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‘Real Heroes', Saluting Our Seniors An Original Sony LIV Series Honoring India's Armed Forces Veterans and Freedom Fighters
Sony LIV proudly announces the launch of Real Heroes, an eight-part original docuseries that brings to life the powerful personal stories of India's freedom fighters and armed forces veterans. Directed by Anirban Bhattacharyya, it is streaming exclusively on Sony LIV's YouTube channel. The series is a moving tribute to the generations of Indians who have devoted their lives to safeguarding the country's sovereignty and values.
Real Heroes marks a significant step in Gen S Life's broader mission to honour, amplify and preserve the voices of India's senior citizens. By capturing the memories of these national icons, the series serves not just as documentation but as legacy-preserving stories that have remained unheard or under-celebrated for too long. From the snow-covered silence of Siachen to the historic resistance of the freedom movement, these narratives offer intimate insights into the human cost of service, courage and conviction. The series is an absolute eye-opener with the veterans revealing never-before-heard first-hand experiences of some of the biggest military operations.
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Among the featured voices is Lt Gen Sanjay Kulkarni PVSM, AVSM, SC, SM, VSM (Retd), a veteran of Operation Meghdoot (1984), and a war-hero, reflecting on the life-threatening conditions he faced, shared, 'Siachen is not a place you conquer; it is a place that tests your will to survive. We went there not just to hold ground but to uphold India's honour in the harshest climate on earth. Here Great Courage and Fortitude is the Norm.'
Col. DPK Pillay (Shaurya Chakra), from Kannur, Kerala, recalled his time in Manipur in 1994, 'In the chaos of battle in Manipur, I learned that true soldiering means saving lives, not taking them. Wounded in Operation Rakshak, I gave up my evacuation for two injured children. The villagers' gratitude stayed with me—and years later, they called me back, not with bitterness, but with honor. In their resilience, I saw that even in war, humanity speaks without words, and gratitude never fades.'
Hailing from Punjab, Col. Jasbir Singh, who was grievously injured during the Indo-Pak war in Operation Cactus-Lily (1971), spoke with clarity and strength. 'When I stepped on a mine and lost my foot, I knew my life would change. But I did not lose my purpose. That war taught me to live with honour, no matter the cost'.
Dr. G.G. Parikh, a 101-year-old freedom fighter from Mumbai, who was jailed for 10 months during the Quit India movement remembered the underground resistance during British rule. 'We fought without weapons, but with a relentless spirit. We were imprisoned, but never silenced. Freedom was earned by ordinary people doing extraordinary things. And today, I fear we have forgotten the quiet strength of civil disobedience, of selflessness. That's why I speak—to remember, and to remind.'
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Brig. Shamsher Singh (AVSM), who fought in the Battle of Haji Pir (1965), spoke of the mountainous terrain and his unit's bravery,'The Haji Pir pass wasn't just terrain—it was an identity, a cause. We were told to expect 100% casualty and we were prepared to die!'
Gour Hari Das, from Odisha, who was blessed by Mahatma Gandhi, spent decades trying to prove his identity as a freedom fighter after Independence. 'I fought to free India before 1947, and I fought bureaucracy after. Both battles demanded patience and faith. I only ever wanted to be acknowledged as a freedom fighter.'
Recalling the 1971 Battle of Basantar, Lt. Col. B.T. Pandit (PVSM, VRC), a decorated veteran from Pune Maharashtra, shared, 'I was sitting on the top of the tank and riding towards the enemy. I could hear the enemy bullets ricocheting off the tank. On the battlefield, you don't think of your life—you think of your nation.'
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From Mumbai, Commodore Medioma Bhada, a naval pilot who took part in an operation to bomb Chittagong in 1971, vividly remembers taking off in his Sea Hawk aircraft from INS Vikrant and heading towards the target, 'I was full of adrenaline. We were under strict radio silence, flying low over enemy harbours, knowing we might not return. But in uniform, fear takes a back seat to duty. We were young men flying into enemy fire and our brief was clear - destroy the targets at any cost.'
Reflecting on the significance of the series, Meenakshi Menon, Founder of Gen S Life, said, 'This initiative aligns with Gen S Life's core mission—to serve and celebrate India's senior citizens. These stories are a powerful reminder that history lives in people. By honouring their voices, we are not only remembering the past but investing in a more grateful future.'
Anirban Bhattacharyya, bestselling author and the director-producer of Real Heroes, added, 'Real Heroes has been one of the most humbling experiences of my life. These are not just stories; they are legacies, lived and carried by men who gave a part of themselves for India. We owe it to our future generations to document this living history while we still can. This series is our way of saluting the spirit, courage, and integrity of India's true legends.'
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Lt. Gen (Retd) Sanjay Kulkarni cited the series to be, 'An endeavour to motivate the present generation with deeds of yesteryears which have geo strategic reverberations for our future generations, I compliment and laud this great initiative of Gen S Life for honouring our great soldiers for whom Naam Namak Nishan is a call worth sacrificing their lives for the Nation. Jai Hind.'
