. Mishra's still obsessed with getting the young girl from her household married, and while executing this obsession, she meets the three suitors. Director Sai, who herself is an inspiring woman, talked about Mishra in a recent interview with Filmfare. She said, 'She was professionalism personified; I had never met anyone like her. I hope I am not doing her wrong, but she wasn't educated, but she knew every aspect and nuance of filmmaking. While shooting Chashme Budoor, she improvised the scene where she is climbing up the stairs to get to the house of the boys.' Mishra discovering the cave of the three men and then stumbling upon an issue of the Playboy magazine is comedic gold. Mind you, she was there to recruit Omi and Jai for a mission to bring her granddaughter and Siddharth together, and the ones who have seen the film must realise that their house didn't exactly give the best first impression (it did have an Amitabh Bachchan poster though). Sai had also revealed why she thought Mishra was the most professional actor she had ever met and told how the actor persevered through life-threatening conditions just to get the right shot. 'I heard a story that when she was doing her very last film, she got a paralytic attack while shooting. Half of her body became paralysed, and the shooting stopped. People got in a frenzy and were making plans to send her back to Mumbai, but she said, 'No, we still have one shot left.' She told the crew to shoot her from the side that was still mobile, and she finished that scene.' The director said that Mishra was taken to Mumbai right after that scene, where she passed away. Mishra's career was legendary, and her presence was almost ubiquitous. She was prolific and set in her ways, and she became every director's first choice for when certain roles came around. Her comments on never wanting to be a heroine are quite interesting if you think about it, because in most of the scenes where Mishra got even a modicum of a true chance to showcase herself, she was brilliant. She was the silent, strong type who didn't want to be in the spotlight, but her art made it clear that if she wanted to, she could. If a person who can't reach the peak decides to not climb the mountain, that's not a choice; that's the limitation of that particular being. But if the one who could climb it backwards and descend faster than air chooses not to, then there is virtue in that choice. Mishra could have gone down as one of the greatest, most loved actors of this industry; she just didn't want to, she never felt the need for it. For Mishra it was more important to be moral than successful, and while the beliefs that she was defending might have been forgotten now, the thinking behind their protection is commendable, and something we could do with a lot more of.
Mint
8 minutes ago
- Mint
Coolie Box Office Day 2: Rajinikanth movie fails to outperform Hrithik Roshan's War 2 on I-Day holiday, sees 18% drop
Coolie Box Office Collection Day 2: Superstar Rajinikanth's movie is topping charts and is leading as the biggest opener of 2025. After emerging as biggest Tamil opener of the year, the action thriller recorded 17.69 percent drop in earnings on Independence Day holiday. The highly awaited movie helmed by Lokesh Kanagaraj crossed ₹ 100 crore mark on Day 2 and set to make new records during its first weekend. The film debuted on the silver screen on August 14 amid a clash with Hrithik Roshan and Jr NTR starrer Bollywood film War 2. Let's have a look at exact Coolie box office figures. The Kollywood movie is showing strong performance at the box office as it raked in ₹ 53.5 crore net in India on Friday, according to film industry tracker Sacnilk. Meanwhile, Hrithik Roshan's War 2 overshadowed Coolie on Independence Day holiday as it minted ₹ 56.35 crore net at the domestic box office. During its 2-day run in theatres the movie, produced by Kalanithi Maran under the banner Sun Pictures, collected ₹ 118.5 crore net in India. Film trade analyst Sumit Kadel in a post on X stated, '#Coolie has a FANTASTIC Day 2 in India, raking in ₹ 51-53 Cr nett (early est ) Crosses ₹ 100 Cr mark in just 2 days!'
Time of India
20 minutes ago
- Time of India
WATCH - Nandamuri Balakrishna surprises Hindupur by driving RTC bus; Fans call him ‘unstoppable'
(Picture Courtesy: Facebook) Nandamuri Balakrishna , fondly known as Balayya and celebrated as the 'God of Masses,' gave the people of Hindupur an unforgettable surprise this week. As part of the launch of a new special scheme for women, the actor-politician decided not to simply wave a flag or cut a ribbon — he climbed into the driver's seat of an RTC bus and drove it himself. Locals who had gathered for the event erupted in cheer, with many whipping out their phones to capture the unexpected sight of their MLA behind the wheel. Fans celebrate the moment online True to Balayya's larger-than-life persona, the video sparked a flurry of reactions online. Admirers filled timelines with comments declaring that 'there's nothing Balayya cannot do.' The video went viral. One comment read, "Man::: Super Yar it's." Another comment read, "Sweetest of sweetest ra ma Balayya ." A third comment read, "Balayya ani enjoy chestadu."One commented, "Balayya is unstoppable." Akhanda | Song - Jai Balayya This isn't the first time Balayya has blended his celebrity with his political work, but the sight of him maneuvering a massive RTC bus has struck a special chord. All eyes on ' Akhanda 2 ' While his political gestures make headlines, Balayya's film career continues to burn bright. The actor has already completed dubbing for 'Akhanda 2: Thaandavam', his much-awaited reunion with director Boyapati Srinu. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villas For Sale in Dubai Might Surprise You Villas In Dubai | Search Ads Get Quote Undo The team confirmed the update with a powerful poster, writing: 'This duo is set to deliver a 4X BLOCKBUSTER… The Thaandavam is going to be massive, beyond your imagination.' Set for a grand release on September 25th, the film has been riding high on anticipation since its teaser dropped on Balakrishna's birthday. The teaser for 'Akhanda 2' received good responses from the audiences, as it promises several elements that will surely satisfy the fans. Meawhile, Balayya's previous outing was the action flick 'Daaku Maharaaj' which turned out to be a superhit. "Get the latest news updates on Times of India, including reviews of the movie Coolie and War 2 ."
