logo
Tattoo fireworks finale scaled back in favour of 100 drones

Tattoo fireworks finale scaled back in favour of 100 drones

Synchronised drone displays have been introduced to the Royal Edinburgh Military Tattoo for the first time in its history to offer a 'pyrotechnic alternative' to the large-scale displays that have traditionally heralded the show's finale.
Read more:
And the loud bangs that echoed throughout the city during the three-week run have been largely replaced by the sound of silence.
A vastly-reduced number of "low-noise" fireworks are being used during the show's finale under a shake-up overseen by the event's new creative director.
The use of fireworks in the finale of the Royal Edinburgh Military Tattoo has been significantly scaled back.
Alan Lane said the Tattoo, which was staged at the esplanade for the first time in 1950, was aware of its responsibilities to be 'good neighbours' in the city.
However he defended a decision to keep the Tattoo's long-running flypasts as part of the show, despite calls for them to be dropped due to their environmental impact, with Mr Lane insisting they are a key part of the event's identity.
Fireworks have been largely replaced by drone displays in the finale of the Royal Edinburgh Military Tattoo. (Image: Jane Barlow/Press Association)
Around 100 drones are being used every night in the Tattoo to create a variety of images related to the show, including a thistle, the antlers of a stag, musical notes and the crescent of King Charles.
And the Tattoo has been confirmed they have led to a reduction in the use of fireworks in the finale.
The use of fireworks has been scaled back at this year's Royal Edinburgh Military Tattoo. (Image: Jane Barlow/Press Association)
Mr Lane told The Herald: 'We are aware of our responsibilities at the Tattoo.
'We have responsibilities to be good neighbours, we have a responsibility to be a responsible organisation, and responsibilities to our charities and to our audiences.
The Royal Edinburgh Military Tattoo is celebrating its 75th anniversary this month. (Image: Jane Barlow/Press Association)
'With each show, we are balancing those responsibilities with as much care and attention as we can.
'As part of that, we have developed a pyrotechnic alternative to the traditional and much-loved fireworks so we can still deliver that sense of wow above the skyline of the castle every night with less of an impact that previous displays had."
Low-noise fireworks are being used in this year's Royal Edinburgh Military Tattoo. (Image: Ian Georgeson)
Mr Lane, who landed the Tattoo job after 24 years in charge of the Leeds-based theatre company Slung Low, has previously been involved in large-scale outdoor events in Hull, Leeds and Liverpool.
He can trace his involvement in the arts industry back to the Tattoo, the first ever live show he attended as a child, which he was taken to by his father, who was in the Royal Air Force.
A thistle is one of the images created by drones during the Royal Edinburgh Military Tattoo. (Image: Ian Georgeson)
He added: 'The pyrotechnics in the show are much more environmentally friendly this year.
'There is a balance to be had. The public expect us to deliver something. We are very aware of the responsibility of this being the largest show in Britain, which has 900 people in the cast, happens every single year and offers a huge stage for Scottish traditional performing arts and military music.'
The Tattoo has been under growing pressure from councillors in the city to reduce the environmental impact of the event. Concerns have also been raised about the impact of fireworks displays on household pets, war veterans and refugees.
However the Tattoo has insisted they should be retained to reflect the origins of the show, which was instigated a few years after the end of the Second World War. An RAF Typhoon jet, the RAF's Red Arrows 'aerobatics' team and an Army Apache helicopter have all been lined up to appear above the castle during this year's show.
Mr Lane told The Herald: 'The flypasts are an important part of the Tattoo's identify. The flypasts are really popular, not just with a large part of our audience, but with the general public.
'People get in touch with us every time this comes up. I am always surprised at how enthusiastic people are about them.
'But that doesn't mean that we don't have to respect the opinions of those who don't like them.
Tattoo chief executive Jason Barrett added: 'We were born from the spirit of post-war celebration, and that legacy continues to inspire everything we do.
'The flypasts are a demonstration of the Tattoo's support and commitment to UK's defence forces and are a cherished tradition and a much-loved highlight of our Show – stirring pride and joy in equal measure.
'As we turn our eyes to the sky, we're reminded of the extraordinary dedication of our armed forces — at home and around the world.'
Edinburgh's traditional end-of-festival fireworks concert in Princes Street Gardens has not been staged since 2019, the year before the Covid pandemic forced the cancellation of the city's major events.
The event, which was staged annually by the Edinburgh International Festival since 1982, has not returned due to a shortage of funding and the lack of a sponsor for the event, which has attracted up to 250,000 spectators across the city.
The Herald has teamed up with EdFest.com to make the purchase of tickets for the Edinburgh Festival Fringe so much easier. To buy tickets, please click here.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Edinburgh Fringe dance and physical theatre reviews: IV
Edinburgh Fringe dance and physical theatre reviews: IV