Real Heroes is more than a tribute—it is a bridge between generations. Through unfiltered voices and lived experiences, the series reminds us that the courage of our seniors is not just part of our past, but a legacy that continues to shape who we are as a nation. Their stories deserve to be heard, remembered, and passed on.
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The Print
3 hours ago
- The Print
'Tanashahi sarkar' & Uttarakhand's legacy of folk protest: Singer booked for Dhami song speaks out
Though his music has stirred controversy in the past, his latest song criticising the state government has landed him in legal trouble, with a police complaint filed against him on charges of 'promoting enmity' and 'insulting the modesty of women'. For over two decades, the 41-year-old singer has used his songs to critique the Uttarakhand government and highlight various social issues in the hill state. New Delhi: Garhwali folk singer Pawan Semwal has never been known to mince his words, or lyrics. The song, titled Tin Bhi Ni Thami, loosely translated as 'Can't handle it for even a bit', takes aim at the state's BJP government over rising unemployment, corruption and crimes against women in the state. Uploaded on 16 July, the video includes caricatures and images of Chief Minister Pushkar Singh Dhami, visuals of Dehradun police, street protests and news clippings related to crimes, including the Ankita Bhandari murder case. The video gained traction quickly, racking up over 15,000 views, 1,200 likes and 500 comments on YouTube within 24 hours. The song's lyrics are hard-hitting. One verse that seems to have hit a raw nerve says that corruption and hooliganism have increased under the Dhami government: 'Tera raj ma bhrashtachaar, gundagardi hoyin chhai, janta sadaikiyon mein lachaar, betiyon ka hona chhan balatkaar…Dhami re, ni thaami re. (Your rule reeks of corruption and hooliganism, the people are perpetually helpless, daughters are facing rapes… Dhami, you couldn't even hold it together).' Semwal has been performing for over two decades and has worked for prominent production houses like Rama Cassettes and T-Series. Although his music critiquing those in power has ruffled feathers before, neither he nor any other protest singer in the state has found themselves in the crosshairs of police in the past. Not even when he released a song in 2018 targeting then chief minister Trivendra Singh Rawat, highlighting rising crimes against women in the state and accusing the government of being 'asleep', directly calling out Rawat and featuring his image in the video. But his latest song has triggered a much stronger reaction. Semwal alleges that hours after the song was released, police began showing up at his door. He told ThePrint that the Dehradun police came to his Delhi house on 17 July and told him to remove some images, specifically those of the chief minister, from the video. Police also asked him to remove the chief minister's name from the video. 'We edited the song accordingly and sent it to them. But later that night, around midnight, the police came again and took me in for questioning. They dropped me back home the next afternoon,' he added. Semwal said that after modifying the lyrics and visuals, he re-uploaded the song. This time, Chief Minister Dhami's images were removed, his name was altered to 'Dami', and a few protest visuals and news clippings were replaced with generic representative footage. But the matter didn't end there. On 20 July, police came to his house in Delhi and took him to Dehradun again. He added that his producer, Deepak, was taken too, but in a separate vehicle,' he said. He then deleted the video from YouTube altogether. 'Police barged into my house as if I were a terrorist,' Semwal said. 'What crime have I committed? In Uttarakhand, artists have always come forward to voice public concerns. I've always sung about issues that matter to the hills. If we folk artists won't raise our voices, who will?' he said. The singer alleged that the police continuously pressured him to take down the video. 'I was confused. We had already taken it off YouTube, but it was widely shared on Facebook. I told them, 'How many places will you remove it from?'' Semwal was again summoned to Dehradun for questioning on Sunday. He clarified that the Delhi Police were not involved when he was picked up from Delhi each time. Semwal has not been arrested, but police have registered a First Information Report (FIR) at Patel Nagar police station under sections of the Bharatiya Nyaya Sanhita related to promoting enmity between groups, statements conducive to public mischief and the use of a word, gesture or act intended to insult the modesty of a woman. Police officers confirmed the FIR to ThePrint but declined further comment, calling it a 'sensitive issue'. Legal trouble But it wasn't only the use of the chief minister's name and picture that put Semwal into trouble. After the song was uploaded again on 20 July, an Uttarkashi resident, Manju Devi, filed a police complaint alleging that a line in the song, which links a rise in the number of liquor shops to prostitution, was offensive to all women in Uttarakhand. In a now-viral video, Manju Devi is seen threatening the singer: 'If I see him, I will behead him… 28 cases have already happened and the 29th will be this one where I kill him.' Semwal has written to West Delhi Deputy Commissioner of Police (DCP) Vichitra Veer, requesting action against the woman. 'The woman who is threatening me may either have me killed or may falsely implicate me in a serious case and get me imprisoned. Therefore, I humbly request you to kindly take strict legal action against this woman and her associates who are threatening me,' read the complaint, a copy of which ThePrint has seen. ThePrint also reached the DCP via phone calls but did not receive any response. This report will be updated if and when a response is received. Semwal, who launched his own label, Bhuvaneshwari Production, in 2018, under which the controversial song was released, called the government's actions oppressive. 