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Jonita Gandhi reveals she was bullied in school for facial hair; recalls getting 'racist comments': 'I was convinced that I was never going to have s*x...'

Jonita Gandhi reveals she was bullied in school for facial hair; recalls getting 'racist comments': 'I was convinced that I was never going to have s*x...'

Time of India2 days ago

Singer
recently shared her experience of growing up in Canada and how things changed when she returned to India. The singer, born into a Punjabi family in Delhi, had to move with her parents to a foreign country when she was just nine months old.
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Jonita Gandhi about facing racist comments
In a recent conversation with Hauterrfly, Jonita reflected on her experiences with racism and the personal insecurities she battled over the years. She shared that while Canada had a sizable South Asian community that offered a sense of familiarity, she felt distinctly alienated upon coming to India.
Jonita recalled that when she came back to India, she was treated differently, and even the way rickshaw drivers spoke to her felt odd.
They had charged her double, and it made her feel as though she didn't belong here.
Singer Jonita Gandhi requests fans to wear mask
Jonita about feeling insecure about her body
She further recalled being bullied for her facial hair during her school years. 'I used to get a lot of racist comments while growing up. But I was more bothered about being bullied for my facial hair. I used to have curly side-locks. They used to call me Godzilla. I think they just thought I was ugly.
I used to come home and cry. Even the Punjabi boys in my class would make fun of me.'
She admitted that the bullying had affected her both mentally and physically, as she started having insecurities about her body. 'Growing up, I was convinced that I was never going to have
because of the same issues. I couldn't accept my own body; how can someone else accept it? I still have some of those issues.'
Jonita shares how music helped her
But music helped Jonita to a great extent. It helped her feel something different and special in life. She felt ugly looking at her body and had to wear a kurti while doing shows in Toronto, whereas everyone else was wearing a lehenga.
Jonita's latest music video 'Beparwai' is garnering love from fans.

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Shah Rukh Khan once introduced wife Gauri Khan as 'Ayesha', jokingly asked her to wear a 'burqa' – Here's why
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This 3 hour 33 minute was a superhit, was highest grossing film in 1991, featured Dilip Kumar, film is.., earned Rs..
This 3 hour 33 minute was a superhit, was highest grossing film in 1991, featured Dilip Kumar, film is.., earned Rs..

India.com

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  • India.com

This 3 hour 33 minute was a superhit, was highest grossing film in 1991, featured Dilip Kumar, film is.., earned Rs..

This 3 hour 33 minute was a superhit, was highest grossing film in 1991, featured Dilip Kumar, film is.., earned Rs.. In the golden era of Bollywood, many films came and went. While a few were great entertainers, some rare films stood out that resonate with the audience even today. One such cult classic is a blockbuster that came out 34 years ago, but its strong storyline and impeccable performance of actors still strikes a chord. The film that we are talking about is none other than 'Saudagar'. Released in the year 1991, the film's plot revolves around friendship and animosity. The film features a power-packed cast with Vivek Mushran and Manisha Koirala in the lead and Amrish Puri, Anupam Kher, Mukesh Khanna, Dalip Tahil, Gulshan Grover, Dina Pathak, and Jackie Shroff in supporting roles. This Subash Ghai film was inspired by a Punjabi film called 'Haq Mehar' and it broke records by becoming one of the highest-grossing films of the year 1991. The plot of the film revolves around an old disabled man named Mandhari, who shares the story of two friends with some kids. One of the two friends happens to be the son of a rich landlord, and the other is the son of a poor farmer. Both of them became good friends. Both of them used to call each other Raju and Veeru. When both of them grow up, the film takes a turn that will keep the audience hooked and entertained throughout. Becoming one of the highest-grossing films of 1991, this film collected Rs. Rs 15.75 crores, and its songs became a superhit. Even after 34 years since its release, Saudagar resonates with the audience even today and is a cult classic. So if you are in the mood for nostalgia, that can entertain you as well as give a message, you must add this in your must watch list.

Why the Punjabi film industry says ‘no more' to Pakistani collaborations
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The laughter that once bridged borders has now curdled into outrage. Just days after the Pahalgam terror attack and India's retaliatory Operation Sindoor, Pakistani actor Iftikhar Thakur—best known in India for his comic roles in the Chal Mera Putt franchise—made a casually venomous remark about India on a Pakistani TV show. It wasn't satire. It wasn't clever. It was incendiary. And it sparked an unusually swift and unified response from the Punjabi film industry—a historic and resolute 'enough'.For an industry often accused of fence-sitting during moments of national crisis, this moment signals a decisive shift. Leading production houses like Rhythm Boyz Entertainment and Humble Motion Pictures—once champions of cross-border cultural collaboration—have begun reassessing scripts, recasting actors and reconsidering their overseas distribution strategies, especially in diaspora-rich markets like Canada, the UK and this reckoning goes beyond one actor's inflammatory comments. 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Hania Amir, once considered for a lead role in Sardaar Ji 3 alongside Diljit Dosanjh, may see her Bollywood aspirations hard stop comes at a time when Punjabi cinema is enjoying a creative and commercial upswing. Big-budget releases like Mastaney and Carry on Jatta 3 have delivered box-office success, critical praise and international acclaim. But the shadow of political contamination now looms large, forcing producers to weigh the benefits of mass appeal against the risks of compromised cultural this moment of rupture may spark artistic renewal. With fewer self-imposed restrictions, filmmakers now have the freedom to explore weightier themes—identity, justice, conflict—without tiptoeing around diplomatic sensitivities. 'Maybe it's time we stopped outsourcing punchlines and started owning our voice,' one director Punjab's cultural leaders chart a new course, a quiet but firm consensus is emerging: art should build bridges, not carry bullets; humour should unite, not humiliate. 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