Scotsman

timean hour ago

  • Scotsman

Edinburgh Fringe dance and physical theatre reviews: IV

Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... IV ★★★ Dance Base (Venue 22) until 24 August You know a dance work is doing something right, when your emotional response ranges from hate to love. The opening moments of this new work by London-based artist and dancer SERAFINE1369 are a slow torture for those in need of stimulation. A voiceover announces the time, one of four dancers move, then we all sit and wait for the next announcement (roughly one-two minutes later), so they can move again. Advertisement Hide Ad Advertisement Hide Ad IV | SERAFINE1369 This realisation almost makes it worse (at least when you're blissfully unaware, you live in hope of activity), but gradually things start to change. Short bursts of action become more prolonged, and the pockets of improvisation carried out by these very watchable dancers never fails to engage. At one point, the whole room takes on a clubbing vibe, with fast beats, a stage full of haze, and the kind of 2am dance floor movement that's all-consuming (for them, and us). As an exploration of the relationship between dancer and choreographer, who's in charge of when and how a body moves, and how an audience responds to that, IV is fascinating. But the chunks of inactivity, excessive haze, and dialogue that isn't always fully audible, places a barrier between viewer and performer that limits our response. Kelly Apter Puff ★★★ Dance Base (Venue 22) until 24 August When we first meet Brazilian performer Hiltinho Fantástico, he bounces onto the stage with an enviable loose-limbed breeziness. Dressed in baggy shorts, with gold paint in his hair, he inhabits a range of dance styles (passinho, African, samba, capoeira), fusing them together with a special quality all his own. Advertisement Hide Ad Advertisement Hide Ad Forty five minutes later, he is a changed man. Drenched in sweat, a line of gold picks out the discs in his spine, and his mouth, neck and chest are covered in metallic silver paint. The paint's arrival is a mystery (the gold, presumably, dripping from his hair - but the silver is anyone's guess) and is in curious contrast to the show's title ('puff' in Portuguese means when something magically disappears). Choreographer Alice Ripoll was inspired by the way disguise is used in dances of the African diaspora, and she has coaxed some entrancing moves out of this magnetic performer. But regardless of how engaging Fantástico is, 45 minutes with one person on stage and just two minutes of music can feel a little hard-going. Ripoll obviously had her reasons for choosing silence over sound, but in the drive to widen the accessibility of dance, it's a questionable move. Kelly Apter

Fringe 2025 – Scottish Asian Art Awards
Fringe 2025 – Scottish Asian Art Awards

Edinburgh Reporter

timean hour ago

  • Edinburgh Reporter

Fringe 2025 – Scottish Asian Art Awards

Among the winners of the 2025 Scottish Asian Art Awards members of the Scottish Indian community were among the most successful group. The awards were presented by Lyndsey Jackson Depute Chief Executive of the Edinburgh Festival Fringe Society and composer Richard Lewis. The event at MOXY Fountainbridge was masterminded by Jim Orr. The highly acclaimed Kanpur: 1857, written and co-performed by Edinburgh-based Niall Moorjani and showing at the Pleasance until Sunday, won the award for Outstanding Production. Set at the time of the Kanpur uprising, this new play 'comically satirises contemporary conflicts around gender, colonial violence, and making art in times of crisis'. The award was collected by the production's musician, Sodhi. Sodhi collected the award for Kanpur Sanjay from Chai Tea with Richard Lewis left and Lyndsey Lyndsey Jackson Deputy Chief Executive Edinburgh Festival Fringe Societry on right Shows by Sanjay Lago (Love me Like a Chai Tea Latte and Dance Ihayami (Dansa Rickshaw) also won awards for Highly Commended performances. Sanjay and the members of Dance Ihayami are from the Scottish Indian community, and Sanjay is from Glasgow ('Ibrox, don't judge me' he says). Hahaha-Hamlet from Hong Kong, playing at the Paradise Green venue on George IV Bridge until Saturday, won the award for Outstanding Show. The award reviewers simply loved this 'captivating reimagining of Shakespeare's classic tale, blending original musical with dark humour, intertwining the struggles of contemporary Hong Kongers with Hamlet's timeless tale'. Energetic, inventive and incredibly moving with some reviewers moved to tears as the tales of Hamlet and Hong Kong coincided at the end. The whole cast were in attendance to receive the award and they were delighted. Chelsea Zhou trustee of Asian Art Fund Scotland and the cast of Hahaha Hamlet Mayuri Bhandari of the Anti 'Yogi' (playing until Sunday) won the award for Outstanding Female while Jeremy Rafal won Outstanding Male for The Boy from Bantay 'a heartwarming journey of growth and self-discovery'. Mayuri was in attendance with her renowned percussionist Neel Agrawal while Jeremy sent a video message to the audience. Both shows were hugely popular. At the Anti 'Yogi' the audience were invited to 'Join Mayuri Bhandari and Kali, the Goddess of Death every day as they navigate the absurdities of Western Yoga culture. Liberation, not Lululemon!' Anti Yogi The Outstanding Youth Performance was won by the show 'Landscape of the Other Shore' from Shenzhen University which was also inspired by a European classic: Géricault's painting and Georg Kaiser's play The Raft of the Medusa. Shenzhen University The Asian Arts Special Award was shared between GENDAI TOKYO and Up-cycle Music by Creative Art of Korea. Gendai Tokyo have a simply incredible laser show playing at WU Asia Pacific until Sunday while Up-cycle Music is a 'response to climate change from a uniquely artistic perspective. They use waste to make music – cellos from abandoned equipment from rural areas, stringed instruments of thrown away plastic toys – and compose piano songs based on the characteristics of endangered animals, to ask vital questions about the climate crisis'. Their run has ended. All the winners Photo credit: Matt Sime Jim Orr organiser of Asian Art Fund Scotland Outstanding Show Winner: Hahaha–Hamlet – Chai Wan Rabble (Hong Kong) Highly Commended 1Shoulder Pad: Galaxy Train, Japanese Musical Theatre (Japan) Practice of Zen – Theatre Ronin (Hong Kong) Outstanding Production Winner: Kanpur: 1857 – Niall Moorjani Storyteller and Pleasance (Scotland / India) Highly Commended 1457, The Boy at Rest – Poem and Star / Korean Season by GCC & AtoBiz (Korea) Relaxing and Balancing – Ying Yang – On/Off Theatre (Hong Kong) The Time Painter – ACC, ACCF, Haddangse / Korean Season by GCC and AtoBiz (Korea) Outstanding Male Performer Winner: Jeremy Rafal, The Boy from Bantay (Philippines / USA) Highly Commended Zheng Xiaofan Dance Theatre, PERSONALLERY 4.0 (China) Kumar Muniandy – Second Class Queer (Malaysia / UK / Germany) Eden Choi – Proust Effect (Korea) Sanjay Lago – Love me Like a Chai Tea Latte (Scotland / India) Outstanding Female Performer Winner: Mayuri Bhandari – The Anti 'Yogi' (USA / India) Highly Commended Dansa Rickshaw – Dance Ihayami (Scotland / India) Elisabeth Gunawan and KISS WITNESS – Stampin' in the Graveyard (UK / Indonesia) Afreena Islam-Wright – Lucky Tonight! (UK / Bangladesh) Chi-An Chen – Sole to Soul (Taiwan, China) Outstanding Young Performer [Winner] 3 Winner: The Landscape of the Other Shore – Shenzhen University School of Arts 201 Theatre Company (China) Highly Commended Dream Space – Creative Group SSAK / Korean Season by GCC & AtoBiz (Korea) Jasmine Thien – I Dream in Colour (UK / China) Asian Arts Special Award – Joint Award (two winners) GENDAI TOKYO (Japan) and Up-cycle Music, Creative Art (Korea) Like this: Like Related

