logo
Adrien Brody Revealed That Harvey Weinstein's Kids Call Him 'Popsy' In His Divisive Oscars Acceptance Speech

Adrien Brody Revealed That Harvey Weinstein's Kids Call Him 'Popsy' In His Divisive Oscars Acceptance Speech

Buzz Feed03-03-2025

Hot Topic
🔥 Full coverage and conversation on the Oscars
As I am sure you are aware by now, the Oscars took place last night, and one winner in particular caused a bit of a stir with his speech. No, not Kieran Culkin exposing his wife Jazz Charton's promise that she'd give him a fourth child if he won — Adrien Brody's five-minute-long speech, which included him snapping at the Academy crew for trying to play him off.
The speech has, understandably, sparked a lot of discourse, with some calling Adrien ' arrogant ' for the way that he shut down the music that tells winners when they've been talking for too long by referencing his first Oscar, saying: 'Turn the music off, I've done this before, thank you — it's not my first rodeo.'
Others have claimed that he ultimately said a whole lot of nothing despite speaking for so long.
However, there was at least one interesting tidbit of information buried in his speech, and that is the fact that Harvey Weinstein's youngest children, 13-year-old India and 11-year-old Dash, refer to him as 'Popsy.' For reference, Adrien has been dating Harvey's ex-wife, Georgina Chapman, since 2019, and has been shouting her out in his acceptance speeches all awards season.
Back in January, Adrien couldn't resist gushing about Georgina as he accepted the Best Actor in a Drama Golden Globe, where he said: 'To my beautiful and amazing partner, Georgina: Your generosity of spirit, your own resilience, your immense creativity are a daily reminder of how to be.' He also name-checked her when he won a Critics' Choice Award last month, and when he won a BAFTA, he called Georgina 'an angel.'
But last night's Oscars marked the first time that Adrien has referenced Georgina's children, and the role that he plays in their lives. He said: 'I share this with my amazing partner Georgina — who has not only reinvigorated my own self-worth, but my sense of value and my values — and her beautiful children, Dash and India. I know it's been a rollercoaster, but thank you for accepting me into your life — Popsy's coming home a winner!'
ABC / Via youtube.com
Georgina first started dating disgraced movie producer Harvey back in 2004, and the two got married in 2007. In October 2017, Georgina announced that she was divorcing him after more than 100 women came forward with allegations of rape, assault, or sexual harassment. She said in a statement at the time: 'My heart breaks for all the women who have suffered tremendous pain because of these unforgivable actions. I have chosen to leave my husband. Caring for my young children is my first priority and I ask the media for privacy at this time.'
Harvey and Georgina reached a settlement in January 2018, and their divorce was finalized in July 2021. Meanwhile, Harvey was found guilty of two of five felony counts in New York in February 2020 and sentenced to 23 years in prison. In December 2022, Harvey was found guilty of three of seven charges in Los Angeles and sentenced to an additional 16 years in prison.
In the years since their split, Georgina has rarely mentioned her ex-husband or his crimes, but in May 2018, she did open up about 'life after Harvey Weinstein' in a lengthy and emotional interview with Vogue, where she said that she didn't leave her home for five months when the allegations against Harvey first broke.
She told the publication: 'I was so humiliated and so broken that I didn't think it was respectful to go out. I thought: 'Who am I to be parading around with all of this going on?' It's still so very, very raw. I was walking up the stairs the other day and I stopped; it was like all the air had been punched out of my lungs.'
When asked if she was seeing a therapist, Georgina said that initially she felt as though she 'didn't deserve' to get this help, but she had a change of heart when she realized that she needs to 'move forward' with her life. At this point, Georgina also referenced her and Harvey's children, sharing: 'I have moments when I just cry for my children. What are their lives going to be?'
'What are people going to say to them?' she continued, with Vogue reporting that Georgina was crying while speaking. 'It's like, they love their dad. They love him. I just can't bear it for them!'
In addition to India and Dash, Harvey has three adult children from previous relationships: 22-year-old Ruth, 27-year-old Emma, and 30-year-old Lily.
It is not known if any of Harvey's children still have any kind of relationship with him.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Billy Williams, Oscar-winning British cinematographer whose credits included Gandhi and Women in Love
Billy Williams, Oscar-winning British cinematographer whose credits included Gandhi and Women in Love