'This is a tanashahi sarkar (dictatorial government). They're arresting people who are doing their work. If we can't raise concerns with the government, who else are we supposed to talk to?' The singer, whose production house has over 32,000 subscribers on YouTube and has published over 120 videos, maintained that governments should view such art as a wake-up call, not an attack. 'It depends on the government whether they want to take it constructively or suppress it,' he told ThePrint. This isn't Semwal's first brush with controversy. When he released a song targeting former Chief Minister Rawat, titled 'Uttarakhandi Jagi Java' (People of Uttarakhand, wake up), a Dehradun resident filed a complaint against him. The song highlighted the rising crimes against women in the state and accused the government of being asleep, directly calling out Rawat and featuring his image in the video. But the then-BJP government distanced itself from the matter, saying the party had no connection to the complainant. When Rawat was asked to respond to the song, he said: 'Some people like unclean water, so they go to drains; some people like clean water and they go to the Ganga.' Political slugfest The Congress has slammed the FIR and subsequent police action against Semwal, calling it an attempt to stifle dissent. 'This is nothing short of clipping the wings of a folk singer, silencing a voice that speaks for the people,' Congress spokesperson Garima Dasauni from Uttarakhand told ThePrint, adding that the Dhami-led government is acting in a manner that undermines constitutional values. She also drew a link between the song's criticism of growing addiction among the state's youth and an announcement by the Chief Minister's Office (CMO) about implementing a plan to strengthen mental health and de-addiction services shortly after. The campaign reportedly will be implemented under the provisions of the Mental Healthcare Act, 2017. The government notification was issued on 24 July 2023. Acknowledging that even during Congress rule, there was criticism from artists and citizens, she pointed out that 'the government then never responded with FIRs or legal threats'. 'The BJP government is not addressing real issues like unemployment or youth welfare. Instead, it continues to obsess over Muslims, madrasas, UCC, and 'jihad',' she added. The state government defended its record. 'The development work of the Dhami government is resonating across Uttarakhand. Its popularity is rooted in these efforts. Under the guidance of Prime Minister Modi and the capable leadership of Chief Minister Dhami, the state is progressing steadily,' the BJP's Uttarakhand chief spokesperson Manvir Singh said in a written statement to ThePrint. 'Politics rooted in negativity and propaganda is not productive. The people are aware of every motive and, as always, will respond wisely,' he added. 'Bob Dylan of the hills' Semwal isn't the first singer in the hills to use music as a form of resistance. Before him, prominent singer Narendra Singh Negi, often called the 'Bob Dylan of the hills', used Garhwali folk music to satirise those in power. His iconic Nauchami Narayana—a satirical 2006 song in the Jagar style known for its unique ability to adapt to various cultural and religious contexts—directly targeted then Congress chief minister Narayan Dutt Tiwari. The song mocked Tiwari's alleged misuse of power, red beacon culture, corruption and nepotism, portraying him as a 'Kalyug avatar'. It quickly went viral, with CDs and DVDs flying off shelves across the state. The song was banned and party workers burnt his effigies on the roads across the state. The government's attempts to ban and seize the song only intensified public outrage. Many political observers believe the backlash played a role in the Congress party's defeat in the 2007 Uttarakhand Assembly elections. The trend continued in 2012, when Negi released Ab Kathga Khailo, a sharp critique of former BJP Chief Minister Ramesh Pokhriyal 'Nishank'. That song was also widely blamed for the BJP's poor performance in the state elections that year. Negi remains celebrated locally for his fearless approach, taking aim at both the BJP and Congress with equal vigour. For many locals in Uttarakhand, these folk songs have served as powerful expressions of public sentiment, giving voice to frustrations often ignored by the political establishment. 'We felt heard when these songs came out,' said 50-year-old Vikas Uniyal, a resident of Rishikesh. 'We were exhausted by endless bureaucratic hurdles and the lack of real change. Even Semwal's song gave language to what many of us were already feeling.' But Semwal said folk artists have long been neglected in the state. 'What have these political leaders ever done for our culture or for artists? One artist creates employment for three to four others — musicians, dancers. What is the government doing for them?' Anoop Nautiyal, a social activist and founder of the Social Development Communities Foundation, a Dehradun-based NGO, called the government's response disproportionate. Nautiyal told ThePrint that even without the controversy, the song would not have had the kind of impact that Negi's Nauchami Narayana had nearly two decades ago. 'The government went overboard with this one. The song wouldn't have affected them electorally at all,' he said. 'This is the age of social media, trends, and virality. People would have seen it and moved on by the time elections came around. Instead, the government should focus on core issues like hospitals, schools, roads, and governance.' He added that the shelf life of creative work today is far shorter than it was in the past. 'Back then, a song could live in the public memory for months, even years. 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