Nominees for Edinburgh Comedy Awards announced
Nominees for Edinburgh Comedy Awards announced

Glasgow Times

timean hour ago

  • Glasgow Times

Nominees for Edinburgh Comedy Awards announced

Now celebrating their 45th year at the Edinburgh Festival Fringe, a panel chaired by Sam Bryant considered more than 500 shows, amounting to more than 1,200 viewings, to choose the nominees for the Taffner Family best comedy show and the DLT Entertainment best newcomer. Topics explored by the shortlisted shows include gender identity, grief, sexuality, health and relationships. Sam Nicoresti is among the nominees in the 45th Edinburgh Comedy Awards (Jane Barlow/PA) The shows nominated for the Taffner Family best comedy show gong are: Dan Tiernan: All In; Ed Night: Your Old Mucker; Ian Smith: Foot Spa Half Empty; John Tothill: This Must Be Heaven; Katie Norris: Go West, Old Maid; Sam Jay: We The People; Sam Nicoresti: Baby Doomer; and Creepy Boys: SLUGS. Nominees for the DLT Entertainment best newcomer award are: Ada and Bron: The Origin Of Love; Ayoade Bamgboye: Swings And Roundabouts; Elouise Eftos: Australia's First Attractive Comedian; Kate Owens: Cooking With Kathryn; Molly McGuinness: Slob; Roger O'Sullivan: Fekken; Toussaint Douglass: Accessible Pigeon Material. Nica Burns, director of the Edinburgh Comedy Awards, said: '2025 is another outstanding year of great comedy. Many of those shortlisted will be the stars of tomorrow. It is going to be a very exciting race to find the eventual winners with two brilliant lists of nominees for the Taffner Family best comedy show and the DLT Entertainment best newcomer, which this year is female-led. SLUGS are nominated for the best comedy show gong (Jane Barlow/PA) 'The performers nominated cover a huge amount of topics, with acts from three continents giving diverse perspectives.' Mr Bryant, Audible's director of original content, said: 'The landscape of comedy is expanding, with audio now playing a huge part in how comedians build their profiles and connect with audiences. 'It's a thrilling moment where the live Fringe stage sits alongside podcasts and digital platforms as stepping stones in a comedian's career. 'The Edinburgh Comedy Awards have always been a launchpad for the next generation of talent, and that role feels more important than ever. 'Our panel and scouts dedicated themselves to the process, seeing more than 1,200 hours of comedy across the festival, to ensure that this year's shortlists reflect the breadth of voices, styles and opportunities shaping the future of the art form.' The 45th Edinburgh Comedy Awards ceremony takes place on Saturday.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store