Yahoo

time12 minutes ago

  • Yahoo

Billy Williams, Oscar-winning British cinematographer whose credits included Gandhi and Women in Love

Billy Williams, who has died aged 95, was one of the leading British cinematographers across four decades, winning an Oscar for his work on Richard Attenborough's Gandhi (1982). Exactly a year earlier he had missed out by a hair's breadth on scooping an Academy Award for the autumnal geriatric drama On Golden Pond (1981), starring Henry and Jane Fonda and Katharine Hepburn. But in April 1983 Williams received the gold statuette – shared with Ronnie Taylor – as one of the eight Oscars garnered by that epic film. It was the culmination of a long and often painful collaboration that for Williams had begun three years earlier when, in a short telegram reply to Attenborough's request for him to join the creative team on Gandhi, he wrote: 'Dear Dickie. Yes. Love Billy.' Williams enjoyed telling the a story of informing Katharine Hepburn that 'Richard Attenborough would like me to shoot Gandhi for him,' to which the actress replied: 'I think he's already dead, Billy.' The production, which was shot over six months, was fraught with logistical problems during filming in India – from the endless dust which unless swiftly checked would form like cement on the camera equipment, to problems obtaining official permission to shoot inside various key government buildings. Then, six weeks into filming, Williams slipped a disc and had to fly back to the UK. With his blessing, his duties were handed over to Ronnie Taylor, who had worked as a camera operator on two of Attenborough's earlier films. Taylor filmed for a month before Williams returned – only to suffer another slipped disc a month later, replaced once more by Taylor. By the time the production returned for its final weeks in the UK, Williams had recovered and completed the film, which included shooting in Staines Town Hall, doubling for the court house in Ahmedabad where Gandhi's 'Great Trial' had taken place in 1922, and at the Institute of Directors building in Pall Mall for a key interior sequence begun months earlier on the long steps leading up to the old Viceroy's House (now the presidential palace) in New Delhi. Williams had earned his first Oscar nomination a decade earlier for an altogether more intimate drama, Ken Russell's Women in Love (1970), featuring the much talked-about nude wrestling scene between Alan Bates and Oliver Reed. 'Photographically, it was the best opportunity I've ever had in terms of what the script was offering,' Williams recalled. 'It had every kind of challenge. Apart from the usual day and night interiors and exteriors, there was candlelight, snow scenes, dusk and dawn, and that nude wrestling scene. Bates and Reed agreed to be fully nude for one day only, on a closed set. After that they'd only do waist-upwards scenes.' Billy Williams was born on June 3 1929 in Walthamstow, east London. His father, also Billy, was one of Britain's great pioneering cameramen, who shot the surrender of the German Fleet at Scapa Flow, covered the trailblazing Cape Town-to-Cairo truck expedition, and was the first man to film from the summit of Mt Kilimanjaro. When young Billy left school at 14 he was offered a choice of jobs: working in a city brokerage for one of his mother's in-laws, or as an assistant to his father. There was no contest. After working some years for Billy Snr, he broke away and joined British Transport Films, before moving into commercials when all attempts at graduating to features failed. Working on ads with successful film directors like John Schlesinger, Ken Russell and Ted Kotcheff paid off when Williams managed to make it into long-form drama with Russell on the spy thriller The Billion Dollar Brain (1967), the second sequel to The Ipcress File, then on Women in Love. The Schlesinger connection also paid dividends handsomely in 1971 with Sunday Bloody Sunday, a daring – for its day – and intimate drama of homosexual love, which earned Williams one of his four Bafta nominations. Williams continued to shoot films, including the award-winning Western, The Eagle's Wing (1979) and Dreamchild (1985). He retired after Driftwood (1997). During and after his career as a cinematographer, he taught cinematography at workshops in the US, Germany, Ireland and Hungary, and in the UK at the National Film & Television School in Beaconsfield. One of his regular teaching colleagues was another great cinematographer, the Hungarian-American Vilmos Zsigmond. When Zsigmond declared himself unavailable to shoot On Golden Pond, co-starring Henry Fonda, Jane Fonda and Katharine Hepburn, he paved the way for Williams to notch up one of his most memorable international credits. 'Around that time,' he recalled, 'Vilmos was very much into flashing the film to soften the image, and using various filters to take the contrast away. The director Mark Rydell was very keen I should do something like that, too. I wasn't, though, because I didn't like the idea of the film looking too chocolate-boxy, too soft and sentimental. I thought the actors [Henry Fonda was 76 playing 80, Hepburn 72] should look their age.' Eventually, he managed to persuade Rydell to do away with filters altogether, apart from a 'very fine black net on the extreme close-ups of Hepburn and Jane Fonda'. Henry Fonda and Hepburn went on to win Academy Awards for their performances, in Fonda's case posthumously. Williams's other notable contributions to cinema history included shooting the atmospheric 11-minute opening sequence in Iraq for The Exorcist (1973). Tall and distinguished-looking, he was perhaps unique among cinematographers in appearing front-of-camera in major Hollywood movies – first, as a British vice-consul shot down by Sean Connery's North African Berber tribesmen in John Milius's period adventure The Wind and the Lion (1975), and then as an expert witness in Suspect (1987), Peter Yates's courtroom thriller starring Cher and Liam Neeson. He served as president of the British Society of Cinematographers from 1977 to 1979 and was appointed OBE in 2009. Billy Williams and his wife Anne had four daughters. Billy Williams, born June 3 1929, died May 20 2025 Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.

How this S.F. company's $100 million gamble made ‘Lilo & Stitch' one of Disney's biggest hits
How this S.F. company's $100 million gamble made ‘Lilo & Stitch' one of Disney's biggest hits

San Francisco Chronicle​

timean hour ago

  • San Francisco Chronicle​

How this S.F. company's $100 million gamble made ‘Lilo & Stitch' one of Disney's biggest hits

There's an old Hollywood adage, attributed to comedian W.C. Fields, that advises filmmakers and actors never to work with children or animals. Good thing the makers of the new live-action ' Lilo & Stitch ' didn't listen to such nonsense. In the less than two weeks since its release, the Disney film is one of the most beloved of the year, pulling in more than $600 million at the global box office. It is already the second-biggest Hollywood release of 2025, and has a good shot at supplanting ' A Minecraft Movie ' ($947 million) as the top earner. Obviously, one of the reasons it has become one of Disney's most successful live-action remakes is audiences' warm memories of the 2002 animated film. But a major factor is the undeniable chemistry between 6-year-old Maia Kealoha, who plays Lilo, and the beautifully realized 2025 version of Stitich, the tiny irrepressible alien who lands in Hawaii and becomes Lilo's chaotic companion. The secret to developing that relationship was spearheaded by Industrial Light & Magic, based at the Presidio in San Francisco. As the visual effects team was grappling with how to turn the 2D animated version into a fully fleshed-out CGI character, a crucial decision was made: to aid the-yet-to-be-cast child actress who would play Lilo, the $100 million production would use animatronic puppets to interact with her and serve as a visual guide for the VFX team. 'They immediately had a bond,' animation supervisor Matthew Shumway said during a recent Chronicle visit to ILM. 'Every day there would be cute moments on the set. It was really important to let (Maia) have a friend on set. It was really cute to see how black (Stitich's) nose was by the end of production; it was pretty rubbed off because she kissed it so much.' Shumway, who filmed test footage with his own 6-year-old daughter before Maia was cast, and visual effects supervisor Craig Hammack turned to Legacy Effects, a Los Angeles company that specializes in animatronic puppets (Grogu of ' The Mandalorian '), to create a series of Stitch puppets, including one suited for underwater scenes. Hayes called the child's performance 'huge.' 'A 6-year-old girl, a lot on her shoulders, and there's only one of her, you know?' Hayes said. 'She nailed the character, and she was very professional, and very impressive.' Hammack, a two-time Oscar nominee as visual effects supervisor on ' Deepwater Horizon ' (2017) and ' Black Panther: Wakanda Forever ' (2022), agreed. 'Maia was phenomenal — very honest, very focused,' he said. 'It didn't feel like (the production) was being tailored to a child in that everything was able to stay on track and very productive for the time we had with her.' Because Lilo first thinks Stitch is a dog, some of the character's movements were dog-like. In those scenes, a French Bulldog named Dale stood in for Stitch in scenes with Maia. The animal 'always gave a little bit of unpredictability,' Hammack noted, which added spontaneity to the film. Somewhere, the ghost of Fields was spinning. Blending live actors with animated characters has been a thing since at least 'Anchors Aweigh,' the 1945 MGM musical in which Gene Kelly famously danced with Jerry the Mouse. The landmark 1988 film 'Who Framed Roger Rabbit' upped the ante. But counterintuitively, because of ILM's cutting-edge technology, 'Lilo & Stitch' was able to deliver something Kelly didn't have: a physical scene partner. 'Our work works because Seth did his job,' Shumway said. 'Without it, we would maybe get a stale performance from Maia. By the time it gets to (the VFX team), we digitally remove (the puppet), but then we've got all the other elements that benefited from the work that he did. Because Maya gave a really good performance, then we can give a really good performance with Stitch. 'So really, it's an old school process, but it's still very modern in how we approach it.'

Family Guy's Seth MacFarlane turns to alcohol to deal with stage fright: 'I definitely get nervous'
Family Guy's Seth MacFarlane turns to alcohol to deal with stage fright: 'I definitely get nervous'

Yahoo

time3 hours ago

  • Yahoo

Family Guy's Seth MacFarlane turns to alcohol to deal with stage fright: 'I definitely get nervous'

Seth MacFarlane "definitely gets nervous" before a performance. The 51-year-old star is best known as the creator of the long-running animation series 'Family Guy' but has also released eight studio albums during his career and admitted that he has previously had to turn to alcohol to cope with stage fright. Speaking on 'CBS Sunday Mornings', when asked if he sees himself an introvert, he said: "Oh hell, yeah! I don't even wanna be here! No, I'm just kidding! "I think I had, like, four Scotches before I walked out on stage at the Oscars. I do get...I definitely get nervous." After graduating with a degree in animation from Rhode Island School of Design, Seth was all set to study a graudate programme in musical theatre but was then suddenly recruited to work on the carton series 'Johnny Bravo' 'Cow and Chicken' and 'Dexter's Laboratory' for Hana-Barbera so jumped at the chance, but admitted there was a his signature creation may never have come to fruition at all. He said: "My sister at the time was going to the Boston Conservatory of Music for musical theatre. She has a beautiful singing voice. I had gotten it into my head that I was going to go to grad school for musical theatre as well, so I applied and got in and was all set to go for their grad programme, but then I got this offer from Hanna-Barbera to come do an animated short for a series they were doing so I just had to take it and I moved out to California. "There was an incident there where I could have diverged into a completely different career and never even thought about something called 'Family Guy'." Seth also voices the roles of Peter, Brian and Stewie Griffin on 'Family Guy' and admitted that after more than 25 years on air, he has now begun to "analyse" the near-the-knuckle comedy in the programme in a way he hasn't done so before. He said: "When I started the show, my attitude was 'It doesn't matter, none of it matters. Let's do it...' and now that I'm older, I look back at the shows that we've done and think it's a little more complicated than that. "Comedy and jokes do have an impact. I have to figure out a way to maintain what the show is, and maintain this thing that people love but at the same time recognise that I am analysing it now in a different way than I did when I was younger."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store